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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E4946 it is the complementary color #A1B6B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E4946. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E4946 shade: #634941, #745B54, #856D67, #967F7A and #A7918D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E4946. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E4946 shade: #5E4946, #4D3733, #3C2520, #2B130D and #1A0100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E4946 shade: #5E4845 and #5E4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E4946 shade: #5E4845, #5E4F45, #5E5645, #5E5C45 and #595E45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E4946 shade matches the following richer shades: #5E4845, #6B3F38, #78352B, #852B1E and #932111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E4946 shade: #5E4845, #515253, #435C60, #36666D and #29707A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E4946 shade: #5E4550, #5E4549, #5E4845, #5E4F45 and #5E5545

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E4946 shade: #2E2422, #463634, #5E4845, #765B57 and #8D6D68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E4946 shade: #5E4946, #565E45 and #454C5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E4946 shade: #5E4946, #455E48 and #48455E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E4946 shade: #5E4946, #565E45, #455B5E and #4D455E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E4946 shade: #5E4946, #4F5E45, #455B5E and #54455E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 26 / 63

HEX #5E4946

RGB 94 73 70

HSL 7.5, 0.15%, 0.32%

LAB 33.11, 8.4, 5.2

 

Complementary color

CMYK 13 / 2 / 0 / 27

HEX #A1B6B9

RGB 161 182 185

HSL 187.5, 0.15%, 0.68%

LAB 72.59, -6.57, -3.97

 

CMYK 0 / 26 / 34 / 61

HEX #634941

RGB 99 73 65

HSL 14.12, 0.21%, 0.32%

LAB 33.56, 9.81, 9.09

 

CMYK 0 / 22 / 28 / 55

HEX #745B54

RGB 116 91 84

HSL 13.13, 0.16%, 0.39%

LAB 40.95, 9.08, 7.93

 

CMYK 0 / 18 / 23 / 48

HEX #856D67

RGB 133 109 103

HSL 12, 0.13%, 0.46%

LAB 48.14, 8.48, 6.91

 

CMYK 0 / 15 / 19 / 41

HEX #967F7A

RGB 150 127 122

HSL 10.71, 0.12%, 0.53%

LAB 55.14, 7.97, 5.99

 

CMYK 0 / 13 / 16 / 35

HEX #A7918D

RGB 167 145 141

HSL 9.23, 0.13%, 0.6%

LAB 61.99, 7.53, 5.14

 

CMYK 0 / 22 / 26 / 63

HEX #5E4946

RGB 94 73 70

HSL 7.5, 0.15%, 0.32%

LAB 33.11, 8.4, 5.2

 

CMYK 0 / 29 / 34 / 70

HEX #4D3733

RGB 77 55 51

HSL 9.23, 0.2%, 0.25%

LAB 25.41, 9.16, 6.35

 

CMYK 0 / 38 / 47 / 76

HEX #3C2520

RGB 60 37 32

HSL 10.71, 0.3%, 0.18%

LAB 17.4, 10.17, 7.8

 

CMYK 0 / 56 / 70 / 83

HEX #2B130D

RGB 43 19 13

HSL 12, 0.54%, 0.11%

LAB 9.06, 11.61, 8.37

 

CMYK 0 / 96 / 100 / 90

HEX #1A0100

RGB 26 1 0

HSL 2.31, 1%, 0.05%

LAB 2.18, 8.5, 3.42

 

CMYK 0 / 23 / 27 / 63

HEX #5E4845

RGB 94 72 69

HSL 7.2, 0.15%, 0.32%

LAB 32.8, 8.86, 5.39

 

CMYK 0 / 27 / 27 / 63

HEX #5E4545

RGB 94 69 69

HSL 0, 0.15%, 0.32%

LAB 31.96, 10.75, 4.19

 

CMYK 0 / 23 / 27 / 63

HEX #5E4845

RGB 94 72 69

HSL 7.2, 0.15%, 0.32%

LAB 32.8, 8.86, 5.39

 

CMYK 0 / 16 / 27 / 63

HEX #5E4F45

RGB 94 79 69

HSL 24, 0.15%, 0.32%

LAB 34.81, 4.49, 8.23

 

CMYK 0 / 9 / 27 / 63

HEX #5E5645

RGB 94 86 69

HSL 40.8, 0.15%, 0.32%

LAB 36.86, 0.18, 11.09

 

CMYK 0 / 2 / 27 / 63

HEX #5E5C45

RGB 94 92 69

HSL 55.2, 0.15%, 0.32%

LAB 38.66, -3.43, 13.56

 

CMYK 5 / 0 / 27 / 63

HEX #595E45

RGB 89 94 69

HSL 72, 0.15%, 0.32%

LAB 38.83, -6.78, 13.72

 

CMYK 0 / 23 / 27 / 63

HEX #5E4845

RGB 94 72 69

HSL 7.2, 0.15%, 0.32%

LAB 32.8, 8.86, 5.39

 

CMYK 0 / 41 / 48 / 58

HEX #6B3F38

RGB 107 63 56

HSL 8.24, 0.31%, 0.32%

LAB 31.73, 18.34, 12.46

 

CMYK 0 / 56 / 64 / 53

HEX #78352B

RGB 120 53 43

HSL 7.79, 0.47%, 0.32%

LAB 31.15, 28.46, 20.33

 

CMYK 0 / 68 / 77 / 48

HEX #852B1E

RGB 133 43 30

HSL 7.57, 0.63%, 0.32%

LAB 31.37, 37.8, 29.12

 

CMYK 0 / 78 / 88 / 42

HEX #932111

RGB 147 33 17

HSL 7.38, 0.79%, 0.32%

LAB 32.55, 46.2, 38.26

 

CMYK 0 / 23 / 27 / 63

HEX #5E4845

RGB 94 72 69

HSL 7.2, 0.15%, 0.32%

LAB 32.8, 8.86, 5.39

 

CMYK 2 / 1 / 0 / 67

HEX #515253

RGB 81 82 83

HSL 210, 0.01%, 0.32%

LAB 34.82, -0.18, -0.73

 

CMYK 30 / 4 / 0 / 62

HEX #435C60

RGB 67 92 96

HSL 188.28, 0.18%, 0.32%

LAB 37.28, -8.26, -5.34

 

CMYK 50 / 6 / 0 / 57

HEX #36666D

RGB 54 102 109

HSL 187.64, 0.34%, 0.32%

LAB 40.23, -14.2, -9.01

 

CMYK 66 / 8 / 0 / 52

HEX #29707A

RGB 41 112 122

HSL 187.41, 0.5%, 0.32%

LAB 43.46, -18.5, -12.07

 

CMYK 0 / 27 / 15 / 63

HEX #5E4550

RGB 94 69 80

HSL 333.6, 0.15%, 0.32%

LAB 32.29, 12.71, -2.38

 

CMYK 0 / 27 / 22 / 63

HEX #5E4549

RGB 94 69 73

HSL 350.4, 0.15%, 0.32%

LAB 32.07, 11.43, 1.79

 

CMYK 0 / 23 / 27 / 63

HEX #5E4845

RGB 94 72 69

HSL 7.2, 0.15%, 0.32%

LAB 32.8, 8.86, 5.39

 

CMYK 0 / 16 / 27 / 63

HEX #5E4F45

RGB 94 79 69

HSL 24, 0.15%, 0.32%

LAB 34.81, 4.49, 8.23

 

CMYK 0 / 10 / 27 / 63

HEX #5E5545

RGB 94 85 69

HSL 38.4, 0.15%, 0.32%

LAB 36.57, 0.79, 10.68

 

CMYK 0 / 22 / 26 / 82

HEX #2E2422

RGB 46 36 34

HSL 10, 0.15%, 0.16%

LAB 15.27, 4.33, 3.11

 

CMYK 0 / 23 / 26 / 73

HEX #463634

RGB 70 54 52

HSL 6.67, 0.15%, 0.24%

LAB 24.28, 6.77, 3.97

 

CMYK 0 / 23 / 27 / 63

HEX #5E4845

RGB 94 72 69

HSL 7.2, 0.15%, 0.32%

LAB 32.8, 8.86, 5.39

 

CMYK 0 / 23 / 26 / 54

HEX #765B57

RGB 118 91 87

HSL 7.74, 0.15%, 0.4%

LAB 41.25, 10.4, 6.54

 

CMYK 0 / 23 / 26 / 45

HEX #8D6D68

RGB 141 109 104

HSL 8.11, 0.15%, 0.48%

LAB 49.01, 11.91, 7.66

 

CMYK 0 / 22 / 26 / 63

HEX #5E4946

RGB 94 73 70

HSL 7.5, 0.15%, 0.32%

LAB 33.11, 8.4, 5.2

 

CMYK 9 / 0 / 27 / 63

HEX #565E45

RGB 86 94 69

HSL 79.2, 0.15%, 0.32%

LAB 38.57, -8.06, 13.33

 

CMYK 27 / 19 / 0 / 63

HEX #454C5E

RGB 69 76 94

HSL 223.2, 0.15%, 0.32%

LAB 32.35, 1.76, -11.49

 

CMYK 0 / 22 / 26 / 63

HEX #5E4946

RGB 94 73 70

HSL 7.5, 0.15%, 0.32%

LAB 33.11, 8.4, 5.2

 

CMYK 27 / 0 / 23 / 63

HEX #455E48

RGB 69 94 72

HSL 127.2, 0.15%, 0.32%

LAB 37.37, -14.38, 9.64

 

CMYK 23 / 27 / 0 / 63

HEX #48455E

RGB 72 69 94

HSL 247.2, 0.15%, 0.32%

LAB 30.5, 7.34, -14.29

 

CMYK 0 / 22 / 26 / 63

HEX #5E4946

RGB 94 73 70

HSL 7.5, 0.15%, 0.32%

LAB 33.11, 8.4, 5.2

 

CMYK 9 / 0 / 27 / 63

HEX #565E45

RGB 86 94 69

HSL 79.2, 0.15%, 0.32%

LAB 38.57, -8.06, 13.33

 

CMYK 27 / 3 / 0 / 63

HEX #455B5E

RGB 69 91 94

HSL 187.2, 0.15%, 0.32%

LAB 37.03, -7.51, -4.46

 

CMYK 18 / 27 / 0 / 63

HEX #4D455E

RGB 77 69 94

HSL 259.2, 0.15%, 0.32%

LAB 30.98, 9.16, -13.52

 

CMYK 0 / 22 / 26 / 63

HEX #5E4946

RGB 94 73 70

HSL 7.5, 0.15%, 0.32%

LAB 33.11, 8.4, 5.2

 

CMYK 16 / 0 / 27 / 63

HEX #4F5E45

RGB 79 94 69

HSL 96, 0.15%, 0.32%

LAB 38.02, -10.99, 12.47

 

CMYK 27 / 3 / 0 / 63

HEX #455B5E

RGB 69 91 94

HSL 187.2, 0.15%, 0.32%

LAB 37.03, -7.51, -4.46

 

CMYK 11 / 27 / 0 / 63

HEX #54455E

RGB 84 69 94

HSL 276, 0.15%, 0.32%

LAB 31.69, 11.76, -12.37

 

Description

Color code: HEX #5E4946 | qconv.com Color code: HEX #5E4946 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 73 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 73 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 26 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 26% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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