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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E68BA it is the complementary color #A19745. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E68BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E68BA shade: #6368B5, #747AC8, #858CDB, #969EEE and #A7B0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E68BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E68BA shade: #5E68BA, #4D56A7, #3C4494, #2B3281 and #1A206E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E68BA shade: #5E68BA, #6D5EBA, #865EBA, #9F5EBA and #B75EBA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E68BA shade: #5E68BA and #5E5EBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E68BA shade matches the following richer shades: #5E68BA, #4C5ACD, #394BDF and #273DF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E68BA shade: #5E68BA, #7177A8, #838595, #969482 and #A9A270

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E68BA shade: #5E9ABA, #5E82BA, #5E69BA, #6C5EBA and #855EBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E68BA shade: #3B448B, #4852A7, #5E68BA, #7B83C7 and #989FD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E68BA shade: #5E68BA, #BA5EB3 and #8EBA5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E68BA shade: #5E68BA, #BA5E69 and #69BA5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E68BA shade: #5E68BA, #BA5EB3, #BAAF5E and #5EBA66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E68BA shade: #5E68BA, #BA5E97, #BAAF5E and #5EBA82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 44 / 0 / 27

HEX #5E68BA

RGB 94 104 186

HSL 233.48, 0.4%, 0.55%

LAB 46.74, 18.95, -44.6

 

Complementary color

CMYK 0 / 6 / 57 / 37

HEX #A19745

RGB 161 151 69

HSL 53.48, 0.4%, 0.45%

LAB 61.77, -7.21, 43.76

 

CMYK 45 / 43 / 0 / 29

HEX #6368B5

RGB 99 104 181

HSL 236.34, 0.36%, 0.55%

LAB 46.83, 18.62, -41.54

 

CMYK 42 / 39 / 0 / 22

HEX #747AC8

RGB 116 122 200

HSL 235.71, 0.43%, 0.62%

LAB 53.82, 17.65, -41.34

 

CMYK 39 / 36 / 0 / 14

HEX #858CDB

RGB 133 140 219

HSL 235.12, 0.54%, 0.69%

LAB 60.66, 16.83, -41.19

 

CMYK 37 / 34 / 0 / 7

HEX #969EEE

RGB 150 158 238

HSL 234.55, 0.72%, 0.76%

LAB 67.36, 16.12, -41.1

 

CMYK 35 / 31 / 0 / 0

HEX #A7B0FF

RGB 167 176 255

HSL 233.86, 1%, 0.83%

LAB 73.86, 14.98, -40.1

 

CMYK 49 / 44 / 0 / 27

HEX #5E68BA

RGB 94 104 186

HSL 233.48, 0.4%, 0.55%

LAB 46.74, 18.95, -44.6

 

CMYK 54 / 49 / 0 / 35

HEX #4D56A7

RGB 77 86 167

HSL 234, 0.37%, 0.48%

LAB 39.62, 20.25, -44.89

 

CMYK 59 / 54 / 0 / 42

HEX #3C4494

RGB 60 68 148

HSL 234.55, 0.42%, 0.41%

LAB 32.33, 21.88, -45.24

 

CMYK 67 / 61 / 0 / 49

HEX #2B3281

RGB 43 50 129

HSL 235.12, 0.5%, 0.34%

LAB 24.89, 23.93, -45.59

 

CMYK 76 / 71 / 0 / 57

HEX #1A206E

RGB 26 32 110

HSL 235.71, 0.62%, 0.27%

LAB 17.36, 26.53, -45.81

 

CMYK 49 / 44 / 0 / 27

HEX #5E68BA

RGB 94 104 186

HSL 233.48, 0.4%, 0.55%

LAB 46.74, 18.95, -44.6

 

CMYK 41 / 49 / 0 / 27

HEX #6D5EBA

RGB 109 94 186

HSL 249.78, 0.4%, 0.55%

LAB 45.36, 28.75, -46.74

 

CMYK 28 / 49 / 0 / 27

HEX #865EBA

RGB 134 94 186

HSL 266.09, 0.4%, 0.55%

LAB 47.78, 35.31, -42.75

 

CMYK 15 / 49 / 0 / 27

HEX #9F5EBA

RGB 159 94 186

HSL 282.39, 0.4%, 0.55%

LAB 50.6, 42.3, -38.11

 

CMYK 2 / 49 / 0 / 27

HEX #B75EBA

RGB 183 94 186

HSL 298.04, 0.4%, 0.55%

LAB 53.62, 49.17, -33.15

 

CMYK 49 / 44 / 0 / 27

HEX #5E68BA

RGB 94 104 186

HSL 233.48, 0.4%, 0.55%

LAB 46.74, 18.95, -44.6

 

CMYK 49 / 49 / 0 / 27

HEX #5E5EBA

RGB 94 94 186

HSL 240, 0.4%, 0.55%

LAB 44.13, 25.16, -48.77

 

CMYK 49 / 44 / 0 / 27

HEX #5E68BA

RGB 94 104 186

HSL 233.48, 0.4%, 0.55%

LAB 46.74, 18.95, -44.6

 

CMYK 63 / 56 / 0 / 20

HEX #4C5ACD

RGB 76 90 205

HSL 233.49, 0.56%, 0.55%

LAB 43.15, 30.35, -61.43

 

CMYK 74 / 66 / 0 / 13

HEX #394BDF

RGB 57 75 223

HSL 233.49, 0.72%, 0.55%

LAB 39.96, 43.34, -76.99

 

CMYK 84 / 75 / 0 / 5

HEX #273DF2

RGB 39 61 242

HSL 233.5, 0.89%, 0.55%

LAB 38.16, 56.47, -90.77

 

CMYK 49 / 44 / 0 / 27

HEX #5E68BA

RGB 94 104 186

HSL 233.48, 0.4%, 0.55%

LAB 46.74, 18.95, -44.6

 

CMYK 33 / 29 / 0 / 34

HEX #7177A8

RGB 113 119 168

HSL 233.45, 0.24%, 0.55%

LAB 51.3, 9.63, -26.88

 

CMYK 12 / 11 / 0 / 42

HEX #838595

RGB 131 133 149

HSL 233.33, 0.08%, 0.55%

LAB 55.86, 2.63, -8.8

 

CMYK 0 / 1 / 13 / 41

HEX #969482

RGB 150 148 130

HSL 54, 0.09%, 0.55%

LAB 61.02, -2.52, 9.79

 

CMYK 0 / 4 / 34 / 34

HEX #A9A270

RGB 169 162 112

HSL 52.63, 0.25%, 0.55%

LAB 66.09, -5.27, 26.96

 

CMYK 49 / 17 / 0 / 27

HEX #5E9ABA

RGB 94 154 186

HSL 200.87, 0.4%, 0.55%

LAB 60.81, -10.59, -22.62

 

CMYK 49 / 30 / 0 / 27

HEX #5E82BA

RGB 94 130 186

HSL 216.52, 0.4%, 0.55%

LAB 53.91, 3.13, -33.3

 

CMYK 49 / 44 / 0 / 27

HEX #5E69BA

RGB 94 105 186

HSL 232.83, 0.4%, 0.55%

LAB 47.01, 18.33, -44.18

 

CMYK 42 / 49 / 0 / 27

HEX #6C5EBA

RGB 108 94 186

HSL 249.13, 0.4%, 0.55%

LAB 45.27, 28.5, -46.88

 

CMYK 28 / 49 / 0 / 27

HEX #855EBA

RGB 133 94 186

HSL 265.43, 0.4%, 0.55%

LAB 47.67, 35.03, -42.92

 

CMYK 58 / 51 / 0 / 45

HEX #3B448B

RGB 59 68 139

HSL 233.25, 0.4%, 0.39%

LAB 31.64, 18.51, -40.84

 

CMYK 57 / 51 / 0 / 35

HEX #4852A7

RGB 72 82 167

HSL 233.68, 0.4%, 0.47%

LAB 38.2, 21.75, -47.19

 

CMYK 49 / 44 / 0 / 27

HEX #5E68BA

RGB 94 104 186

HSL 233.48, 0.4%, 0.55%

LAB 46.74, 18.95, -44.6

 

CMYK 38 / 34 / 0 / 22

HEX #7B83C7

RGB 123 131 199

HSL 233.68, 0.4%, 0.63%

LAB 56.65, 13.87, -36.28

 

CMYK 28 / 25 / 0 / 17

HEX #989FD3

RGB 152 159 211

HSL 232.88, 0.4%, 0.71%

LAB 66.65, 9.16, -27.31

 

CMYK 49 / 44 / 0 / 27

HEX #5E68BA

RGB 94 104 186

HSL 233.48, 0.4%, 0.55%

LAB 46.74, 18.95, -44.6

 

CMYK 0 / 49 / 4 / 27

HEX #BA5EB3

RGB 186 94 179

HSL 304.57, 0.4%, 0.55%

LAB 53.71, 48.78, -28.93

 

CMYK 24 / 0 / 49 / 27

HEX #8EBA5E

RGB 142 186 94

HSL 88.7, 0.4%, 0.55%

LAB 70.65, -30.29, 41.67

 

CMYK 49 / 44 / 0 / 27

HEX #5E68BA

RGB 94 104 186

HSL 233.48, 0.4%, 0.55%

LAB 46.74, 18.95, -44.6

 

CMYK 0 / 49 / 44 / 27

HEX #BA5E69

RGB 186 94 105

HSL 352.83, 0.4%, 0.55%

LAB 51.23, 38.11, 11.01

 

CMYK 44 / 0 / 49 / 27

HEX #69BA5E

RGB 105 186 94

HSL 112.83, 0.4%, 0.55%

LAB 68.7, -43.01, 38.84

 

CMYK 49 / 44 / 0 / 27

HEX #5E68BA

RGB 94 104 186

HSL 233.48, 0.4%, 0.55%

LAB 46.74, 18.95, -44.6

 

CMYK 0 / 49 / 4 / 27

HEX #BA5EB3

RGB 186 94 179

HSL 304.57, 0.4%, 0.55%

LAB 53.71, 48.78, -28.93

 

CMYK 0 / 6 / 49 / 27

HEX #BAAF5E

RGB 186 175 94

HSL 52.83, 0.4%, 0.55%

LAB 70.81, -7.12, 42.62

 

CMYK 49 / 0 / 45 / 27

HEX #5EBA66

RGB 94 186 102

HSL 125.22, 0.4%, 0.55%

LAB 68.36, -45.08, 34.27

 

CMYK 49 / 44 / 0 / 27

HEX #5E68BA

RGB 94 104 186

HSL 233.48, 0.4%, 0.55%

LAB 46.74, 18.95, -44.6

 

CMYK 0 / 49 / 19 / 27

HEX #BA5E97

RGB 186 94 151

HSL 322.83, 0.4%, 0.55%

LAB 52.6, 44.15, -14.28

 

CMYK 0 / 6 / 49 / 27

HEX #BAAF5E

RGB 186 175 94

HSL 52.83, 0.4%, 0.55%

LAB 70.81, -7.12, 42.62

 

CMYK 49 / 0 / 30 / 27

HEX #5EBA82

RGB 94 186 130

HSL 143.48, 0.4%, 0.55%

LAB 68.83, -40.23, 20.17

 

Description

Color code: HEX #5E68BA | qconv.com Color code: HEX #5E68BA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 104 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 104 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 44 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 44% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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