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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E6AF1 it is the complementary color #A1950E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E6AF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E6AF1 shade: #636AEC, #747CFF, #858EFF, #96A0FF and #A7B2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E6AF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E6AF1 shade: #5E6AF1, #4D58DE, #3C46CB, #2B34B8 and #1A22A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E6AF1 shade: #5F6BF1, #7A5FF1, #A25FF1, #C95FF1 and #F05FF1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E6AF1 shade: #5F6BF1 and #5F5FF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E6AF1 shade matches the following richer shades: #5F6BF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E6AF1 shade: #5F6BF1, #6D77E3, #7B82D5, #898EC7 and #979AB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E6AF1 shade: #5FB9F1, #5F92F1, #5F6BF1, #7A5FF1 and #A15FF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E6AF1 shade: #1425E9, #3948ED, #5F6BF1, #858EF4 and #ABB1F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E6AF1 shade: #5E6AF1, #F15FE0 and #A5F15F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E6AF1 shade: #5E6AF1, #F15F6B and #6BF15F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E6AF1 shade: #5E6AF1, #F15FE0, #F1E45F and #5FF170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E6AF1 shade: #5E6AF1, #F15FB4, #F1E45F and #5FF19C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 56 / 0 / 5

HEX #5E6AF1

RGB 94 106 241

HSL 235.1, 0.84%, 0.66%

LAB 50.73, 35.46, -69.49

 

Complementary color

CMYK 0 / 7 / 91 / 37

HEX #A1950E

RGB 161 149 14

HSL 55.1, 0.84%, 0.34%

LAB 60.87, -8.76, 62.44

 

CMYK 58 / 55 / 0 / 7

HEX #636AEC

RGB 99 106 236

HSL 236.93, 0.78%, 0.66%

LAB 50.71, 34.7, -66.72

 

CMYK 55 / 51 / 0 / 0

HEX #747CFF

RGB 116 124 255

HSL 236.55, 1%, 0.73%

LAB 57.41, 33.06, -66.39

 

CMYK 48 / 44 / 0 / 0

HEX #858EFF

RGB 133 142 255

HSL 235.57, 1%, 0.76%

LAB 62.97, 25.99, -57.42

 

CMYK 41 / 37 / 0 / 0

HEX #96A0FF

RGB 150 160 255

HSL 234.29, 1%, 0.79%

LAB 68.64, 19.6, -48.37

 

CMYK 35 / 30 / 0 / 0

HEX #A7B2FF

RGB 167 178 255

HSL 232.5, 1%, 0.83%

LAB 74.37, 13.87, -39.31

 

CMYK 61 / 56 / 0 / 5

HEX #5E6AF1

RGB 94 106 241

HSL 235.1, 0.84%, 0.66%

LAB 50.73, 35.46, -69.49

 

CMYK 65 / 60 / 0 / 13

HEX #4D58DE

RGB 77 88 222

HSL 235.45, 0.69%, 0.59%

LAB 43.99, 37.5, -69.79

 

CMYK 70 / 66 / 0 / 20

HEX #3C46CB

RGB 60 70 203

HSL 235.8, 0.58%, 0.52%

LAB 37.21, 39.83, -69.99

 

CMYK 77 / 72 / 0 / 28

HEX #2B34B8

RGB 43 52 184

HSL 236.17, 0.62%, 0.45%

LAB 30.47, 42.43, -69.96

 

CMYK 84 / 79 / 0 / 35

HEX #1A22A5

RGB 26 34 165

HSL 236.55, 0.73%, 0.37%

LAB 23.94, 45.05, -69.41

 

CMYK 61 / 56 / 0 / 5

HEX #5F6BF1

RGB 95 107 241

HSL 235.07, 0.84%, 0.66%

LAB 51.04, 35.02, -69

 

CMYK 49 / 61 / 0 / 5

HEX #7A5FF1

RGB 122 95 241

HSL 251.1, 0.84%, 0.66%

LAB 50.3, 46.89, -70.09

 

CMYK 33 / 61 / 0 / 5

HEX #A25FF1

RGB 162 95 241

HSL 267.53, 0.84%, 0.66%

LAB 54.26, 55.11, -63.51

 

CMYK 17 / 61 / 0 / 5

HEX #C95FF1

RGB 201 95 241

HSL 283.56, 0.84%, 0.66%

LAB 58.93, 63.98, -55.75

 

CMYK 0 / 61 / 0 / 5

HEX #F05FF1

RGB 240 95 241

HSL 299.59, 0.84%, 0.66%

LAB 64.21, 73.2, -47.05

 

CMYK 61 / 56 / 0 / 5

HEX #5F6BF1

RGB 95 107 241

HSL 235.07, 0.84%, 0.66%

LAB 51.04, 35.02, -69

 

CMYK 61 / 61 / 0 / 5

HEX #5F5FF1

RGB 95 95 241

HSL 240, 0.84%, 0.66%

LAB 48.22, 42.21, -73.57

 

CMYK 61 / 56 / 0 / 5

HEX #5F6BF1

RGB 95 107 241

HSL 235.07, 0.84%, 0.66%

LAB 51.04, 35.02, -69

 

CMYK 61 / 56 / 0 / 5

HEX #5F6BF1

RGB 95 107 241

HSL 235.07, 0.84%, 0.66%

LAB 51.04, 35.02, -69

 

CMYK 52 / 48 / 0 / 11

HEX #6D77E3

RGB 109 119 227

HSL 234.92, 0.68%, 0.66%

LAB 54.02, 25.94, -56.31

 

CMYK 42 / 39 / 0 / 16

HEX #7B82D5

RGB 123 130 213

HSL 235.33, 0.52%, 0.66%

LAB 57.06, 18.43, -43.55

 

CMYK 31 / 29 / 0 / 22

HEX #898EC7

RGB 137 142 199

HSL 235.16, 0.36%, 0.66%

LAB 60.59, 11.41, -30.06

 

CMYK 18 / 17 / 0 / 27

HEX #979AB9

RGB 151 154 185

HSL 234.71, 0.2%, 0.66%

LAB 64.32, 5.49, -16.4

 

CMYK 61 / 23 / 0 / 5

HEX #5FB9F1

RGB 95 185 241

HSL 203.01, 0.84%, 0.66%

LAB 71.88, -10.63, -35.91

 

CMYK 61 / 39 / 0 / 5

HEX #5F92F1

RGB 95 146 241

HSL 219.04, 0.84%, 0.66%

LAB 61.08, 11.46, -52.87

 

CMYK 61 / 56 / 0 / 5

HEX #5F6BF1

RGB 95 107 241

HSL 235.07, 0.84%, 0.66%

LAB 51.04, 35.02, -69

 

CMYK 49 / 61 / 0 / 5

HEX #7A5FF1

RGB 122 95 241

HSL 251.1, 0.84%, 0.66%

LAB 50.3, 46.89, -70.09

 

CMYK 33 / 61 / 0 / 5

HEX #A15FF1

RGB 161 95 241

HSL 267.12, 0.84%, 0.66%

LAB 54.15, 54.89, -63.69

 

CMYK 91 / 84 / 0 / 9

HEX #1425E9

RGB 20 37 233

HSL 235.21, 0.84%, 0.5%

LAB 32.6, 64.61, -94.92

 

CMYK 76 / 70 / 0 / 7

HEX #3948ED

RGB 57 72 237

HSL 235, 0.83%, 0.58%

LAB 40.6, 49.85, -83.88

 

CMYK 61 / 56 / 0 / 5

HEX #5F6BF1

RGB 95 107 241

HSL 235.07, 0.84%, 0.66%

LAB 51.04, 35.02, -69

 

CMYK 45 / 42 / 0 / 4

HEX #858EF4

RGB 133 142 244

HSL 235.14, 0.83%, 0.74%

LAB 62.39, 22.77, -52.3

 

CMYK 31 / 28 / 0 / 3

HEX #ABB1F7

RGB 171 177 247

HSL 235.26, 0.83%, 0.82%

LAB 74.07, 13.5, -35.43

 

CMYK 61 / 56 / 0 / 5

HEX #5E6AF1

RGB 94 106 241

HSL 235.1, 0.84%, 0.66%

LAB 50.73, 35.46, -69.49

 

CMYK 0 / 61 / 7 / 5

HEX #F15FE0

RGB 241 95 224

HSL 306.99, 0.84%, 0.66%

LAB 63.56, 70.72, -38.59

 

CMYK 32 / 0 / 61 / 5

HEX #A5F15F

RGB 165 241 95

HSL 91.23, 0.84%, 0.66%

LAB 87.84, -46.57, 61.52

 

CMYK 61 / 56 / 0 / 5

HEX #5E6AF1

RGB 94 106 241

HSL 235.1, 0.84%, 0.66%

LAB 50.73, 35.46, -69.49

 

CMYK 0 / 61 / 56 / 5

HEX #F15F6B

RGB 241 95 107

HSL 355.07, 0.84%, 0.66%

LAB 59.84, 57, 22.99

 

CMYK 56 / 0 / 61 / 5

HEX #6BF15F

RGB 107 241 95

HSL 115.07, 0.84%, 0.66%

LAB 85.43, -63.83, 58.16

 

CMYK 61 / 56 / 0 / 5

HEX #5E6AF1

RGB 94 106 241

HSL 235.1, 0.84%, 0.66%

LAB 50.73, 35.46, -69.49

 

CMYK 0 / 61 / 7 / 5

HEX #F15FE0

RGB 241 95 224

HSL 306.99, 0.84%, 0.66%

LAB 63.56, 70.72, -38.59

 

CMYK 0 / 5 / 61 / 5

HEX #F1E45F

RGB 241 228 95

HSL 54.66, 0.84%, 0.66%

LAB 89.4, -11.36, 64.68

 

CMYK 61 / 0 / 54 / 5

HEX #5FF170

RGB 95 241 112

HSL 126.99, 0.84%, 0.66%

LAB 85.26, -64.59, 50.33

 

CMYK 61 / 56 / 0 / 5

HEX #5E6AF1

RGB 94 106 241

HSL 235.1, 0.84%, 0.66%

LAB 50.73, 35.46, -69.49

 

CMYK 0 / 61 / 25 / 5

HEX #F15FB4

RGB 241 95 180

HSL 325.07, 0.84%, 0.66%

LAB 61.81, 64.45, -16.4

 

CMYK 0 / 5 / 61 / 5

HEX #F1E45F

RGB 241 228 95

HSL 54.66, 0.84%, 0.66%

LAB 89.4, -11.36, 64.68

 

CMYK 61 / 0 / 35 / 5

HEX #5FF19C

RGB 95 241 156

HSL 145.07, 0.84%, 0.66%

LAB 85.88, -57.76, 29.71

 

Description

Color code: HEX #5E6AF1 | qconv.com Color code: HEX #5E6AF1 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 106 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 106 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 56 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 56% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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