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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E6280 it is the complementary color #A19D7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E6280. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E6280 shade: #63627B, #74748E, #8586A1, #9698B4 and #A7AAC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E6280. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E6280 shade: #5E6280, #4D506D, #3C3E5A, #2B2C47 and #1A1A34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E6280 shade: #5F6381, #645F81, #6E5F81, #775F81 and #805F81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E6280 shade: #5F6381 and #5F5F81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E6280 shade matches the following richer shades: #5F6381, #4D5593, #3B48A5, #293AB7 and #172CCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E6280 shade: #5F6381, #72716F, #847F5D, #968D4B and #A89B38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E6280 shade: #5F7681, #5F6D81, #5F6481, #645F81 and #6D5F81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E6280 shade: #3C3F52, #4E5169, #5F6381, #737797 and #8A8EA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E6280 shade: #5E6280, #815F7F and #71815F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E6280 shade: #5E6280, #815F64 and #64815F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E6280 shade: #5E6280, #815F7F, #817D5F and #5F8162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E6280 shade: #5E6280, #815F75, #817D5F and #5F816C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 23 / 0 / 50

HEX #5E6280

RGB 94 98 128

HSL 232.94, 0.15%, 0.44%

LAB 42.27, 5.67, -17.23

 

Complementary color

CMYK 0 / 2 / 21 / 37

HEX #A19D7F

RGB 161 157 127

HSL 52.94, 0.15%, 0.56%

LAB 64.34, -3.67, 16.25

 

CMYK 20 / 20 / 0 / 52

HEX #63627B

RGB 99 98 123

HSL 242.4, 0.11%, 0.43%

LAB 42.49, 6.1, -13.83

 

CMYK 18 / 18 / 0 / 44

HEX #74748E

RGB 116 116 142

HSL 240, 0.1%, 0.51%

LAB 49.69, 5.75, -14.13

 

CMYK 17 / 17 / 0 / 37

HEX #8586A1

RGB 133 134 161

HSL 237.86, 0.13%, 0.58%

LAB 56.69, 5.44, -14.45

 

CMYK 17 / 16 / 0 / 29

HEX #9698B4

RGB 150 152 180

HSL 236, 0.17%, 0.65%

LAB 63.54, 5.16, -14.78

 

CMYK 16 / 15 / 0 / 22

HEX #A7AAC7

RGB 167 170 199

HSL 234.38, 0.22%, 0.72%

LAB 70.24, 4.91, -15.12

 

CMYK 27 / 23 / 0 / 50

HEX #5E6280

RGB 94 98 128

HSL 232.94, 0.15%, 0.44%

LAB 42.27, 5.67, -17.23

 

CMYK 29 / 27 / 0 / 57

HEX #4D506D

RGB 77 80 109

HSL 234.38, 0.17%, 0.36%

LAB 34.84, 6.1, -17.07

 

CMYK 33 / 31 / 0 / 65

HEX #3C3E5A

RGB 60 62 90

HSL 236, 0.2%, 0.29%

LAB 27.14, 6.64, -16.98

 

CMYK 39 / 38 / 0 / 72

HEX #2B2C47

RGB 43 44 71

HSL 237.86, 0.25%, 0.22%

LAB 19.1, 7.33, -16.99

 

CMYK 50 / 50 / 0 / 80

HEX #1A1A34

RGB 26 26 52

HSL 240, 0.33%, 0.15%

LAB 10.6, 8.34, -17.15

 

CMYK 26 / 23 / 0 / 49

HEX #5F6381

RGB 95 99 129

HSL 232.94, 0.15%, 0.44%

LAB 42.68, 5.65, -17.21

 

CMYK 22 / 26 / 0 / 49

HEX #645F81

RGB 100 95 129

HSL 248.82, 0.15%, 0.44%

LAB 41.97, 9.79, -18.26

 

CMYK 15 / 26 / 0 / 49

HEX #6E5F81

RGB 110 95 129

HSL 266.47, 0.15%, 0.44%

LAB 42.89, 13.24, -16.76

 

CMYK 8 / 26 / 0 / 49

HEX #775F81

RGB 119 95 129

HSL 282.35, 0.15%, 0.44%

LAB 43.79, 16.42, -15.31

 

CMYK 1 / 26 / 0 / 49

HEX #805F81

RGB 128 95 129

HSL 298.24, 0.15%, 0.44%

LAB 44.74, 19.65, -13.77

 

CMYK 26 / 23 / 0 / 49

HEX #5F6381

RGB 95 99 129

HSL 232.94, 0.15%, 0.44%

LAB 42.68, 5.65, -17.21

 

CMYK 26 / 26 / 0 / 49

HEX #5F5F81

RGB 95 95 129

HSL 240, 0.15%, 0.44%

LAB 41.54, 8.11, -18.96

 

CMYK 26 / 23 / 0 / 49

HEX #5F6381

RGB 95 99 129

HSL 232.94, 0.15%, 0.44%

LAB 42.68, 5.65, -17.21

 

CMYK 48 / 42 / 0 / 42

HEX #4D5593

RGB 77 85 147

HSL 233.14, 0.31%, 0.44%

LAB 38.17, 14.37, -35.23

 

CMYK 64 / 56 / 0 / 35

HEX #3B48A5

RGB 59 72 165

HSL 232.64, 0.47%, 0.44%

LAB 34.56, 25.08, -51.91

 

CMYK 78 / 68 / 0 / 28

HEX #293AB7

RGB 41 58 183

HSL 232.82, 0.63%, 0.44%

LAB 31.62, 38.23, -67.49

 

CMYK 89 / 78 / 0 / 21

HEX #172CCA

RGB 23 44 202

HSL 232.96, 0.8%, 0.44%

LAB 30.03, 51.84, -81.31

 

CMYK 26 / 23 / 0 / 49

HEX #5F6381

RGB 95 99 129

HSL 232.94, 0.15%, 0.44%

LAB 42.68, 5.65, -17.21

 

CMYK 0 / 1 / 3 / 55

HEX #72716F

RGB 114 113 111

HSL 40, 0.01%, 0.44%

LAB 47.67, -0.01, 1.24

 

CMYK 0 / 4 / 30 / 48

HEX #847F5D

RGB 132 127 93

HSL 52.31, 0.17%, 0.44%

LAB 52.81, -3.84, 19.21

 

CMYK 0 / 6 / 50 / 41

HEX #968D4B

RGB 150 141 75

HSL 52.8, 0.33%, 0.44%

LAB 58.08, -6.04, 36.15

 

CMYK 0 / 8 / 67 / 34

HEX #A89B38

RGB 168 155 56

HSL 53.04, 0.5%, 0.44%

LAB 63.39, -7.2, 51.66

 

CMYK 26 / 9 / 0 / 49

HEX #5F7681

RGB 95 118 129

HSL 199.41, 0.15%, 0.44%

LAB 48.23, -5.69, -8.8

 

CMYK 26 / 16 / 0 / 49

HEX #5F6D81

RGB 95 109 129

HSL 215.29, 0.15%, 0.44%

LAB 45.57, -0.4, -12.8

 

CMYK 26 / 22 / 0 / 49

HEX #5F6481

RGB 95 100 129

HSL 231.18, 0.15%, 0.44%

LAB 42.96, 5.04, -16.77

 

CMYK 22 / 26 / 0 / 49

HEX #645F81

RGB 100 95 129

HSL 248.82, 0.15%, 0.44%

LAB 41.97, 9.79, -18.26

 

CMYK 16 / 26 / 0 / 49

HEX #6D5F81

RGB 109 95 129

HSL 264.71, 0.15%, 0.44%

LAB 42.79, 12.89, -16.92

 

CMYK 27 / 23 / 0 / 68

HEX #3C3F52

RGB 60 63 82

HSL 231.82, 0.15%, 0.28%

LAB 27.09, 3.65, -11.85

 

CMYK 26 / 23 / 0 / 59

HEX #4E5169

RGB 78 81 105

HSL 233.33, 0.15%, 0.36%

LAB 35.05, 4.71, -14.24

 

CMYK 26 / 23 / 0 / 49

HEX #5F6381

RGB 95 99 129

HSL 232.94, 0.15%, 0.44%

LAB 42.68, 5.65, -17.21

 

CMYK 24 / 21 / 0 / 41

HEX #737797

RGB 115 119 151

HSL 233.33, 0.15%, 0.52%

LAB 50.77, 5.83, -17.77

 

CMYK 18 / 16 / 0 / 34

HEX #8A8EA9

RGB 138 142 169

HSL 232.26, 0.15%, 0.6%

LAB 59.54, 4.36, -14.68

 

CMYK 27 / 23 / 0 / 50

HEX #5E6280

RGB 94 98 128

HSL 232.94, 0.15%, 0.44%

LAB 42.27, 5.67, -17.23

 

CMYK 0 / 26 / 2 / 49

HEX #815F7F

RGB 129 95 127

HSL 303.53, 0.15%, 0.44%

LAB 44.78, 19.61, -12.5

 

CMYK 12 / 0 / 26 / 49

HEX #71815F

RGB 113 129 95

HSL 88.24, 0.15%, 0.44%

LAB 51.88, -12.39, 16.54

 

CMYK 27 / 23 / 0 / 50

HEX #5E6280

RGB 94 98 128

HSL 232.94, 0.15%, 0.44%

LAB 42.27, 5.67, -17.23

 

CMYK 0 / 26 / 22 / 49

HEX #815F64

RGB 129 95 100

HSL 351.18, 0.15%, 0.44%

LAB 43.9, 14.65, 2.58

 

CMYK 22 / 0 / 26 / 49

HEX #64815F

RGB 100 129 95

HSL 111.18, 0.15%, 0.44%

LAB 50.96, -17.4, 15.14

 

CMYK 27 / 23 / 0 / 50

HEX #5E6280

RGB 94 98 128

HSL 232.94, 0.15%, 0.44%

LAB 42.27, 5.67, -17.23

 

CMYK 0 / 26 / 2 / 49

HEX #815F7F

RGB 129 95 127

HSL 303.53, 0.15%, 0.44%

LAB 44.78, 19.61, -12.5

 

CMYK 0 / 3 / 26 / 49

HEX #817D5F

RGB 129 125 95

HSL 52.94, 0.15%, 0.44%

LAB 52.02, -3.66, 16.94

 

CMYK 26 / 0 / 24 / 49

HEX #5F8162

RGB 95 129 98

HSL 125.29, 0.15%, 0.44%

LAB 50.71, -18.68, 13

 

CMYK 27 / 23 / 0 / 50

HEX #5E6280

RGB 94 98 128

HSL 232.94, 0.15%, 0.44%

LAB 42.27, 5.67, -17.23

 

CMYK 0 / 26 / 9 / 49

HEX #815F75

RGB 129 95 117

HSL 321.18, 0.15%, 0.44%

LAB 44.43, 17.65, -6.98

 

CMYK 0 / 3 / 26 / 49

HEX #817D5F

RGB 129 125 95

HSL 52.94, 0.15%, 0.44%

LAB 52.02, -3.66, 16.94

 

CMYK 26 / 0 / 16 / 49

HEX #5F816C

RGB 95 129 108

HSL 142.94, 0.15%, 0.44%

LAB 50.94, -16.68, 7.53

 

Description

Color code: HEX #5E6280 | qconv.com Color code: HEX #5E6280 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 98 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 98 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 23 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 23% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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