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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B75EBA it is the complementary color #48A145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B75EBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B75EBA: #BC5EB5, #CD70C8, #DE82DB, #EF94EE and #FFA6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B75EBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B75EBA: #B75EBA, #A64CA7, #953A94, #842881 and #73166E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 49 / 0 / 27

HEX #B75EBA

RGB 183 94 186

HSL 298.04, 0.4%, 0.55%

LAB 53.62, 49.17, -33.15

 

Complementary color

CMYK 55 / 0 / 57 / 37

HEX #48A145

RGB 72 161 69

HSL 118.04, 0.4%, 0.45%

LAB 59.25, -45.47, 39.41

 

CMYK 0 / 50 / 4 / 26

HEX #BC5EB5

RGB 188 94 181

HSL 304.47, 0.41%, 0.55%

LAB 54.06, 49.72, -29.52

 

CMYK 0 / 45 / 2 / 20

HEX #CD70C8

RGB 205 112 200

HSL 303.23, 0.48%, 0.62%

LAB 60.55, 49.05, -30.15

 

CMYK 0 / 41 / 1 / 13

HEX #DE82DB

RGB 222 130 219

HSL 301.96, 0.58%, 0.69%

LAB 66.98, 48.33, -30.68

 

CMYK 0 / 38 / 0 / 6

HEX #EF94EE

RGB 239 148 238

HSL 300.66, 0.74%, 0.76%

LAB 73.35, 47.6, -31.15

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 2 / 49 / 0 / 27

HEX #B75EBA

RGB 183 94 186

HSL 298.04, 0.4%, 0.55%

LAB 53.62, 49.17, -33.15

 

CMYK 1 / 54 / 0 / 35

HEX #A64CA7

RGB 166 76 167

HSL 299.34, 0.37%, 0.48%

LAB 47.06, 49.76, -32.49

 

CMYK 0 / 61 / 1 / 42

HEX #953A94

RGB 149 58 148

HSL 300.66, 0.44%, 0.41%

LAB 40.5, 50.12, -31.61

 

CMYK 0 / 70 / 2 / 48

HEX #842881

RGB 132 40 129

HSL 301.96, 0.53%, 0.34%

LAB 34, 50.02, -30.37

 

CMYK 0 / 81 / 4 / 55

HEX #73166E

RGB 115 22 110

HSL 303.23, 0.68%, 0.27%

LAB 27.69, 49.05, -28.52

 

CMYK 2 / 49 / 0 / 27

HEX #B75EBA

RGB 183 94 186

HSL 298.04, 0.4%, 0.55%

LAB 53.62, 49.17, -33.15

 

CMYK 0 / 49 / 7 / 27

HEX #BA5EAD

RGB 186 94 173

HSL 308.48, 0.4%, 0.55%

LAB 53.45, 47.73, -25.85

 

CMYK 0 / 49 / 15 / 27

HEX #BA5E9E

RGB 186 94 158

HSL 318.26, 0.4%, 0.55%

LAB 52.85, 45.24, -18

 

CMYK 0 / 49 / 23 / 27

HEX #BA5E8F

RGB 186 94 143

HSL 328.04, 0.4%, 0.55%

LAB 52.32, 42.95, -9.98

 

CMYK 0 / 49 / 31 / 27

HEX #BA5E80

RGB 186 94 128

HSL 337.83, 0.4%, 0.55%

LAB 51.84, 40.86, -1.8

 

CMYK 2 / 49 / 0 / 27

HEX #B75EBA

RGB 183 94 186

HSL 298.04, 0.4%, 0.55%

LAB 53.62, 49.17, -33.15

 

CMYK 2 / 49 / 0 / 7

HEX #E978ED

RGB 233 120 237

HSL 297.95, 0.76%, 0.7%

LAB 67.18, 59.65, -40.24

 

CMYK 3 / 48 / 0 / 87

HEX #201121

RGB 32 17 33

HSL 296.25, 0.32%, 0.1%

LAB 7.39, 11.28, -8.05

 

CMYK 1 / 50 / 0 / 67

HEX #532A54

RGB 83 42 84

HSL 298.57, 0.33%, 0.25%

LAB 24.11, 26.14, -17.54

 

CMYK 1 / 50 / 0 / 47

HEX #854487

RGB 133 68 135

HSL 298.21, 0.33%, 0.4%

LAB 39.36, 38.1, -25.65

 

CMYK 2 / 49 / 0 / 27

HEX #B75EBA

RGB 183 94 186

HSL 298.04, 0.4%, 0.55%

LAB 53.62, 49.17, -33.15

 

CMYK 0 / 41 / 49 / 27

HEX #BA6D5E

RGB 186 109 94

HSL 9.78, 0.4%, 0.55%

LAB 54.22, 28.97, 21.57

 

CMYK 49 / 0 / 22 / 27

HEX #5EBA92

RGB 94 186 146

HSL 153.91, 0.4%, 0.55%

LAB 69.16, -36.94, 11.96

 

CMYK 2 / 49 / 0 / 27

HEX #B75EBA

RGB 183 94 186

HSL 298.04, 0.4%, 0.55%

LAB 53.62, 49.17, -33.15

 

CMYK 0 / 2 / 49 / 27

HEX #BAB75E

RGB 186 183 94

HSL 58.04, 0.4%, 0.55%

LAB 72.97, -11.29, 45.21

 

CMYK 49 / 0 / 2 / 27

HEX #5EBAB7

RGB 94 186 183

HSL 178.04, 0.4%, 0.55%

LAB 70.12, -28.05, -6.92

 

CMYK 2 / 49 / 0 / 27

HEX #B75EBA

RGB 183 94 186

HSL 298.04, 0.4%, 0.55%

LAB 53.62, 49.17, -33.15

 

CMYK 0 / 41 / 49 / 27

HEX #BA6D5E

RGB 186 109 94

HSL 9.78, 0.4%, 0.55%

LAB 54.22, 28.97, 21.57

 

CMYK 48 / 0 / 49 / 27

HEX #61BA5E

RGB 97 186 94

HSL 118.04, 0.4%, 0.55%

LAB 68.36, -45.39, 38.35

 

CMYK 49 / 9 / 0 / 27

HEX #5EAABA

RGB 94 170 186

HSL 190.43, 0.4%, 0.55%

LAB 65.49, -19.16, -15.5

 

CMYK 2 / 49 / 0 / 27

HEX #B75EBA

RGB 183 94 186

HSL 298.04, 0.4%, 0.55%

LAB 53.62, 49.17, -33.15

 

CMYK 0 / 26 / 49 / 27

HEX #BA895E

RGB 186 137 94

HSL 28.04, 0.4%, 0.55%

LAB 60.9, 13.49, 30.3

 

CMYK 48 / 0 / 49 / 27

HEX #61BA5E

RGB 97 186 94

HSL 118.04, 0.4%, 0.55%

LAB 68.36, -45.39, 38.35

 

CMYK 49 / 23 / 0 / 27

HEX #5E8FBA

RGB 94 143 186

HSL 208.04, 0.4%, 0.55%

LAB 57.63, -4.42, -27.52

 

Description

Color code: HEX #B75EBA | qconv.com Color code: HEX #B75EBA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 94 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 94 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 49 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 49% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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