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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E8FBF it is the complementary color #A17040. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E8FBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E8FBF shade: #638FBA, #74A1CD, #85B3E0, #96C5F3 and #A7D7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E8FBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E8FBF shade: #5E8FBF, #4D7DAC, #3C6B99, #2B5986 and #1A4773

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E8FBF shade: #5E8FBF, #5E75BF, #615EBF, #7B5EBF and #955EBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E8FBF shade: #5E8FBF, #5E75BF and #5E5EBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E8FBF shade matches the following richer shades: #5E8FBF, #4C8FD1, #3A8FE3 and #288FF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E8FBF shade: #5E8FBF, #708FAC, #828E9A, #958E88 and #A78E76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E8FBF shade: #5EBFBA, #5EAABF, #5E90BF, #5E76BF and #605EBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E8FBF shade: #396591, #457AAE, #5E8FBF, #7CA3CA and #99B8D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E8FBF shade: #5E8FBF, #A05EBF and #B7BF5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E8FBF shade: #5E8FBF, #BF5E90 and #90BF5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E8FBF shade: #5E8FBF, #A05EBF, #BF8D5E and #7DBF5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E8FBF shade: #5E8FBF, #BD5EBF, #BF8D5E and #60BF5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 25 / 0 / 25

HEX #5E8FBF

RGB 94 143 191

HSL 209.69, 0.43%, 0.56%

LAB 57.83, -2.91, -30.04

 

Complementary color

CMYK 0 / 30 / 60 / 37

HEX #A17040

RGB 161 112 64

HSL 29.69, 0.43%, 0.44%

LAB 51.31, 14.14, 34.09

 

CMYK 47 / 23 / 0 / 27

HEX #638FBA

RGB 99 143 186

HSL 209.66, 0.39%, 0.56%

LAB 57.89, -3.19, -27.1

 

CMYK 43 / 21 / 0 / 20

HEX #74A1CD

RGB 116 161 205

HSL 209.66, 0.47%, 0.63%

LAB 64.65, -3.59, -27.26

 

CMYK 41 / 20 / 0 / 12

HEX #85B3E0

RGB 133 179 224

HSL 209.67, 0.59%, 0.7%

LAB 71.29, -3.91, -27.44

 

CMYK 38 / 19 / 0 / 5

HEX #96C5F3

RGB 150 197 243

HSL 209.68, 0.79%, 0.77%

LAB 77.81, -4.19, -27.64

 

CMYK 35 / 16 / 0 / 0

HEX #A7D7FF

RGB 167 215 255

HSL 207.27, 1%, 0.83%

LAB 83.98, -6.17, -24.51

 

CMYK 51 / 25 / 0 / 25

HEX #5E8FBF

RGB 94 143 191

HSL 209.69, 0.43%, 0.56%

LAB 57.83, -2.91, -30.04

 

CMYK 55 / 27 / 0 / 33

HEX #4D7DAC

RGB 77 125 172

HSL 209.68, 0.38%, 0.49%

LAB 50.95, -2.29, -29.93

 

CMYK 61 / 30 / 0 / 40

HEX #3C6B99

RGB 60 107 153

HSL 209.68, 0.44%, 0.42%

LAB 43.91, -1.47, -29.84

 

CMYK 68 / 34 / 0 / 47

HEX #2B5986

RGB 43 89 134

HSL 209.67, 0.51%, 0.35%

LAB 36.71, -0.37, -29.77

 

CMYK 77 / 38 / 0 / 55

HEX #1A4773

RGB 26 71 115

HSL 209.66, 0.63%, 0.28%

LAB 29.32, 1.2, -29.69

 

CMYK 51 / 25 / 0 / 25

HEX #5E8FBF

RGB 94 143 191

HSL 209.69, 0.43%, 0.56%

LAB 57.83, -2.91, -30.04

 

CMYK 51 / 39 / 0 / 25

HEX #5E75BF

RGB 94 117 191

HSL 225.77, 0.43%, 0.56%

LAB 50.53, 12.52, -41.48

 

CMYK 49 / 51 / 0 / 25

HEX #615EBF

RGB 97 94 191

HSL 241.86, 0.43%, 0.56%

LAB 44.67, 27.39, -50.8

 

CMYK 36 / 51 / 0 / 25

HEX #7B5EBF

RGB 123 94 191

HSL 257.94, 0.43%, 0.56%

LAB 46.95, 33.69, -47.04

 

CMYK 22 / 51 / 0 / 25

HEX #955EBF

RGB 149 94 191

HSL 274.02, 0.43%, 0.56%

LAB 49.69, 40.62, -42.51

 

CMYK 51 / 25 / 0 / 25

HEX #5E8FBF

RGB 94 143 191

HSL 209.69, 0.43%, 0.56%

LAB 57.83, -2.91, -30.04

 

CMYK 51 / 39 / 0 / 25

HEX #5E75BF

RGB 94 117 191

HSL 225.77, 0.43%, 0.56%

LAB 50.53, 12.52, -41.48

 

CMYK 51 / 51 / 0 / 25

HEX #5E5EBF

RGB 94 94 191

HSL 240, 0.43%, 0.56%

LAB 44.44, 26.72, -51.18

 

CMYK 51 / 25 / 0 / 25

HEX #5E8FBF

RGB 94 143 191

HSL 209.69, 0.43%, 0.56%

LAB 57.83, -2.91, -30.04

 

CMYK 64 / 32 / 0 / 18

HEX #4C8FD1

RGB 76 143 209

HSL 209.77, 0.59%, 0.56%

LAB 57.83, -0.85, -40.25

 

CMYK 74 / 37 / 0 / 11

HEX #3A8FE3

RGB 58 143 227

HSL 209.82, 0.75%, 0.56%

LAB 58.12, 2.7, -49.9

 

CMYK 84 / 42 / 0 / 4

HEX #288FF5

RGB 40 143 245

HSL 209.85, 0.91%, 0.56%

LAB 58.68, 7.49, -59

 

CMYK 51 / 25 / 0 / 25

HEX #5E8FBF

RGB 94 143 191

HSL 209.69, 0.43%, 0.56%

LAB 57.83, -2.91, -30.04

 

CMYK 35 / 17 / 0 / 33

HEX #708FAC

RGB 112 143 172

HSL 209, 0.27%, 0.56%

LAB 58.1, -3.59, -18.74

 

CMYK 16 / 8 / 0 / 40

HEX #828E9A

RGB 130 142 154

HSL 210, 0.11%, 0.56%

LAB 58.44, -1.73, -7.83

 

CMYK 0 / 5 / 9 / 42

HEX #958E88

RGB 149 142 136

HSL 27.69, 0.06%, 0.56%

LAB 59.45, 1.49, 4.11

 

CMYK 0 / 15 / 29 / 35

HEX #A78E76

RGB 167 142 118

HSL 29.39, 0.22%, 0.56%

LAB 60.67, 5.68, 16.28

 

CMYK 51 / 0 / 3 / 25

HEX #5EBFBA

RGB 94 191 186

HSL 176.91, 0.43%, 0.56%

LAB 71.68, -29.7, -6.25

 

CMYK 51 / 11 / 0 / 25

HEX #5EAABF

RGB 94 170 191

HSL 192.99, 0.43%, 0.56%

LAB 65.66, -17.75, -18.03

 

CMYK 51 / 25 / 0 / 25

HEX #5E90BF

RGB 94 144 191

HSL 209.07, 0.43%, 0.56%

LAB 58.12, -3.48, -29.59

 

CMYK 51 / 38 / 0 / 25

HEX #5E76BF

RGB 94 118 191

HSL 225.15, 0.43%, 0.56%

LAB 50.8, 11.91, -41.05

 

CMYK 50 / 51 / 0 / 25

HEX #605EBF

RGB 96 94 191

HSL 241.24, 0.43%, 0.56%

LAB 44.59, 27.17, -50.93

 

CMYK 61 / 30 / 0 / 43

HEX #396591

RGB 57 101 145

HSL 210, 0.44%, 0.4%

LAB 41.57, -1.18, -28.75

 

CMYK 60 / 30 / 0 / 32

HEX #457AAE

RGB 69 122 174

HSL 209.71, 0.43%, 0.48%

LAB 49.79, -1.55, -32.93

 

CMYK 51 / 25 / 0 / 25

HEX #5E8FBF

RGB 94 143 191

HSL 209.69, 0.43%, 0.56%

LAB 57.83, -2.91, -30.04

 

CMYK 39 / 19 / 0 / 21

HEX #7CA3CA

RGB 124 163 202

HSL 210, 0.42%, 0.64%

LAB 65.55, -3.41, -24.18

 

CMYK 29 / 14 / 0 / 16

HEX #99B8D6

RGB 153 184 214

HSL 209.51, 0.43%, 0.72%

LAB 73.49, -3.63, -18.53

 

CMYK 51 / 25 / 0 / 25

HEX #5E8FBF

RGB 94 143 191

HSL 209.69, 0.43%, 0.56%

LAB 57.83, -2.91, -30.04

 

CMYK 16 / 51 / 0 / 25

HEX #A05EBF

RGB 160 94 191

HSL 280.82, 0.43%, 0.56%

LAB 50.97, 43.66, -40.4

 

CMYK 4 / 0 / 51 / 25

HEX #B7BF5E

RGB 183 191 94

HSL 64.95, 0.43%, 0.56%

LAB 74.91, -16.6, 47.46

 

CMYK 51 / 25 / 0 / 25

HEX #5E8FBF

RGB 94 143 191

HSL 209.69, 0.43%, 0.56%

LAB 57.83, -2.91, -30.04

 

CMYK 0 / 51 / 25 / 25

HEX #BF5E90

RGB 191 94 144

HSL 329.07, 0.43%, 0.56%

LAB 53.05, 44.75, -9.4

 

CMYK 25 / 0 / 51 / 25

HEX #90BF5E

RGB 144 191 94

HSL 89.07, 0.43%, 0.56%

LAB 72.23, -31.9, 43.61

 

CMYK 51 / 25 / 0 / 25

HEX #5E8FBF

RGB 94 143 191

HSL 209.69, 0.43%, 0.56%

LAB 57.83, -2.91, -30.04

 

CMYK 16 / 51 / 0 / 25

HEX #A05EBF

RGB 160 94 191

HSL 280.82, 0.43%, 0.56%

LAB 50.97, 43.66, -40.4

 

CMYK 0 / 26 / 51 / 25

HEX #BF8D5E

RGB 191 141 94

HSL 29.07, 0.43%, 0.56%

LAB 62.45, 13.38, 32.38

 

CMYK 35 / 0 / 51 / 25

HEX #7DBF5E

RGB 125 191 94

HSL 100.82, 0.43%, 0.56%

LAB 71.17, -38.69, 42.08

 

CMYK 51 / 25 / 0 / 25

HEX #5E8FBF

RGB 94 143 191

HSL 209.69, 0.43%, 0.56%

LAB 57.83, -2.91, -30.04

 

CMYK 1 / 51 / 0 / 25

HEX #BD5EBF

RGB 189 94 191

HSL 298.76, 0.43%, 0.56%

LAB 54.64, 51.8, -34.37

 

CMYK 0 / 26 / 51 / 25

HEX #BF8D5E

RGB 191 141 94

HSL 29.07, 0.43%, 0.56%

LAB 62.45, 13.38, 32.38

 

CMYK 50 / 0 / 51 / 25

HEX #60BF5E

RGB 96 191 94

HSL 118.76, 0.43%, 0.56%

LAB 69.86, -47.73, 40.19

 

Description

Color code: HEX #5E8FBF | qconv.com Color code: HEX #5E8FBF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 143 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 143 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 25 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 25% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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