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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E6CE4 it is the complementary color #A1931B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E6CE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E6CE4 shade: #636CDF, #747EF2, #8590FF, #96A2FF and #A7B4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E6CE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E6CE4 shade: #5E6CE4, #4D5AD1, #3C48BE, #2B36AB and #1A2498

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E6CE4 shade: #5E6CE4, #745EE4, #985EE4, #BC5EE4 and #E05EE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E6CE4 shade: #5E6CE4 and #5E5EE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E6CE4 shade matches the following richer shades: #5E6CE4 and #4E60F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E6CE4 shade: #5E6CE4, #6D78D4, #7C84C5, #8B90B6 and #9B9CA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E6CE4 shade: #5EB5E4, #5E91E4, #5E6DE4, #725EE4 and #955EE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E6CE4 shade: #2334CC, #3A4BDE, #5E6CE4, #818CEA and #A4ACF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E6CE4 shade: #5E6CE4, #E45ED8 and #A3E45E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E6CE4 shade: #5E6CE4, #E45E6D and #6DE45E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E6CE4 shade: #5E6CE4, #E45ED8, #E4D45E and #5EE469

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E6CE4 shade: #5E6CE4, #E45EB0, #E4D45E and #5EE491

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 53 / 0 / 11

HEX #5E6CE4

RGB 94 108 228

HSL 233.73, 0.71%, 0.63%

LAB 50.34, 30, -62.83

 

Complementary color

CMYK 0 / 9 / 83 / 37

HEX #A1931B

RGB 161 147 27

HSL 53.73, 0.71%, 0.37%

LAB 60.36, -7.37, 59.06

 

CMYK 56 / 52 / 0 / 13

HEX #636CDF

RGB 99 108 223

HSL 235.65, 0.66%, 0.63%

LAB 50.34, 29.32, -60

 

CMYK 52 / 48 / 0 / 5

HEX #747EF2

RGB 116 126 242

HSL 235.24, 0.83%, 0.7%

LAB 57.12, 27.85, -59.68

 

CMYK 48 / 44 / 0 / 0

HEX #8590FF

RGB 133 144 255

HSL 234.59, 1%, 0.76%

LAB 63.47, 24.82, -56.63

 

CMYK 41 / 36 / 0 / 0

HEX #96A2FF

RGB 150 162 255

HSL 233.14, 1%, 0.79%

LAB 69.14, 18.46, -47.57

 

CMYK 35 / 29 / 0 / 0

HEX #A7B4FF

RGB 167 180 255

HSL 231.14, 1%, 0.83%

LAB 74.87, 12.75, -38.52

 

CMYK 59 / 53 / 0 / 11

HEX #5E6CE4

RGB 94 108 228

HSL 233.73, 0.71%, 0.63%

LAB 50.34, 30, -62.83

 

CMYK 63 / 57 / 0 / 18

HEX #4D5AD1

RGB 77 90 209

HSL 234.09, 0.59%, 0.56%

LAB 43.5, 31.87, -63.16

 

CMYK 68 / 62 / 0 / 25

HEX #3C48BE

RGB 60 72 190

HSL 234.46, 0.52%, 0.49%

LAB 36.58, 34.08, -63.44

 

CMYK 75 / 68 / 0 / 33

HEX #2B36AB

RGB 43 54 171

HSL 234.84, 0.6%, 0.42%

LAB 29.64, 36.64, -63.58

 

CMYK 83 / 76 / 0 / 40

HEX #1A2498

RGB 26 36 152

HSL 235.24, 0.71%, 0.35%

LAB 22.82, 39.46, -63.32

 

CMYK 59 / 53 / 0 / 11

HEX #5E6CE4

RGB 94 108 228

HSL 233.73, 0.71%, 0.63%

LAB 50.34, 30, -62.83

 

CMYK 49 / 59 / 0 / 11

HEX #745EE4

RGB 116 94 228

HSL 249.85, 0.71%, 0.63%

LAB 48.66, 42.54, -65.47

 

CMYK 33 / 59 / 0 / 11

HEX #985EE4

RGB 152 94 228

HSL 265.97, 0.71%, 0.63%

LAB 52.15, 50.24, -59.66

 

CMYK 18 / 59 / 0 / 11

HEX #BC5EE4

RGB 188 94 228

HSL 282.09, 0.71%, 0.63%

LAB 56.39, 58.73, -52.65

 

CMYK 2 / 59 / 0 / 11

HEX #E05EE4

RGB 224 94 228

HSL 298.21, 0.71%, 0.63%

LAB 61.18, 67.55, -44.74

 

CMYK 59 / 53 / 0 / 11

HEX #5E6CE4

RGB 94 108 228

HSL 233.73, 0.71%, 0.63%

LAB 50.34, 30, -62.83

 

CMYK 59 / 59 / 0 / 11

HEX #5E5EE4

RGB 94 94 228

HSL 240, 0.71%, 0.63%

LAB 46.96, 38.5, -68.31

 

CMYK 59 / 53 / 0 / 11

HEX #5E6CE4

RGB 94 108 228

HSL 233.73, 0.71%, 0.63%

LAB 50.34, 30, -62.83

 

CMYK 68 / 60 / 0 / 5

HEX #4E60F3

RGB 78 96 243

HSL 233.45, 0.87%, 0.63%

LAB 47.57, 39.83, -75.8

 

CMYK 59 / 53 / 0 / 11

HEX #5E6CE4

RGB 94 108 228

HSL 233.73, 0.71%, 0.63%

LAB 50.34, 30, -62.83

 

CMYK 49 / 43 / 0 / 17

HEX #6D78D4

RGB 109 120 212

HSL 233.59, 0.54%, 0.63%

LAB 53.43, 20.71, -48.8

 

CMYK 37 / 33 / 0 / 23

HEX #7C84C5

RGB 124 132 197

HSL 233.42, 0.39%, 0.63%

LAB 56.9, 13.01, -34.75

 

CMYK 24 / 21 / 0 / 29

HEX #8B90B6

RGB 139 144 182

HSL 233.02, 0.23%, 0.63%

LAB 60.62, 6.61, -20.42

 

CMYK 7 / 7 / 0 / 35

HEX #9B9CA7

RGB 155 156 167

HSL 235, 0.06%, 0.63%

LAB 64.59, 1.83, -5.85

 

CMYK 59 / 21 / 0 / 11

HEX #5EB5E4

RGB 94 181 228

HSL 201.04, 0.71%, 0.63%

LAB 70.2, -12.66, -31.45

 

CMYK 59 / 36 / 0 / 11

HEX #5E91E4

RGB 94 145 228

HSL 217.16, 0.71%, 0.63%

LAB 60.1, 7.61, -47.24

 

CMYK 59 / 52 / 0 / 11

HEX #5E6DE4

RGB 94 109 228

HSL 233.28, 0.71%, 0.63%

LAB 50.59, 29.38, -62.43

 

CMYK 50 / 59 / 0 / 11

HEX #725EE4

RGB 114 94 228

HSL 248.96, 0.71%, 0.63%

LAB 48.49, 42.15, -65.75

 

CMYK 35 / 59 / 0 / 11

HEX #955EE4

RGB 149 94 228

HSL 264.63, 0.71%, 0.63%

LAB 51.83, 49.56, -60.19

 

CMYK 83 / 75 / 0 / 20

HEX #2334CC

RGB 35 52 204

HSL 233.96, 0.71%, 0.47%

LAB 32.2, 48.67, -78.87

 

CMYK 74 / 66 / 0 / 13

HEX #3A4BDE

RGB 58 75 222

HSL 233.78, 0.71%, 0.55%

LAB 39.92, 43.1, -76.48

 

CMYK 59 / 53 / 0 / 11

HEX #5E6CE4

RGB 94 108 228

HSL 233.73, 0.71%, 0.63%

LAB 50.34, 30, -62.83

 

CMYK 45 / 40 / 0 / 8

HEX #818CEA

RGB 129 140 234

HSL 233.71, 0.71%, 0.71%

LAB 61.1, 20.09, -48.85

 

CMYK 32 / 28 / 0 / 6

HEX #A4ACF0

RGB 164 172 240

HSL 233.68, 0.72%, 0.79%

LAB 72.02, 12.57, -34.86

 

CMYK 59 / 53 / 0 / 11

HEX #5E6CE4

RGB 94 108 228

HSL 233.73, 0.71%, 0.63%

LAB 50.34, 30, -62.83

 

CMYK 0 / 59 / 5 / 11

HEX #E45ED8

RGB 228 94 216

HSL 305.37, 0.71%, 0.63%

LAB 61.18, 66.57, -37.96

 

CMYK 29 / 0 / 59 / 11

HEX #A3E45E

RGB 163 228 94

HSL 89.1, 0.71%, 0.63%

LAB 84.01, -41.75, 57.62

 

CMYK 59 / 53 / 0 / 11

HEX #5E6CE4

RGB 94 108 228

HSL 233.73, 0.71%, 0.63%

LAB 50.34, 30, -62.83

 

CMYK 0 / 59 / 52 / 11

HEX #E45E6D

RGB 228 94 109

HSL 353.28, 0.71%, 0.63%

LAB 57.66, 53.28, 18.53

 

CMYK 52 / 0 / 59 / 11

HEX #6DE45E

RGB 109 228 94

HSL 113.28, 0.71%, 0.63%

LAB 81.59, -58.65, 54.23

 

CMYK 59 / 53 / 0 / 11

HEX #5E6CE4

RGB 94 108 228

HSL 233.73, 0.71%, 0.63%

LAB 50.34, 30, -62.83

 

CMYK 0 / 59 / 5 / 11

HEX #E45ED8

RGB 228 94 216

HSL 305.37, 0.71%, 0.63%

LAB 61.18, 66.57, -37.96

 

CMYK 0 / 7 / 59 / 11

HEX #E4D45E

RGB 228 212 94

HSL 52.84, 0.71%, 0.63%

LAB 84.17, -8.74, 59.04

 

CMYK 59 / 0 / 54 / 11

HEX #5EE469

RGB 94 228 105

HSL 124.93, 0.71%, 0.63%

LAB 81.23, -61.02, 48.71

 

CMYK 59 / 53 / 0 / 11

HEX #5E6CE4

RGB 94 108 228

HSL 233.73, 0.71%, 0.63%

LAB 50.34, 30, -62.83

 

CMYK 0 / 59 / 23 / 11

HEX #E45EB0

RGB 228 94 176

HSL 323.28, 0.71%, 0.63%

LAB 59.56, 60.63, -17.7

 

CMYK 0 / 7 / 59 / 11

HEX #E4D45E

RGB 228 212 94

HSL 52.84, 0.71%, 0.63%

LAB 84.17, -8.74, 59.04

 

CMYK 59 / 0 / 36 / 11

HEX #5EE491

RGB 94 228 145

HSL 142.84, 0.71%, 0.63%

LAB 81.79, -54.88, 29.83

 

Description

Color code: HEX #5E6CE4 | qconv.com Color code: HEX #5E6CE4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 108 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 108 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 53 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 53% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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