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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E3F3D it is the complementary color #A1C0C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E3F3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E3F3D shade: #633F38, #74514B, #85635E, #967571 and #A78784

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E3F3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E3F3D shade: #5E3F3D, #4D2D2A, #3C1B17, #2B0904 and #1A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E3F3D shade: #5D3E3C and #5D3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E3F3D shade: #5D3E3C, #5D473C, #5D503C, #5D583C and #585D3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E3F3D shade matches the following richer shades: #5D3E3C, #693430, #752924, #821E17 and #8E130B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E3F3D shade: #5D3E3C, #504949, #445455, #375F62 and #2B6A6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E3F3D shade: #5D3C4C, #5D3C43, #5D3E3C, #5D473C and #5D4F3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E3F3D shade: #2B1D1C, #442E2C, #5D3E3C, #764F4D and #8E605D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E3F3D shade: #5E3F3D, #555D3C and #3C485D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E3F3D shade: #5E3F3D, #3C5D3E and #3E3C5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E3F3D shade: #5E3F3D, #555D3C, #3C5B5D and #443C5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E3F3D shade: #5E3F3D, #4B5D3C, #3C5B5D and #4E3C5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 35 / 63

HEX #5E3F3D

RGB 94 63 61

HSL 3.64, 0.21%, 0.3%

LAB 30.09, 13.26, 6.69

 

Complementary color

CMYK 17 / 1 / 0 / 24

HEX #A1C0C2

RGB 161 192 194

HSL 183.64, 0.21%, 0.7%

LAB 75.56, -9.96, -4.5

 

CMYK 0 / 36 / 43 / 61

HEX #633F38

RGB 99 63 56

HSL 9.77, 0.28%, 0.3%

LAB 30.62, 14.79, 10.77

 

CMYK 0 / 30 / 35 / 55

HEX #74514B

RGB 116 81 75

HSL 8.78, 0.21%, 0.37%

LAB 38.03, 13.79, 9.37

 

CMYK 0 / 26 / 29 / 48

HEX #85635E

RGB 133 99 94

HSL 7.69, 0.17%, 0.45%

LAB 45.25, 12.97, 8.19

 

CMYK 0 / 22 / 25 / 41

HEX #967571

RGB 150 117 113

HSL 6.49, 0.15%, 0.52%

LAB 52.29, 12.29, 7.15

 

CMYK 0 / 19 / 21 / 35

HEX #A78784

RGB 167 135 132

HSL 5.14, 0.17%, 0.59%

LAB 59.17, 11.7, 6.21

 

CMYK 0 / 33 / 35 / 63

HEX #5E3F3D

RGB 94 63 61

HSL 3.64, 0.21%, 0.3%

LAB 30.09, 13.26, 6.69

 

CMYK 0 / 42 / 45 / 70

HEX #4D2D2A

RGB 77 45 42

HSL 5.14, 0.29%, 0.23%

LAB 22.38, 14.33, 8.16

 

CMYK 0 / 55 / 62 / 76

HEX #3C1B17

RGB 60 27 23

HSL 6.49, 0.45%, 0.16%

LAB 14.44, 15.7, 10.15

 

CMYK 0 / 79 / 91 / 83

HEX #2B0904

RGB 43 9 4

HSL 7.69, 0.83%, 0.09%

LAB 6.48, 16.73, 8.39

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 33 / 35 / 64

HEX #5D3E3C

RGB 93 62 60

HSL 3.64, 0.22%, 0.3%

LAB 29.66, 13.29, 6.72

 

CMYK 0 / 35 / 35 / 64

HEX #5D3C3C

RGB 93 60 60

HSL 0, 0.22%, 0.3%

LAB 29.12, 14.55, 5.96

 

CMYK 0 / 33 / 35 / 64

HEX #5D3E3C

RGB 93 62 60

HSL 3.64, 0.22%, 0.3%

LAB 29.66, 13.29, 6.72

 

CMYK 0 / 24 / 35 / 64

HEX #5D473C

RGB 93 71 60

HSL 20, 0.22%, 0.3%

LAB 32.17, 7.63, 10.22

 

CMYK 0 / 14 / 35 / 64

HEX #5D503C

RGB 93 80 60

HSL 36.36, 0.22%, 0.3%

LAB 34.78, 2.02, 13.8

 

CMYK 0 / 5 / 35 / 64

HEX #5D583C

RGB 93 88 60

HSL 50.91, 0.22%, 0.3%

LAB 37.18, -2.84, 17

 

CMYK 5 / 0 / 35 / 64

HEX #585D3C

RGB 88 93 60

HSL 69.09, 0.22%, 0.3%

LAB 38.25, -8.04, 18.34

 

CMYK 0 / 33 / 35 / 64

HEX #5D3E3C

RGB 93 62 60

HSL 3.64, 0.22%, 0.3%

LAB 29.66, 13.29, 6.72

 

CMYK 0 / 50 / 54 / 59

HEX #693430

RGB 105 52 48

HSL 4.21, 0.37%, 0.3%

LAB 28.57, 23.17, 13.31

 

CMYK 0 / 65 / 69 / 54

HEX #752924

RGB 117 41 36

HSL 3.7, 0.53%, 0.3%

LAB 28.1, 33.04, 20.87

 

CMYK 0 / 77 / 82 / 49

HEX #821E17

RGB 130 30 23

HSL 3.93, 0.7%, 0.3%

LAB 28.74, 41.82, 30.28

 

CMYK 0 / 87 / 92 / 44

HEX #8E130B

RGB 142 19 11

HSL 3.66, 0.86%, 0.3%

LAB 30.01, 48.6, 38.62

 

CMYK 0 / 33 / 35 / 64

HEX #5D3E3C

RGB 93 62 60

HSL 3.64, 0.22%, 0.3%

LAB 29.66, 13.29, 6.72

 

CMYK 0 / 9 / 9 / 69

HEX #504949

RGB 80 73 73

HSL 0, 0.05%, 0.3%

LAB 31.7, 2.93, 1.05

 

CMYK 20 / 1 / 0 / 67

HEX #445455

RGB 68 84 85

HSL 183.53, 0.11%, 0.3%

LAB 34.45, -5.95, -2.66

 

CMYK 44 / 3 / 0 / 62

HEX #375F62

RGB 55 95 98

HSL 184.19, 0.28%, 0.3%

LAB 37.62, -13.18, -6.15

 

CMYK 61 / 4 / 0 / 57

HEX #2B6A6E

RGB 43 106 110

HSL 183.58, 0.44%, 0.3%

LAB 41.13, -18.66, -8.31

 

CMYK 0 / 35 / 18 / 64

HEX #5D3C4C

RGB 93 60 76

HSL 330.91, 0.22%, 0.3%

LAB 29.62, 17.22, -3.77

 

CMYK 0 / 35 / 28 / 64

HEX #5D3C43

RGB 93 60 67

HSL 347.27, 0.22%, 0.3%

LAB 29.32, 15.65, 1.68

 

CMYK 0 / 33 / 35 / 64

HEX #5D3E3C

RGB 93 62 60

HSL 3.64, 0.22%, 0.3%

LAB 29.66, 13.29, 6.72

 

CMYK 0 / 24 / 35 / 64

HEX #5D473C

RGB 93 71 60

HSL 20, 0.22%, 0.3%

LAB 32.17, 7.63, 10.22

 

CMYK 0 / 15 / 35 / 64

HEX #5D4F3C

RGB 93 79 60

HSL 34.55, 0.22%, 0.3%

LAB 34.49, 2.64, 13.4

 

CMYK 0 / 33 / 35 / 83

HEX #2B1D1C

RGB 43 29 28

HSL 4, 0.21%, 0.14%

LAB 12.46, 6.69, 3.39

 

CMYK 0 / 32 / 35 / 73

HEX #442E2C

RGB 68 46 44

HSL 5, 0.21%, 0.22%

LAB 21.45, 9.78, 5.32

 

CMYK 0 / 33 / 35 / 64

HEX #5D3E3C

RGB 93 62 60

HSL 3.64, 0.22%, 0.3%

LAB 29.66, 13.29, 6.72

 

CMYK 0 / 33 / 35 / 54

HEX #764F4D

RGB 118 79 77

HSL 2.93, 0.21%, 0.38%

LAB 37.81, 16.14, 7.85

 

CMYK 0 / 32 / 35 / 44

HEX #8E605D

RGB 142 96 93

HSL 3.67, 0.21%, 0.46%

LAB 45.51, 18.32, 9.31

 

CMYK 0 / 33 / 35 / 63

HEX #5E3F3D

RGB 94 63 61

HSL 3.64, 0.21%, 0.3%

LAB 30.09, 13.26, 6.69

 

CMYK 9 / 0 / 35 / 64

HEX #555D3C

RGB 85 93 60

HSL 74.55, 0.22%, 0.3%

LAB 38, -9.36, 17.95

 

CMYK 35 / 23 / 0 / 64

HEX #3C485D

RGB 60 72 93

HSL 218.18, 0.22%, 0.3%

LAB 30.37, 0.95, -13.95

 

CMYK 0 / 33 / 35 / 63

HEX #5E3F3D

RGB 94 63 61

HSL 3.64, 0.21%, 0.3%

LAB 30.09, 13.26, 6.69

 

CMYK 35 / 0 / 33 / 64

HEX #3C5D3E

RGB 60 93 62

HSL 123.64, 0.22%, 0.3%

LAB 36.25, -19.2, 14.1

 

CMYK 33 / 35 / 0 / 64

HEX #3E3C5D

RGB 62 60 93

HSL 243.64, 0.22%, 0.3%

LAB 26.87, 9.54, -19.34

 

CMYK 0 / 33 / 35 / 63

HEX #5E3F3D

RGB 94 63 61

HSL 3.64, 0.21%, 0.3%

LAB 30.09, 13.26, 6.69

 

CMYK 9 / 0 / 35 / 64

HEX #555D3C

RGB 85 93 60

HSL 74.55, 0.22%, 0.3%

LAB 38, -9.36, 17.95

 

CMYK 35 / 2 / 0 / 64

HEX #3C5B5D

RGB 60 91 93

HSL 183.64, 0.22%, 0.3%

LAB 36.43, -10.77, -4.79

 

CMYK 27 / 35 / 0 / 64

HEX #443C5D

RGB 68 60 93

HSL 254.55, 0.22%, 0.3%

LAB 27.44, 11.58, -18.41

 

CMYK 0 / 33 / 35 / 63

HEX #5E3F3D

RGB 94 63 61

HSL 3.64, 0.21%, 0.3%

LAB 30.09, 13.26, 6.69

 

CMYK 19 / 0 / 35 / 64

HEX #4B5D3C

RGB 75 93 60

HSL 92.73, 0.22%, 0.3%

LAB 37.21, -13.64, 16.77

 

CMYK 35 / 2 / 0 / 64

HEX #3C5B5D

RGB 60 91 93

HSL 183.64, 0.22%, 0.3%

LAB 36.43, -10.77, -4.79

 

CMYK 16 / 35 / 0 / 64

HEX #4E3C5D

RGB 78 60 93

HSL 272.73, 0.22%, 0.3%

LAB 28.49, 15.12, -16.69

 

Description

Color code: HEX #5E3F3D | qconv.com Color code: HEX #5E3F3D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 63 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 63 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 35 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 35% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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