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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E6296 it is the complementary color #A19D69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E6296. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E6296 shade: #636291, #7474A4, #8586B7, #9698CA and #A7AADD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E6296. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E6296 shade: #5E6296, #4D5083, #3C3E70, #2B2C5D and #1A1A4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E6296 shade: #5E6296, #695E96, #785E96, #875E96 and #965E96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E6296 shade: #5E6296 and #5E5E96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E6296 shade matches the following richer shades: #5E6296, #4A51AA, #3640BE, #222FD1 and #0F1EE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E6296 shade: #5E6296, #727382, #85846E, #99955B and #ADA647

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E6296 shade: #5E8096, #5E7196, #5E6296, #685E96 and #775E96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E6296 shade: #3E4163, #4E517D, #5E6296, #7578A8 and #8E91B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E6296 shade: #5E6296, #965E8F and #79965E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E6296 shade: #5E6296, #965E62 and #62965E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E6296 shade: #5E6296, #965E8F, #96915E and #5E9664

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E6296 shade: #5E6296, #965E7F, #96915E and #5E9675

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 35 / 0 / 41

HEX #5E6296

RGB 94 98 150

HSL 235.71, 0.23%, 0.48%

LAB 43.24, 11.76, -28.96

 

Complementary color

CMYK 0 / 2 / 35 / 37

HEX #A19D69

RGB 161 157 105

HSL 55.71, 0.23%, 0.52%

LAB 63.93, -6.73, 27.77

 

CMYK 32 / 32 / 0 / 43

HEX #636291

RGB 99 98 145

HSL 241.28, 0.19%, 0.48%

LAB 43.41, 11.86, -25.67

 

CMYK 29 / 29 / 0 / 36

HEX #7474A4

RGB 116 116 164

HSL 240, 0.21%, 0.55%

LAB 50.55, 11.27, -25.7

 

CMYK 27 / 27 / 0 / 28

HEX #8586B7

RGB 133 134 183

HSL 238.8, 0.26%, 0.62%

LAB 57.52, 10.76, -25.78

 

CMYK 26 / 25 / 0 / 21

HEX #9698CA

RGB 150 152 202

HSL 237.69, 0.33%, 0.69%

LAB 64.33, 10.32, -25.9

 

CMYK 24 / 23 / 0 / 13

HEX #A7AADD

RGB 167 170 221

HSL 236.67, 0.44%, 0.76%

LAB 71, 9.92, -26.05

 

CMYK 37 / 35 / 0 / 41

HEX #5E6296

RGB 94 98 150

HSL 235.71, 0.23%, 0.48%

LAB 43.24, 11.76, -28.96

 

CMYK 41 / 39 / 0 / 49

HEX #4D5083

RGB 77 80 131

HSL 236.67, 0.26%, 0.41%

LAB 35.9, 12.56, -29.07

 

CMYK 46 / 45 / 0 / 56

HEX #3C3E70

RGB 60 62 112

HSL 237.69, 0.3%, 0.34%

LAB 28.32, 13.57, -29.27

 

CMYK 54 / 53 / 0 / 64

HEX #2B2C5D

RGB 43 44 93

HSL 238.8, 0.37%, 0.27%

LAB 20.46, 14.9, -29.58

 

CMYK 65 / 65 / 0 / 71

HEX #1A1A4A

RGB 26 26 74

HSL 240, 0.48%, 0.2%

LAB 12.3, 16.75, -29.97

 

CMYK 37 / 35 / 0 / 41

HEX #5E6296

RGB 94 98 150

HSL 235.71, 0.23%, 0.48%

LAB 43.24, 11.76, -28.96

 

CMYK 30 / 37 / 0 / 41

HEX #695E96

RGB 105 94 150

HSL 251.79, 0.23%, 0.48%

LAB 43.08, 17.54, -29.14

 

CMYK 20 / 37 / 0 / 41

HEX #785E96

RGB 120 94 150

HSL 267.86, 0.23%, 0.48%

LAB 44.52, 22.25, -26.78

 

CMYK 10 / 37 / 0 / 41

HEX #875E96

RGB 135 94 150

HSL 283.93, 0.23%, 0.48%

LAB 46.12, 27.13, -24.17

 

CMYK 0 / 37 / 0 / 41

HEX #965E96

RGB 150 94 150

HSL 300, 0.23%, 0.48%

LAB 47.87, 32.09, -21.33

 

CMYK 37 / 35 / 0 / 41

HEX #5E6296

RGB 94 98 150

HSL 235.71, 0.23%, 0.48%

LAB 43.24, 11.76, -28.96

 

CMYK 37 / 37 / 0 / 41

HEX #5E5E96

RGB 94 94 150

HSL 240, 0.23%, 0.48%

LAB 42.13, 14.26, -30.69

 

CMYK 37 / 35 / 0 / 41

HEX #5E6296

RGB 94 98 150

HSL 235.71, 0.23%, 0.48%

LAB 43.24, 11.76, -28.96

 

CMYK 56 / 52 / 0 / 33

HEX #4A51AA

RGB 74 81 170

HSL 235.63, 0.39%, 0.48%

LAB 38.28, 23.82, -48.85

 

CMYK 72 / 66 / 0 / 25

HEX #3640BE

RGB 54 64 190

HSL 235.59, 0.56%, 0.48%

LAB 34.33, 38.33, -67.13

 

CMYK 84 / 78 / 0 / 18

HEX #222FD1

RGB 34 47 209

HSL 235.54, 0.72%, 0.48%

LAB 31.75, 53, -82.52

 

CMYK 93 / 87 / 0 / 10

HEX #0F1EE5

RGB 15 30 229

HSL 235.79, 0.88%, 0.48%

LAB 31.08, 66.07, -95.17

 

CMYK 37 / 35 / 0 / 41

HEX #5E6296

RGB 94 98 150

HSL 235.71, 0.23%, 0.48%

LAB 43.24, 11.76, -28.96

 

CMYK 12 / 12 / 0 / 49

HEX #727382

RGB 114 115 130

HSL 236.25, 0.07%, 0.48%

LAB 48.82, 2.85, -8.35

 

CMYK 0 / 1 / 17 / 48

HEX #85846E

RGB 133 132 110

HSL 57.39, 0.09%, 0.48%

LAB 54.67, -3.61, 12.04

 

CMYK 0 / 3 / 41 / 40

HEX #99955B

RGB 153 149 91

HSL 56.13, 0.25%, 0.48%

LAB 60.8, -7.41, 31.13

 

CMYK 0 / 4 / 59 / 32

HEX #ADA647

RGB 173 166 71

HSL 55.88, 0.42%, 0.48%

LAB 66.98, -9.83, 48.98

 

CMYK 37 / 15 / 0 / 41

HEX #5E8096

RGB 94 128 150

HSL 203.57, 0.23%, 0.48%

LAB 51.86, -6.22, -15.66

 

CMYK 37 / 25 / 0 / 41

HEX #5E7196

RGB 94 113 150

HSL 219.64, 0.23%, 0.48%

LAB 47.48, 2.59, -22.36

 

CMYK 37 / 35 / 0 / 41

HEX #5E6296

RGB 94 98 150

HSL 235.71, 0.23%, 0.48%

LAB 43.24, 11.76, -28.96

 

CMYK 31 / 37 / 0 / 41

HEX #685E96

RGB 104 94 150

HSL 250.71, 0.23%, 0.48%

LAB 42.99, 17.23, -29.28

 

CMYK 21 / 37 / 0 / 41

HEX #775E96

RGB 119 94 150

HSL 266.79, 0.23%, 0.48%

LAB 44.42, 21.93, -26.95

 

CMYK 37 / 34 / 0 / 61

HEX #3E4163

RGB 62 65 99

HSL 235.14, 0.23%, 0.32%

LAB 28.66, 8.02, -20.42

 

CMYK 38 / 35 / 0 / 51

HEX #4E517D

RGB 78 81 125

HSL 236.17, 0.23%, 0.4%

LAB 35.96, 10.4, -25.27

 

CMYK 37 / 35 / 0 / 41

HEX #5E6296

RGB 94 98 150

HSL 235.71, 0.23%, 0.48%

LAB 43.24, 11.76, -28.96

 

CMYK 30 / 29 / 0 / 34

HEX #7578A8

RGB 117 120 168

HSL 236.47, 0.23%, 0.56%

LAB 51.88, 10.24, -25.96

 

CMYK 23 / 21 / 0 / 28

HEX #8E91B8

RGB 142 145 184

HSL 235.71, 0.23%, 0.64%

LAB 61.19, 7.47, -20.66

 

CMYK 37 / 35 / 0 / 41

HEX #5E6296

RGB 94 98 150

HSL 235.71, 0.23%, 0.48%

LAB 43.24, 11.76, -28.96

 

CMYK 0 / 37 / 5 / 41

HEX #965E8F

RGB 150 94 143

HSL 307.5, 0.23%, 0.48%

LAB 47.59, 30.74, -17.59

 

CMYK 19 / 0 / 37 / 41

HEX #79965E

RGB 121 150 94

HSL 91.07, 0.23%, 0.48%

LAB 58.68, -20.54, 26.29

 

CMYK 37 / 35 / 0 / 41

HEX #5E6296

RGB 94 98 150

HSL 235.71, 0.23%, 0.48%

LAB 43.24, 11.76, -28.96

 

CMYK 0 / 37 / 35 / 41

HEX #965E62

RGB 150 94 98

HSL 355.71, 0.23%, 0.48%

LAB 46.14, 23.41, 7.33

 

CMYK 35 / 0 / 37 / 41

HEX #62965E

RGB 98 150 94

HSL 115.71, 0.23%, 0.48%

LAB 57.29, -28.95, 24.2

 

CMYK 37 / 35 / 0 / 41

HEX #5E6296

RGB 94 98 150

HSL 235.71, 0.23%, 0.48%

LAB 43.24, 11.76, -28.96

 

CMYK 0 / 37 / 5 / 41

HEX #965E8F

RGB 150 94 143

HSL 307.5, 0.23%, 0.48%

LAB 47.59, 30.74, -17.59

 

CMYK 0 / 3 / 37 / 41

HEX #96915E

RGB 150 145 94

HSL 54.64, 0.23%, 0.48%

LAB 59.47, -6.14, 27.75

 

CMYK 37 / 0 / 33 / 41

HEX #5E9664

RGB 94 150 100

HSL 126.43, 0.23%, 0.48%

LAB 57.18, -29.27, 20.72

 

CMYK 37 / 35 / 0 / 41

HEX #5E6296

RGB 94 98 150

HSL 235.71, 0.23%, 0.48%

LAB 43.24, 11.76, -28.96

 

CMYK 0 / 37 / 15 / 41

HEX #965E7F

RGB 150 94 127

HSL 324.64, 0.23%, 0.48%

LAB 47, 27.85, -8.9

 

CMYK 0 / 3 / 37 / 41

HEX #96915E

RGB 150 145 94

HSL 54.64, 0.23%, 0.48%

LAB 59.47, -6.14, 27.75

 

CMYK 37 / 0 / 22 / 41

HEX #5E9675

RGB 94 150 117

HSL 144.64, 0.23%, 0.48%

LAB 57.54, -25.99, 11.68

 

Description

Color code: HEX #5E6296 | qconv.com Color code: HEX #5E6296 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 98 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 98 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 35 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 35% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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