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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E166B it is the complementary color #A1E994. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E166B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E166B shade: #631666, #742879, #853A8C, #964C9F and #A75EB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E166B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E166B shade: #5E166B, #4D0458, #3C0045, #2B0032 and #1A001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E166B shade: #5C1569, #691560, #691549, #691532 and #69151B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E166B shade: #5C1569, #461569, #2F1569, #181569 and #151569

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E166B shade matches the following richer shades: #5C1569, #640B74 and #6B017E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E166B shade: #5C1569, #551F5F, #4E2A55, #47344A and #403E40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E166B shade: #2E1569, #451569, #5B1569, #691561 and #69154A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E166B shade: #200725, #3E0E47, #5C1569, #7B1C8C and #9923AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E166B shade: #5E166B, #691815 and #15693A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E166B shade: #5E166B, #695B15 and #15695B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E166B shade: #5E166B, #691815, #236915 and #156769

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E166B shade: #5E166B, #693115, #236915 and #154D69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 79 / 0 / 58

HEX #5E166B

RGB 94 22 107

HSL 290.82, 0.66%, 0.25%

LAB 23.72, 43.79, -33.14

 

Complementary color

CMYK 31 / 0 / 36 / 9

HEX #A1E994

RGB 161 233 148

HSL 110.82, 0.66%, 0.75%

LAB 86, -38.25, 34.38

 

CMYK 3 / 78 / 0 / 60

HEX #631666

RGB 99 22 102

HSL 297.75, 0.65%, 0.24%

LAB 24.28, 43.96, -28.95

 

CMYK 4 / 67 / 0 / 53

HEX #742879

RGB 116 40 121

HSL 296.3, 0.5%, 0.32%

LAB 30.9, 44.5, -30.43

 

CMYK 5 / 59 / 0 / 45

HEX #853A8C

RGB 133 58 140

HSL 294.88, 0.41%, 0.39%

LAB 37.67, 44.26, -31.35

 

CMYK 6 / 52 / 0 / 38

HEX #964C9F

RGB 150 76 159

HSL 293.49, 0.35%, 0.46%

LAB 44.46, 43.69, -31.99

 

CMYK 6 / 47 / 0 / 30

HEX #A75EB2

RGB 167 94 178

HSL 292.14, 0.35%, 0.53%

LAB 51.19, 42.97, -32.46

 

CMYK 12 / 79 / 0 / 58

HEX #5E166B

RGB 94 22 107

HSL 290.82, 0.66%, 0.25%

LAB 23.72, 43.79, -33.14

 

CMYK 13 / 95 / 0 / 65

HEX #4D0458

RGB 77 4 88

HSL 292.14, 0.91%, 0.18%

LAB 17.32, 42.05, -31.06

 

CMYK 13 / 100 / 0 / 73

HEX #3C0045

RGB 60 0 69

HSL 292.17, 1%, 0.14%

LAB 11.89, 36.68, -26.92

 

CMYK 14 / 100 / 0 / 80

HEX #2B0032

RGB 43 0 50

HSL 291.6, 1%, 0.1%

LAB 6.72, 29.46, -21.76

 

CMYK 16 / 100 / 0 / 88

HEX #1A001F

RGB 26 0 31

HSL 290.32, 1%, 0.06%

LAB 2.88, 15.18, -13.42

 

CMYK 12 / 80 / 0 / 59

HEX #5C1569

RGB 92 21 105

HSL 290.71, 0.67%, 0.25%

LAB 23.11, 43.31, -32.85

 

CMYK 0 / 80 / 9 / 59

HEX #691560

RGB 105 21 96

HSL 306.43, 0.67%, 0.25%

LAB 24.9, 44.68, -23.96

 

CMYK 0 / 80 / 30 / 59

HEX #691549

RGB 105 21 73

HSL 322.86, 0.67%, 0.25%

LAB 23.74, 41.21, -10.42

 

CMYK 0 / 80 / 52 / 59

HEX #691532

RGB 105 21 50

HSL 339.29, 0.67%, 0.25%

LAB 22.9, 38.58, 4.12

 

CMYK 0 / 80 / 74 / 59

HEX #69151B

RGB 105 21 27

HSL 355.71, 0.67%, 0.25%

LAB 22.37, 36.88, 19.26

 

CMYK 12 / 80 / 0 / 59

HEX #5C1569

RGB 92 21 105

HSL 290.71, 0.67%, 0.25%

LAB 23.11, 43.31, -32.85

 

CMYK 33 / 80 / 0 / 59

HEX #461569

RGB 70 21 105

HSL 275, 0.67%, 0.25%

LAB 19.47, 38.67, -38.91

 

CMYK 55 / 80 / 0 / 59

HEX #2F1569

RGB 47 21 105

HSL 258.57, 0.67%, 0.25%

LAB 16.31, 34.52, -44.2

 

CMYK 77 / 80 / 0 / 59

HEX #181569

RGB 24 21 105

HSL 242.14, 0.67%, 0.25%

LAB 14.12, 31.54, -47.88

 

CMYK 80 / 80 / 0 / 59

HEX #151569

RGB 21 21 105

HSL 240, 0.67%, 0.25%

LAB 13.92, 31.26, -48.22

 

CMYK 12 / 80 / 0 / 59

HEX #5C1569

RGB 92 21 105

HSL 290.71, 0.67%, 0.25%

LAB 23.11, 43.31, -32.85

 

CMYK 14 / 91 / 0 / 55

HEX #640B74

RGB 100 11 116

HSL 290.86, 0.83%, 0.25%

LAB 24.35, 49.9, -37.88

 

CMYK 15 / 99 / 0 / 51

HEX #6B017E

RGB 107 1 126

HSL 290.88, 0.98%, 0.25%

LAB 25.72, 54.93, -41.97

 

CMYK 12 / 80 / 0 / 59

HEX #5C1569

RGB 92 21 105

HSL 290.71, 0.67%, 0.25%

LAB 23.11, 43.31, -32.85

 

CMYK 11 / 67 / 0 / 63

HEX #551F5F

RGB 85 31 95

HSL 290.63, 0.51%, 0.25%

LAB 22.78, 35.2, -26.88

 

CMYK 8 / 51 / 0 / 67

HEX #4E2A55

RGB 78 42 85

HSL 290.23, 0.34%, 0.25%

LAB 23.44, 24.65, -19.3

 

CMYK 4 / 30 / 0 / 71

HEX #47344A

RGB 71 52 74

HSL 291.82, 0.17%, 0.25%

LAB 24.61, 13.09, -10.26

 

CMYK 0 / 3 / 0 / 75

HEX #403E40

RGB 64 62 64

HSL 300, 0.02%, 0.25%

LAB 26.46, 1.3, -0.93

 

CMYK 56 / 80 / 0 / 59

HEX #2E1569

RGB 46 21 105

HSL 257.86, 0.67%, 0.25%

LAB 16.19, 34.36, -44.4

 

CMYK 34 / 80 / 0 / 59

HEX #451569

RGB 69 21 105

HSL 274.29, 0.67%, 0.25%

LAB 19.31, 38.47, -39.16

 

CMYK 13 / 80 / 0 / 59

HEX #5B1569

RGB 91 21 105

HSL 290, 0.67%, 0.25%

LAB 22.93, 43.09, -33.14

 

CMYK 0 / 80 / 8 / 59

HEX #691561

RGB 105 21 97

HSL 305.71, 0.67%, 0.25%

LAB 24.96, 44.84, -24.53

 

CMYK 0 / 80 / 30 / 59

HEX #69154A

RGB 105 21 74

HSL 322.14, 0.67%, 0.25%

LAB 23.78, 41.34, -11.03

 

CMYK 14 / 81 / 0 / 85

HEX #200725

RGB 32 7 37

HSL 290, 0.68%, 0.09%

LAB 5.35, 17.73, -14.24

 

CMYK 13 / 80 / 0 / 72

HEX #3E0E47

RGB 62 14 71

HSL 290.53, 0.67%, 0.17%

LAB 14.36, 31.93, -24.32

 

CMYK 12 / 80 / 0 / 59

HEX #5C1569

RGB 92 21 105

HSL 290.71, 0.67%, 0.25%

LAB 23.11, 43.31, -32.85

 

CMYK 12 / 80 / 0 / 45

HEX #7B1C8C

RGB 123 28 140

HSL 290.89, 0.67%, 0.33%

LAB 31.66, 54.27, -41.03

 

CMYK 12 / 80 / 0 / 32

HEX #9923AE

RGB 153 35 174

HSL 290.94, 0.67%, 0.41%

LAB 39.63, 64.28, -48.56

 

CMYK 12 / 79 / 0 / 58

HEX #5E166B

RGB 94 22 107

HSL 290.82, 0.66%, 0.25%

LAB 23.72, 43.79, -33.14

 

CMYK 0 / 77 / 80 / 59

HEX #691815

RGB 105 24 21

HSL 2.14, 0.67%, 0.25%

LAB 22.69, 35.45, 23.55

 

CMYK 80 / 0 / 45 / 59

HEX #15693A

RGB 21 105 58

HSL 146.43, 0.67%, 0.25%

LAB 38.84, -35.94, 19.65

 

CMYK 12 / 79 / 0 / 58

HEX #5E166B

RGB 94 22 107

HSL 290.82, 0.66%, 0.25%

LAB 23.72, 43.79, -33.14

 

CMYK 0 / 13 / 80 / 59

HEX #695B15

RGB 105 91 21

HSL 50, 0.67%, 0.25%

LAB 38.79, -2.51, 39.73

 

CMYK 80 / 0 / 13 / 59

HEX #15695B

RGB 21 105 91

HSL 170, 0.67%, 0.25%

LAB 39.61, -27.66, 0.95

 

CMYK 12 / 79 / 0 / 58

HEX #5E166B

RGB 94 22 107

HSL 290.82, 0.66%, 0.25%

LAB 23.72, 43.79, -33.14

 

CMYK 0 / 77 / 80 / 59

HEX #691815

RGB 105 24 21

HSL 2.14, 0.67%, 0.25%

LAB 22.69, 35.45, 23.55

 

CMYK 67 / 0 / 80 / 59

HEX #236915

RGB 35 105 21

HSL 110, 0.67%, 0.25%

LAB 38.75, -38.24, 38.1

 

CMYK 80 / 2 / 0 / 59

HEX #156769

RGB 21 103 105

HSL 181.43, 0.67%, 0.25%

LAB 39.38, -22.26, -7.95

 

CMYK 12 / 79 / 0 / 58

HEX #5E166B

RGB 94 22 107

HSL 290.82, 0.66%, 0.25%

LAB 23.72, 43.79, -33.14

 

CMYK 0 / 53 / 80 / 59

HEX #693115

RGB 105 49 21

HSL 20, 0.67%, 0.25%

LAB 27.45, 22.9, 28.6

 

CMYK 67 / 0 / 80 / 59

HEX #236915

RGB 35 105 21

HSL 110, 0.67%, 0.25%

LAB 38.75, -38.24, 38.1

 

CMYK 80 / 27 / 0 / 59

HEX #154D69

RGB 21 77 105

HSL 200, 0.67%, 0.25%

LAB 30.61, -7.36, -21.36

 

Description

Color code: HEX #5E166B | qconv.com Color code: HEX #5E166B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 22 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 22 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 79 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 79% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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