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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 129 108 it is the complementary color RGB 160 126 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 129 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 129 108 shade: RGB 100 129 103, RGB 117 147 122, RGB 134 165 141, RGB 151 183 160 and RGB 168 201 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 129 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 129 108 shade: RGB 95 129 108, RGB 78 111 89, RGB 61 93 70, RGB 44 75 51 and RGB 27 57 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 129 108 shade: RGB 95 129 108, RGB 95 129 99, RGB 101 129 95, RGB 110 129 95 and RGB 119 129 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 129 108 shade: RGB 95 129 108, RGB 95 129 117, RGB 95 129 126, RGB 95 123 129 and RGB 95 114 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 129 108 shade matches the following richer shades: RGB 95 129 108, RGB 77 147 104, RGB 59 165 100, RGB 41 183 95 and RGB 23 202 91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 129 108 shade: RGB 95 129 108, RGB 114 111 113, RGB 132 93 117, RGB 150 75 121 and RGB 168 56 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 129 108 shade: RGB 101 129 95, RGB 95 129 99, RGB 95 129 108, RGB 95 129 117 and RGB 95 129 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 129 108 shade: RGB 60 82 68, RGB 78 105 88, RGB 95 129 108, RGB 115 151 129 and RGB 138 169 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 129 108 shade: RGB 95 129 108, RGB 95 110 129 and RGB 129 95 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 129 108 shade: RGB 95 129 108, RGB 108 95 129 and RGB 129 108 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 129 108 shade: RGB 95 129 108, RGB 95 110 129, RGB 129 95 117 and RGB 129 114 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 129 108 shade: RGB 95 129 108, RGB 95 100 129, RGB 129 95 117 and RGB 129 125 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 16 / 49

HEX #5F816C

RGB 95 129 108

HSL 142.94, 0.15%, 0.44%

LAB 50.94, -16.68, 7.53

 

Complementary color

CMYK 0 / 21 / 8 / 37

HEX #A07E93

RGB 160 126 147

HSL 322.94, 0.15%, 0.56%

LAB 56.59, 16.72, -6.28

 

CMYK 22 / 0 / 20 / 49

HEX #648167

RGB 100 129 103

HSL 126.21, 0.13%, 0.45%

LAB 51.14, -15.91, 10.76

 

CMYK 20 / 0 / 17 / 42

HEX #75937A

RGB 117 147 122

HSL 130, 0.12%, 0.52%

LAB 58.09, -15.73, 9.81

 

CMYK 19 / 0 / 15 / 35

HEX #86A58D

RGB 134 165 141

HSL 133.55, 0.15%, 0.59%

LAB 64.88, -15.57, 8.94

 

CMYK 17 / 0 / 13 / 28

HEX #97B7A0

RGB 151 183 160

HSL 136.88, 0.18%, 0.65%

LAB 71.54, -15.45, 8.11

 

CMYK 16 / 0 / 11 / 21

HEX #A8C9B3

RGB 168 201 179

HSL 140, 0.23%, 0.72%

LAB 78.08, -15.34, 7.33

 

CMYK 26 / 0 / 16 / 49

HEX #5F816C

RGB 95 129 108

HSL 142.94, 0.15%, 0.44%

LAB 50.94, -16.68, 7.53

 

CMYK 30 / 0 / 20 / 56

HEX #4E6F59

RGB 78 111 89

HSL 140, 0.17%, 0.37%

LAB 43.81, -16.92, 8.49

 

CMYK 34 / 0 / 25 / 64

HEX #3D5D46

RGB 61 93 70

HSL 136.88, 0.21%, 0.3%

LAB 36.49, -17.21, 9.56

 

CMYK 41 / 0 / 32 / 71

HEX #2C4B33

RGB 44 75 51

HSL 133.55, 0.26%, 0.23%

LAB 28.92, -17.52, 10.77

 

CMYK 53 / 0 / 44 / 78

HEX #1B3920

RGB 27 57 32

HSL 130, 0.36%, 0.16%

LAB 21.07, -17.81, 12.2

 

CMYK 26 / 0 / 16 / 49

HEX #5F816C

RGB 95 129 108

HSL 142.94, 0.15%, 0.44%

LAB 50.94, -16.68, 7.53

 

CMYK 26 / 0 / 23 / 49

HEX #5F8163

RGB 95 129 99

HSL 127.06, 0.15%, 0.44%

LAB 50.73, -18.49, 12.45

 

CMYK 22 / 0 / 26 / 49

HEX #65815F

RGB 101 129 95

HSL 109.41, 0.15%, 0.44%

LAB 51.03, -17.03, 15.24

 

CMYK 15 / 0 / 26 / 49

HEX #6E815F

RGB 110 129 95

HSL 93.53, 0.15%, 0.44%

LAB 51.66, -13.57, 16.2

 

CMYK 8 / 0 / 26 / 49

HEX #77815F

RGB 119 129 95

HSL 77.65, 0.15%, 0.44%

LAB 52.34, -10, 17.25

 

CMYK 26 / 0 / 16 / 49

HEX #5F816C

RGB 95 129 108

HSL 142.94, 0.15%, 0.44%

LAB 50.94, -16.68, 7.53

 

CMYK 26 / 0 / 9 / 49

HEX #5F8175

RGB 95 129 117

HSL 158.82, 0.15%, 0.44%

LAB 51.17, -14.73, 2.61

 

CMYK 26 / 0 / 2 / 49

HEX #5F817E

RGB 95 129 126

HSL 174.71, 0.15%, 0.44%

LAB 51.43, -12.64, -2.28

 

CMYK 26 / 5 / 0 / 49

HEX #5F7B81

RGB 95 123 129

HSL 190.59, 0.15%, 0.44%

LAB 49.72, -8.55, -6.57

 

CMYK 26 / 12 / 0 / 49

HEX #5F7281

RGB 95 114 129

HSL 206.47, 0.15%, 0.44%

LAB 47.04, -3.36, -10.58

 

CMYK 26 / 0 / 16 / 49

HEX #5F816C

RGB 95 129 108

HSL 142.94, 0.15%, 0.44%

LAB 50.94, -16.68, 7.53

 

CMYK 48 / 0 / 29 / 42

HEX #4D9368

RGB 77 147 104

HSL 143.14, 0.31%, 0.44%

LAB 55.53, -32.27, 16.1

 

CMYK 64 / 0 / 39 / 35

HEX #3BA564

RGB 59 165 100

HSL 143.21, 0.47%, 0.44%

LAB 60.57, -45.27, 25

 

CMYK 78 / 0 / 48 / 28

HEX #29B75F

RGB 41 183 95

HSL 142.82, 0.63%, 0.44%

LAB 65.88, -55.95, 34.4

 

CMYK 89 / 0 / 55 / 21

HEX #17CA5B

RGB 23 202 91

HSL 142.79, 0.8%, 0.44%

LAB 71.68, -64.71, 43.47

 

CMYK 26 / 0 / 16 / 49

HEX #5F816C

RGB 95 129 108

HSL 142.94, 0.15%, 0.44%

LAB 50.94, -16.68, 7.53

 

CMYK 0 / 3 / 1 / 55

HEX #726F71

RGB 114 111 113

HSL 320, 0.01%, 0.44%

LAB 47.16, 1.56, -0.7

 

CMYK 0 / 30 / 11 / 48

HEX #845D75

RGB 132 93 117

HSL 323.08, 0.17%, 0.44%

LAB 44.26, 19.98, -7.19

 

CMYK 0 / 50 / 19 / 41

HEX #964B79

RGB 150 75 121

HSL 323.2, 0.33%, 0.44%

LAB 42.61, 37.38, -11.88

 

CMYK 0 / 67 / 26 / 34

HEX #A8387D

RGB 168 56 125

HSL 323.04, 0.5%, 0.44%

LAB 42.21, 52.64, -14.68

 

CMYK 22 / 0 / 26 / 49

HEX #65815F

RGB 101 129 95

HSL 109.41, 0.15%, 0.44%

LAB 51.03, -17.03, 15.24

 

CMYK 26 / 0 / 23 / 49

HEX #5F8163

RGB 95 129 99

HSL 127.06, 0.15%, 0.44%

LAB 50.73, -18.49, 12.45

 

CMYK 26 / 0 / 16 / 49

HEX #5F816C

RGB 95 129 108

HSL 142.94, 0.15%, 0.44%

LAB 50.94, -16.68, 7.53

 

CMYK 26 / 0 / 9 / 49

HEX #5F8175

RGB 95 129 117

HSL 158.82, 0.15%, 0.44%

LAB 51.17, -14.73, 2.61

 

CMYK 26 / 0 / 2 / 49

HEX #5F817E

RGB 95 129 126

HSL 174.71, 0.15%, 0.44%

LAB 51.43, -12.64, -2.28

 

CMYK 27 / 0 / 17 / 68

HEX #3C5244

RGB 60 82 68

HSL 141.82, 0.15%, 0.28%

LAB 32.73, -11.79, 5.5

 

CMYK 26 / 0 / 16 / 59

HEX #4E6958

RGB 78 105 88

HSL 142.22, 0.15%, 0.36%

LAB 41.89, -13.83, 6.36

 

CMYK 26 / 0 / 16 / 49

HEX #5F816C

RGB 95 129 108

HSL 142.94, 0.15%, 0.44%

LAB 50.94, -16.68, 7.53

 

CMYK 24 / 0 / 15 / 41

HEX #739781

RGB 115 151 129

HSL 143.33, 0.15%, 0.52%

LAB 59.31, -17.15, 7.56

 

CMYK 18 / 0 / 11 / 34

HEX #8AA996

RGB 138 169 150

HSL 143.23, 0.15%, 0.6%

LAB 66.51, -14.54, 6.29

 

CMYK 26 / 0 / 16 / 49

HEX #5F816C

RGB 95 129 108

HSL 142.94, 0.15%, 0.44%

LAB 50.94, -16.68, 7.53

 

CMYK 26 / 15 / 0 / 49

HEX #5F6E81

RGB 95 110 129

HSL 213.53, 0.15%, 0.44%

LAB 45.87, -0.99, -12.35

 

CMYK 0 / 26 / 26 / 49

HEX #815F60

RGB 129 95 96

HSL 358.24, 0.15%, 0.44%

LAB 43.79, 14, 4.85

 

CMYK 26 / 0 / 16 / 49

HEX #5F816C

RGB 95 129 108

HSL 142.94, 0.15%, 0.44%

LAB 50.94, -16.68, 7.53

 

CMYK 16 / 26 / 0 / 49

HEX #6C5F81

RGB 108 95 129

HSL 262.94, 0.15%, 0.44%

LAB 42.7, 12.54, -17.07

 

CMYK 0 / 16 / 26 / 49

HEX #816C5F

RGB 129 108 95

HSL 22.94, 0.15%, 0.44%

LAB 47.26, 6.15, 10.36

 

CMYK 26 / 0 / 16 / 49

HEX #5F816C

RGB 95 129 108

HSL 142.94, 0.15%, 0.44%

LAB 50.94, -16.68, 7.53

 

CMYK 26 / 15 / 0 / 49

HEX #5F6E81

RGB 95 110 129

HSL 213.53, 0.15%, 0.44%

LAB 45.87, -0.99, -12.35

 

CMYK 0 / 26 / 9 / 49

HEX #815F75

RGB 129 95 117

HSL 321.18, 0.15%, 0.44%

LAB 44.43, 17.65, -6.98

 

CMYK 0 / 12 / 26 / 49

HEX #81725F

RGB 129 114 95

HSL 33.53, 0.15%, 0.44%

LAB 48.92, 2.64, 12.68

 

CMYK 26 / 0 / 16 / 49

HEX #5F816C

RGB 95 129 108

HSL 142.94, 0.15%, 0.44%

LAB 50.94, -16.68, 7.53

 

CMYK 26 / 22 / 0 / 49

HEX #5F6481

RGB 95 100 129

HSL 231.18, 0.15%, 0.44%

LAB 42.96, 5.04, -16.77

 

CMYK 0 / 26 / 9 / 49

HEX #815F75

RGB 129 95 117

HSL 321.18, 0.15%, 0.44%

LAB 44.43, 17.65, -6.98

 

CMYK 0 / 3 / 26 / 49

HEX #817D5F

RGB 129 125 95

HSL 52.94, 0.15%, 0.44%

LAB 52.02, -3.66, 16.94

 

Description

Color code: RGB 95 129 108 | qconv.com Color code: RGB 95 129 108 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 129 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 129 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 16 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 16% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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