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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 83 / 78 / 0 / 18 it is the complementary color CMYK 0 / 5 / 79 / 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 83 / 78 / 0 / 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 83 / 78 / 0 / 18: CMYK 80 / 77 / 0 / 20, CMYK 74 / 71 / 0 / 13, CMYK 69 / 66 / 0 / 5, CMYK 64 / 61 / 0 / 0 and CMYK 57 / 54 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 83 / 78 / 0 / 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 83 / 78 / 0 / 18: CMYK 83 / 78 / 0 / 18, CMYK 90 / 85 / 0 / 25, CMYK 99 / 94 / 0 / 33, CMYK 100 / 100 / 0 / 40 and CMYK 100 / 100 / 0 / 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 78 / 0 / 18

HEX #242ED1

RGB 36 46 209

HSL 236.53, 0.71%, 0.48%

LAB 31.65, 53.62, -82.68

 

Complementary color

CMYK 0 / 5 / 79 / 14

HEX #DBD12E

RGB 219 209 46

HSL 56.53, 0.71%, 0.52%

LAB 82.3, -13.45, 74.77

 

CMYK 80 / 77 / 0 / 20

HEX #292ECC

RGB 41 46 204

HSL 238.16, 0.67%, 0.48%

LAB 31.31, 52.29, -80.33

 

CMYK 74 / 71 / 0 / 13

HEX #3A40DF

RGB 58 64 223

HSL 237.82, 0.72%, 0.55%

LAB 37.65, 49.89, -80.79

 

CMYK 69 / 66 / 0 / 5

HEX #4B52F2

RGB 75 82 242

HSL 237.49, 0.87%, 0.62%

LAB 44.15, 47.48, -80.84

 

CMYK 64 / 61 / 0 / 0

HEX #5C64FF

RGB 92 100 255

HSL 237.06, 1%, 0.68%

LAB 50.23, 43.31, -78.11

 

CMYK 57 / 54 / 0 / 0

HEX #6D76FF

RGB 109 118 255

HSL 236.3, 1%, 0.71%

LAB 55.51, 35.33, -69.48

 

CMYK 83 / 78 / 0 / 18

HEX #242ED1

RGB 36 46 209

HSL 236.53, 0.71%, 0.48%

LAB 31.65, 53.62, -82.68

 

CMYK 90 / 85 / 0 / 25

HEX #131CBE

RGB 19 28 190

HSL 236.84, 0.82%, 0.41%

LAB 25.82, 55.6, -81.25

 

CMYK 99 / 94 / 0 / 33

HEX #020AAB

RGB 2 10 171

HSL 237.16, 0.98%, 0.34%

LAB 20.71, 56.06, -78.43

 

CMYK 100 / 100 / 0 / 40

HEX #000098

RGB 0 0 152

HSL 240, 1%, 0.3%

LAB 16.83, 53.83, -73.31

 

CMYK 100 / 100 / 0 / 48

HEX #000085

RGB 0 0 133

HSL 240, 1%, 0.26%

LAB 13.79, 48.84, -66.52

 

CMYK 83 / 78 / 0 / 18

HEX #242ED1

RGB 36 46 209

HSL 236.53, 0.71%, 0.48%

LAB 31.65, 53.62, -82.68

 

CMYK 75 / 83 / 0 / 18

HEX #3423D1

RGB 52 35 209

HSL 245.86, 0.71%, 0.48%

LAB 30.73, 59.64, -84.2

 

CMYK 61 / 83 / 0 / 18

HEX #5123D1

RGB 81 35 209

HSL 255.86, 0.71%, 0.48%

LAB 33.04, 61.82, -80.29

 

CMYK 47 / 83 / 0 / 18

HEX #6E23D1

RGB 110 35 209

HSL 265.86, 0.71%, 0.48%

LAB 36.22, 64.91, -74.94

 

CMYK 33 / 83 / 0 / 18

HEX #8B23D1

RGB 139 35 209

HSL 275.86, 0.71%, 0.48%

LAB 40.07, 68.79, -68.47

 

CMYK 83 / 78 / 0 / 18

HEX #242ED1

RGB 36 46 209

HSL 236.53, 0.71%, 0.48%

LAB 31.65, 53.62, -82.68

 

CMYK 80 / 80 / 0 / 98

HEX #010105

RGB 1 1 5

HSL 240, 0.67%, 0.01%

LAB 0.35, 0.56, -1.51

 

CMYK 82 / 79 / 0 / 78

HEX #0A0C38

RGB 10 12 56

HSL 237.39, 0.7%, 0.13%

LAB 5.54, 15.64, -28.27

 

CMYK 83 / 78 / 0 / 58

HEX #12186B

RGB 18 24 107

HSL 235.96, 0.71%, 0.25%

LAB 14.64, 29.87, -48.34

 

CMYK 83 / 78 / 0 / 38

HEX #1B239E

RGB 27 35 158

HSL 236.34, 0.71%, 0.36%

LAB 23.35, 42.19, -66.12

 

CMYK 83 / 78 / 0 / 18

HEX #242ED1

RGB 36 46 209

HSL 236.53, 0.71%, 0.48%

LAB 31.65, 53.62, -82.68

 

CMYK 0 / 83 / 11 / 18

HEX #D123BA

RGB 209 35 186

HSL 307.93, 0.71%, 0.48%

LAB 49.86, 77.07, -38.77

 

CMYK 44 / 0 / 83 / 18

HEX #74D123

RGB 116 209 35

HSL 92.07, 0.71%, 0.48%

LAB 75.72, -53.76, 69.33

 

CMYK 83 / 78 / 0 / 18

HEX #242ED1

RGB 36 46 209

HSL 236.53, 0.71%, 0.48%

LAB 31.65, 53.62, -82.68

 

CMYK 0 / 83 / 78 / 18

HEX #D1232F

RGB 209 35 47

HSL 355.86, 0.71%, 0.48%

LAB 45.58, 64.89, 38.96

 

CMYK 78 / 0 / 83 / 18

HEX #2FD123

RGB 47 209 35

HSL 115.86, 0.71%, 0.48%

LAB 73.76, -69.65, 66.82

 

CMYK 83 / 78 / 0 / 18

HEX #242ED1

RGB 36 46 209

HSL 236.53, 0.71%, 0.48%

LAB 31.65, 53.62, -82.68

 

CMYK 0 / 83 / 11 / 18

HEX #D123BA

RGB 209 35 186

HSL 307.93, 0.71%, 0.48%

LAB 49.86, 77.07, -38.77

 

CMYK 0 / 6 / 83 / 18

HEX #D1C523

RGB 209 197 35

HSL 55.86, 0.71%, 0.48%

LAB 78.23, -12.02, 73.82

 

CMYK 83 / 0 / 72 / 18

HEX #23D13A

RGB 35 209 58

HSL 127.93, 0.71%, 0.48%

LAB 73.72, -69.55, 59.72

 

CMYK 83 / 78 / 0 / 18

HEX #242ED1

RGB 36 46 209

HSL 236.53, 0.71%, 0.48%

LAB 31.65, 53.62, -82.68

 

CMYK 0 / 83 / 36 / 18

HEX #D12385

RGB 209 35 133

HSL 326.21, 0.71%, 0.48%

LAB 47.56, 70.68, -10.76

 

CMYK 0 / 6 / 83 / 18

HEX #D1C523

RGB 209 197 35

HSL 55.86, 0.71%, 0.48%

LAB 78.23, -12.02, 73.82

 

CMYK 83 / 0 / 47 / 18

HEX #23D16E

RGB 35 209 110

HSL 145.86, 0.71%, 0.48%

LAB 74.24, -63.13, 37.43

 

Description

Color code: CMYK 83 / 78 / 0 / 18 | qconv.com Color code: CMYK 83 / 78 / 0 / 18 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 46 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 46 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 78 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 78% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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