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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D0BBD it is the complementary color #A2F442. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D0BBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D0BBD shade: #620BB8, #731DCB, #842FDE, #9541F1 and #A653FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D0BBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D0BBD shade: #5D0BBD, #4C00AA, #3B0097, #2A0084 and #190071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D0BBD shade: #5C0BBC, #8C0BBC, #BC0BBC, #BC0B8C and #BC0B5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D0BBD shade: #5C0BBC, #2D0BBC and #0B0BBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D0BBD shade matches the following richer shades: #5C0BBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D0BBD shade: #5C0BBC, #5E1BAC, #5F2B9C, #603B8C and #624B7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D0BBD shade: #0B1ABC, #2B0BBC, #5B0BBC, #8A0BBC and #B90BBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D0BBD shade: #36066E, #490995, #5C0BBC, #700DE3 and #8527F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D0BBD shade: #5D0BBD, #BC0B49 and #0BBC14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D0BBD shade: #5D0BBD, #BC5B0B and #0BBC5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D0BBD shade: #5D0BBD, #BC0B49, #6CBC0B and #0BBC7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D0BBD shade: #5D0BBD, #BC0B14, #6CBC0B and #0BBCB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 94 / 0 / 26

HEX #5D0BBD

RGB 93 11 189

HSL 267.64, 0.89%, 0.39%

LAB 30.01, 64.59, -73.54

 

Complementary color

CMYK 34 / 0 / 73 / 4

HEX #A2F442

RGB 162 244 66

HSL 87.64, 0.89%, 0.61%

LAB 88.34, -50.93, 72.93

 

CMYK 47 / 94 / 0 / 28

HEX #620BB8

RGB 98 11 184

HSL 270.17, 0.89%, 0.38%

LAB 30.15, 63.93, -70.32

 

CMYK 43 / 86 / 0 / 20

HEX #731DCB

RGB 115 29 203

HSL 269.66, 0.75%, 0.45%

LAB 35.67, 65.97, -72.34

 

CMYK 41 / 79 / 0 / 13

HEX #842FDE

RGB 132 47 222

HSL 269.14, 0.73%, 0.53%

LAB 41.55, 66.71, -73.56

 

CMYK 38 / 73 / 0 / 5

HEX #9541F1

RGB 149 65 241

HSL 268.64, 0.86%, 0.6%

LAB 47.65, 66.69, -74.28

 

CMYK 35 / 67 / 0 / 0

HEX #A653FF

RGB 166 83 255

HSL 268.95, 1%, 0.66%

LAB 53.51, 65.05, -72.48

 

CMYK 51 / 94 / 0 / 26

HEX #5D0BBD

RGB 93 11 189

HSL 267.64, 0.89%, 0.39%

LAB 30.01, 64.59, -73.54

 

CMYK 55 / 100 / 0 / 33

HEX #4C00AA

RGB 76 0 170

HSL 266.82, 1%, 0.33%

LAB 25.07, 60.85, -70.43

 

CMYK 61 / 100 / 0 / 41

HEX #3B0097

RGB 59 0 151

HSL 263.44, 1%, 0.3%

LAB 20.69, 55.26, -66.16

 

CMYK 68 / 100 / 0 / 48

HEX #2A0084

RGB 42 0 132

HSL 259.09, 1%, 0.26%

LAB 16.3, 49.62, -61.63

 

CMYK 78 / 100 / 0 / 56

HEX #190071

RGB 25 0 113

HSL 253.27, 1%, 0.22%

LAB 11.95, 43.97, -56.72

 

CMYK 51 / 94 / 0 / 26

HEX #5C0BBC

RGB 92 11 188

HSL 267.46, 0.89%, 0.39%

LAB 29.78, 64.27, -73.34

 

CMYK 26 / 94 / 0 / 26

HEX #8C0BBC

RGB 140 11 188

HSL 283.73, 0.89%, 0.39%

LAB 36.83, 69.75, -61.5

 

CMYK 0 / 94 / 0 / 26

HEX #BC0BBC

RGB 188 11 188

HSL 300, 0.89%, 0.39%

LAB 45.03, 77.14, -47.85

 

CMYK 0 / 94 / 26 / 26

HEX #BC0B8C

RGB 188 11 140

HSL 316.27, 0.89%, 0.39%

LAB 42.5, 70.73, -23.12

 

CMYK 0 / 94 / 51 / 26

HEX #BC0B5C

RGB 188 11 92

HSL 332.54, 0.89%, 0.39%

LAB 40.74, 66.06, 4.17

 

CMYK 51 / 94 / 0 / 26

HEX #5C0BBC

RGB 92 11 188

HSL 267.46, 0.89%, 0.39%

LAB 29.78, 64.27, -73.34

 

CMYK 76 / 94 / 0 / 26

HEX #2D0BBC

RGB 45 11 188

HSL 251.53, 0.89%, 0.39%

LAB 25.04, 61.33, -81.34

 

CMYK 94 / 94 / 0 / 26

HEX #0B0BBC

RGB 11 11 188

HSL 240, 0.89%, 0.39%

LAB 23.48, 60.53, -83.99

 

CMYK 51 / 94 / 0 / 26

HEX #5C0BBC

RGB 92 11 188

HSL 267.46, 0.89%, 0.39%

LAB 29.78, 64.27, -73.34

 

CMYK 51 / 94 / 0 / 26

HEX #5C0BBC

RGB 92 11 188

HSL 267.46, 0.89%, 0.39%

LAB 29.78, 64.27, -73.34

 

CMYK 45 / 84 / 0 / 33

HEX #5E1BAC

RGB 94 27 172

HSL 267.72, 0.73%, 0.39%

LAB 29.77, 56.68, -63.8

 

CMYK 39 / 72 / 0 / 39

HEX #5F2B9C

RGB 95 43 156

HSL 267.61, 0.57%, 0.39%

LAB 30.79, 46.24, -52.46

 

CMYK 31 / 58 / 0 / 45

HEX #603B8C

RGB 96 59 140

HSL 267.41, 0.41%, 0.39%

LAB 32.94, 33.62, -39.19

 

CMYK 21 / 40 / 0 / 51

HEX #624B7C

RGB 98 75 124

HSL 268.16, 0.25%, 0.39%

LAB 36.15, 20.3, -24.22

 

CMYK 94 / 86 / 0 / 26

HEX #0B1ABC

RGB 11 26 188

HSL 234.92, 0.89%, 0.39%

LAB 25.08, 55.67, -81.32

 

CMYK 77 / 94 / 0 / 26

HEX #2B0BBC

RGB 43 11 188

HSL 250.85, 0.89%, 0.39%

LAB 24.9, 61.25, -81.57

 

CMYK 52 / 94 / 0 / 26

HEX #5B0BBC

RGB 91 11 188

HSL 267.12, 0.89%, 0.39%

LAB 29.65, 64.18, -73.55

 

CMYK 27 / 94 / 0 / 26

HEX #8A0BBC

RGB 138 11 188

HSL 283.05, 0.89%, 0.39%

LAB 36.51, 69.47, -62.04

 

CMYK 2 / 94 / 0 / 26

HEX #B90BBC

RGB 185 11 188

HSL 298.98, 0.89%, 0.39%

LAB 44.5, 76.64, -48.73

 

CMYK 51 / 95 / 0 / 57

HEX #36066E

RGB 54 6 110

HSL 267.69, 0.9%, 0.23%

LAB 15.7, 42.92, -48.44

 

CMYK 51 / 94 / 0 / 42

HEX #490995

RGB 73 9 149

HSL 267.43, 0.89%, 0.31%

LAB 22.94, 53.73, -61.14

 

CMYK 51 / 94 / 0 / 26

HEX #5C0BBC

RGB 92 11 188

HSL 267.46, 0.89%, 0.39%

LAB 29.78, 64.27, -73.34

 

CMYK 51 / 94 / 0 / 11

HEX #700DE3

RGB 112 13 227

HSL 267.76, 0.89%, 0.47%

LAB 36.52, 74.42, -84.8

 

CMYK 45 / 84 / 0 / 5

HEX #8527F2

RGB 133 39 242

HSL 267.78, 0.89%, 0.55%

LAB 42.53, 74.03, -83.3

 

CMYK 51 / 94 / 0 / 26

HEX #5D0BBD

RGB 93 11 189

HSL 267.64, 0.89%, 0.39%

LAB 30.01, 64.59, -73.54

 

CMYK 0 / 94 / 61 / 26

HEX #BC0B49

RGB 188 11 73

HSL 338.98, 0.89%, 0.39%

LAB 40.27, 64.76, 15.6

 

CMYK 94 / 0 / 89 / 26

HEX #0BBC14

RGB 11 188 20

HSL 123.05, 0.89%, 0.39%

LAB 66.59, -67.54, 63.57

 

CMYK 51 / 94 / 0 / 26

HEX #5D0BBD

RGB 93 11 189

HSL 267.64, 0.89%, 0.39%

LAB 30.01, 64.59, -73.54

 

CMYK 0 / 52 / 94 / 26

HEX #BC5B0B

RGB 188 91 11

HSL 27.12, 0.89%, 0.39%

LAB 49.74, 35.04, 56.22

 

CMYK 94 / 0 / 52 / 26

HEX #0BBC5B

RGB 11 188 91

HSL 147.12, 0.89%, 0.39%

LAB 67.12, -60.84, 37.89

 

CMYK 51 / 94 / 0 / 26

HEX #5D0BBD

RGB 93 11 189

HSL 267.64, 0.89%, 0.39%

LAB 30.01, 64.59, -73.54

 

CMYK 0 / 94 / 61 / 26

HEX #BC0B49

RGB 188 11 73

HSL 338.98, 0.89%, 0.39%

LAB 40.27, 64.76, 15.6

 

CMYK 43 / 0 / 94 / 26

HEX #6CBC0B

RGB 108 188 11

HSL 87.12, 0.89%, 0.39%

LAB 68.88, -48.84, 67.77

 

CMYK 94 / 0 / 33 / 26

HEX #0BBC7E

RGB 11 188 126

HSL 158.98, 0.89%, 0.39%

LAB 67.68, -54.23, 20.47

 

CMYK 51 / 94 / 0 / 26

HEX #5D0BBD

RGB 93 11 189

HSL 267.64, 0.89%, 0.39%

LAB 30.01, 64.59, -73.54

 

CMYK 0 / 94 / 89 / 26

HEX #BC0B14

RGB 188 11 20

HSL 356.95, 0.89%, 0.39%

LAB 39.55, 62.76, 46.03

 

CMYK 43 / 0 / 94 / 26

HEX #6CBC0B

RGB 108 188 11

HSL 87.12, 0.89%, 0.39%

LAB 68.88, -48.84, 67.77

 

CMYK 94 / 0 / 5 / 26

HEX #0BBCB3

RGB 11 188 179

HSL 176.95, 0.89%, 0.39%

LAB 68.96, -40.57, -6.62

 

Description

Color code: HEX #5D0BBD | qconv.com Color code: HEX #5D0BBD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 11 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 11 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 94 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 94% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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