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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 38 / 0 / 66 / 53 it is the complementary color CMYK 15 / 37 / 0 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 38 / 0 / 66 / 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 38 / 0 / 66 / 53: CMYK 34 / 0 / 70 / 53, CMYK 30 / 0 / 60 / 46, CMYK 28 / 0 / 53 / 39, CMYK 25 / 0 / 47 / 32 and CMYK 23 / 0 / 42 / 25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 38 / 0 / 66 / 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 38 / 0 / 66 / 53: CMYK 38 / 0 / 66 / 53, CMYK 44 / 0 / 78 / 60, CMYK 52 / 0 / 96 / 67, CMYK 65 / 0 / 100 / 74 and CMYK 88 / 0 / 100 / 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 66 / 53

HEX #4A7829

RGB 74 120 41

HSL 94.94, 0.49%, 0.32%

LAB 45.7, -30.38, 37.34

 

Complementary color

CMYK 15 / 37 / 0 / 16

HEX #B587D6

RGB 181 135 214

HSL 274.94, 0.49%, 0.68%

LAB 63.35, 32.23, -33.89

 

CMYK 34 / 0 / 70 / 53

HEX #4F7824

RGB 79 120 36

HSL 89.29, 0.54%, 0.31%

LAB 45.94, -28.91, 39.94

 

CMYK 30 / 0 / 60 / 46

HEX #608A37

RGB 96 138 55

HSL 90.36, 0.43%, 0.38%

LAB 52.88, -29.12, 39.08

 

CMYK 28 / 0 / 53 / 39

HEX #719C4A

RGB 113 156 74

HSL 91.46, 0.36%, 0.45%

LAB 59.69, -29.19, 37.95

 

CMYK 25 / 0 / 47 / 32

HEX #82AE5D

RGB 130 174 93

HSL 92.59, 0.33%, 0.52%

LAB 66.37, -29.16, 36.75

 

CMYK 23 / 0 / 42 / 25

HEX #93C070

RGB 147 192 112

HSL 93.75, 0.39%, 0.6%

LAB 72.94, -29.1, 35.55

 

CMYK 38 / 0 / 66 / 53

HEX #4A7829

RGB 74 120 41

HSL 94.94, 0.49%, 0.32%

LAB 45.7, -30.38, 37.34

 

CMYK 44 / 0 / 78 / 60

HEX #396616

RGB 57 102 22

HSL 93.75, 0.65%, 0.24%

LAB 38.6, -30.02, 37.87

 

CMYK 52 / 0 / 96 / 67

HEX #285403

RGB 40 84 3

HSL 92.59, 0.93%, 0.17%

LAB 31.34, -29.26, 37.31

 

CMYK 65 / 0 / 100 / 74

HEX #174200

RGB 23 66 0

HSL 99.09, 1%, 0.13%

LAB 23.93, -27.46, 31.73

 

CMYK 88 / 0 / 100 / 81

HEX #063000

RGB 6 48 0

HSL 112.5, 1%, 0.09%

LAB 16.27, -24.9, 22.96

 

CMYK 38 / 0 / 66 / 53

HEX #4A7829

RGB 74 120 41

HSL 94.94, 0.49%, 0.32%

LAB 45.7, -30.38, 37.34

 

CMYK 49 / 0 / 66 / 53

HEX #3E7929

RGB 62 121 41

HSL 104.25, 0.49%, 0.32%

LAB 45.44, -35.06, 36.89

 

CMYK 60 / 0 / 66 / 53

HEX #317929

RGB 49 121 41

HSL 114, 0.49%, 0.32%

LAB 44.92, -38.97, 36.17

 

CMYK 66 / 0 / 62 / 53

HEX #29792E

RGB 41 121 46

HSL 123.75, 0.49%, 0.32%

LAB 44.72, -40.39, 33.46

 

CMYK 66 / 0 / 50 / 53

HEX #29793C

RGB 41 121 60

HSL 134.25, 0.49%, 0.32%

LAB 44.9, -38.33, 26.37

 

CMYK 38 / 0 / 66 / 53

HEX #4A7829

RGB 74 120 41

HSL 94.94, 0.49%, 0.32%

LAB 45.7, -30.38, 37.34

 

CMYK 39 / 0 / 66 / 33

HEX #69AB3A

RGB 105 171 58

HSL 95.04, 0.49%, 0.45%

LAB 63.7, -40.54, 49.82

 

CMYK 38 / 0 / 66 / 13

HEX #89DE4C

RGB 137 222 76

HSL 94.93, 0.69%, 0.58%

LAB 80.78, -49.67, 61.2

 

CMYK 39 / 0 / 67 / 93

HEX #0B1206

RGB 11 18 6

HSL 95, 0.5%, 0.05%

LAB 4.67, -4.27, 4.45

 

CMYK 38 / 0 / 65 / 73

HEX #2B4518

RGB 43 69 24

HSL 94.67, 0.48%, 0.18%

LAB 26.26, -19.22, 23.63

 

CMYK 38 / 0 / 66 / 53

HEX #4A7829

RGB 74 120 41

HSL 94.94, 0.49%, 0.32%

LAB 45.7, -30.38, 37.34

 

CMYK 66 / 0 / 16 / 53

HEX #297966

RGB 41 121 102

HSL 165.75, 0.49%, 0.32%

LAB 45.78, -29.07, 3.33

 

CMYK 0 / 66 / 11 / 53

HEX #79296C

RGB 121 41 108

HSL 309.75, 0.49%, 0.32%

LAB 31.19, 43.06, -21.67

 

CMYK 38 / 0 / 66 / 53

HEX #4A7829

RGB 74 120 41

HSL 94.94, 0.49%, 0.32%

LAB 45.7, -30.38, 37.34

 

CMYK 66 / 37 / 0 / 53

HEX #294C79

RGB 41 76 121

HSL 213.75, 0.49%, 0.32%

LAB 31.85, 2.82, -29.41

 

CMYK 0 / 66 / 37 / 53

HEX #79294C

RGB 121 41 76

HSL 333.75, 0.49%, 0.32%

LAB 29.84, 38.3, -2.95

 

CMYK 38 / 0 / 66 / 53

HEX #4A7829

RGB 74 120 41

HSL 94.94, 0.49%, 0.32%

LAB 45.7, -30.38, 37.34

 

CMYK 66 / 0 / 16 / 53

HEX #297966

RGB 41 121 102

HSL 165.75, 0.49%, 0.32%

LAB 45.78, -29.07, 3.33

 

CMYK 29 / 66 / 0 / 53

HEX #562979

RGB 86 41 121

HSL 273.75, 0.49%, 0.32%

LAB 26.58, 36.35, -37.6

 

CMYK 0 / 66 / 50 / 53

HEX #79293C

RGB 121 41 60

HSL 345.75, 0.49%, 0.32%

LAB 29.35, 36.5, 6.92

 

CMYK 38 / 0 / 66 / 53

HEX #4A7829

RGB 74 120 41

HSL 94.94, 0.49%, 0.32%

LAB 45.7, -30.38, 37.34

 

CMYK 66 / 4 / 0 / 53

HEX #297479

RGB 41 116 121

HSL 183.75, 0.49%, 0.32%

LAB 44.72, -20.97, -9.56

 

CMYK 29 / 66 / 0 / 53

HEX #562979

RGB 86 41 121

HSL 273.75, 0.49%, 0.32%

LAB 26.58, 36.35, -37.6

 

CMYK 0 / 62 / 66 / 53

HEX #792E29

RGB 121 46 41

HSL 3.75, 0.49%, 0.32%

LAB 29.86, 32.42, 20.02

 

Description

Color code: CMYK 38 / 0 / 66 / 53 | qconv.com Color code: CMYK 38 / 0 / 66 / 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 120 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 120 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 66 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 66% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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