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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CB5E4 it is the complementary color #A34A1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CB5E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CB5E4 shade: #61B5DF, #72C7F2, #83D9FF, #94EBFF and #A5FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CB5E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CB5E4 shade: #5CB5E4, #4BA3D1, #3A91BE, #297FAB and #186D98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CB5E4 shade: #5CB5E4, #5C90E4, #5C6CE4, #715CE4 and #965CE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CB5E4 shade: #5CB5E4, #5C90E4, #5C6CE4 and #5C5CE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CB5E4 shade matches the following richer shades: #5CB5E4 and #4DBAF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CB5E4 shade: #5CB5E4, #6BB0D5, #7BACC6, #8AA7B6 and #99A2A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CB5E4 shade: #5CE4C9, #5CDBE4, #5CB7E4, #5C93E4 and #5C6EE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CB5E4 shade: #2191CD, #39A5DE, #5CB5E4, #80C5EA and #A3D5F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CB5E4 shade: #5CB5E4, #A55CE4 and #E4DB5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CB5E4 shade: #5CB5E4, #E45CB7 and #B7E45C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CB5E4 shade: #5CB5E4, #A55CE4, #E48A5C and #9CE45C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CB5E4 shade: #5CB5E4, #CD5CE4, #E48A5C and #73E45C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 21 / 0 / 11

HEX #5CB5E4

RGB 92 181 228

HSL 200.74, 0.72%, 0.63%

LAB 70.12, -13.04, -31.57

 

Complementary color

CMYK 0 / 55 / 83 / 36

HEX #A34A1B

RGB 163 74 27

HSL 20.74, 0.72%, 0.37%

LAB 42.4, 34.06, 43.36

 

CMYK 57 / 19 / 0 / 13

HEX #61B5DF

RGB 97 181 223

HSL 200, 0.66%, 0.63%

LAB 70.12, -13.59, -28.84

 

CMYK 53 / 18 / 0 / 5

HEX #72C7F2

RGB 114 199 242

HSL 200.16, 0.83%, 0.7%

LAB 76.58, -14.05, -29.14

 

CMYK 49 / 15 / 0 / 0

HEX #83D9FF

RGB 131 217 255

HSL 198.39, 1%, 0.76%

LAB 82.74, -16.07, -26.57

 

CMYK 42 / 8 / 0 / 0

HEX #94EBFF

RGB 148 235 255

HSL 191.21, 1%, 0.79%

LAB 88.42, -21.22, -17.9

 

CMYK 35 / 1 / 0 / 0

HEX #A5FDFF

RGB 165 253 255

HSL 181.33, 1%, 0.82%

LAB 94.09, -25.8, -9.34

 

CMYK 60 / 21 / 0 / 11

HEX #5CB5E4

RGB 92 181 228

HSL 200.74, 0.72%, 0.63%

LAB 70.12, -13.04, -31.57

 

CMYK 64 / 22 / 0 / 18

HEX #4BA3D1

RGB 75 163 209

HSL 200.6, 0.59%, 0.56%

LAB 63.58, -12.31, -31.28

 

CMYK 69 / 24 / 0 / 25

HEX #3A91BE

RGB 58 145 190

HSL 200.45, 0.53%, 0.49%

LAB 56.95, -11.37, -30.96

 

CMYK 76 / 26 / 0 / 33

HEX #297FAB

RGB 41 127 171

HSL 200.31, 0.61%, 0.42%

LAB 50.2, -10.13, -30.61

 

CMYK 84 / 28 / 0 / 40

HEX #186D98

RGB 24 109 152

HSL 200.16, 0.73%, 0.35%

LAB 43.36, -8.46, -30.19

 

CMYK 60 / 21 / 0 / 11

HEX #5CB5E4

RGB 92 181 228

HSL 200.74, 0.72%, 0.63%

LAB 70.12, -13.04, -31.57

 

CMYK 60 / 37 / 0 / 11

HEX #5C90E4

RGB 92 144 228

HSL 217.06, 0.72%, 0.63%

LAB 59.73, 7.82, -47.83

 

CMYK 60 / 53 / 0 / 11

HEX #5C6CE4

RGB 92 108 228

HSL 232.94, 0.72%, 0.63%

LAB 50.22, 29.64, -63.04

 

CMYK 50 / 60 / 0 / 11

HEX #715CE4

RGB 113 92 228

HSL 249.26, 0.72%, 0.63%

LAB 47.96, 43.11, -66.61

 

CMYK 34 / 60 / 0 / 11

HEX #965CE4

RGB 150 92 228

HSL 265.59, 0.72%, 0.63%

LAB 51.54, 50.84, -60.65

 

CMYK 60 / 21 / 0 / 11

HEX #5CB5E4

RGB 92 181 228

HSL 200.74, 0.72%, 0.63%

LAB 70.12, -13.04, -31.57

 

CMYK 60 / 37 / 0 / 11

HEX #5C90E4

RGB 92 144 228

HSL 217.06, 0.72%, 0.63%

LAB 59.73, 7.82, -47.83

 

CMYK 60 / 53 / 0 / 11

HEX #5C6CE4

RGB 92 108 228

HSL 232.94, 0.72%, 0.63%

LAB 50.22, 29.64, -63.04

 

CMYK 60 / 60 / 0 / 11

HEX #5C5CE4

RGB 92 92 228

HSL 240, 0.72%, 0.63%

LAB 46.35, 39.36, -69.3

 

CMYK 60 / 21 / 0 / 11

HEX #5CB5E4

RGB 92 181 228

HSL 200.74, 0.72%, 0.63%

LAB 70.12, -13.04, -31.57

 

CMYK 68 / 23 / 0 / 5

HEX #4DBAF3

RGB 77 186 243

HSL 200.6, 0.87%, 0.63%

LAB 71.67, -13.46, -37.37

 

CMYK 60 / 21 / 0 / 11

HEX #5CB5E4

RGB 92 181 228

HSL 200.74, 0.72%, 0.63%

LAB 70.12, -13.04, -31.57

 

CMYK 50 / 17 / 0 / 16

HEX #6BB0D5

RGB 107 176 213

HSL 200.94, 0.56%, 0.63%

LAB 68.74, -11.71, -25.44

 

CMYK 38 / 13 / 0 / 22

HEX #7BACC6

RGB 123 172 198

HSL 200.8, 0.4%, 0.63%

LAB 67.87, -9.67, -18.43

 

CMYK 24 / 8 / 0 / 29

HEX #8AA7B6

RGB 138 167 182

HSL 200.45, 0.23%, 0.63%

LAB 66.84, -6.55, -11.02

 

CMYK 8 / 3 / 0 / 35

HEX #99A2A7

RGB 153 162 167

HSL 201.43, 0.07%, 0.63%

LAB 66.06, -2.18, -3.7

 

CMYK 60 / 0 / 12 / 11

HEX #5CE4C9

RGB 92 228 201

HSL 168.09, 0.72%, 0.63%

LAB 82.9, -43.36, 2.14

 

CMYK 60 / 4 / 0 / 11

HEX #5CDBE4

RGB 92 219 228

HSL 183.97, 0.72%, 0.63%

LAB 81.04, -32.22, -14.95

 

CMYK 60 / 20 / 0 / 11

HEX #5CB7E4

RGB 92 183 228

HSL 199.85, 0.72%, 0.63%

LAB 70.69, -14.11, -30.69

 

CMYK 60 / 36 / 0 / 11

HEX #5C93E4

RGB 92 147 228

HSL 215.74, 0.72%, 0.63%

LAB 60.56, 6.05, -46.52

 

CMYK 60 / 52 / 0 / 11

HEX #5C6EE4

RGB 92 110 228

HSL 232.06, 0.72%, 0.63%

LAB 50.72, 28.41, -62.23

 

CMYK 84 / 29 / 0 / 20

HEX #2191CD

RGB 33 145 205

HSL 200.93, 0.72%, 0.47%

LAB 57.06, -8.97, -39.3

 

CMYK 74 / 26 / 0 / 13

HEX #39A5DE

RGB 57 165 222

HSL 200.73, 0.71%, 0.55%

LAB 64.2, -11.73, -37.55

 

CMYK 60 / 21 / 0 / 11

HEX #5CB5E4

RGB 92 181 228

HSL 200.74, 0.72%, 0.63%

LAB 70.12, -13.04, -31.57

 

CMYK 45 / 16 / 0 / 8

HEX #80C5EA

RGB 128 197 234

HSL 200.94, 0.72%, 0.71%

LAB 76.35, -12.1, -25.13

 

CMYK 32 / 11 / 0 / 6

HEX #A3D5F0

RGB 163 213 240

HSL 201.04, 0.72%, 0.79%

LAB 82.74, -9.87, -18.47

 

CMYK 60 / 21 / 0 / 11

HEX #5CB5E4

RGB 92 181 228

HSL 200.74, 0.72%, 0.63%

LAB 70.12, -13.04, -31.57

 

CMYK 28 / 60 / 0 / 11

HEX #A55CE4

RGB 165 92 228

HSL 272.21, 0.72%, 0.63%

LAB 53.23, 54.26, -57.85

 

CMYK 0 / 4 / 60 / 11

HEX #E4DB5C

RGB 228 219 92

HSL 56.03, 0.72%, 0.63%

LAB 85.97, -12.39, 61.91

 

CMYK 60 / 21 / 0 / 11

HEX #5CB5E4

RGB 92 181 228

HSL 200.74, 0.72%, 0.63%

LAB 70.12, -13.04, -31.57

 

CMYK 0 / 60 / 20 / 11

HEX #E45CB7

RGB 228 92 183

HSL 319.85, 0.72%, 0.63%

LAB 59.5, 62.46, -21.82

 

CMYK 20 / 0 / 60 / 11

HEX #B7E45C

RGB 183 228 92

HSL 79.85, 0.72%, 0.63%

LAB 85.16, -34.57, 60.1

 

CMYK 60 / 21 / 0 / 11

HEX #5CB5E4

RGB 92 181 228

HSL 200.74, 0.72%, 0.63%

LAB 70.12, -13.04, -31.57

 

CMYK 28 / 60 / 0 / 11

HEX #A55CE4

RGB 165 92 228

HSL 272.21, 0.72%, 0.63%

LAB 53.23, 54.26, -57.85

 

CMYK 0 / 39 / 60 / 11

HEX #E48A5C

RGB 228 138 92

HSL 20.29, 0.72%, 0.63%

LAB 66.09, 30.03, 38.94

 

CMYK 32 / 0 / 60 / 11

HEX #9CE45C

RGB 156 228 92

HSL 91.76, 0.72%, 0.63%

LAB 83.61, -44.39, 57.94

 

CMYK 60 / 21 / 0 / 11

HEX #5CB5E4

RGB 92 181 228

HSL 200.74, 0.72%, 0.63%

LAB 70.12, -13.04, -31.57

 

CMYK 10 / 60 / 0 / 11

HEX #CD5CE4

RGB 205 92 228

HSL 289.85, 0.72%, 0.63%

LAB 58.26, 63.78, -49.53

 

CMYK 0 / 39 / 60 / 11

HEX #E48A5C

RGB 228 138 92

HSL 20.29, 0.72%, 0.63%

LAB 66.09, 30.03, 38.94

 

CMYK 50 / 0 / 60 / 11

HEX #73E45C

RGB 115 228 92

HSL 109.85, 0.72%, 0.63%

LAB 81.79, -57.25, 55.38

 

Description

Color code: HEX #5CB5E4 | qconv.com Color code: HEX #5CB5E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 181 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 181 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 21 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 21% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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