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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D0458 it is the complementary color #B2FBA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D0458. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D0458 shade: #520453, #631666, #742879, #853A8C and #964C9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D0458. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D0458 shade: #4D0458, #3C0045, #2B0032, #1A001F and #09000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D0458 shade: #4C0457, #57044C, #570435, #57041F and #570408

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D0458 shade: #4C0457, #360457, #1F0457, #090457 and #040457

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D0458 shade matches the following richer shades: #4C0457

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D0458 shade: #4C0457, #470B50, #411248, #3C1A41 and #362139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D0458 shade: #1F0457, #360457, #4C0457, #57044C and #570436

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D0458 shade: #070008, #2A0230, #4C0457, #6F057F and #9107A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D0458 shade: #4D0458, #570904 and #04572B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D0458 shade: #4D0458, #574C04 and #04574C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D0458 shade: #4D0458, #570904, #0F5704 and #045257

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D0458 shade: #4D0458, #572204, #0F5704 and #043957

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 95 / 0 / 65

HEX #4D0458

RGB 77 4 88

HSL 292.14, 0.91%, 0.18%

LAB 17.32, 42.05, -31.06

 

Complementary color

CMYK 29 / 0 / 33 / 2

HEX #B2FBA7

RGB 178 251 167

HSL 112.14, 0.91%, 0.82%

LAB 92.24, -38.04, 33.27

 

CMYK 1 / 95 / 0 / 67

HEX #520453

RGB 82 4 83

HSL 299.24, 0.91%, 0.17%

LAB 17.94, 42.09, -26.62

 

CMYK 3 / 78 / 0 / 60

HEX #631666

RGB 99 22 102

HSL 297.75, 0.65%, 0.24%

LAB 24.28, 43.96, -28.95

 

CMYK 4 / 67 / 0 / 53

HEX #742879

RGB 116 40 121

HSL 296.3, 0.5%, 0.32%

LAB 30.9, 44.5, -30.43

 

CMYK 5 / 59 / 0 / 45

HEX #853A8C

RGB 133 58 140

HSL 294.88, 0.41%, 0.39%

LAB 37.67, 44.26, -31.35

 

CMYK 6 / 52 / 0 / 38

HEX #964C9F

RGB 150 76 159

HSL 293.49, 0.35%, 0.46%

LAB 44.46, 43.69, -31.99

 

CMYK 13 / 95 / 0 / 65

HEX #4D0458

RGB 77 4 88

HSL 292.14, 0.91%, 0.18%

LAB 17.32, 42.05, -31.06

 

CMYK 13 / 100 / 0 / 73

HEX #3C0045

RGB 60 0 69

HSL 292.17, 1%, 0.14%

LAB 11.89, 36.68, -26.92

 

CMYK 14 / 100 / 0 / 80

HEX #2B0032

RGB 43 0 50

HSL 291.6, 1%, 0.1%

LAB 6.72, 29.46, -21.76

 

CMYK 16 / 100 / 0 / 88

HEX #1A001F

RGB 26 0 31

HSL 290.32, 1%, 0.06%

LAB 2.88, 15.18, -13.42

 

CMYK 25 / 100 / 0 / 95

HEX #09000C

RGB 9 0 12

HSL 285, 1%, 0.02%

LAB 0.76, 4.04, -3.76

 

CMYK 13 / 95 / 0 / 66

HEX #4C0457

RGB 76 4 87

HSL 292.05, 0.91%, 0.18%

LAB 17.04, 41.67, -30.83

 

CMYK 0 / 95 / 13 / 66

HEX #57044C

RGB 87 4 76

HSL 307.95, 0.91%, 0.18%

LAB 18.52, 41.98, -20.86

 

CMYK 0 / 95 / 39 / 66

HEX #570435

RGB 87 4 53

HSL 324.58, 0.91%, 0.18%

LAB 17.32, 38.81, -6.64

 

CMYK 0 / 95 / 64 / 66

HEX #57041F

RGB 87 4 31

HSL 340.48, 0.91%, 0.18%

LAB 16.56, 36.71, 8.19

 

CMYK 0 / 95 / 91 / 66

HEX #570408

RGB 87 4 8

HSL 357.11, 0.91%, 0.18%

LAB 16.16, 35.56, 21.72

 

CMYK 13 / 95 / 0 / 66

HEX #4C0457

RGB 76 4 87

HSL 292.05, 0.91%, 0.18%

LAB 17.04, 41.67, -30.83

 

CMYK 38 / 95 / 0 / 66

HEX #360457

RGB 54 4 87

HSL 276.14, 0.91%, 0.18%

LAB 12.98, 37.96, -37.62

 

CMYK 64 / 95 / 0 / 66

HEX #1F0457

RGB 31 4 87

HSL 259.52, 0.91%, 0.18%

LAB 9.53, 35.17, -43.42

 

CMYK 90 / 95 / 0 / 66

HEX #090457

RGB 9 4 87

HSL 243.61, 0.91%, 0.18%

LAB 7.52, 33.73, -46.81

 

CMYK 95 / 95 / 0 / 66

HEX #040457

RGB 4 4 87

HSL 240, 0.91%, 0.18%

LAB 7.23, 33.47, -47.31

 

CMYK 13 / 95 / 0 / 66

HEX #4C0457

RGB 76 4 87

HSL 292.05, 0.91%, 0.18%

LAB 17.04, 41.67, -30.83

 

CMYK 13 / 95 / 0 / 66

HEX #4C0457

RGB 76 4 87

HSL 292.05, 0.91%, 0.18%

LAB 17.04, 41.67, -30.83

 

CMYK 11 / 86 / 0 / 69

HEX #470B50

RGB 71 11 80

HSL 292.17, 0.76%, 0.18%

LAB 16.3, 37.09, -27.33

 

CMYK 10 / 75 / 0 / 72

HEX #411248

RGB 65 18 72

HSL 292.22, 0.6%, 0.18%

LAB 15.61, 31.12, -22.99

 

CMYK 8 / 60 / 0 / 75

HEX #3C1A41

RGB 60 26 65

HSL 292.31, 0.43%, 0.18%

LAB 15.91, 23.7, -17.71

 

CMYK 5 / 42 / 0 / 78

HEX #362139

RGB 54 33 57

HSL 292.5, 0.27%, 0.18%

LAB 16.34, 15.08, -11.5

 

CMYK 64 / 95 / 0 / 66

HEX #1F0457

RGB 31 4 87

HSL 259.52, 0.91%, 0.18%

LAB 9.53, 35.17, -43.42

 

CMYK 38 / 95 / 0 / 66

HEX #360457

RGB 54 4 87

HSL 276.14, 0.91%, 0.18%

LAB 12.98, 37.96, -37.62

 

CMYK 13 / 95 / 0 / 66

HEX #4C0457

RGB 76 4 87

HSL 292.05, 0.91%, 0.18%

LAB 17.04, 41.67, -30.83

 

CMYK 0 / 95 / 13 / 66

HEX #57044C

RGB 87 4 76

HSL 307.95, 0.91%, 0.18%

LAB 18.52, 41.98, -20.86

 

CMYK 0 / 95 / 38 / 66

HEX #570436

RGB 87 4 54

HSL 323.86, 0.91%, 0.18%

LAB 17.36, 38.92, -7.28

 

CMYK 13 / 100 / 0 / 97

HEX #070008

RGB 7 0 8

HSL 292.5, 1%, 0.02%

LAB 0.57, 2.94, -2.38

 

CMYK 13 / 96 / 0 / 81

HEX #2A0230

RGB 42 2 48

HSL 292.17, 0.92%, 0.1%

LAB 6.77, 27.57, -20.21

 

CMYK 13 / 95 / 0 / 66

HEX #4C0457

RGB 76 4 87

HSL 292.05, 0.91%, 0.18%

LAB 17.04, 41.67, -30.83

 

CMYK 13 / 96 / 0 / 50

HEX #6F057F

RGB 111 5 127

HSL 292.13, 0.92%, 0.26%

LAB 26.79, 55.01, -40.84

 

CMYK 13 / 96 / 0 / 35

HEX #9107A6

RGB 145 7 166

HSL 292.08, 0.92%, 0.34%

LAB 35.84, 67.03, -49.96

 

CMYK 13 / 95 / 0 / 65

HEX #4D0458

RGB 77 4 88

HSL 292.14, 0.91%, 0.18%

LAB 17.32, 42.05, -31.06

 

CMYK 0 / 90 / 95 / 66

HEX #570904

RGB 87 9 4

HSL 3.61, 0.91%, 0.18%

LAB 16.65, 33.9, 23.96

 

CMYK 95 / 0 / 51 / 66

HEX #04572B

RGB 4 87 43

HSL 148.19, 0.91%, 0.18%

LAB 31.84, -33.85, 19.3

 

CMYK 13 / 95 / 0 / 65

HEX #4D0458

RGB 77 4 88

HSL 292.14, 0.91%, 0.18%

LAB 17.32, 42.05, -31.06

 

CMYK 0 / 13 / 95 / 66

HEX #574C04

RGB 87 76 4

HSL 52.05, 0.91%, 0.18%

LAB 32.27, -3.19, 39.2

 

CMYK 95 / 0 / 13 / 66

HEX #04574C

RGB 4 87 76

HSL 172.05, 0.91%, 0.18%

LAB 32.62, -25.24, 0.04

 

CMYK 13 / 95 / 0 / 65

HEX #4D0458

RGB 77 4 88

HSL 292.14, 0.91%, 0.18%

LAB 17.32, 42.05, -31.06

 

CMYK 0 / 90 / 95 / 66

HEX #570904

RGB 87 9 4

HSL 3.61, 0.91%, 0.18%

LAB 16.65, 33.9, 23.96

 

CMYK 83 / 0 / 95 / 66

HEX #0F5704

RGB 15 87 4

HSL 112.05, 0.91%, 0.18%

LAB 31.64, -37.01, 36.89

 

CMYK 95 / 6 / 0 / 66

HEX #045257

RGB 4 82 87

HSL 183.61, 0.91%, 0.18%

LAB 31.23, -18.91, -9.01

 

CMYK 13 / 95 / 0 / 65

HEX #4D0458

RGB 77 4 88

HSL 292.14, 0.91%, 0.18%

LAB 17.32, 42.05, -31.06

 

CMYK 0 / 61 / 95 / 66

HEX #572204

RGB 87 34 4

HSL 21.69, 0.91%, 0.18%

LAB 20.75, 22.82, 28.76

 

CMYK 83 / 0 / 95 / 66

HEX #0F5704

RGB 15 87 4

HSL 112.05, 0.91%, 0.18%

LAB 31.64, -37.01, 36.89

 

CMYK 95 / 34 / 0 / 66

HEX #043957

RGB 4 57 87

HSL 201.69, 0.91%, 0.18%

LAB 22.44, -3.7, -22.57

 

Description

Color code: HEX #4D0458 | qconv.com Color code: HEX #4D0458 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 4 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 4 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 95 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 95% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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