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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8549E it is the complementary color #07AB61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8549E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8549E shade: #FD5499, #FF66AC, #FF78BF, #FF8AD2 and #FF9CE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8549E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8549E shade: #F8549E, #E7428B, #D63078, #C51E65 and #B40C52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8549E shade: #F8549E, #F85471 and #F85454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8549E shade: #F8549E, #F854CA, #F854F6, #CD54F8 and #A154F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8549E shade matches the following richer shades: #F8549E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8549E shade: #F8549E, #E9629F, #DB71A1, #CD7FA2 and #BE8DA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8549E shade: #F854F8, #F854CC, #F854A0, #F85474 and #F85F54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8549E shade: #EF0A71, #F62C87, #F8549E, #FA7BB4 and #FBA3CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8549E shade: #F8549E, #F8CC54 and #54E2F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8549E shade: #F8549E, #A0F854 and #54A0F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8549E shade: #F8549E, #F8CC54, #54F8AB and #547FF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8549E shade: #F8549E, #F2F854, #54F8AB and #5954F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 36 / 3

HEX #F8549E

RGB 248 84 158

HSL 332.93, 0.92%, 0.65%

LAB 60.57, 68.26, -5.46

 

Complementary color

CMYK 96 / 0 / 43 / 33

HEX #07AB61

RGB 7 171 97

HSL 152.93, 0.92%, 0.35%

LAB 61.68, -54.19, 27.91

 

CMYK 0 / 67 / 40 / 1

HEX #FD5499

RGB 253 84 153

HSL 335.5, 0.98%, 0.66%

LAB 61.24, 69.15, -1.48

 

CMYK 0 / 60 / 33 / 0

HEX #FF66AC

RGB 255 102 172

HSL 332.55, 1%, 0.7%

LAB 64.76, 64.58, -7.19

 

CMYK 0 / 53 / 25 / 0

HEX #FF78BF

RGB 255 120 191

HSL 328.44, 1%, 0.74%

LAB 68.35, 58.94, -12.57

 

CMYK 0 / 46 / 18 / 0

HEX #FF8AD2

RGB 255 138 210

HSL 323.08, 1%, 0.77%

LAB 72.29, 52.99, -17.23

 

CMYK 0 / 39 / 10 / 0

HEX #FF9CE5

RGB 255 156 229

HSL 315.76, 1%, 0.81%

LAB 76.49, 46.91, -21.28

 

CMYK 0 / 66 / 36 / 3

HEX #F8549E

RGB 248 84 158

HSL 332.93, 0.92%, 0.65%

LAB 60.57, 68.26, -5.46

 

CMYK 0 / 71 / 40 / 9

HEX #E7428B

RGB 231 66 139

HSL 333.45, 0.77%, 0.58%

LAB 54.81, 68.1, -3.14

 

CMYK 0 / 78 / 44 / 16

HEX #D63078

RGB 214 48 120

HSL 333.98, 0.67%, 0.51%

LAB 49.21, 67.4, -0.31

 

CMYK 0 / 85 / 49 / 23

HEX #C51E65

RGB 197 30 101

HSL 334.49, 0.74%, 0.45%

LAB 43.86, 65.91, 3.22

 

CMYK 0 / 93 / 54 / 29

HEX #B40C52

RGB 180 12 82

HSL 335, 0.88%, 0.38%

LAB 38.86, 63.29, 7.64

 

CMYK 0 / 66 / 36 / 3

HEX #F8549E

RGB 248 84 158

HSL 332.93, 0.92%, 0.65%

LAB 60.57, 68.26, -5.46

 

CMYK 0 / 66 / 54 / 3

HEX #F85471

RGB 248 84 113

HSL 349.39, 0.92%, 0.65%

LAB 59.42, 64.19, 19.14

 

CMYK 0 / 66 / 66 / 3

HEX #F85454

RGB 248 84 84

HSL 0, 0.92%, 0.65%

LAB 58.92, 62.35, 35.19

 

CMYK 0 / 66 / 36 / 3

HEX #F8549E

RGB 248 84 158

HSL 332.93, 0.92%, 0.65%

LAB 60.57, 68.26, -5.46

 

CMYK 0 / 66 / 19 / 3

HEX #F854CA

RGB 248 84 202

HSL 316.83, 0.92%, 0.65%

LAB 62.14, 73.56, -28.34

 

CMYK 0 / 66 / 1 / 3

HEX #F854F6

RGB 248 84 246

HSL 300.73, 0.92%, 0.65%

LAB 64.12, 80, -49.88

 

CMYK 17 / 66 / 0 / 3

HEX #CD54F8

RGB 205 84 248

HSL 284.27, 0.92%, 0.65%

LAB 58.13, 71.01, -60.9

 

CMYK 35 / 66 / 0 / 3

HEX #A154F8

RGB 161 84 248

HSL 268.17, 0.92%, 0.65%

LAB 52.61, 61.99, -70.07

 

CMYK 0 / 66 / 36 / 3

HEX #F8549E

RGB 248 84 158

HSL 332.93, 0.92%, 0.65%

LAB 60.57, 68.26, -5.46

 

CMYK 0 / 66 / 36 / 3

HEX #F8549E

RGB 248 84 158

HSL 332.93, 0.92%, 0.65%

LAB 60.57, 68.26, -5.46

 

CMYK 0 / 58 / 32 / 9

HEX #E9629F

RGB 233 98 159

HSL 332.89, 0.75%, 0.65%

LAB 60.39, 58.18, -6.56

 

CMYK 0 / 48 / 26 / 14

HEX #DB71A1

RGB 219 113 161

HSL 332.83, 0.6%, 0.65%

LAB 61.17, 46.84, -6.78

 

CMYK 0 / 38 / 21 / 20

HEX #CD7FA2

RGB 205 127 162

HSL 333.08, 0.44%, 0.65%

LAB 62.31, 34.91, -5.86

 

CMYK 0 / 26 / 14 / 25

HEX #BE8DA3

RGB 190 141 163

HSL 333.06, 0.27%, 0.65%

LAB 63.87, 22.03, -4.31

 

CMYK 0 / 66 / 0 / 3

HEX #F854F8

RGB 248 84 248

HSL 300, 0.92%, 0.65%

LAB 64.22, 80.32, -50.83

 

CMYK 0 / 66 / 18 / 3

HEX #F854CC

RGB 248 84 204

HSL 316.1, 0.92%, 0.65%

LAB 62.22, 73.83, -29.35

 

CMYK 0 / 66 / 35 / 3

HEX #F854A0

RGB 248 84 160

HSL 332.2, 0.92%, 0.65%

LAB 60.64, 68.47, -6.53

 

CMYK 0 / 66 / 53 / 3

HEX #F85474

RGB 248 84 116

HSL 348.29, 0.92%, 0.65%

LAB 59.49, 64.42, 17.48

 

CMYK 0 / 62 / 66 / 3

HEX #F85F54

RGB 248 95 84

HSL 4.02, 0.92%, 0.65%

LAB 60.59, 57.85, 37.23

 

CMYK 0 / 96 / 53 / 6

HEX #EF0A71

RGB 239 10 113

HSL 333.01, 0.92%, 0.49%

LAB 51.56, 79.32, 7.96

 

CMYK 0 / 82 / 45 / 4

HEX #F62C87

RGB 246 44 135

HSL 332.97, 0.92%, 0.57%

LAB 55.22, 77.69, 0.15

 

CMYK 0 / 66 / 36 / 3

HEX #F8549E

RGB 248 84 158

HSL 332.93, 0.92%, 0.65%

LAB 60.57, 68.26, -5.46

 

CMYK 0 / 51 / 28 / 2

HEX #FA7BB4

RGB 250 123 180

HSL 333.07, 0.93%, 0.73%

LAB 67.86, 54.54, -7.19

 

CMYK 0 / 35 / 19 / 2

HEX #FBA3CB

RGB 251 163 203

HSL 332.73, 0.92%, 0.81%

LAB 76.69, 37.95, -6.84

 

CMYK 0 / 66 / 36 / 3

HEX #F8549E

RGB 248 84 158

HSL 332.93, 0.92%, 0.65%

LAB 60.57, 68.26, -5.46

 

CMYK 0 / 18 / 66 / 3

HEX #F8CC54

RGB 248 204 84

HSL 43.9, 0.92%, 0.65%

LAB 83.85, 3.01, 63.55

 

CMYK 66 / 9 / 0 / 3

HEX #54E2F8

RGB 84 226 248

HSL 188.05, 0.92%, 0.65%

LAB 83.47, -31.15, -21.9

 

CMYK 0 / 66 / 36 / 3

HEX #F8549E

RGB 248 84 158

HSL 332.93, 0.92%, 0.65%

LAB 60.57, 68.26, -5.46

 

CMYK 35 / 0 / 66 / 3

HEX #A0F854

RGB 160 248 84

HSL 92.2, 0.92%, 0.65%

LAB 89.51, -52.06, 67.67

 

CMYK 66 / 35 / 0 / 3

HEX #54A0F8

RGB 84 160 248

HSL 212.2, 0.92%, 0.65%

LAB 64.81, 3.72, -50.83

 

CMYK 0 / 66 / 36 / 3

HEX #F8549E

RGB 248 84 158

HSL 332.93, 0.92%, 0.65%

LAB 60.57, 68.26, -5.46

 

CMYK 0 / 18 / 66 / 3

HEX #F8CC54

RGB 248 204 84

HSL 43.9, 0.92%, 0.65%

LAB 83.85, 3.01, 63.55

 

CMYK 66 / 0 / 31 / 3

HEX #54F8AB

RGB 84 248 171

HSL 151.83, 0.92%, 0.65%

LAB 87.95, -59.59, 24.85

 

CMYK 66 / 49 / 0 / 3

HEX #547FF8

RGB 84 127 248

HSL 224.27, 0.92%, 0.65%

LAB 55.93, 23.4, -65.01

 

CMYK 0 / 66 / 36 / 3

HEX #F8549E

RGB 248 84 158

HSL 332.93, 0.92%, 0.65%

LAB 60.57, 68.26, -5.46

 

CMYK 2 / 0 / 66 / 3

HEX #F2F854

RGB 242 248 84

HSL 62.2, 0.92%, 0.65%

LAB 94.59, -21.34, 74.52

 

CMYK 66 / 0 / 31 / 3

HEX #54F8AB

RGB 84 248 171

HSL 151.83, 0.92%, 0.65%

LAB 87.95, -59.59, 24.85

 

CMYK 64 / 66 / 0 / 3

HEX #5954F8

RGB 89 84 248

HSL 241.83, 0.92%, 0.65%

LAB 45.96, 49.97, -81.19

 

Description

Color code: HEX #F8549E | qconv.com Color code: HEX #F8549E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 84 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 84 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 36 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 36% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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