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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E4F91 it is the complementary color #A1B06E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E4F91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E4F91 shade: #634F8C, #74619F, #8573B2, #9685C5 and #A797D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E4F91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E4F91 shade: #5E4F91, #4D3D7E, #3C2B6B, #2B1958 and #1A0745

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E4F91 shade: #5E5091, #705091, #825091, #91508E and #91507D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E4F91 shade: #5E5091 and #505091

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E4F91 shade matches the following richer shades: #5E5091, #553EA3, #4B2BB5, #4119C7 and #3707D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E4F91 shade: #5E5091, #68627F, #72746C, #7C865A and #869848

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E4F91 shade: #506491, #505391, #5E5091, #6F5091 and #805091

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E4F91 shade: #3C325C, #4D4176, #5E5091, #7261A8 and #897CB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E4F91 shade: #5E4F91, #915076 and #5C9150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E4F91 shade: #5E4F91, #915E50 and #50915E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E4F91 shade: #5E4F91, #915076, #839150 and #50916B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E4F91 shade: #5E4F91, #915062, #839150 and #50917E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 46 / 0 / 43

HEX #5E4F91

RGB 94 79 145

HSL 253.64, 0.29%, 0.44%

LAB 37.87, 22.22, -34.39

 

Complementary color

CMYK 9 / 0 / 38 / 31

HEX #A1B06E

RGB 161 176 110

HSL 73.64, 0.29%, 0.56%

LAB 69.29, -16.09, 32.09

 

CMYK 29 / 44 / 0 / 45

HEX #634F8C

RGB 99 79 140

HSL 259.67, 0.28%, 0.43%

LAB 38.09, 22.31, -30.98

 

CMYK 27 / 39 / 0 / 38

HEX #74619F

RGB 116 97 159

HSL 258.39, 0.24%, 0.5%

LAB 45.31, 21.44, -30.92

 

CMYK 25 / 35 / 0 / 30

HEX #8573B2

RGB 133 115 178

HSL 257.14, 0.29%, 0.57%

LAB 52.36, 20.69, -30.91

 

CMYK 24 / 32 / 0 / 23

HEX #9685C5

RGB 150 133 197

HSL 255.94, 0.36%, 0.65%

LAB 59.24, 20.01, -30.95

 

CMYK 23 / 30 / 0 / 15

HEX #A797D8

RGB 167 151 216

HSL 254.77, 0.45%, 0.72%

LAB 65.99, 19.41, -31.01

 

CMYK 35 / 46 / 0 / 43

HEX #5E4F91

RGB 94 79 145

HSL 253.64, 0.29%, 0.44%

LAB 37.87, 22.22, -34.39

 

CMYK 39 / 52 / 0 / 51

HEX #4D3D7E

RGB 77 61 126

HSL 254.77, 0.35%, 0.37%

LAB 30.45, 23.33, -34.6

 

CMYK 44 / 60 / 0 / 58

HEX #3C2B6B

RGB 60 43 107

HSL 255.94, 0.43%, 0.29%

LAB 22.83, 24.63, -34.84

 

CMYK 51 / 72 / 0 / 65

HEX #2B1958

RGB 43 25 88

HSL 257.14, 0.56%, 0.22%

LAB 15.03, 26.11, -35.02

 

CMYK 62 / 90 / 0 / 73

HEX #1A0745

RGB 26 7 69

HSL 258.39, 0.82%, 0.15%

LAB 7.24, 27.34, -34.76

 

CMYK 35 / 45 / 0 / 43

HEX #5E5091

RGB 94 80 145

HSL 252.92, 0.29%, 0.44%

LAB 38.13, 21.59, -33.98

 

CMYK 23 / 45 / 0 / 43

HEX #705091

RGB 112 80 145

HSL 269.54, 0.29%, 0.44%

LAB 39.96, 26.95, -30.98

 

CMYK 10 / 45 / 0 / 43

HEX #825091

RGB 130 80 145

HSL 286.15, 0.29%, 0.44%

LAB 42.04, 32.55, -27.56

 

CMYK 0 / 45 / 2 / 43

HEX #91508E

RGB 145 80 142

HSL 302.77, 0.29%, 0.44%

LAB 43.81, 36.71, -22.85

 

CMYK 0 / 45 / 14 / 43

HEX #91507D

RGB 145 80 125

HSL 318.46, 0.29%, 0.44%

LAB 43.12, 33.62, -13.62

 

CMYK 35 / 45 / 0 / 43

HEX #5E5091

RGB 94 80 145

HSL 252.92, 0.29%, 0.44%

LAB 38.13, 21.59, -33.98

 

CMYK 45 / 45 / 0 / 43

HEX #505091

RGB 80 80 145

HSL 240, 0.29%, 0.44%

LAB 36.91, 17.73, -36

 

CMYK 35 / 45 / 0 / 43

HEX #5E5091

RGB 94 80 145

HSL 252.92, 0.29%, 0.44%

LAB 38.13, 21.59, -33.98

 

CMYK 48 / 62 / 0 / 36

HEX #553EA3

RGB 85 62 163

HSL 253.66, 0.45%, 0.44%

LAB 34.03, 35.76, -51.48

 

CMYK 59 / 76 / 0 / 29

HEX #4B2BB5

RGB 75 43 181

HSL 253.91, 0.62%, 0.44%

LAB 30.78, 49.92, -67.59

 

CMYK 67 / 87 / 0 / 22

HEX #4119C7

RGB 65 25 199

HSL 253.79, 0.78%, 0.44%

LAB 29.27, 61.41, -80.75

 

CMYK 75 / 97 / 0 / 15

HEX #3707D9

RGB 55 7 217

HSL 253.71, 0.94%, 0.44%

LAB 29.35, 69.7, -91.12

 

CMYK 35 / 45 / 0 / 43

HEX #5E5091

RGB 94 80 145

HSL 252.92, 0.29%, 0.44%

LAB 38.13, 21.59, -33.98

 

CMYK 18 / 23 / 0 / 50

HEX #68627F

RGB 104 98 127

HSL 252.41, 0.13%, 0.44%

LAB 43.08, 8.82, -15.31

 

CMYK 2 / 0 / 7 / 55

HEX #72746C

RGB 114 116 108

HSL 75, 0.04%, 0.44%

LAB 48.45, -2.35, 4.15

 

CMYK 7 / 0 / 33 / 47

HEX #7C865A

RGB 124 134 90

HSL 73.64, 0.2%, 0.44%

LAB 54.1, -11.46, 22.52

 

CMYK 12 / 0 / 53 / 40

HEX #869848

RGB 134 152 72

HSL 73.5, 0.36%, 0.44%

LAB 59.88, -19.02, 39.52

 

CMYK 45 / 31 / 0 / 43

HEX #506491

RGB 80 100 145

HSL 221.54, 0.29%, 0.44%

LAB 42.56, 5.05, -27.1

 

CMYK 45 / 43 / 0 / 43

HEX #505391

RGB 80 83 145

HSL 237.23, 0.29%, 0.44%

LAB 37.73, 15.8, -34.7

 

CMYK 35 / 45 / 0 / 43

HEX #5E5091

RGB 94 80 145

HSL 252.92, 0.29%, 0.44%

LAB 38.13, 21.59, -33.98

 

CMYK 23 / 45 / 0 / 43

HEX #6F5091

RGB 111 80 145

HSL 268.62, 0.29%, 0.44%

LAB 39.85, 26.64, -31.16

HEX #6F5091

CMYK 12 / 45 / 0 / 43

HEX #805091

RGB 128 80 145

HSL 284.31, 0.29%, 0.44%

LAB 41.8, 31.92, -27.96

HEX #805091

CMYK 35 / 46 / 0 / 64

HEX #3C325C

RGB 60 50 92

HSL 254.29, 0.3%, 0.28%

LAB 23.72, 15.34, -23.64

 

CMYK 35 / 45 / 0 / 54

HEX #4D4176

RGB 77 65 118

HSL 253.58, 0.29%, 0.36%

LAB 31.04, 18.38, -28.66

 

CMYK 35 / 45 / 0 / 43

HEX #5E5091

RGB 94 80 145

HSL 252.92, 0.29%, 0.44%

LAB 38.13, 21.59, -33.98

 

CMYK 32 / 42 / 0 / 34

HEX #7261A8

RGB 114 97 168

HSL 254.37, 0.29%, 0.52%

LAB 45.57, 23.23, -35.84

 

CMYK 25 / 32 / 0 / 28

HEX #897CB7

RGB 137 124 183

HSL 253.22, 0.29%, 0.6%

LAB 55.23, 17.85, -29.29

 

CMYK 35 / 46 / 0 / 43

HEX #5E4F91

RGB 94 79 145

HSL 253.64, 0.29%, 0.44%

LAB 37.87, 22.22, -34.39

 

CMYK 0 / 45 / 19 / 43

HEX #915076

RGB 145 80 118

HSL 324.92, 0.29%, 0.44%

LAB 42.86, 32.44, -9.73

 

CMYK 37 / 0 / 45 / 43

HEX #5C9150

RGB 92 145 80

HSL 108.92, 0.29%, 0.44%

LAB 55.18, -30.81, 29

 

CMYK 35 / 46 / 0 / 43

HEX #5E4F91

RGB 94 79 145

HSL 253.64, 0.29%, 0.44%

LAB 37.87, 22.22, -34.39

 

CMYK 0 / 35 / 45 / 43

HEX #915E50

RGB 145 94 80

HSL 12.92, 0.29%, 0.44%

LAB 45.09, 19.11, 16.6

 

CMYK 45 / 0 / 35 / 43

HEX #50915E

RGB 80 145 94

HSL 132.92, 0.29%, 0.44%

LAB 54.83, -32.4, 20.77

 

CMYK 35 / 46 / 0 / 43

HEX #5E4F91

RGB 94 79 145

HSL 253.64, 0.29%, 0.44%

LAB 37.87, 22.22, -34.39

 

CMYK 0 / 45 / 19 / 43

HEX #915076

RGB 145 80 118

HSL 324.92, 0.29%, 0.44%

LAB 42.86, 32.44, -9.73

 

CMYK 10 / 0 / 45 / 43

HEX #839150

RGB 131 145 80

HSL 72.92, 0.29%, 0.44%

LAB 57.71, -15.76, 32.71

 

CMYK 45 / 0 / 26 / 43

HEX #50916B

RGB 80 145 107

HSL 144.92, 0.29%, 0.44%

LAB 55.09, -29.85, 13.82

 

CMYK 35 / 46 / 0 / 43

HEX #5E4F91

RGB 94 79 145

HSL 253.64, 0.29%, 0.44%

LAB 37.87, 22.22, -34.39

 

CMYK 0 / 45 / 32 / 43

HEX #915062

RGB 145 80 98

HSL 343.38, 0.29%, 0.44%

LAB 42.21, 29.4, 1.6

 

CMYK 10 / 0 / 45 / 43

HEX #839150

RGB 131 145 80

HSL 72.92, 0.29%, 0.44%

LAB 57.71, -15.76, 32.71

 

CMYK 45 / 0 / 13 / 43

HEX #50917E

RGB 80 145 126

HSL 162.46, 0.29%, 0.44%

LAB 55.55, -25.58, 3.62

 

Description

Color code: HEX #5E4F91 | qconv.com Color code: HEX #5E4F91 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 79 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 79 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 46 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 46% 0% 43% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - Home | UnitedKingdom...
Link: http://www.ciber.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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