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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6075DC it is the complementary color #9F8A23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6075DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6075DC shade: #6575D7, #7687EA, #8799FD, #98ABFF and #A9BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6075DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6075DC shade: #6075DC, #4F63C9, #3E51B6, #2D3FA3 and #1C2D90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6075DC shade: #6075DC, #6D60DC, #8E60DC, #AF60DC and #D160DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6075DC shade: #6075DC and #6060DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6075DC shade matches the following richer shades: #6075DC, #506BEC and #4160FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6075DC shade: #6075DC, #707FCC, #7F8ABD, #8F94AD and #9F9F9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6075DC shade: #60B9DC, #6098DC, #6077DC, #6A60DC and #8B60DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6075DC shade: #2A43C0, #3E58D5, #6075DC, #8292E4 and #A4B0EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6075DC shade: #6075DC, #DC60DA and #A8DC60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6075DC shade: #6075DC, #DC6077 and #77DC60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6075DC shade: #6075DC, #DC60DA, #DCC560 and #60DC62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6075DC shade: #6075DC, #DC60B5, #DCC560 and #60DC87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 47 / 0 / 14

HEX #6075DC

RGB 96 117 220

HSL 229.84, 0.64%, 0.62%

LAB 52.26, 22.26, -55.23

 

Complementary color

CMYK 0 / 13 / 78 / 38

HEX #9F8A23

RGB 159 138 35

HSL 49.84, 0.64%, 0.38%

LAB 57.72, -3.1, 54.1

 

CMYK 53 / 46 / 0 / 16

HEX #6575D7

RGB 101 117 215

HSL 231.58, 0.59%, 0.62%

LAB 52.28, 21.69, -52.35

 

CMYK 50 / 42 / 0 / 8

HEX #7687EA

RGB 118 135 234

HSL 231.21, 0.73%, 0.69%

LAB 59.09, 20.48, -52.09

 

CMYK 47 / 40 / 0 / 1

HEX #8799FD

RGB 135 153 253

HSL 230.85, 0.97%, 0.76%

LAB 65.77, 19.45, -51.88

 

CMYK 40 / 33 / 0 / 0

HEX #98ABFF

RGB 152 171 255

HSL 228.93, 1%, 0.8%

LAB 71.57, 13.86, -43.75

 

CMYK 34 / 26 / 0 / 0

HEX #A9BDFF

RGB 169 189 255

HSL 226.05, 1%, 0.83%

LAB 77.31, 8.33, -34.74

 

CMYK 56 / 47 / 0 / 14

HEX #6075DC

RGB 96 117 220

HSL 229.84, 0.64%, 0.62%

LAB 52.26, 22.26, -55.23

 

CMYK 61 / 51 / 0 / 21

HEX #4F63C9

RGB 79 99 201

HSL 230.16, 0.53%, 0.55%

LAB 45.36, 23.85, -55.54

 

CMYK 66 / 55 / 0 / 29

HEX #3E51B6

RGB 62 81 182

HSL 230.5, 0.49%, 0.48%

LAB 38.35, 25.78, -55.86

 

CMYK 72 / 61 / 0 / 36

HEX #2D3FA3

RGB 45 63 163

HSL 230.85, 0.57%, 0.41%

LAB 31.25, 28.15, -56.13

 

CMYK 81 / 69 / 0 / 44

HEX #1C2D90

RGB 28 45 144

HSL 231.21, 0.67%, 0.34%

LAB 24.12, 31.03, -56.24

 

CMYK 56 / 47 / 0 / 14

HEX #6075DC

RGB 96 117 220

HSL 229.84, 0.64%, 0.62%

LAB 52.26, 22.26, -55.23

 

CMYK 50 / 56 / 0 / 14

HEX #6D60DC

RGB 109 96 220

HSL 246.29, 0.64%, 0.62%

LAB 47.99, 37.6, -62.06

 

CMYK 35 / 56 / 0 / 14

HEX #8E60DC

RGB 142 96 220

HSL 262.26, 0.64%, 0.62%

LAB 51.02, 44.84, -57.02

 

CMYK 20 / 56 / 0 / 14

HEX #AF60DC

RGB 175 96 220

HSL 278.23, 0.64%, 0.62%

LAB 54.71, 52.86, -50.91

 

CMYK 5 / 56 / 0 / 14

HEX #D160DC

RGB 209 96 220

HSL 294.68, 0.64%, 0.62%

LAB 59.06, 61.49, -43.74

 

CMYK 56 / 47 / 0 / 14

HEX #6075DC

RGB 96 117 220

HSL 229.84, 0.64%, 0.62%

LAB 52.26, 22.26, -55.23

 

CMYK 56 / 56 / 0 / 14

HEX #6060DC

RGB 96 96 220

HSL 240, 0.64%, 0.62%

LAB 47, 35.09, -63.7

 

CMYK 56 / 47 / 0 / 14

HEX #6075DC

RGB 96 117 220

HSL 229.84, 0.64%, 0.62%

LAB 52.26, 22.26, -55.23

 

CMYK 66 / 55 / 0 / 7

HEX #506BEC

RGB 80 107 236

HSL 229.62, 0.8%, 0.62%

LAB 49.83, 30.98, -68.19

 

CMYK 74 / 62 / 0 / 2

HEX #4160FB

RGB 65 96 251

HSL 230, 0.96%, 0.62%

LAB 47.57, 41.05, -80.29

 

CMYK 56 / 47 / 0 / 14

HEX #6075DC

RGB 96 117 220

HSL 229.84, 0.64%, 0.62%

LAB 52.26, 22.26, -55.23

 

CMYK 45 / 38 / 0 / 20

HEX #707FCC

RGB 112 127 204

HSL 230.22, 0.47%, 0.62%

LAB 55.05, 14.81, -41.67

 

CMYK 33 / 27 / 0 / 26

HEX #7F8ABD

RGB 127 138 189

HSL 229.35, 0.32%, 0.62%

LAB 58.38, 8.19, -27.9

 

CMYK 17 / 14 / 0 / 32

HEX #8F94AD

RGB 143 148 173

HSL 230, 0.15%, 0.62%

LAB 61.69, 3.53, -13.68

 

CMYK 0 / 0 / 1 / 38

HEX #9F9F9D

RGB 159 159 157

HSL 60, 0.01%, 0.62%

LAB 65.44, -0.38, 1.03

 

CMYK 56 / 16 / 0 / 14

HEX #60B9DC

RGB 96 185 220

HSL 196.94, 0.64%, 0.62%

LAB 71.11, -16.79, -25.67

 

CMYK 56 / 31 / 0 / 14

HEX #6098DC

RGB 96 152 220

HSL 212.9, 0.64%, 0.62%

LAB 61.75, 1.37, -40.19

 

CMYK 56 / 46 / 0 / 14

HEX #6077DC

RGB 96 119 220

HSL 228.87, 0.64%, 0.62%

LAB 52.78, 21.03, -54.39

 

CMYK 52 / 56 / 0 / 14

HEX #6A60DC

RGB 106 96 220

HSL 244.84, 0.64%, 0.62%

LAB 47.75, 37, -62.46

 

CMYK 37 / 56 / 0 / 14

HEX #8B60DC

RGB 139 96 220

HSL 260.81, 0.64%, 0.62%

LAB 50.71, 44.14, -57.53

 

CMYK 78 / 65 / 0 / 25

HEX #2A43C0

RGB 42 67 192

HSL 230, 0.64%, 0.46%

LAB 34.63, 35.9, -67.85

 

CMYK 71 / 59 / 0 / 16

HEX #3E58D5

RGB 62 88 213

HSL 229.67, 0.64%, 0.54%

LAB 42.47, 32.34, -67.16

 

CMYK 56 / 47 / 0 / 14

HEX #6075DC

RGB 96 117 220

HSL 229.84, 0.64%, 0.62%

LAB 52.26, 22.26, -55.23

 

CMYK 43 / 36 / 0 / 11

HEX #8292E4

RGB 130 146 228

HSL 230.2, 0.64%, 0.7%

LAB 62.43, 15.1, -43.43

 

CMYK 30 / 25 / 0 / 8

HEX #A4B0EB

RGB 164 176 235

HSL 229.86, 0.64%, 0.78%

LAB 72.85, 9.09, -30.86

 

CMYK 56 / 47 / 0 / 14

HEX #6075DC

RGB 96 117 220

HSL 229.84, 0.64%, 0.62%

LAB 52.26, 22.26, -55.23

 

CMYK 0 / 56 / 1 / 14

HEX #DC60DA

RGB 220 96 218

HSL 300.97, 0.64%, 0.62%

LAB 60.47, 63.97, -40.29

 

CMYK 24 / 0 / 56 / 14

HEX #A8DC60

RGB 168 220 96

HSL 85.16, 0.64%, 0.62%

LAB 82.03, -36.19, 54.57

 

CMYK 56 / 47 / 0 / 14

HEX #6075DC

RGB 96 117 220

HSL 229.84, 0.64%, 0.62%

LAB 52.26, 22.26, -55.23

 

CMYK 0 / 56 / 46 / 14

HEX #DC6077

RGB 220 96 119

HSL 348.87, 0.64%, 0.62%

LAB 56.99, 50.56, 11.57

 

CMYK 46 / 0 / 56 / 14

HEX #77DC60

RGB 119 220 96

HSL 108.87, 0.64%, 0.62%

LAB 79.59, -52.57, 51.11

 

CMYK 56 / 47 / 0 / 14

HEX #6075DC

RGB 96 117 220

HSL 229.84, 0.64%, 0.62%

LAB 52.26, 22.26, -55.23

 

CMYK 0 / 56 / 1 / 14

HEX #DC60DA

RGB 220 96 218

HSL 300.97, 0.64%, 0.62%

LAB 60.47, 63.97, -40.29

 

CMYK 0 / 10 / 56 / 14

HEX #DCC560

RGB 220 197 96

HSL 48.87, 0.64%, 0.62%

LAB 79.61, -4.24, 52.78

 

CMYK 56 / 0 / 55 / 14

HEX #60DC62

RGB 96 220 98

HSL 120.97, 0.64%, 0.62%

LAB 78.78, -58.48, 49.04

 

CMYK 56 / 47 / 0 / 14

HEX #6075DC

RGB 96 117 220

HSL 229.84, 0.64%, 0.62%

LAB 52.26, 22.26, -55.23

 

CMYK 0 / 56 / 18 / 14

HEX #DC60B5

RGB 220 96 181

HSL 318.87, 0.64%, 0.62%

LAB 58.9, 58.12, -21.69

 

CMYK 0 / 10 / 56 / 14

HEX #DCC560

RGB 220 197 96

HSL 48.87, 0.64%, 0.62%

LAB 79.61, -4.24, 52.78

 

CMYK 56 / 0 / 39 / 14

HEX #60DC87

RGB 96 220 135

HSL 138.87, 0.64%, 0.62%

LAB 79.28, -53.04, 31.61

 

Description

Color code: HEX #6075DC | qconv.com Color code: HEX #6075DC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 117 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 117 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 47 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 47% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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