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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E9ABF it is the complementary color #A16540. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E9ABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E9ABF shade: #639ABA, #74ACCD, #85BEE0, #96D0F3 and #A7E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E9ABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E9ABF shade: #5E9ABF, #4D88AC, #3C7699, #2B6486 and #1A5273

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E9ABF shade: #5E9ABF, #5E80BF, #5E66BF, #705EBF and #8A5EBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E9ABF shade: #5E9ABF, #5E80BF, #5E66BF and #5E5EBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E9ABF shade matches the following richer shades: #5E9ABF, #4C9ED1, #3AA2E3 and #28A7F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E9ABF shade: #5E9ABF, #7095AC, #82919A, #958D88 and #A78976

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E9ABF shade: #5EBFAE, #5EB5BF, #5E9BBF, #5E81BF and #5E68BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E9ABF shade: #396F91, #4586AE, #5E9ABF, #7CACCA and #99BFD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E9ABF shade: #5E9ABF, #955EBF and #BFBB5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E9ABF shade: #5E9ABF, #BF5E9B and #9BBF5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E9ABF shade: #5E9ABF, #955EBF, #BF815E and #88BF5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E9ABF shade: #5E9ABF, #B25EBF, #BF815E and #6BBF5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 19 / 0 / 25

HEX #5E9ABF

RGB 94 154 191

HSL 202.89, 0.43%, 0.56%

LAB 61, -9.11, -25.14

 

Complementary color

CMYK 0 / 37 / 60 / 37

HEX #A16540

RGB 161 101 64

HSL 22.89, 0.43%, 0.44%

LAB 48.58, 20.4, 30.8

 

CMYK 47 / 17 / 0 / 27

HEX #639ABA

RGB 99 154 186

HSL 202.07, 0.39%, 0.56%

LAB 61.05, -9.38, -22.23

 

CMYK 43 / 16 / 0 / 20

HEX #74ACCD

RGB 116 172 205

HSL 202.25, 0.47%, 0.63%

LAB 67.74, -9.63, -22.52

 

CMYK 41 / 15 / 0 / 12

HEX #85BEE0

RGB 133 190 224

HSL 202.42, 0.59%, 0.7%

LAB 74.31, -9.84, -22.81

 

CMYK 38 / 14 / 0 / 5

HEX #96D0F3

RGB 150 208 243

HSL 202.58, 0.79%, 0.77%

LAB 80.78, -10.01, -23.11

 

CMYK 35 / 11 / 0 / 0

HEX #A7E2FF

RGB 167 226 255

HSL 199.77, 1%, 0.83%

LAB 86.91, -11.87, -20.07

 

CMYK 51 / 19 / 0 / 25

HEX #5E9ABF

RGB 94 154 191

HSL 202.89, 0.43%, 0.56%

LAB 61, -9.11, -25.14

 

CMYK 55 / 21 / 0 / 33

HEX #4D88AC

RGB 77 136 172

HSL 202.74, 0.38%, 0.49%

LAB 54.2, -8.65, -24.89

 

CMYK 61 / 23 / 0 / 40

HEX #3C7699

RGB 60 118 153

HSL 202.58, 0.44%, 0.42%

LAB 47.26, -8.03, -24.63

 

CMYK 68 / 25 / 0 / 47

HEX #2B6486

RGB 43 100 134

HSL 202.42, 0.51%, 0.35%

LAB 40.16, -7.17, -24.36

 

CMYK 77 / 29 / 0 / 55

HEX #1A5273

RGB 26 82 115

HSL 202.25, 0.63%, 0.28%

LAB 32.9, -5.92, -24.06

 

CMYK 51 / 19 / 0 / 25

HEX #5E9ABF

RGB 94 154 191

HSL 202.89, 0.43%, 0.56%

LAB 61, -9.11, -25.14

 

CMYK 51 / 33 / 0 / 25

HEX #5E80BF

RGB 94 128 191

HSL 218.97, 0.43%, 0.56%

LAB 53.58, 5.87, -36.68

 

CMYK 51 / 47 / 0 / 25

HEX #5E66BF

RGB 94 102 191

HSL 235.05, 0.43%, 0.56%

LAB 46.5, 21.76, -47.88

 

CMYK 41 / 51 / 0 / 25

HEX #705EBF

RGB 112 94 191

HSL 251.13, 0.43%, 0.56%

LAB 45.92, 30.93, -48.73

 

CMYK 28 / 51 / 0 / 25

HEX #8A5EBF

RGB 138 94 191

HSL 267.22, 0.43%, 0.56%

LAB 48.47, 37.63, -44.51

 

CMYK 51 / 19 / 0 / 25

HEX #5E9ABF

RGB 94 154 191

HSL 202.89, 0.43%, 0.56%

LAB 61, -9.11, -25.14

 

CMYK 51 / 33 / 0 / 25

HEX #5E80BF

RGB 94 128 191

HSL 218.97, 0.43%, 0.56%

LAB 53.58, 5.87, -36.68

 

CMYK 51 / 47 / 0 / 25

HEX #5E66BF

RGB 94 102 191

HSL 235.05, 0.43%, 0.56%

LAB 46.5, 21.76, -47.88

 

CMYK 51 / 51 / 0 / 25

HEX #5E5EBF

RGB 94 94 191

HSL 240, 0.43%, 0.56%

LAB 44.44, 26.72, -51.18

 

CMYK 51 / 19 / 0 / 25

HEX #5E9ABF

RGB 94 154 191

HSL 202.89, 0.43%, 0.56%

LAB 61, -9.11, -25.14

 

CMYK 64 / 24 / 0 / 18

HEX #4C9ED1

RGB 76 158 209

HSL 203.01, 0.59%, 0.56%

LAB 62.16, -9.38, -33.48

 

CMYK 74 / 29 / 0 / 11

HEX #3AA2E3

RGB 58 162 227

HSL 203.08, 0.75%, 0.56%

LAB 63.58, -8.23, -41.29

 

CMYK 84 / 32 / 0 / 4

HEX #28A7F5

RGB 40 167 245

HSL 202.83, 0.91%, 0.56%

LAB 65.5, -6.47, -48.17

 

CMYK 51 / 19 / 0 / 25

HEX #5E9ABF

RGB 94 154 191

HSL 202.89, 0.43%, 0.56%

LAB 61, -9.11, -25.14

 

CMYK 35 / 13 / 0 / 33

HEX #7095AC

RGB 112 149 172

HSL 203, 0.27%, 0.56%

LAB 59.81, -6.96, -16.14

 

CMYK 16 / 6 / 0 / 40

HEX #82919A

RGB 130 145 154

HSL 202.5, 0.11%, 0.56%

LAB 59.28, -3.42, -6.59

 

CMYK 0 / 5 / 9 / 42

HEX #958D88

RGB 149 141 136

HSL 23.08, 0.06%, 0.56%

LAB 59.17, 2.05, 3.72

 

CMYK 0 / 18 / 29 / 35

HEX #A78976

RGB 167 137 118

HSL 23.27, 0.22%, 0.56%

LAB 59.36, 8.48, 14.47

 

CMYK 51 / 0 / 9 / 25

HEX #5EBFAE

RGB 94 191 174

HSL 169.48, 0.43%, 0.56%

LAB 71.35, -32.75, -0.18

 

CMYK 51 / 5 / 0 / 25

HEX #5EB5BF

RGB 94 181 191

HSL 186.19, 0.43%, 0.56%

LAB 68.89, -23.42, -13.16

 

CMYK 51 / 19 / 0 / 25

HEX #5E9BBF

RGB 94 155 191

HSL 202.27, 0.43%, 0.56%

LAB 61.29, -9.67, -24.7

 

CMYK 51 / 32 / 0 / 25

HEX #5E81BF

RGB 94 129 191

HSL 218.35, 0.43%, 0.56%

LAB 53.86, 5.28, -36.24

 

CMYK 51 / 46 / 0 / 25

HEX #5E68BF

RGB 94 104 191

HSL 233.81, 0.43%, 0.56%

LAB 47.03, 20.52, -47.04

 

CMYK 61 / 23 / 0 / 43

HEX #396F91

RGB 57 111 145

HSL 203.18, 0.44%, 0.4%

LAB 44.64, -7.21, -23.97

 

CMYK 60 / 23 / 0 / 32

HEX #4586AE

RGB 69 134 174

HSL 202.86, 0.43%, 0.48%

LAB 53.35, -8.55, -27.37

 

CMYK 51 / 19 / 0 / 25

HEX #5E9ABF

RGB 94 154 191

HSL 202.89, 0.43%, 0.56%

LAB 61, -9.11, -25.14

 

CMYK 39 / 15 / 0 / 21

HEX #7CACCA

RGB 124 172 202

HSL 203.08, 0.42%, 0.64%

LAB 68.06, -8.35, -20.34

 

CMYK 29 / 11 / 0 / 16

HEX #99BFD6

RGB 153 191 214

HSL 202.62, 0.43%, 0.72%

LAB 75.38, -7.38, -15.67

 

CMYK 51 / 19 / 0 / 25

HEX #5E9ABF

RGB 94 154 191

HSL 202.89, 0.43%, 0.56%

LAB 61, -9.11, -25.14

 

CMYK 22 / 51 / 0 / 25

HEX #955EBF

RGB 149 94 191

HSL 274.02, 0.43%, 0.56%

LAB 49.69, 40.62, -42.51

 

CMYK 0 / 2 / 51 / 25

HEX #BFBB5E

RGB 191 187 94

HSL 57.53, 0.43%, 0.56%

LAB 74.46, -11.28, 47.09

 

CMYK 51 / 19 / 0 / 25

HEX #5E9ABF

RGB 94 154 191

HSL 202.89, 0.43%, 0.56%

LAB 61, -9.11, -25.14

 

CMYK 0 / 51 / 19 / 25

HEX #BF5E9B

RGB 191 94 155

HSL 322.27, 0.43%, 0.56%

LAB 53.44, 46.37, -15.29

 

CMYK 19 / 0 / 51 / 25

HEX #9BBF5E

RGB 155 191 94

HSL 82.27, 0.43%, 0.56%

LAB 72.92, -27.74, 44.6

 

CMYK 51 / 19 / 0 / 25

HEX #5E9ABF

RGB 94 154 191

HSL 202.89, 0.43%, 0.56%

LAB 61, -9.11, -25.14

 

CMYK 22 / 51 / 0 / 25

HEX #955EBF

RGB 149 94 191

HSL 274.02, 0.43%, 0.56%

LAB 49.69, 40.62, -42.51

 

CMYK 0 / 32 / 51 / 25

HEX #BF815E

RGB 191 129 94

HSL 21.65, 0.43%, 0.56%

LAB 59.51, 20.01, 28.62

 

CMYK 29 / 0 / 51 / 25

HEX #88BF5E

RGB 136 191 94

HSL 94.02, 0.43%, 0.56%

LAB 71.76, -34.83, 42.94

 

CMYK 51 / 19 / 0 / 25

HEX #5E9ABF

RGB 94 154 191

HSL 202.89, 0.43%, 0.56%

LAB 61, -9.11, -25.14

 

CMYK 7 / 51 / 0 / 25

HEX #B25EBF

RGB 178 94 191

HSL 291.96, 0.43%, 0.56%

LAB 53.2, 48.7, -36.73

 

CMYK 0 / 32 / 51 / 25

HEX #BF815E

RGB 191 129 94

HSL 21.65, 0.43%, 0.56%

LAB 59.51, 20.01, 28.62

 

CMYK 44 / 0 / 51 / 25

HEX #6BBF5E

RGB 107 191 94

HSL 111.96, 0.43%, 0.56%

LAB 70.31, -44.52, 40.84

 

Description

Color code: HEX #5E9ABF | qconv.com Color code: HEX #5E9ABF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 154 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 154 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 19 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 19% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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