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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E7AA6 it is the complementary color #A18559. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E7AA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E7AA6 shade: #637AA1, #748CB4, #859EC7, #96B0DA and #A7C2ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E7AA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E7AA6 shade: #5E7AA6, #4D6893, #3C5680, #2B446D and #1A325A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E7AA6 shade: #5E7AA6, #5E66A6, #695EA6, #7C5EA6 and #905EA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E7AA6 shade: #5E7AA6, #5E66A6 and #5E5EA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E7AA6 shade matches the following richer shades: #5E7AA6, #4A75BB, #3571CF, #216DE3 and #0D68F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E7AA6 shade: #5E7AA6, #727E92, #86837E, #9A876A and #AF8C55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E7AA6 shade: #5EA1A6, #5E8EA6, #5E7BA6, #5E67A6 and #675EA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E7AA6 shade: #3F5373, #4E668D, #5E7AA6, #7890B5 and #93A6C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E7AA6 shade: #5E7AA6, #985EA6 and #98A65E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E7AA6 shade: #5E7AA6, #A65E7B and #7BA65E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E7AA6 shade: #5E7AA6, #985EA6, #A6895E and #6CA65E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E7AA6 shade: #5E7AA6, #A65E9F, #A6895E and #5EA665

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 27 / 0 / 35

HEX #5E7AA6

RGB 94 122 166

HSL 216.67, 0.29%, 0.51%

LAB 50.75, 1.84, -26.69

 

Complementary color

CMYK 0 / 17 / 45 / 37

HEX #A18559

RGB 161 133 89

HSL 36.67, 0.29%, 0.49%

LAB 57.15, 4.59, 27.69

 

CMYK 39 / 24 / 0 / 37

HEX #637AA1

RGB 99 122 161

HSL 217.74, 0.25%, 0.51%

LAB 50.86, 1.79, -23.58

 

CMYK 36 / 22 / 0 / 29

HEX #748CB4

RGB 116 140 180

HSL 217.5, 0.3%, 0.58%

LAB 57.81, 1.42, -23.72

 

CMYK 33 / 21 / 0 / 22

HEX #859EC7

RGB 133 158 199

HSL 217.27, 0.37%, 0.65%

LAB 64.61, 1.11, -23.89

 

CMYK 31 / 19 / 0 / 15

HEX #96B0DA

RGB 150 176 218

HSL 217.06, 0.48%, 0.72%

LAB 71.28, 0.84, -24.08

 

CMYK 30 / 18 / 0 / 7

HEX #A7C2ED

RGB 167 194 237

HSL 216.86, 0.66%, 0.79%

LAB 77.82, 0.59, -24.3

 

CMYK 43 / 27 / 0 / 35

HEX #5E7AA6

RGB 94 122 166

HSL 216.67, 0.29%, 0.51%

LAB 50.75, 1.84, -26.69

 

CMYK 48 / 29 / 0 / 42

HEX #4D6893

RGB 77 104 147

HSL 216.86, 0.31%, 0.44%

LAB 43.63, 2.4, -26.64

 

CMYK 53 / 33 / 0 / 50

HEX #3C5680

RGB 60 86 128

HSL 217.06, 0.36%, 0.37%

LAB 36.32, 3.12, -26.64

 

CMYK 61 / 38 / 0 / 57

HEX #2B446D

RGB 43 68 109

HSL 217.27, 0.43%, 0.3%

LAB 28.78, 4.11, -26.71

 

CMYK 71 / 44 / 0 / 65

HEX #1A325A

RGB 26 50 90

HSL 217.5, 0.55%, 0.23%

LAB 20.98, 5.56, -26.84

 

CMYK 43 / 27 / 0 / 35

HEX #5E7AA6

RGB 94 122 166

HSL 216.67, 0.29%, 0.51%

LAB 50.75, 1.84, -26.69

 

CMYK 43 / 39 / 0 / 35

HEX #5E66A6

RGB 94 102 166

HSL 233.33, 0.29%, 0.51%

LAB 45.13, 14.01, -35.47

 

CMYK 37 / 43 / 0 / 35

HEX #695EA6

RGB 105 94 166

HSL 249.17, 0.29%, 0.51%

LAB 43.89, 21.97, -37.37

 

CMYK 25 / 43 / 0 / 35

HEX #7C5EA6

RGB 124 94 166

HSL 265, 0.29%, 0.51%

LAB 45.69, 27.44, -34.4

 

CMYK 13 / 43 / 0 / 35

HEX #905EA6

RGB 144 94 166

HSL 281.67, 0.29%, 0.51%

LAB 47.86, 33.51, -30.85

 

CMYK 43 / 27 / 0 / 35

HEX #5E7AA6

RGB 94 122 166

HSL 216.67, 0.29%, 0.51%

LAB 50.75, 1.84, -26.69

 

CMYK 43 / 39 / 0 / 35

HEX #5E66A6

RGB 94 102 166

HSL 233.33, 0.29%, 0.51%

LAB 45.13, 14.01, -35.47

 

CMYK 43 / 43 / 0 / 35

HEX #5E5EA6

RGB 94 94 166

HSL 240, 0.29%, 0.51%

LAB 42.97, 19, -38.88

 

CMYK 43 / 27 / 0 / 35

HEX #5E7AA6

RGB 94 122 166

HSL 216.67, 0.29%, 0.51%

LAB 50.75, 1.84, -26.69

 

CMYK 60 / 37 / 0 / 27

HEX #4A75BB

RGB 74 117 187

HSL 217.17, 0.45%, 0.51%

LAB 49.21, 6.87, -41.34

 

CMYK 74 / 45 / 0 / 19

HEX #3571CF

RGB 53 113 207

HSL 216.62, 0.62%, 0.51%

LAB 48.35, 13.1, -54.23

 

CMYK 85 / 52 / 0 / 11

HEX #216DE3

RGB 33 109 227

HSL 216.49, 0.78%, 0.51%

LAB 48.02, 21.27, -66.15

 

CMYK 95 / 58 / 0 / 3

HEX #0D68F7

RGB 13 104 247

HSL 216.67, 0.94%, 0.51%

LAB 47.88, 31.2, -77.6

 

CMYK 43 / 27 / 0 / 35

HEX #5E7AA6

RGB 94 122 166

HSL 216.67, 0.29%, 0.51%

LAB 50.75, 1.84, -26.69

 

CMYK 22 / 14 / 0 / 43

HEX #727E92

RGB 114 126 146

HSL 217.5, 0.13%, 0.51%

LAB 52.48, 0.17, -12.26

 

CMYK 0 / 2 / 6 / 47

HEX #86837E

RGB 134 131 126

HSL 37.5, 0.03%, 0.51%

LAB 54.87, 0.17, 3.09

 

CMYK 0 / 12 / 31 / 40

HEX #9A876A

RGB 154 135 106

HSL 36.25, 0.19%, 0.51%

LAB 57.31, 2.63, 18.25

 

CMYK 0 / 20 / 51 / 31

HEX #AF8C55

RGB 175 140 85

HSL 36.67, 0.36%, 0.51%

LAB 60.36, 6.29, 34.23

 

CMYK 43 / 3 / 0 / 35

HEX #5EA1A6

RGB 94 161 166

HSL 184.17, 0.29%, 0.51%

LAB 62.19, -19.92, -9.27

 

CMYK 43 / 14 / 0 / 35

HEX #5E8EA6

RGB 94 142 166

HSL 200, 0.29%, 0.51%

LAB 56.56, -9.68, -17.75

 

CMYK 43 / 26 / 0 / 35

HEX #5E7BA6

RGB 94 123 166

HSL 215.83, 0.29%, 0.51%

LAB 51.03, 1.25, -26.24

 

CMYK 43 / 38 / 0 / 35

HEX #5E67A6

RGB 94 103 166

HSL 232.5, 0.29%, 0.51%

LAB 45.41, 13.39, -35.04

 

CMYK 38 / 43 / 0 / 35

HEX #675EA6

RGB 103 94 166

HSL 247.5, 0.29%, 0.51%

LAB 43.72, 21.41, -37.66

 

CMYK 45 / 28 / 0 / 55

HEX #3F5373

RGB 63 83 115

HSL 216.92, 0.29%, 0.35%

LAB 34.97, 1.59, -20.71

 

CMYK 45 / 28 / 0 / 45

HEX #4E668D

RGB 78 102 141

HSL 217.14, 0.29%, 0.43%

LAB 42.83, 2.04, -24.29

 

CMYK 43 / 27 / 0 / 35

HEX #5E7AA6

RGB 94 122 166

HSL 216.67, 0.29%, 0.51%

LAB 50.75, 1.84, -26.69

 

CMYK 34 / 20 / 0 / 29

HEX #7890B5

RGB 120 144 181

HSL 216.39, 0.29%, 0.59%

LAB 59.23, 0.56, -22.09

 

CMYK 25 / 15 / 0 / 23

HEX #93A6C4

RGB 147 166 196

HSL 216.73, 0.29%, 0.67%

LAB 67.62, 0.09, -17.56

 

CMYK 43 / 27 / 0 / 35

HEX #5E7AA6

RGB 94 122 166

HSL 216.67, 0.29%, 0.51%

LAB 50.75, 1.84, -26.69

 

CMYK 8 / 43 / 0 / 35

HEX #985EA6

RGB 152 94 166

HSL 288.33, 0.29%, 0.51%

LAB 48.8, 35.98, -29.31

 

CMYK 8 / 0 / 43 / 35

HEX #98A65E

RGB 152 166 94

HSL 71.67, 0.29%, 0.51%

LAB 65.56, -16.47, 35.54

 

CMYK 43 / 27 / 0 / 35

HEX #5E7AA6

RGB 94 122 166

HSL 216.67, 0.29%, 0.51%

LAB 50.75, 1.84, -26.69

 

CMYK 0 / 43 / 26 / 35

HEX #A65E7B

RGB 166 94 123

HSL 335.83, 0.29%, 0.51%

LAB 48.94, 33.05, -3.4

 

CMYK 26 / 0 / 43 / 35

HEX #7BA65E

RGB 123 166 94

HSL 95.83, 0.29%, 0.51%

LAB 63.58, -27.77, 32.63

 

CMYK 43 / 27 / 0 / 35

HEX #5E7AA6

RGB 94 122 166

HSL 216.67, 0.29%, 0.51%

LAB 50.75, 1.84, -26.69

 

CMYK 8 / 43 / 0 / 35

HEX #985EA6

RGB 152 94 166

HSL 288.33, 0.29%, 0.51%

LAB 48.8, 35.98, -29.31

 

CMYK 0 / 17 / 43 / 35

HEX #A6895E

RGB 166 137 94

HSL 35.83, 0.29%, 0.51%

LAB 58.79, 5.04, 27.16

 

CMYK 35 / 0 / 43 / 35

HEX #6CA65E

RGB 108 166 94

HSL 108.33, 0.29%, 0.51%

LAB 62.73, -33.12, 31.38

 

CMYK 43 / 27 / 0 / 35

HEX #5E7AA6

RGB 94 122 166

HSL 216.67, 0.29%, 0.51%

LAB 50.75, 1.84, -26.69

 

CMYK 0 / 43 / 4 / 35

HEX #A65E9F

RGB 166 94 159

HSL 305.83, 0.29%, 0.51%

LAB 50.23, 39.03, -22.84

 

CMYK 0 / 17 / 43 / 35

HEX #A6895E

RGB 166 137 94

HSL 35.83, 0.29%, 0.51%

LAB 58.79, 5.04, 27.16

 

CMYK 43 / 0 / 39 / 35

HEX #5EA665

RGB 94 166 101

HSL 125.83, 0.29%, 0.51%

LAB 62.16, -36.56, 26.79

 

Description

Color code: HEX #5E7AA6 | qconv.com Color code: HEX #5E7AA6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 122 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 122 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 27 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 27% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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