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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E66A6 it is the complementary color #A19959. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E66A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E66A6 shade: #6366A1, #7478B4, #858AC7, #969CDA and #A7AEED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E66A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E66A6 shade: #5E66A6, #4D5493, #3C4280, #2B306D and #1A1E5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E66A6 shade: #5E66A6, #695EA6, #7D5EA6, #905EA6 and #A45EA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E66A6 shade: #5E66A6 and #5E5EA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E66A6 shade matches the following richer shades: #5E66A6, #4A56BB, #3546CF, #2137E3 and #0D27F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E66A6 shade: #5E66A6, #727692, #86857E, #9A956A and #AFA555

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E66A6 shade: #5E8DA6, #5E7AA6, #5E66A6, #695EA6 and #7C5EA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E66A6 shade: #3F4573, #4E558D, #5E66A6, #787FB5 and #9398C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E66A6 shade: #5E66A6, #A65EA0 and #83A65E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E66A6 shade: #5E66A6, #A65E66 and #66A65E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E66A6 shade: #5E66A6, #A65EA0, #A69E5E and #5EA664

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E66A6 shade: #5E66A6, #A65E8B, #A69E5E and #5EA67A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 39 / 0 / 35

HEX #5E66A6

RGB 94 102 166

HSL 233.33, 0.29%, 0.51%

LAB 45.13, 14.01, -35.47

 

Complementary color

CMYK 0 / 5 / 45 / 37

HEX #A19959

RGB 161 153 89

HSL 53.33, 0.29%, 0.49%

LAB 62.58, -6.42, 34.58

 

CMYK 39 / 37 / 0 / 37

HEX #6366A1

RGB 99 102 161

HSL 237.1, 0.25%, 0.51%

LAB 45.26, 13.91, -32.29

 

CMYK 36 / 33 / 0 / 29

HEX #7478B4

RGB 116 120 180

HSL 236.25, 0.3%, 0.58%

LAB 52.33, 13.19, -32.21

 

CMYK 33 / 31 / 0 / 22

HEX #858AC7

RGB 133 138 199

HSL 235.45, 0.37%, 0.65%

LAB 59.24, 12.57, -32.19

 

CMYK 31 / 28 / 0 / 15

HEX #969CDA

RGB 150 156 218

HSL 234.71, 0.48%, 0.72%

LAB 66, 12.03, -32.21

 

CMYK 30 / 27 / 0 / 7

HEX #A7AEED

RGB 167 174 237

HSL 234, 0.66%, 0.79%

LAB 72.63, 11.56, -32.27

 

CMYK 43 / 39 / 0 / 35

HEX #5E66A6

RGB 94 102 166

HSL 233.33, 0.29%, 0.51%

LAB 45.13, 14.01, -35.47

 

CMYK 48 / 43 / 0 / 42

HEX #4D5493

RGB 77 84 147

HSL 234, 0.31%, 0.44%

LAB 37.89, 15.01, -35.67

 

CMYK 53 / 48 / 0 / 50

HEX #3C4280

RGB 60 66 128

HSL 234.71, 0.36%, 0.37%

LAB 30.44, 16.26, -35.95

 

CMYK 61 / 56 / 0 / 57

HEX #2B306D

RGB 43 48 109

HSL 235.45, 0.43%, 0.3%

LAB 22.76, 17.9, -36.31

 

CMYK 71 / 67 / 0 / 65

HEX #1A1E5A

RGB 26 30 90

HSL 236.25, 0.55%, 0.23%

LAB 14.88, 20.13, -36.67

 

CMYK 43 / 39 / 0 / 35

HEX #5E66A6

RGB 94 102 166

HSL 233.33, 0.29%, 0.51%

LAB 45.13, 14.01, -35.47

 

CMYK 37 / 43 / 0 / 35

HEX #695EA6

RGB 105 94 166

HSL 249.17, 0.29%, 0.51%

LAB 43.89, 21.97, -37.37

 

CMYK 25 / 43 / 0 / 35

HEX #7D5EA6

RGB 125 94 166

HSL 265.83, 0.29%, 0.51%

LAB 45.8, 27.74, -34.24

 

CMYK 13 / 43 / 0 / 35

HEX #905EA6

RGB 144 94 166

HSL 281.67, 0.29%, 0.51%

LAB 47.86, 33.51, -30.85

 

CMYK 1 / 43 / 0 / 35

HEX #A45EA6

RGB 164 94 166

HSL 298.33, 0.29%, 0.51%

LAB 50.28, 39.71, -26.91

 

CMYK 43 / 39 / 0 / 35

HEX #5E66A6

RGB 94 102 166

HSL 233.33, 0.29%, 0.51%

LAB 45.13, 14.01, -35.47

 

CMYK 43 / 43 / 0 / 35

HEX #5E5EA6

RGB 94 94 166

HSL 240, 0.29%, 0.51%

LAB 42.97, 19, -38.88

 

CMYK 43 / 39 / 0 / 35

HEX #5E66A6

RGB 94 102 166

HSL 233.33, 0.29%, 0.51%

LAB 45.13, 14.01, -35.47

 

CMYK 60 / 54 / 0 / 27

HEX #4A56BB

RGB 74 86 187

HSL 233.63, 0.45%, 0.51%

LAB 40.73, 26.39, -54.9

 

CMYK 74 / 66 / 0 / 19

HEX #3546CF

RGB 53 70 207

HSL 233.38, 0.62%, 0.51%

LAB 37.19, 40.45, -72.35

 

CMYK 85 / 76 / 0 / 11

HEX #2137E3

RGB 33 55 227

HSL 233.2, 0.78%, 0.51%

LAB 35.21, 54.55, -87.16

 

CMYK 95 / 84 / 0 / 3

HEX #0D27F7

RGB 13 39 247

HSL 233.33, 0.94%, 0.51%

LAB 34.5, 67.74, -99.69

 

CMYK 43 / 39 / 0 / 35

HEX #5E66A6

RGB 94 102 166

HSL 233.33, 0.29%, 0.51%

LAB 45.13, 14.01, -35.47

 

CMYK 22 / 19 / 0 / 43

HEX #727692

RGB 114 118 146

HSL 232.5, 0.13%, 0.51%

LAB 50.23, 4.86, -15.68

 

CMYK 0 / 1 / 6 / 47

HEX #86857E

RGB 134 133 126

HSL 52.5, 0.03%, 0.51%

LAB 55.43, -0.97, 3.9

 

CMYK 0 / 3 / 31 / 40

HEX #9A956A

RGB 154 149 106

HSL 53.75, 0.19%, 0.51%

LAB 61.14, -5.13, 23.42

 

CMYK 0 / 6 / 51 / 31

HEX #AFA555

RGB 175 165 85

HSL 53.33, 0.36%, 0.51%

LAB 67.04, -7.3, 42.35

 

CMYK 43 / 15 / 0 / 35

HEX #5E8DA6

RGB 94 141 166

HSL 200.83, 0.29%, 0.51%

LAB 56.27, -9.12, -18.2

 

CMYK 43 / 27 / 0 / 35

HEX #5E7AA6

RGB 94 122 166

HSL 216.67, 0.29%, 0.51%

LAB 50.75, 1.84, -26.69

 

CMYK 43 / 39 / 0 / 35

HEX #5E66A6

RGB 94 102 166

HSL 233.33, 0.29%, 0.51%

LAB 45.13, 14.01, -35.47

 

CMYK 37 / 43 / 0 / 35

HEX #695EA6

RGB 105 94 166

HSL 249.17, 0.29%, 0.51%

LAB 43.89, 21.97, -37.37

 

CMYK 25 / 43 / 0 / 35

HEX #7C5EA6

RGB 124 94 166

HSL 265, 0.29%, 0.51%

LAB 45.69, 27.44, -34.4

 

CMYK 45 / 40 / 0 / 55

HEX #3F4573

RGB 63 69 115

HSL 233.08, 0.29%, 0.35%

LAB 30.76, 10.71, -27.28

 

CMYK 45 / 40 / 0 / 45

HEX #4E558D

RGB 78 85 141

HSL 233.33, 0.29%, 0.43%

LAB 37.91, 12.73, -31.99

 

CMYK 43 / 39 / 0 / 35

HEX #5E66A6

RGB 94 102 166

HSL 233.33, 0.29%, 0.51%

LAB 45.13, 14.01, -35.47

 

CMYK 34 / 30 / 0 / 29

HEX #787FB5

RGB 120 127 181

HSL 233.11, 0.29%, 0.59%

LAB 54.56, 10.45, -29.29

 

CMYK 25 / 22 / 0 / 23

HEX #9398C4

RGB 147 152 196

HSL 233.88, 0.29%, 0.67%

LAB 63.87, 7.94, -23.26

 

CMYK 43 / 39 / 0 / 35

HEX #5E66A6

RGB 94 102 166

HSL 233.33, 0.29%, 0.51%

LAB 45.13, 14.01, -35.47

 

CMYK 0 / 43 / 4 / 35

HEX #A65EA0

RGB 166 94 160

HSL 305, 0.29%, 0.51%

LAB 50.28, 39.21, -23.36

 

CMYK 21 / 0 / 43 / 35

HEX #83A65E

RGB 131 166 94

HSL 89.17, 0.29%, 0.51%

LAB 64.08, -24.76, 33.37

 

CMYK 43 / 39 / 0 / 35

HEX #5E66A6

RGB 94 102 166

HSL 233.33, 0.29%, 0.51%

LAB 45.13, 14.01, -35.47

 

CMYK 0 / 43 / 39 / 35

HEX #A65E66

RGB 166 94 102

HSL 353.33, 0.29%, 0.51%

LAB 48.35, 30.21, 8.35

 

CMYK 39 / 0 / 43 / 35

HEX #66A65E

RGB 102 166 94

HSL 113.33, 0.29%, 0.51%

LAB 62.43, -35.13, 30.92

 

CMYK 43 / 39 / 0 / 35

HEX #5E66A6

RGB 94 102 166

HSL 233.33, 0.29%, 0.51%

LAB 45.13, 14.01, -35.47

 

CMYK 0 / 43 / 4 / 35

HEX #A65EA0

RGB 166 94 160

HSL 305, 0.29%, 0.51%

LAB 50.28, 39.21, -23.36

 

CMYK 0 / 5 / 43 / 35

HEX #A69E5E

RGB 166 158 94

HSL 53.33, 0.29%, 0.51%

LAB 64.46, -6.47, 34.4

 

CMYK 43 / 0 / 40 / 35

HEX #5EA664

RGB 94 166 100

HSL 125, 0.29%, 0.51%

LAB 62.14, -36.72, 27.3

 

CMYK 43 / 39 / 0 / 35

HEX #5E66A6

RGB 94 102 166

HSL 233.33, 0.29%, 0.51%

LAB 45.13, 14.01, -35.47

 

CMYK 0 / 43 / 16 / 35

HEX #A65E8B

RGB 166 94 139

HSL 322.5, 0.29%, 0.51%

LAB 49.47, 35.54, -12.17

 

CMYK 0 / 5 / 43 / 35

HEX #A69E5E

RGB 166 158 94

HSL 53.33, 0.29%, 0.51%

LAB 64.46, -6.47, 34.4

 

CMYK 43 / 0 / 27 / 35

HEX #5EA67A

RGB 94 166 122

HSL 143.33, 0.29%, 0.51%

LAB 62.56, -32.7, 15.88

 

Description

Color code: HEX #5E66A6 | qconv.com Color code: HEX #5E66A6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 102 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 102 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 39 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 39% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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