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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E55F8 it is the complementary color #A1AA07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E55F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E55F8 shade: #6355F3, #7467FF, #8579FF, #968BFF and #A79DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E55F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E55F8 shade: #5E55F8, #4D43E5, #3C31D2, #2B1FBF and #1A0DAC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E55F8 shade: #5D54F8, #8954F8, #B554F8, #E254F8 and #F854E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E55F8 shade: #5D54F8 and #5454F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E55F8 shade matches the following richer shades: #5D54F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E55F8 shade: #5D54F8, #6A62E9, #7671DB, #837FCD and #908DBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E55F8 shade: #54A3F8, #5477F8, #5C54F8, #8854F8 and #B354F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E55F8 shade: #170AEF, #372CF6, #5D54F8, #827BFA and #A8A3FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E55F8 shade: #5E55F8, #F854CF and #8DF854

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E55F8 shade: #5E55F8, #F85C54 and #54F85C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E55F8 shade: #5E55F8, #F854CF, #F0F854 and #54F87D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E55F8 shade: #5E55F8, #F8549E, #F0F854 and #54F8AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 66 / 0 / 3

HEX #5E55F8

RGB 94 85 248

HSL 243.31, 0.92%, 0.65%

LAB 46.52, 50.07, -80.27

 

Complementary color

CMYK 5 / 0 / 96 / 33

HEX #A1AA07

RGB 161 170 7

HSL 63.31, 0.92%, 0.35%

LAB 66.78, -19.78, 67.99

 

CMYK 59 / 65 / 0 / 5

HEX #6355F3

RGB 99 85 243

HSL 245.32, 0.87%, 0.64%

LAB 46.47, 49.24, -77.53

 

CMYK 55 / 60 / 0 / 0

HEX #7467FF

RGB 116 103 255

HSL 245.13, 1%, 0.7%

LAB 52.55, 45.36, -74.26

 

CMYK 48 / 53 / 0 / 0

HEX #8579FF

RGB 133 121 255

HSL 245.37, 1%, 0.74%

LAB 57.92, 38.24, -65.5

 

CMYK 41 / 45 / 0 / 0

HEX #968BFF

RGB 150 139 255

HSL 245.69, 1%, 0.77%

LAB 63.48, 31.66, -56.53

 

CMYK 35 / 38 / 0 / 0

HEX #A79DFF

RGB 167 157 255

HSL 246.12, 1%, 0.81%

LAB 69.15, 25.67, -47.48

 

CMYK 62 / 66 / 0 / 3

HEX #5E55F8

RGB 94 85 248

HSL 243.31, 0.92%, 0.65%

LAB 46.52, 50.07, -80.27

 

CMYK 66 / 71 / 0 / 10

HEX #4D43E5

RGB 77 67 229

HSL 243.7, 0.76%, 0.58%

LAB 40, 52.06, -80.31

 

CMYK 71 / 77 / 0 / 18

HEX #3C31D2

RGB 60 49 210

HSL 244.1, 0.64%, 0.51%

LAB 33.58, 54.02, -80.02

 

CMYK 77 / 84 / 0 / 25

HEX #2B1FBF

RGB 43 31 191

HSL 244.5, 0.72%, 0.44%

LAB 27.45, 55.57, -79.11

 

CMYK 85 / 92 / 0 / 33

HEX #1A0DAC

RGB 26 13 172

HSL 244.91, 0.86%, 0.36%

LAB 21.89, 55.94, -77.04

 

CMYK 63 / 66 / 0 / 3

HEX #5D54F8

RGB 93 84 248

HSL 243.29, 0.92%, 0.65%

LAB 46.24, 50.49, -80.73

 

CMYK 45 / 66 / 0 / 3

HEX #8954F8

RGB 137 84 248

HSL 259.39, 0.92%, 0.65%

LAB 50.02, 57.48, -74.4

 

CMYK 27 / 66 / 0 / 3

HEX #B554F8

RGB 181 84 248

HSL 275.49, 0.92%, 0.65%

LAB 55.01, 66, -66.07

 

CMYK 9 / 66 / 0 / 3

HEX #E254F8

RGB 226 84 248

HSL 291.95, 0.92%, 0.65%

LAB 61.03, 75.52, -56.09

 

CMYK 0 / 66 / 9 / 3

HEX #F854E2

RGB 248 84 226

HSL 308.05, 0.92%, 0.65%

LAB 63.17, 76.95, -40.26

 

CMYK 63 / 66 / 0 / 3

HEX #5D54F8

RGB 93 84 248

HSL 243.29, 0.92%, 0.65%

LAB 46.24, 50.49, -80.73

 

CMYK 66 / 66 / 0 / 3

HEX #5454F8

RGB 84 84 248

HSL 240, 0.92%, 0.65%

LAB 45.64, 49.33, -81.74

 

CMYK 63 / 66 / 0 / 3

HEX #5D54F8

RGB 93 84 248

HSL 243.29, 0.92%, 0.65%

LAB 46.24, 50.49, -80.73

 

CMYK 63 / 66 / 0 / 3

HEX #5D54F8

RGB 93 84 248

HSL 243.29, 0.92%, 0.65%

LAB 46.24, 50.49, -80.73

 

CMYK 55 / 58 / 0 / 9

HEX #6A62E9

RGB 106 98 233

HSL 243.56, 0.75%, 0.65%

LAB 49.11, 39.8, -67.6

 

CMYK 46 / 48 / 0 / 14

HEX #7671DB

RGB 118 113 219

HSL 242.83, 0.6%, 0.65%

LAB 52.7, 29.11, -53.87

 

CMYK 36 / 38 / 0 / 20

HEX #837FCD

RGB 131 127 205

HSL 243.08, 0.44%, 0.65%

LAB 56.5, 20.08, -39.87

 

CMYK 24 / 26 / 0 / 25

HEX #908DBE

RGB 144 141 190

HSL 243.67, 0.27%, 0.65%

LAB 60.51, 11.84, -25.07

 

CMYK 66 / 34 / 0 / 3

HEX #54A3F8

RGB 84 163 248

HSL 211.1, 0.92%, 0.65%

LAB 65.64, 1.99, -49.52

 

CMYK 66 / 52 / 0 / 3

HEX #5477F8

RGB 84 119 248

HSL 227.2, 0.92%, 0.65%

LAB 53.87, 28.3, -68.33

 

CMYK 63 / 66 / 0 / 3

HEX #5C54F8

RGB 92 84 248

HSL 242.93, 0.92%, 0.65%

LAB 46.17, 50.36, -80.85

 

CMYK 45 / 66 / 0 / 3

HEX #8854F8

RGB 136 84 248

HSL 259.02, 0.92%, 0.65%

LAB 49.92, 57.3, -74.56

 

CMYK 28 / 66 / 0 / 3

HEX #B354F8

RGB 179 84 248

HSL 274.76, 0.92%, 0.65%

LAB 54.76, 65.59, -66.49

 

CMYK 90 / 96 / 0 / 6

HEX #170AEF

RGB 23 10 239

HSL 243.41, 0.92%, 0.49%

LAB 30.95, 73.94, -101.08

 

CMYK 78 / 82 / 0 / 4

HEX #372CF6

RGB 55 44 246

HSL 243.27, 0.92%, 0.57%

LAB 36.49, 66.65, -95.77

 

CMYK 63 / 66 / 0 / 3

HEX #5D54F8

RGB 93 84 248

HSL 243.29, 0.92%, 0.65%

LAB 46.24, 50.49, -80.73

 

CMYK 48 / 51 / 0 / 2

HEX #827BFA

RGB 130 123 250

HSL 243.31, 0.93%, 0.73%

LAB 57.86, 34.98, -62.86

 

CMYK 33 / 35 / 0 / 2

HEX #A8A3FB

RGB 168 163 251

HSL 243.41, 0.92%, 0.81%

LAB 70.51, 21.52, -43.16

 

CMYK 62 / 66 / 0 / 3

HEX #5E55F8

RGB 94 85 248

HSL 243.31, 0.92%, 0.65%

LAB 46.52, 50.07, -80.27

 

CMYK 0 / 66 / 17 / 3

HEX #F854CF

RGB 248 84 207

HSL 315, 0.92%, 0.65%

LAB 62.34, 74.24, -30.86

 

CMYK 43 / 0 / 66 / 3

HEX #8DF854

RGB 141 248 84

HSL 99.15, 0.92%, 0.65%

LAB 88.66, -58.11, 66.51

 

CMYK 62 / 66 / 0 / 3

HEX #5E55F8

RGB 94 85 248

HSL 243.31, 0.92%, 0.65%

LAB 46.52, 50.07, -80.27

 

CMYK 0 / 63 / 66 / 3

HEX #F85C54

RGB 248 92 84

HSL 2.93, 0.92%, 0.65%

LAB 60.11, 59.12, 36.66

 

CMYK 66 / 0 / 63 / 3

HEX #54F85C

RGB 84 248 92

HSL 122.93, 0.92%, 0.65%

LAB 86.89, -71.47, 60.88

 

CMYK 62 / 66 / 0 / 3

HEX #5E55F8

RGB 94 85 248

HSL 243.31, 0.92%, 0.65%

LAB 46.52, 50.07, -80.27

 

CMYK 0 / 66 / 17 / 3

HEX #F854CF

RGB 248 84 207

HSL 315, 0.92%, 0.65%

LAB 62.34, 74.24, -30.86

 

CMYK 3 / 0 / 66 / 3

HEX #F0F854

RGB 240 248 84

HSL 62.93, 0.92%, 0.65%

LAB 94.44, -22.14, 74.32

 

CMYK 66 / 0 / 50 / 3

HEX #54F87D

RGB 84 248 125

HSL 135, 0.92%, 0.65%

LAB 87.24, -67.45, 46.64

 

CMYK 62 / 66 / 0 / 3

HEX #5E55F8

RGB 94 85 248

HSL 243.31, 0.92%, 0.65%

LAB 46.52, 50.07, -80.27

 

CMYK 0 / 66 / 36 / 3

HEX #F8549E

RGB 248 84 158

HSL 332.93, 0.92%, 0.65%

LAB 60.57, 68.26, -5.46

 

CMYK 3 / 0 / 66 / 3

HEX #F0F854

RGB 240 248 84

HSL 62.93, 0.92%, 0.65%

LAB 94.44, -22.14, 74.32

 

CMYK 66 / 0 / 30 / 3

HEX #54F8AE

RGB 84 248 174

HSL 152.93, 0.92%, 0.65%

LAB 88, -58.99, 23.4

 

Description

Color code: HEX #5E55F8 | qconv.com Color code: HEX #5E55F8 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 85 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 85 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 66 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 66% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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