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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E9834 it is the complementary color #A167CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E9834. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E9834 shade: #63982F, #74AA42, #85BC55, #96CE68 and #A7E07B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E9834. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E9834 shade: #5E9834, #4D8621, #3C740E, #2B6200 and #1A5000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E9834 shade: #5E9834, #799834, #949834, #988134 and #986634

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E9834 shade: #5E9834, #439834, #349840, #34985B and #349876

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E9834 shade matches the following richer shades: #5E9834, #5BA824, #59B913 and #56C903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E9834 shade: #5E9834, #618745, #637755, #666666 and #695676

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E9834 shade: #959834, #7A9834, #5F9834, #459834 and #34983E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E9834 shade: #385B1F, #4B7929, #5E9834, #71B73F and #86C659

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E9834 shade: #5E9834, #349881 and #983487

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E9834 shade: #5E9834, #345F98 and #98345F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E9834 shade: #5E9834, #349881, #6D3498 and #98344B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E9834 shade: #5E9834, #349198, #6D3498 and #983B34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 66 / 40

HEX #5E9834

RGB 94 152 52

HSL 94.8, 0.49%, 0.4%

LAB 57.16, -36.61, 45.17

 

Complementary color

CMYK 21 / 49 / 0 / 20

HEX #A167CB

RGB 161 103 203

HSL 274.8, 0.49%, 0.6%

LAB 53.59, 41.72, -43.14

 

CMYK 35 / 0 / 69 / 40

HEX #63982F

RGB 99 152 47

HSL 90.29, 0.53%, 0.39%

LAB 57.38, -35.21, 47.62

 

CMYK 32 / 0 / 61 / 33

HEX #74AA42

RGB 116 170 66

HSL 91.15, 0.44%, 0.46%

LAB 64.04, -35.44, 46.86

 

CMYK 29 / 0 / 55 / 26

HEX #85BC55

RGB 133 188 85

HSL 92.04, 0.43%, 0.54%

LAB 70.6, -35.53, 45.83

 

CMYK 27 / 0 / 50 / 19

HEX #96CE68

RGB 150 206 104

HSL 92.94, 0.51%, 0.61%

LAB 77.06, -35.54, 44.7

 

CMYK 25 / 0 / 45 / 12

HEX #A7E07B

RGB 167 224 123

HSL 93.86, 0.62%, 0.68%

LAB 83.42, -35.49, 43.54

 

CMYK 38 / 0 / 66 / 40

HEX #5E9834

RGB 94 152 52

HSL 94.8, 0.49%, 0.4%

LAB 57.16, -36.61, 45.17

 

CMYK 43 / 0 / 75 / 47

HEX #4D8621

RGB 77 134 33

HSL 93.86, 0.6%, 0.33%

LAB 50.38, -36.26, 45.66

 

CMYK 48 / 0 / 88 / 55

HEX #3C740E

RGB 60 116 14

HSL 92.94, 0.78%, 0.25%

LAB 43.48, -35.56, 45.06

 

CMYK 56 / 0 / 100 / 62

HEX #2B6200

RGB 43 98 0

HSL 93.67, 1%, 0.19%

LAB 36.46, -34.33, 42.48

 

CMYK 68 / 0 / 100 / 69

HEX #1A5000

RGB 26 80 0

HSL 100.5, 1%, 0.16%

LAB 29.3, -32.25, 36.56

 

CMYK 38 / 0 / 66 / 40

HEX #5E9834

RGB 94 152 52

HSL 94.8, 0.49%, 0.4%

LAB 57.16, -36.61, 45.17

 

CMYK 20 / 0 / 66 / 40

HEX #799834

RGB 121 152 52

HSL 78.6, 0.49%, 0.4%

LAB 58.76, -26.18, 47.37

 

CMYK 3 / 0 / 66 / 40

HEX #949834

RGB 148 152 52

HSL 62.4, 0.49%, 0.4%

LAB 60.78, -14.66, 50.11

 

CMYK 0 / 15 / 66 / 40

HEX #988134

RGB 152 129 52

HSL 46.2, 0.49%, 0.4%

LAB 54.68, -0.4, 43.75

 

CMYK 0 / 33 / 66 / 40

HEX #986634

RGB 152 102 52

HSL 30, 0.49%, 0.4%

LAB 47.53, 14.99, 35.81

 

CMYK 38 / 0 / 66 / 40

HEX #5E9834

RGB 94 152 52

HSL 94.8, 0.49%, 0.4%

LAB 57.16, -36.61, 45.17

 

CMYK 56 / 0 / 66 / 40

HEX #439834

RGB 67 152 52

HSL 111, 0.49%, 0.4%

LAB 55.99, -45.2, 43.56

 

CMYK 66 / 0 / 58 / 40

HEX #349840

RGB 52 152 64

HSL 127.2, 0.49%, 0.4%

LAB 55.64, -47.47, 37.44

 

CMYK 66 / 0 / 40 / 40

HEX #34985B

RGB 52 152 91

HSL 143.4, 0.49%, 0.4%

LAB 56.03, -43.11, 23.84

 

CMYK 66 / 0 / 22 / 40

HEX #349876

RGB 52 152 118

HSL 159.6, 0.49%, 0.4%

LAB 56.58, -37.26, 9.53

 

CMYK 38 / 0 / 66 / 40

HEX #5E9834

RGB 94 152 52

HSL 94.8, 0.49%, 0.4%

LAB 57.16, -36.61, 45.17

 

CMYK 46 / 0 / 79 / 34

HEX #5BA824

RGB 91 168 36

HSL 95, 0.65%, 0.4%

LAB 61.96, -45.57, 56.06

 

CMYK 52 / 0 / 90 / 27

HEX #59B913

RGB 89 185 19

HSL 94.7, 0.81%, 0.4%

LAB 67.18, -53.47, 64.87

 

CMYK 57 / 0 / 99 / 21

HEX #56C903

RGB 86 201 3

HSL 94.85, 0.97%, 0.4%

LAB 72.07, -60.35, 70.86

 

CMYK 38 / 0 / 66 / 40

HEX #5E9834

RGB 94 152 52

HSL 94.8, 0.49%, 0.4%

LAB 57.16, -36.61, 45.17

 

CMYK 28 / 0 / 49 / 47

HEX #618745

RGB 97 135 69

HSL 94.55, 0.32%, 0.4%

LAB 52.17, -25.66, 31.15

 

CMYK 17 / 0 / 29 / 53

HEX #637755

RGB 99 119 85

HSL 95.29, 0.17%, 0.4%

LAB 47.63, -14.14, 16.34

 

CMYK 0 / 0 / 0 / 60

HEX #666666

RGB 102 102 102

HSL 0, 0%, 0.4%

LAB 43.19, 0, -0.01

 

CMYK 11 / 27 / 0 / 54

HEX #695676

RGB 105 86 118

HSL 275.63, 0.16%, 0.4%

LAB 39.52, 14.42, -15.24

 

CMYK 2 / 0 / 66 / 40

HEX #959834

RGB 149 152 52

HSL 61.8, 0.49%, 0.4%

LAB 60.86, -14.22, 50.23

 

CMYK 20 / 0 / 66 / 40

HEX #7A9834

RGB 122 152 52

HSL 78, 0.49%, 0.4%

LAB 58.83, -25.76, 47.46

 

CMYK 38 / 0 / 66 / 40

HEX #5F9834

RGB 95 152 52

HSL 94.2, 0.49%, 0.4%

LAB 57.21, -36.25, 45.24

 

CMYK 55 / 0 / 66 / 40

HEX #459834

RGB 69 152 52

HSL 109.8, 0.49%, 0.4%

LAB 56.06, -44.65, 43.66

 

CMYK 66 / 0 / 59 / 40

HEX #34983E

RGB 52 152 62

HSL 126, 0.49%, 0.4%

LAB 55.62, -47.73, 38.38

 

CMYK 38 / 0 / 66 / 64

HEX #385B1F

RGB 56 91 31

HSL 95, 0.49%, 0.24%

LAB 34.85, -24.38, 29.88

 

CMYK 38 / 0 / 66 / 53

HEX #4B7929

RGB 75 121 41

HSL 94.5, 0.49%, 0.32%

LAB 46.08, -30.47, 37.78

 

CMYK 38 / 0 / 66 / 40

HEX #5E9834

RGB 94 152 52

HSL 94.8, 0.49%, 0.4%

LAB 57.16, -36.61, 45.17

 

CMYK 38 / 0 / 66 / 28

HEX #71B73F

RGB 113 183 63

HSL 95, 0.49%, 0.48%

LAB 67.83, -42.5, 52.27

 

CMYK 32 / 0 / 55 / 22

HEX #86C659

RGB 134 198 89

HSL 95.23, 0.49%, 0.56%

LAB 73.66, -39.25, 47.56

 

CMYK 38 / 0 / 66 / 40

HEX #5E9834

RGB 94 152 52

HSL 94.8, 0.49%, 0.4%

LAB 57.16, -36.61, 45.17

 

CMYK 66 / 0 / 15 / 40

HEX #349881

RGB 52 152 129

HSL 166.2, 0.49%, 0.4%

LAB 56.85, -34.49, 3.67

 

CMYK 0 / 66 / 11 / 40

HEX #983487

RGB 152 52 135

HSL 310.2, 0.49%, 0.4%

LAB 39.38, 51.33, -25.41

 

CMYK 38 / 0 / 66 / 40

HEX #5E9834

RGB 94 152 52

HSL 94.8, 0.49%, 0.4%

LAB 57.16, -36.61, 45.17

 

CMYK 66 / 38 / 0 / 40

HEX #345F98

RGB 52 95 152

HSL 214.2, 0.49%, 0.4%

LAB 39.88, 4.07, -35.61

 

CMYK 0 / 66 / 38 / 40

HEX #98345F

RGB 152 52 95

HSL 334.2, 0.49%, 0.4%

LAB 37.77, 45.71, -2.9

 

CMYK 38 / 0 / 66 / 40

HEX #5E9834

RGB 94 152 52

HSL 94.8, 0.49%, 0.4%

LAB 57.16, -36.61, 45.17

 

CMYK 66 / 0 / 15 / 40

HEX #349881

RGB 52 152 129

HSL 166.2, 0.49%, 0.4%

LAB 56.85, -34.49, 3.67

 

CMYK 28 / 66 / 0 / 40

HEX #6D3498

RGB 109 52 152

HSL 274.2, 0.49%, 0.4%

LAB 33.93, 43.73, -44.85

 

CMYK 0 / 66 / 51 / 40

HEX #98344B

RGB 152 52 75

HSL 346.2, 0.49%, 0.4%

LAB 37.19, 43.6, 8.98

 

CMYK 38 / 0 / 66 / 40

HEX #5E9834

RGB 94 152 52

HSL 94.8, 0.49%, 0.4%

LAB 57.16, -36.61, 45.17

 

CMYK 66 / 5 / 0 / 40

HEX #349198

RGB 52 145 152

HSL 184.2, 0.49%, 0.4%

LAB 55.33, -24.58, -11.75

 

CMYK 28 / 66 / 0 / 40

HEX #6D3498

RGB 109 52 152

HSL 274.2, 0.49%, 0.4%

LAB 33.93, 43.73, -44.85

 

CMYK 0 / 61 / 66 / 40

HEX #983B34

RGB 152 59 52

HSL 4.2, 0.49%, 0.4%

LAB 37.93, 38.52, 24.4

 

Description

Color code: HEX #5E9834 | qconv.com Color code: HEX #5E9834 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 152 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 152 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 66 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 66% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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