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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BBC7E it is the complementary color #F44381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BBC7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BBC7E shade: #10BC79, #21CE8C, #32E09F, #43F2B2 and #54FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BBC7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BBC7E shade: #0BBC7E, #00AA6B, #009858, #008645 and #007432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BBC7E shade: #0BBC7E, #0BBC4E, #0BBC1E, #27BC0B and #57BC0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BBC7E shade: #0BBC7E, #0BBCAE, #0B9BBC, #0B6BBC and #0B3BBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BBC7E shade matches the following richer shades: #0BBC7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BBC7E shade: #0BBC7E, #1BAC79, #2B9C74, #3B8C6F and #4B7C6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BBC7E shade: #0BBC1D, #0BBC4C, #0BBC7B, #0BBCAA and #0B9EBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BBC7E shade: #066E4A, #099564, #0BBC7E, #0DE398 and #27F2AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BBC7E shade: #0BBC7E, #0B28BC and #BC340B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BBC7E shade: #0BBC7E, #7B0BBC and #BC7B0B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BBC7E shade: #0BBC7E, #0B28BC, #BC0B4C and #BC9E0B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BBC7E shade: #0BBC7E, #230BBC, #BC0B4C and #A4BC0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 33 / 26

HEX #0BBC7E

RGB 11 188 126

HSL 158.98, 0.89%, 0.39%

LAB 67.68, -54.23, 20.47

 

Complementary color

CMYK 0 / 73 / 47 / 4

HEX #F44381

RGB 244 67 129

HSL 338.98, 0.89%, 0.61%

LAB 56.91, 70.39, 6.12

 

CMYK 91 / 0 / 36 / 26

HEX #10BC79

RGB 16 188 121

HSL 156.63, 0.84%, 0.4%

LAB 67.62, -55.08, 23.06

 

CMYK 84 / 0 / 32 / 19

HEX #21CE8C

RGB 33 206 140

HSL 157.11, 0.72%, 0.47%

LAB 73.78, -56.55, 21.39

 

CMYK 78 / 0 / 29 / 12

HEX #32E09F

RGB 50 224 159

HSL 157.59, 0.74%, 0.54%

LAB 79.89, -57.6, 19.86

 

CMYK 72 / 0 / 26 / 5

HEX #43F2B2

RGB 67 242 178

HSL 158.06, 0.87%, 0.61%

LAB 85.96, -58.34, 18.46

 

CMYK 67 / 0 / 23 / 0

HEX #54FFC5

RGB 84 255 197

HSL 159.65, 1%, 0.66%

LAB 90.52, -56.88, 15.12

 

CMYK 94 / 0 / 33 / 26

HEX #0BBC7E

RGB 11 188 126

HSL 158.98, 0.89%, 0.39%

LAB 67.68, -54.23, 20.47

 

CMYK 100 / 0 / 37 / 33

HEX #00AA6B

RGB 0 170 107

HSL 157.76, 1%, 0.33%

LAB 61.49, -52.14, 22.3

 

CMYK 100 / 0 / 42 / 40

HEX #009858

RGB 0 152 88

HSL 154.74, 1%, 0.3%

LAB 55.24, -49.51, 24.3

 

CMYK 100 / 0 / 49 / 47

HEX #008645

RGB 0 134 69

HSL 150.9, 1%, 0.26%

LAB 48.86, -46.72, 26.35

 

CMYK 100 / 0 / 57 / 55

HEX #007432

RGB 0 116 50

HSL 145.86, 1%, 0.23%

LAB 42.34, -43.68, 28.43

 

CMYK 94 / 0 / 33 / 26

HEX #0BBC7E

RGB 11 188 126

HSL 158.98, 0.89%, 0.39%

LAB 67.68, -54.23, 20.47

 

CMYK 94 / 0 / 59 / 26

HEX #0BBC4E

RGB 11 188 78

HSL 142.71, 0.89%, 0.39%

LAB 66.97, -62.74, 43.96

 

CMYK 94 / 0 / 84 / 26

HEX #0BBC1E

RGB 11 188 30

HSL 126.44, 0.89%, 0.39%

LAB 66.62, -67.11, 61.44

 

CMYK 79 / 0 / 94 / 26

HEX #27BC0B

RGB 39 188 11

HSL 110.51, 0.89%, 0.39%

LAB 66.84, -65.34, 65.26

 

CMYK 54 / 0 / 94 / 26

HEX #57BC0B

RGB 87 188 11

HSL 94.24, 0.89%, 0.39%

LAB 68.03, -55.34, 66.73

 

CMYK 94 / 0 / 33 / 26

HEX #0BBC7E

RGB 11 188 126

HSL 158.98, 0.89%, 0.39%

LAB 67.68, -54.23, 20.47

 

CMYK 94 / 0 / 7 / 26

HEX #0BBCAE

RGB 11 188 174

HSL 175.25, 0.89%, 0.39%

LAB 68.82, -42.02, -4.08

 

CMYK 94 / 18 / 0 / 26

HEX #0B9BBC

RGB 11 155 188

HSL 191.19, 0.89%, 0.39%

LAB 59.11, -21.78, -26.55

 

CMYK 94 / 43 / 0 / 26

HEX #0B6BBC

RGB 11 107 188

HSL 207.46, 0.89%, 0.39%

LAB 44.54, 6.04, -49.46

 

CMYK 94 / 69 / 0 / 26

HEX #0B3BBC

RGB 11 59 188

HSL 223.73, 0.89%, 0.39%

LAB 31.42, 37.64, -70.81

 

CMYK 94 / 0 / 33 / 26

HEX #0BBC7E

RGB 11 188 126

HSL 158.98, 0.89%, 0.39%

LAB 67.68, -54.23, 20.47

 

CMYK 94 / 0 / 33 / 26

HEX #0BBC7E

RGB 11 188 126

HSL 158.98, 0.89%, 0.39%

LAB 67.68, -54.23, 20.47

 

CMYK 84 / 0 / 30 / 33

HEX #1BAC79

RGB 27 172 121

HSL 158.9, 0.73%, 0.39%

LAB 62.61, -48.25, 16.23

 

CMYK 72 / 0 / 26 / 39

HEX #2B9C74

RGB 43 156 116

HSL 158.76, 0.57%, 0.39%

LAB 57.61, -40.99, 12.08

 

CMYK 58 / 0 / 21 / 45

HEX #3B8C6F

RGB 59 140 111

HSL 158.52, 0.41%, 0.39%

LAB 52.77, -32.03, 8.15

 

CMYK 40 / 0 / 14 / 51

HEX #4B7C6B

RGB 75 124 107

HSL 159.18, 0.25%, 0.39%

LAB 48.23, -20.79, 4.08

 

CMYK 94 / 0 / 85 / 26

HEX #0BBC1D

RGB 11 188 29

HSL 126.1, 0.89%, 0.39%

LAB 66.62, -67.16, 61.68

 

CMYK 94 / 0 / 60 / 26

HEX #0BBC4C

RGB 11 188 76

HSL 142.03, 0.89%, 0.39%

LAB 66.95, -63, 44.86

 

CMYK 94 / 0 / 35 / 26

HEX #0BBC7B

RGB 11 188 123

HSL 157.97, 0.89%, 0.39%

LAB 67.63, -54.88, 22

 

CMYK 94 / 0 / 10 / 26

HEX #0BBCAA

RGB 11 188 170

HSL 173.9, 0.89%, 0.39%

LAB 68.71, -43.16, -2.05

 

CMYK 94 / 16 / 0 / 26

HEX #0B9EBC

RGB 11 158 188

HSL 190.17, 0.89%, 0.39%

LAB 60.03, -23.33, -25.13

 

CMYK 95 / 0 / 33 / 57

HEX #066E4A

RGB 6 110 74

HSL 159.23, 0.9%, 0.23%

LAB 40.71, -35.99, 12.74

 

CMYK 94 / 0 / 33 / 42

HEX #099564

RGB 9 149 100

HSL 159, 0.89%, 0.31%

LAB 54.53, -45.32, 16.72

 

CMYK 94 / 0 / 33 / 26

HEX #0BBC7E

RGB 11 188 126

HSL 158.98, 0.89%, 0.39%

LAB 67.68, -54.23, 20.47

 

CMYK 94 / 0 / 33 / 11

HEX #0DE398

RGB 13 227 152

HSL 158.97, 0.89%, 0.47%

LAB 80.34, -62.78, 24.06

 

CMYK 84 / 0 / 29 / 5

HEX #27F2AB

RGB 39 242 171

HSL 159.01, 0.89%, 0.55%

LAB 85.44, -62.74, 21.29

 

CMYK 94 / 0 / 33 / 26

HEX #0BBC7E

RGB 11 188 126

HSL 158.98, 0.89%, 0.39%

LAB 67.68, -54.23, 20.47

 

CMYK 94 / 79 / 0 / 26

HEX #0B28BC

RGB 11 40 188

HSL 230.17, 0.89%, 0.39%

LAB 27.35, 48.98, -77.53

 

CMYK 0 / 72 / 94 / 26

HEX #BC340B

RGB 188 52 11

HSL 13.9, 0.89%, 0.39%

LAB 43.02, 52.72, 51.79

 

CMYK 94 / 0 / 33 / 26

HEX #0BBC7E

RGB 11 188 126

HSL 158.98, 0.89%, 0.39%

LAB 67.68, -54.23, 20.47

 

CMYK 35 / 94 / 0 / 26

HEX #7B0BBC

RGB 123 11 188

HSL 277.97, 0.89%, 0.39%

LAB 34.15, 67.55, -65.98

 

CMYK 0 / 35 / 94 / 26

HEX #BC7B0B

RGB 188 123 11

HSL 37.97, 0.89%, 0.39%

LAB 56.96, 17.74, 61.31

 

CMYK 94 / 0 / 33 / 26

HEX #0BBC7E

RGB 11 188 126

HSL 158.98, 0.89%, 0.39%

LAB 67.68, -54.23, 20.47

 

CMYK 94 / 79 / 0 / 26

HEX #0B28BC

RGB 11 40 188

HSL 230.17, 0.89%, 0.39%

LAB 27.35, 48.98, -77.53

 

CMYK 0 / 94 / 60 / 26

HEX #BC0B4C

RGB 188 11 76

HSL 337.97, 0.89%, 0.39%

LAB 40.33, 64.94, 13.78

 

CMYK 0 / 16 / 94 / 26

HEX #BC9E0B

RGB 188 158 11

HSL 49.83, 0.89%, 0.39%

LAB 65.88, -1.42, 67.85

 

CMYK 94 / 0 / 33 / 26

HEX #0BBC7E

RGB 11 188 126

HSL 158.98, 0.89%, 0.39%

LAB 67.68, -54.23, 20.47

 

CMYK 81 / 94 / 0 / 26

HEX #230BBC

RGB 35 11 188

HSL 248.14, 0.89%, 0.39%

LAB 24.41, 60.99, -82.41

 

CMYK 0 / 94 / 60 / 26

HEX #BC0B4C

RGB 188 11 76

HSL 337.97, 0.89%, 0.39%

LAB 40.33, 64.94, 13.78

 

CMYK 13 / 0 / 94 / 26

HEX #A4BC0B

RGB 164 188 11

HSL 68.14, 0.89%, 0.39%

LAB 72.15, -27.29, 71.75

 

Description

Color code: HEX #0BBC7E | qconv.com Color code: HEX #0BBC7E | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 188 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 188 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 33 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 33% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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