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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E8ADE it is the complementary color #A17521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E8ADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E8ADE shade: #638AD9, #749CEC, #85AEFF, #96C0FF and #A7D2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E8ADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E8ADE shade: #5E8ADE, #4D78CB, #3C66B8, #2B54A5 and #1A4292

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E8ADE shade: #5E8ADE, #5E67DE, #775EDE, #995EDE and #BC5EDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E8ADE shade: #5E8ADE, #5E67DE and #5E5EDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E8ADE shade matches the following richer shades: #5E8ADE, #4E85ED and #3E80FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E8ADE shade: #5E8ADE, #6D8FCE, #7D93BE, #8D98AF and #9C9D9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E8ADE shade: #5ECFDE, #5EADDE, #5E8ADE, #5E68DE and #755EDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E8ADE shade: #275CC1, #3B71D7, #5E8ADE, #80A2E5 and #A2BBEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E8ADE shade: #5E8ADE, #CA5EDE and #BEDE5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E8ADE shade: #5E8ADE, #DE5E8A and #8ADE5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E8ADE shade: #5E8ADE, #CA5EDE, #DEB15E and #71DE5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E8ADE shade: #5E8ADE, #DE5ECA, #DEB15E and #5EDE71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 38 / 0 / 13

HEX #5E8ADE

RGB 94 138 222

HSL 219.38, 0.66%, 0.62%

LAB 57.88, 9.8, -47.41

 

Complementary color

CMYK 0 / 27 / 80 / 37

HEX #A17521

RGB 161 117 33

HSL 39.38, 0.66%, 0.38%

LAB 52.3, 9.48, 49.89

 

CMYK 54 / 36 / 0 / 15

HEX #638AD9

RGB 99 138 217

HSL 220.17, 0.61%, 0.62%

LAB 57.88, 9.23, -44.59

 

CMYK 51 / 34 / 0 / 7

HEX #749CEC

RGB 116 156 236

HSL 220, 0.76%, 0.69%

LAB 64.6, 8.32, -44.48

 

CMYK 48 / 32 / 0 / 0

HEX #85AEFF

RGB 133 174 255

HSL 219.84, 1%, 0.76%

LAB 71.2, 7.56, -44.42

 

CMYK 41 / 25 / 0 / 0

HEX #96C0FF

RGB 150 192 255

HSL 216, 1%, 0.79%

LAB 76.92, 1.69, -35.43

 

CMYK 35 / 18 / 0 / 0

HEX #A7D2FF

RGB 167 210 255

HSL 210.68, 1%, 0.83%

LAB 82.66, -3.54, -26.53

 

CMYK 58 / 38 / 0 / 13

HEX #5E8ADE

RGB 94 138 222

HSL 219.38, 0.66%, 0.62%

LAB 57.88, 9.8, -47.41

 

CMYK 62 / 41 / 0 / 20

HEX #4D78CB

RGB 77 120 203

HSL 219.52, 0.55%, 0.55%

LAB 51.06, 11.07, -47.56

 

CMYK 67 / 45 / 0 / 28

HEX #3C66B8

RGB 60 102 184

HSL 219.68, 0.51%, 0.48%

LAB 44.12, 12.64, -47.74

 

CMYK 74 / 49 / 0 / 35

HEX #2B54A5

RGB 43 84 165

HSL 219.84, 0.59%, 0.41%

LAB 37.06, 14.64, -47.91

 

CMYK 82 / 55 / 0 / 43

HEX #1A4292

RGB 26 66 146

HSL 220, 0.7%, 0.34%

LAB 29.89, 17.25, -48.05

 

CMYK 58 / 38 / 0 / 13

HEX #5E8ADE

RGB 94 138 222

HSL 219.38, 0.66%, 0.62%

LAB 57.88, 9.8, -47.41

 

CMYK 58 / 54 / 0 / 13

HEX #5E67DE

RGB 94 103 222

HSL 235.78, 0.66%, 0.62%

LAB 48.7, 31.1, -62.09

 

CMYK 46 / 58 / 0 / 13

HEX #775EDE

RGB 119 94 222

HSL 251.72, 0.66%, 0.62%

LAB 48.51, 41.41, -62.3

 

CMYK 31 / 58 / 0 / 13

HEX #995EDE

RGB 153 94 222

HSL 267.66, 0.66%, 0.62%

LAB 51.9, 49, -56.68

 

CMYK 15 / 58 / 0 / 13

HEX #BC5EDE

RGB 188 94 222

HSL 284.06, 0.66%, 0.62%

LAB 56.06, 57.51, -49.79

 

CMYK 58 / 38 / 0 / 13

HEX #5E8ADE

RGB 94 138 222

HSL 219.38, 0.66%, 0.62%

LAB 57.88, 9.8, -47.41

 

CMYK 58 / 54 / 0 / 13

HEX #5E67DE

RGB 94 103 222

HSL 235.78, 0.66%, 0.62%

LAB 48.7, 31.1, -62.09

 

CMYK 58 / 58 / 0 / 13

HEX #5E5EDE

RGB 94 94 222

HSL 240, 0.66%, 0.62%

LAB 46.52, 36.58, -65.62

 

CMYK 58 / 38 / 0 / 13

HEX #5E8ADE

RGB 94 138 222

HSL 219.38, 0.66%, 0.62%

LAB 57.88, 9.8, -47.41

 

CMYK 67 / 44 / 0 / 7

HEX #4E85ED

RGB 78 133 237

HSL 219.25, 0.82%, 0.62%

LAB 56.59, 15.03, -57.86

 

CMYK 75 / 49 / 0 / 1

HEX #3E80FD

RGB 62 128 253

HSL 219.27, 0.98%, 0.62%

LAB 55.64, 21.65, -68.28

 

CMYK 58 / 38 / 0 / 13

HEX #5E8ADE

RGB 94 138 222

HSL 219.38, 0.66%, 0.62%

LAB 57.88, 9.8, -47.41

 

CMYK 47 / 31 / 0 / 19

HEX #6D8FCE

RGB 109 143 206

HSL 218.97, 0.5%, 0.62%

LAB 59.3, 5.21, -36.15

 

CMYK 34 / 23 / 0 / 25

HEX #7D93BE

RGB 125 147 190

HSL 219.69, 0.33%, 0.62%

LAB 60.73, 2.68, -24.85

 

CMYK 19 / 13 / 0 / 31

HEX #8D98AF

RGB 141 152 175

HSL 220.59, 0.18%, 0.62%

LAB 62.69, 1.07, -13.31

 

CMYK 2 / 1 / 0 / 38

HEX #9C9D9F

RGB 156 157 159

HSL 220, 0.02%, 0.62%

LAB 64.71, 0.03, -1.18

 

CMYK 58 / 7 / 0 / 13

HEX #5ECFDE

RGB 94 207 222

HSL 187.03, 0.66%, 0.62%

LAB 77.45, -27.74, -17.13

 

CMYK 58 / 22 / 0 / 13

HEX #5EADDE

RGB 94 173 222

HSL 202.97, 0.66%, 0.62%

LAB 67.68, -10.18, -32.06

 

CMYK 58 / 38 / 0 / 13

HEX #5E8ADE

RGB 94 138 222

HSL 219.38, 0.66%, 0.62%

LAB 57.88, 9.8, -47.41

 

CMYK 58 / 53 / 0 / 13

HEX #5E68DE

RGB 94 104 222

HSL 235.31, 0.66%, 0.62%

LAB 48.95, 30.49, -61.69

 

CMYK 47 / 58 / 0 / 13

HEX #755EDE

RGB 117 94 222

HSL 250.78, 0.66%, 0.62%

LAB 48.34, 41, -62.59

 

CMYK 80 / 52 / 0 / 24

HEX #275CC1

RGB 39 92 193

HSL 219.35, 0.66%, 0.45%

LAB 41.11, 19.68, -57.86

 

CMYK 73 / 47 / 0 / 16

HEX #3B71D7

RGB 59 113 215

HSL 219.23, 0.66%, 0.54%

LAB 49.06, 16.82, -57.63

 

CMYK 58 / 38 / 0 / 13

HEX #5E8ADE

RGB 94 138 222

HSL 219.38, 0.66%, 0.62%

LAB 57.88, 9.8, -47.41

 

CMYK 44 / 29 / 0 / 10

HEX #80A2E5

RGB 128 162 229

HSL 219.8, 0.66%, 0.7%

LAB 66.59, 5.67, -37.48

 

CMYK 31 / 21 / 0 / 7

HEX #A2BBEC

RGB 162 187 236

HSL 219.73, 0.66%, 0.78%

LAB 75.62, 2.72, -27.15

 

CMYK 58 / 38 / 0 / 13

HEX #5E8ADE

RGB 94 138 222

HSL 219.38, 0.66%, 0.62%

LAB 57.88, 9.8, -47.41

 

CMYK 9 / 58 / 0 / 13

HEX #CA5EDE

RGB 202 94 222

HSL 290.63, 0.66%, 0.62%

LAB 57.88, 61, -46.78

 

CMYK 14 / 0 / 58 / 13

HEX #BEDE5E

RGB 190 222 94

HSL 75, 0.66%, 0.62%

LAB 83.96, -28.94, 58.02

 

CMYK 58 / 38 / 0 / 13

HEX #5E8ADE

RGB 94 138 222

HSL 219.38, 0.66%, 0.62%

LAB 57.88, 9.8, -47.41

 

CMYK 0 / 58 / 38 / 13

HEX #DE5E8A

RGB 222 94 138

HSL 339.38, 0.66%, 0.62%

LAB 57.43, 54.11, 1.11

 

CMYK 38 / 0 / 58 / 13

HEX #8ADE5E

RGB 138 222 94

HSL 99.38, 0.66%, 0.62%

LAB 80.99, -47.72, 53.85

 

CMYK 58 / 38 / 0 / 13

HEX #5E8ADE

RGB 94 138 222

HSL 219.38, 0.66%, 0.62%

LAB 57.88, 9.8, -47.41

 

CMYK 9 / 58 / 0 / 13

HEX #CA5EDE

RGB 202 94 222

HSL 290.63, 0.66%, 0.62%

LAB 57.88, 61, -46.78

 

CMYK 0 / 20 / 58 / 13

HEX #DEB15E

RGB 222 177 94

HSL 38.91, 0.66%, 0.62%

LAB 74.69, 6.91, 48.05

 

CMYK 49 / 0 / 58 / 13

HEX #71DE5E

RGB 113 222 94

HSL 111.09, 0.66%, 0.62%

LAB 79.93, -55.28, 52.35

 

CMYK 58 / 38 / 0 / 13

HEX #5E8ADE

RGB 94 138 222

HSL 219.38, 0.66%, 0.62%

LAB 57.88, 9.8, -47.41

 

CMYK 0 / 58 / 9 / 13

HEX #DE5ECA

RGB 222 94 202

HSL 309.38, 0.66%, 0.62%

LAB 59.71, 62.76, -32.41

 

CMYK 0 / 20 / 58 / 13

HEX #DEB15E

RGB 222 177 94

HSL 38.91, 0.66%, 0.62%

LAB 74.69, 6.91, 48.05

 

CMYK 58 / 0 / 49 / 13

HEX #5EDE71

RGB 94 222 113

HSL 128.91, 0.66%, 0.62%

LAB 79.51, -57.72, 42.83

 

Description

Color code: HEX #5E8ADE | qconv.com Color code: HEX #5E8ADE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 138 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 138 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 38 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 38% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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