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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E93DC it is the complementary color #A16C23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E93DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E93DC shade: #6393D7, #74A5EA, #85B7FD, #96C9FF and #A7DBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E93DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E93DC shade: #5E93DC, #4D81C9, #3C6FB6, #2B5DA3 and #1A4B90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E93DC shade: #6094DC, #6073DC, #6F60DC, #9060DC and #B260DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E93DC shade: #6094DC, #6073DC and #6060DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E93DC shade matches the following richer shades: #6094DC, #5092EC and #418FFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E93DC shade: #6094DC, #7097CC, #7F99BD, #8F9CAD and #9F9E9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E93DC shade: #60D8DC, #60B7DC, #6096DC, #6075DC and #6C60DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E93DC shade: #2A69C0, #3E7ED5, #6094DC, #82ABE4 and #A4C2EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E93DC shade: #5E93DC, #BF60DC and #C7DC60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E93DC shade: #5E93DC, #DC6096 and #96DC60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E93DC shade: #5E93DC, #BF60DC, #DCA660 and #7DDC60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E93DC shade: #5E93DC, #DC60D4, #DCA660 and #60DC68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 33 / 0 / 14

HEX #5E93DC

RGB 94 147 220

HSL 214.76, 0.64%, 0.62%

LAB 60.26, 3.85, -42.53

 

Complementary color

CMYK 0 / 33 / 78 / 37

HEX #A16C23

RGB 161 108 35

HSL 34.76, 0.64%, 0.38%

LAB 50.01, 14.68, 46.92

 

CMYK 54 / 32 / 0 / 16

HEX #6393D7

RGB 99 147 215

HSL 215.17, 0.59%, 0.62%

LAB 60.27, 3.32, -39.71

 

CMYK 50 / 29 / 0 / 8

HEX #74A5EA

RGB 116 165 234

HSL 215.08, 0.74%, 0.69%

LAB 66.95, 2.57, -39.7

 

CMYK 47 / 28 / 0 / 1

HEX #85B7FD

RGB 133 183 253

HSL 215, 0.97%, 0.76%

LAB 73.51, 1.95, -39.73

 

CMYK 41 / 21 / 0 / 0

HEX #96C9FF

RGB 150 201 255

HSL 210.86, 1%, 0.79%

LAB 79.32, -3.18, -31.74

 

CMYK 35 / 14 / 0 / 0

HEX #A7DBFF

RGB 167 219 255

HSL 204.55, 1%, 0.83%

LAB 85.05, -8.26, -22.9

 

CMYK 57 / 33 / 0 / 14

HEX #5E93DC

RGB 94 147 220

HSL 214.76, 0.64%, 0.62%

LAB 60.26, 3.85, -42.53

 

CMYK 62 / 36 / 0 / 21

HEX #4D81C9

RGB 77 129 201

HSL 214.84, 0.53%, 0.55%

LAB 53.49, 4.92, -42.58

 

CMYK 67 / 39 / 0 / 29

HEX #3C6FB6

RGB 60 111 182

HSL 214.92, 0.5%, 0.47%

LAB 46.59, 6.25, -42.64

 

CMYK 74 / 43 / 0 / 36

HEX #2B5DA3

RGB 43 93 163

HSL 215, 0.58%, 0.4%

LAB 39.56, 7.98, -42.72

 

CMYK 82 / 48 / 0 / 44

HEX #1A4B90

RGB 26 75 144

HSL 215.08, 0.69%, 0.33%

LAB 32.4, 10.27, -42.76

 

CMYK 56 / 33 / 0 / 14

HEX #6094DC

RGB 96 148 220

HSL 214.84, 0.64%, 0.62%

LAB 60.63, 3.68, -41.94

 

CMYK 56 / 48 / 0 / 14

HEX #6073DC

RGB 96 115 220

HSL 230.81, 0.64%, 0.62%

LAB 51.74, 23.48, -56.06

 

CMYK 50 / 56 / 0 / 14

HEX #6F60DC

RGB 111 96 220

HSL 247.26, 0.64%, 0.62%

LAB 48.15, 38.01, -61.79

 

CMYK 35 / 56 / 0 / 14

HEX #9060DC

RGB 144 96 220

HSL 263.23, 0.64%, 0.62%

LAB 51.22, 45.31, -56.68

 

CMYK 19 / 56 / 0 / 14

HEX #B260DC

RGB 178 96 220

HSL 279.68, 0.64%, 0.62%

LAB 55.07, 53.61, -50.31

 

CMYK 56 / 33 / 0 / 14

HEX #6094DC

RGB 96 148 220

HSL 214.84, 0.64%, 0.62%

LAB 60.63, 3.68, -41.94

 

CMYK 56 / 48 / 0 / 14

HEX #6073DC

RGB 96 115 220

HSL 230.81, 0.64%, 0.62%

LAB 51.74, 23.48, -56.06

 

CMYK 56 / 56 / 0 / 14

HEX #6060DC

RGB 96 96 220

HSL 240, 0.64%, 0.62%

LAB 47, 35.09, -63.7

 

CMYK 56 / 33 / 0 / 14

HEX #6094DC

RGB 96 148 220

HSL 214.84, 0.64%, 0.62%

LAB 60.63, 3.68, -41.94

 

CMYK 66 / 38 / 0 / 7

HEX #5092EC

RGB 80 146 236

HSL 214.62, 0.8%, 0.62%

LAB 60.18, 7.2, -51.59

 

CMYK 74 / 43 / 0 / 2

HEX #418FFB

RGB 65 143 251

HSL 214.84, 0.96%, 0.62%

LAB 59.65, 12.14, -60.73

 

CMYK 56 / 33 / 0 / 14

HEX #6094DC

RGB 96 148 220

HSL 214.84, 0.64%, 0.62%

LAB 60.63, 3.68, -41.94

 

CMYK 45 / 26 / 0 / 20

HEX #7097CC

RGB 112 151 204

HSL 214.57, 0.47%, 0.62%

LAB 61.6, 0.75, -31.44

 

CMYK 33 / 19 / 0 / 26

HEX #7F99BD

RGB 127 153 189

HSL 214.84, 0.32%, 0.62%

LAB 62.48, -0.41, -21.59

 

CMYK 17 / 10 / 0 / 32

HEX #8F9CAD

RGB 143 156 173

HSL 214, 0.15%, 0.62%

LAB 63.86, -0.96, -10.41

 

CMYK 0 / 1 / 1 / 38

HEX #9F9E9D

RGB 159 158 157

HSL 30, 0.01%, 0.62%

LAB 65.17, 0.17, 0.64

 

CMYK 56 / 2 / 0 / 14

HEX #60D8DC

RGB 96 216 220

HSL 181.94, 0.64%, 0.62%

LAB 80.05, -32.26, -12.15

 

CMYK 56 / 17 / 0 / 14

HEX #60B7DC

RGB 96 183 220

HSL 197.9, 0.64%, 0.62%

LAB 70.54, -15.74, -26.55

 

CMYK 56 / 32 / 0 / 14

HEX #6096DC

RGB 96 150 220

HSL 213.87, 0.64%, 0.62%

LAB 61.19, 2.52, -41.06

 

CMYK 56 / 47 / 0 / 14

HEX #6075DC

RGB 96 117 220

HSL 229.84, 0.64%, 0.62%

LAB 52.26, 22.26, -55.23

 

CMYK 51 / 56 / 0 / 14

HEX #6C60DC

RGB 108 96 220

HSL 245.81, 0.64%, 0.62%

LAB 47.91, 37.4, -62.19

 

CMYK 78 / 45 / 0 / 25

HEX #2A69C0

RGB 42 105 192

HSL 214.8, 0.64%, 0.46%

LAB 44.8, 11.21, -51.33

 

CMYK 71 / 41 / 0 / 16

HEX #3E7ED5

RGB 62 126 213

HSL 214.57, 0.64%, 0.54%

LAB 52.67, 8.44, -50.71

 

CMYK 56 / 33 / 0 / 14

HEX #6094DC

RGB 96 148 220

HSL 214.84, 0.64%, 0.62%

LAB 60.63, 3.68, -41.94

 

CMYK 43 / 25 / 0 / 11

HEX #82ABE4

RGB 130 171 228

HSL 214.9, 0.64%, 0.7%

LAB 69.09, 0.83, -33.02

 

CMYK 30 / 17 / 0 / 8

HEX #A4C2EB

RGB 164 194 235

HSL 214.65, 0.64%, 0.78%

LAB 77.56, -0.75, -23.64

 

CMYK 57 / 33 / 0 / 14

HEX #5E93DC

RGB 94 147 220

HSL 214.76, 0.64%, 0.62%

LAB 60.26, 3.85, -42.53

 

CMYK 13 / 56 / 0 / 14

HEX #BF60DC

RGB 191 96 220

HSL 285.97, 0.64%, 0.62%

LAB 56.69, 56.9, -47.63

 

CMYK 10 / 0 / 56 / 14

HEX #C7DC60

RGB 199 220 96

HSL 70.16, 0.64%, 0.62%

LAB 84.06, -24.29, 57.41

 

CMYK 57 / 33 / 0 / 14

HEX #5E93DC

RGB 94 147 220

HSL 214.76, 0.64%, 0.62%

LAB 60.26, 3.85, -42.53

 

CMYK 0 / 56 / 32 / 14

HEX #DC6096

RGB 220 96 150

HSL 333.87, 0.64%, 0.62%

LAB 57.83, 53.95, -5.35

 

CMYK 32 / 0 / 56 / 14

HEX #96DC60

RGB 150 220 96

HSL 93.87, 0.64%, 0.62%

LAB 81.02, -42.63, 53.15

 

CMYK 57 / 33 / 0 / 14

HEX #5E93DC

RGB 94 147 220

HSL 214.76, 0.64%, 0.62%

LAB 60.26, 3.85, -42.53

 

CMYK 13 / 56 / 0 / 14

HEX #BF60DC

RGB 191 96 220

HSL 285.97, 0.64%, 0.62%

LAB 56.69, 56.9, -47.63

 

CMYK 0 / 25 / 56 / 14

HEX #DCA660

RGB 220 166 96

HSL 33.87, 0.64%, 0.62%

LAB 71.78, 12.09, 43.56

 

CMYK 43 / 0 / 56 / 14

HEX #7DDC60

RGB 125 220 96

HSL 105.97, 0.64%, 0.62%

LAB 79.84, -50.78, 51.46

 

CMYK 57 / 33 / 0 / 14

HEX #5E93DC

RGB 94 147 220

HSL 214.76, 0.64%, 0.62%

LAB 60.26, 3.85, -42.53

 

CMYK 0 / 56 / 4 / 14

HEX #DC60D4

RGB 220 96 212

HSL 303.87, 0.64%, 0.62%

LAB 60.19, 62.96, -37.35

 

CMYK 0 / 25 / 56 / 14

HEX #DCA660

RGB 220 166 96

HSL 33.87, 0.64%, 0.62%

LAB 71.78, 12.09, 43.56

 

CMYK 56 / 0 / 53 / 14

HEX #60DC68

RGB 96 220 104

HSL 123.87, 0.64%, 0.62%

LAB 78.85, -57.72, 46.33

 

Description

Color code: HEX #5E93DC | qconv.com Color code: HEX #5E93DC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 147 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 147 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 33 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 33% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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