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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E7FBF it is the complementary color #A18040. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E7FBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E7FBF shade: #637FBA, #7491CD, #85A3E0, #96B5F3 and #A7C7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E7FBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E7FBF shade: #5E7FBF, #4D6DAC, #3C5B99, #2B4986 and #1A3773

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E7FBF shade: #5E7FBF, #5E65BF, #715EBF, #8B5EBF and #A55EBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E7FBF shade: #5E7FBF, #5E65BF and #5E5EBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E7FBF shade matches the following richer shades: #5E7FBF, #4C79D1, #3A73E3 and #286DF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E7FBF shade: #5E7FBF, #7085AC, #828A9A, #959088 and #A79676

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E7FBF shade: #5EB3BF, #5E9ABF, #5E80BF, #5E66BF and #705EBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E7FBF shade: #395791, #4569AE, #5E7FBF, #7C96CA and #99AED6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E7FBF shade: #5E7FBF, #B05EBF and #A6BF5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E7FBF shade: #5E7FBF, #BF5E80 and #80BF5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E7FBF shade: #5E7FBF, #B05EBF, #BF9D5E and #6DBF5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E7FBF shade: #5E7FBF, #BF5EB0, #BF9D5E and #5EBF6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 34 / 0 / 25

HEX #5E7FBF

RGB 94 127 191

HSL 219.59, 0.43%, 0.56%

LAB 53.3, 6.47, -37.12

 

Complementary color

CMYK 0 / 20 / 60 / 37

HEX #A18040

RGB 161 128 64

HSL 39.59, 0.43%, 0.44%

LAB 55.47, 5.07, 38.99

 

CMYK 47 / 32 / 0 / 27

HEX #637FBA

RGB 99 127 186

HSL 220.69, 0.39%, 0.56%

LAB 53.36, 6.15, -34.14

 

CMYK 43 / 29 / 0 / 20

HEX #7491CD

RGB 116 145 205

HSL 220.45, 0.47%, 0.63%

LAB 60.22, 5.52, -34.12

 

CMYK 41 / 27 / 0 / 12

HEX #85A3E0

RGB 133 163 224

HSL 220.22, 0.59%, 0.7%

LAB 66.95, 4.98, -34.14

 

CMYK 38 / 26 / 0 / 5

HEX #96B5F3

RGB 150 181 243

HSL 220, 0.79%, 0.77%

LAB 73.55, 4.52, -34.2

 

CMYK 35 / 22 / 0 / 0

HEX #A7C7FF

RGB 167 199 255

HSL 218.18, 1%, 0.83%

LAB 79.77, 2.34, -30.95

 

CMYK 51 / 34 / 0 / 25

HEX #5E7FBF

RGB 94 127 191

HSL 219.59, 0.43%, 0.56%

LAB 53.3, 6.47, -37.12

 

CMYK 55 / 37 / 0 / 33

HEX #4D6DAC

RGB 77 109 172

HSL 219.79, 0.38%, 0.49%

LAB 46.3, 7.39, -37.21

 

CMYK 61 / 41 / 0 / 40

HEX #3C5B99

RGB 60 91 153

HSL 220, 0.44%, 0.42%

LAB 39.14, 8.56, -37.36

 

CMYK 68 / 46 / 0 / 47

HEX #2B4986

RGB 43 73 134

HSL 220.22, 0.51%, 0.35%

LAB 31.81, 10.12, -37.54

 

CMYK 77 / 52 / 0 / 55

HEX #1A3773

RGB 26 55 115

HSL 220.45, 0.63%, 0.28%

LAB 24.29, 12.26, -37.74

 

CMYK 51 / 34 / 0 / 25

HEX #5E7FBF

RGB 94 127 191

HSL 219.59, 0.43%, 0.56%

LAB 53.3, 6.47, -37.12

 

CMYK 51 / 47 / 0 / 25

HEX #5E65BF

RGB 94 101 191

HSL 235.67, 0.43%, 0.56%

LAB 46.24, 22.38, -48.3

 

CMYK 41 / 51 / 0 / 25

HEX #715EBF

RGB 113 94 191

HSL 251.75, 0.43%, 0.56%

LAB 46.01, 31.17, -48.58

 

CMYK 27 / 51 / 0 / 25

HEX #8B5EBF

RGB 139 94 191

HSL 267.84, 0.43%, 0.56%

LAB 48.58, 37.9, -44.33

 

CMYK 14 / 51 / 0 / 25

HEX #A55EBF

RGB 165 94 191

HSL 283.92, 0.43%, 0.56%

LAB 51.57, 45.05, -39.41

 

CMYK 51 / 34 / 0 / 25

HEX #5E7FBF

RGB 94 127 191

HSL 219.59, 0.43%, 0.56%

LAB 53.3, 6.47, -37.12

 

CMYK 51 / 47 / 0 / 25

HEX #5E65BF

RGB 94 101 191

HSL 235.67, 0.43%, 0.56%

LAB 46.24, 22.38, -48.3

 

CMYK 51 / 51 / 0 / 25

HEX #5E5EBF

RGB 94 94 191

HSL 240, 0.43%, 0.56%

LAB 44.44, 26.72, -51.18

 

CMYK 51 / 34 / 0 / 25

HEX #5E7FBF

RGB 94 127 191

HSL 219.59, 0.43%, 0.56%

LAB 53.3, 6.47, -37.12

 

CMYK 64 / 42 / 0 / 18

HEX #4C79D1

RGB 76 121 209

HSL 219.7, 0.59%, 0.56%

LAB 51.63, 12.33, -50.08

 

CMYK 74 / 49 / 0 / 11

HEX #3A73E3

RGB 58 115 227

HSL 219.76, 0.75%, 0.56%

LAB 50.34, 19.82, -62.35

 

CMYK 84 / 56 / 0 / 4

HEX #286DF5

RGB 40 109 245

HSL 219.8, 0.91%, 0.56%

LAB 49.47, 28.57, -73.87

 

CMYK 51 / 34 / 0 / 25

HEX #5E7FBF

RGB 94 127 191

HSL 219.59, 0.43%, 0.56%

LAB 53.3, 6.47, -37.12

 

CMYK 35 / 23 / 0 / 33

HEX #7085AC

RGB 112 133 172

HSL 219, 0.27%, 0.56%

LAB 55.28, 2.15, -23.07

 

CMYK 16 / 10 / 0 / 40

HEX #828A9A

RGB 130 138 154

HSL 220, 0.11%, 0.56%

LAB 57.32, 0.54, -9.5

 

CMYK 0 / 3 / 9 / 42

HEX #959088

RGB 149 144 136

HSL 36.92, 0.06%, 0.56%

LAB 59.99, 0.37, 4.9

 

CMYK 0 / 10 / 29 / 35

HEX #A79676

RGB 167 150 118

HSL 39.18, 0.22%, 0.56%

LAB 62.79, 1.24, 19.2

 

CMYK 51 / 6 / 0 / 25

HEX #5EB3BF

RGB 94 179 191

HSL 187.42, 0.43%, 0.56%

LAB 68.3, -22.4, -14.04

 

CMYK 51 / 19 / 0 / 25

HEX #5E9ABF

RGB 94 154 191

HSL 202.89, 0.43%, 0.56%

LAB 61, -9.11, -25.14

 

CMYK 51 / 33 / 0 / 25

HEX #5E80BF

RGB 94 128 191

HSL 218.97, 0.43%, 0.56%

LAB 53.58, 5.87, -36.68

 

CMYK 51 / 47 / 0 / 25

HEX #5E66BF

RGB 94 102 191

HSL 235.05, 0.43%, 0.56%

LAB 46.5, 21.76, -47.88

 

CMYK 41 / 51 / 0 / 25

HEX #705EBF

RGB 112 94 191

HSL 251.13, 0.43%, 0.56%

LAB 45.92, 30.93, -48.73

 

CMYK 61 / 40 / 0 / 43

HEX #395791

RGB 57 87 145

HSL 219.55, 0.44%, 0.4%

LAB 37.35, 7.68, -35.39

 

CMYK 60 / 40 / 0 / 32

HEX #4569AE

RGB 69 105 174

HSL 219.43, 0.43%, 0.48%

LAB 44.84, 8.85, -40.73

 

CMYK 51 / 34 / 0 / 25

HEX #5E7FBF

RGB 94 127 191

HSL 219.59, 0.43%, 0.56%

LAB 53.3, 6.47, -37.12

 

CMYK 39 / 26 / 0 / 21

HEX #7C96CA

RGB 124 150 202

HSL 220, 0.42%, 0.64%

LAB 61.97, 3.92, -29.69

 

CMYK 29 / 19 / 0 / 16

HEX #99AED6

RGB 153 174 214

HSL 219.34, 0.43%, 0.72%

LAB 70.8, 1.83, -22.61

 

CMYK 51 / 34 / 0 / 25

HEX #5E7FBF

RGB 94 127 191

HSL 219.59, 0.43%, 0.56%

LAB 53.3, 6.47, -37.12

 

CMYK 8 / 51 / 0 / 25

HEX #B05EBF

RGB 176 94 191

HSL 290.72, 0.43%, 0.56%

LAB 52.95, 48.14, -37.15

 

CMYK 13 / 0 / 51 / 25

HEX #A6BF5E

RGB 166 191 94

HSL 75.46, 0.43%, 0.56%

LAB 73.66, -23.44, 45.67

 

CMYK 51 / 34 / 0 / 25

HEX #5E7FBF

RGB 94 127 191

HSL 219.59, 0.43%, 0.56%

LAB 53.3, 6.47, -37.12

 

CMYK 0 / 51 / 33 / 25

HEX #BF5E80

RGB 191 94 128

HSL 338.97, 0.43%, 0.56%

LAB 52.55, 42.6, -0.67

 

CMYK 33 / 0 / 51 / 25

HEX #80BF5E

RGB 128 191 94

HSL 98.97, 0.43%, 0.56%

LAB 71.32, -37.66, 42.3

 

CMYK 51 / 34 / 0 / 25

HEX #5E7FBF

RGB 94 127 191

HSL 219.59, 0.43%, 0.56%

LAB 53.3, 6.47, -37.12

 

CMYK 8 / 51 / 0 / 25

HEX #B05EBF

RGB 176 94 191

HSL 290.72, 0.43%, 0.56%

LAB 52.95, 48.14, -37.15

 

CMYK 0 / 18 / 51 / 25

HEX #BF9D5E

RGB 191 157 94

HSL 38.97, 0.43%, 0.56%

LAB 66.52, 4.61, 37.48

 

CMYK 43 / 0 / 51 / 25

HEX #6DBF5E

RGB 109 191 94

HSL 110.72, 0.43%, 0.56%

LAB 70.4, -43.9, 40.97

 

CMYK 51 / 34 / 0 / 25

HEX #5E7FBF

RGB 94 127 191

HSL 219.59, 0.43%, 0.56%

LAB 53.3, 6.47, -37.12

 

CMYK 0 / 51 / 8 / 25

HEX #BF5EB0

RGB 191 94 176

HSL 309.28, 0.43%, 0.56%

LAB 54.26, 49.74, -26.29

 

CMYK 0 / 18 / 51 / 25

HEX #BF9D5E

RGB 191 157 94

HSL 38.97, 0.43%, 0.56%

LAB 66.52, 4.61, 37.48

 

CMYK 51 / 0 / 43 / 25

HEX #5EBF6D

RGB 94 191 109

HSL 129.28, 0.43%, 0.56%

LAB 70, -46.07, 32.79

 

Description

Color code: HEX #5E7FBF | qconv.com Color code: HEX #5E7FBF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 127 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 127 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 34 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 34% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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