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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 48 / 44 / 0 / 0 it is the complementary color CMYK 0 / 8 / 100 / 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 48 / 44 / 0 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 48 / 44 / 0 / 0: CMYK 45 / 43 / 0 / 2, CMYK 39 / 37 / 0 / 0, CMYK 33 / 30 / 0 / 0, CMYK 26 / 23 / 0 / 0 and CMYK 19 / 16 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 48 / 44 / 0 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 48 / 44 / 0 / 0: CMYK 48 / 44 / 0 / 0, CMYK 51 / 47 / 0 / 7, CMYK 54 / 51 / 0 / 15, CMYK 59 / 55 / 0 / 22 and CMYK 64 / 60 / 0 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 44 / 0 / 0

HEX #858FFF

RGB 133 143 255

HSL 235.08, 1%, 0.76%

LAB 63.22, 25.4, -57.02

 

Complementary color

CMYK 0 / 8 / 100 / 52

HEX #7A7000

RGB 122 112 0

HSL 55.08, 1%, 0.24%

LAB 46.61, -6.96, 52.61

 

CMYK 45 / 43 / 0 / 2

HEX #8A8FFA

RGB 138 143 250

HSL 237.32, 0.92%, 0.76%

LAB 63.3, 25.09, -54.13

 

CMYK 39 / 37 / 0 / 0

HEX #9BA1FF

RGB 155 161 255

HSL 236.4, 1%, 0.8%

LAB 69.24, 20.29, -47.4

 

CMYK 33 / 30 / 0 / 0

HEX #ACB3FF

RGB 172 179 255

HSL 234.94, 1%, 0.84%

LAB 74.97, 14.67, -38.35

 

CMYK 26 / 23 / 0 / 0

HEX #BDC5FF

RGB 189 197 255

HSL 232.73, 1%, 0.87%

LAB 80.72, 9.62, -29.37

 

CMYK 19 / 16 / 0 / 0

HEX #CED7FF

RGB 206 215 255

HSL 228.98, 1%, 0.9%

LAB 86.48, 5.06, -20.5

 

CMYK 48 / 44 / 0 / 0

HEX #858FFF

RGB 133 143 255

HSL 235.08, 1%, 0.76%

LAB 63.22, 25.4, -57.02

 

CMYK 51 / 47 / 0 / 7

HEX #747DEC

RGB 116 125 236

HSL 235.5, 0.76%, 0.69%

LAB 56.52, 26.61, -57.3

 

CMYK 54 / 51 / 0 / 15

HEX #636BD9

RGB 99 107 217

HSL 235.93, 0.61%, 0.62%

LAB 49.71, 28.01, -57.61

 

CMYK 59 / 55 / 0 / 22

HEX #5259C6

RGB 82 89 198

HSL 236.38, 0.5%, 0.55%

LAB 42.79, 29.67, -57.95

 

CMYK 64 / 60 / 0 / 30

HEX #4147B3

RGB 65 71 179

HSL 236.84, 0.47%, 0.48%

LAB 35.76, 31.63, -58.28

 

CMYK 48 / 44 / 0 / 0

HEX #858FFF

RGB 133 143 255

HSL 235.08, 1%, 0.76%

LAB 63.22, 25.4, -57.02

 

CMYK 44 / 48 / 0 / 0

HEX #8E84FF

RGB 142 132 255

HSL 244.88, 1%, 0.76%

LAB 61.2, 33.83, -60.21

 

CMYK 36 / 48 / 0 / 0

HEX #A384FF

RGB 163 132 255

HSL 255.12, 1%, 0.76%

LAB 62.94, 38.8, -57.34

 

CMYK 28 / 48 / 0 / 0

HEX #B784FF

RGB 183 132 255

HSL 264.88, 1%, 0.76%

LAB 64.8, 43.82, -54.27

 

CMYK 20 / 48 / 0 / 0

HEX #CB84FF

RGB 203 132 255

HSL 274.63, 1%, 0.76%

LAB 66.84, 49.05, -50.9

 

CMYK 48 / 44 / 0 / 0

HEX #858FFF

RGB 133 143 255

HSL 235.08, 1%, 0.76%

LAB 63.22, 25.4, -57.02

 

CMYK 47 / 43 / 0 / 80

HEX #1B1D33

RGB 27 29 51

HSL 235, 0.31%, 0.15%

LAB 11.63, 6.03, -14.81

 

CMYK 48 / 44 / 0 / 60

HEX #353966

RGB 53 57 102

HSL 235.1, 0.32%, 0.3%

LAB 25.69, 11.67, -27.07

 

CMYK 48 / 44 / 0 / 40

HEX #505699

RGB 80 86 153

HSL 235.07, 0.31%, 0.46%

LAB 39, 16.41, -37.5

 

CMYK 48 / 44 / 0 / 20

HEX #6A72CC

RGB 106 114 204

HSL 235.1, 0.49%, 0.61%

LAB 51.22, 21.21, -47.78

 

CMYK 48 / 44 / 0 / 0

HEX #858FFF

RGB 133 143 255

HSL 235.08, 1%, 0.76%

LAB 63.22, 25.4, -57.02

 

CMYK 0 / 48 / 6 / 0

HEX #FF84F0

RGB 255 132 240

HSL 307.32, 1%, 0.76%

LAB 72.26, 60.56, -33.77

 

CMYK 25 / 0 / 48 / 0

HEX #BFFF84

RGB 191 255 132

HSL 91.22, 1%, 0.76%

LAB 93.56, -40.01, 52.09

 

CMYK 48 / 44 / 0 / 0

HEX #858FFF

RGB 133 143 255

HSL 235.08, 1%, 0.76%

LAB 63.22, 25.4, -57.02

 

CMYK 0 / 48 / 44 / 0

HEX #FF848E

RGB 255 132 142

HSL 355.12, 1%, 0.76%

LAB 69.27, 47.54, 16.31

 

CMYK 44 / 0 / 48 / 0

HEX #8EFF84

RGB 142 255 132

HSL 115.12, 1%, 0.76%

LAB 91.21, -55.58, 48.66

 

CMYK 48 / 44 / 0 / 0

HEX #858FFF

RGB 133 143 255

HSL 235.08, 1%, 0.76%

LAB 63.22, 25.4, -57.02

 

CMYK 0 / 48 / 6 / 0

HEX #FF84F0

RGB 255 132 240

HSL 307.32, 1%, 0.76%

LAB 72.26, 60.56, -33.77

 

CMYK 0 / 4 / 48 / 0

HEX #FFF484

RGB 255 244 132

HSL 54.63, 1%, 0.76%

LAB 95, -10.84, 54.85

 

CMYK 48 / 0 / 43 / 0

HEX #84FF92

RGB 132 255 146

HSL 126.83, 1%, 0.76%

LAB 91.01, -56.37, 41.63

 

CMYK 48 / 44 / 0 / 0

HEX #858FFF

RGB 133 143 255

HSL 235.08, 1%, 0.76%

LAB 63.22, 25.4, -57.02

 

CMYK 0 / 48 / 20 / 0

HEX #FF84CB

RGB 255 132 203

HSL 325.37, 1%, 0.76%

LAB 70.92, 54.9, -15.41

 

CMYK 0 / 4 / 48 / 0

HEX #FFF484

RGB 255 244 132

HSL 54.63, 1%, 0.76%

LAB 95, -10.84, 54.85

 

CMYK 48 / 0 / 28 / 0

HEX #84FFB7

RGB 132 255 183

HSL 144.88, 1%, 0.76%

LAB 91.62, -50.2, 24

 

Description

Color code: CMYK 48 / 44 / 0 / 0 | qconv.com Color code: CMYK 48 / 44 / 0 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 143 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 143 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 44 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 44% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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