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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C8A73 it is the complementary color #A3758C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C8A73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5C8A73: #618A6E, #729C81, #83AE94, #94C0A7 and #A5D2BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C8A73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5C8A73: #5C8A73, #4B7860, #3A664D, #29543A and #184227

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 17 / 46

HEX #5C8A73

RGB 92 138 115

HSL 150, 0.2%, 0.45%

LAB 53.7, -20.95, 7.37

 

Complementary color

CMYK 0 / 28 / 14 / 36

HEX #A3758C

RGB 163 117 140

HSL 330, 0.2%, 0.55%

LAB 54.45, 21.73, -5.34

 

CMYK 30 / 0 / 20 / 46

HEX #618A6E

RGB 97 138 110

HSL 139.02, 0.17%, 0.46%

LAB 53.86, -20.34, 10.52

 

CMYK 27 / 0 / 17 / 39

HEX #729C81

RGB 114 156 129

HSL 141.43, 0.18%, 0.53%

LAB 60.73, -20.1, 9.57

 

CMYK 25 / 0 / 15 / 32

HEX #83AE94

RGB 131 174 148

HSL 143.72, 0.21%, 0.6%

LAB 67.45, -19.88, 8.69

 

CMYK 23 / 0 / 13 / 25

HEX #94C0A7

RGB 148 192 167

HSL 145.91, 0.26%, 0.67%

LAB 74.05, -19.69, 7.87

 

CMYK 21 / 0 / 11 / 18

HEX #A5D2BA

RGB 165 210 186

HSL 148, 0.33%, 0.74%

LAB 80.54, -19.53, 7.08

 

CMYK 33 / 0 / 17 / 46

HEX #5C8A73

RGB 92 138 115

HSL 150, 0.2%, 0.45%

LAB 53.7, -20.95, 7.37

 

CMYK 38 / 0 / 20 / 53

HEX #4B7860

RGB 75 120 96

HSL 148, 0.23%, 0.38%

LAB 46.68, -21.22, 8.35

 

CMYK 43 / 0 / 25 / 60

HEX #3A664D

RGB 58 102 77

HSL 145.91, 0.28%, 0.31%

LAB 39.48, -21.51, 9.44

 

CMYK 51 / 0 / 31 / 67

HEX #29543A

RGB 41 84 58

HSL 143.72, 0.34%, 0.25%

LAB 32.07, -21.78, 10.69

 

CMYK 64 / 0 / 41 / 74

HEX #184227

RGB 24 66 39

HSL 141.43, 0.47%, 0.18%

LAB 24.44, -21.92, 12.17

 

CMYK 33 / 0 / 17 / 46

HEX #5C8A73

RGB 92 138 115

HSL 150, 0.2%, 0.45%

LAB 53.7, -20.95, 7.37

 

CMYK 34 / 0 / 11 / 46

HEX #5B897A

RGB 91 137 122

HSL 160.43, 0.2%, 0.45%

LAB 53.51, -19.18, 3.06

 

CMYK 34 / 0 / 5 / 46

HEX #5B8982

RGB 91 137 130

HSL 170.87, 0.2%, 0.45%

LAB 53.74, -17.29, -1.25

 

CMYK 34 / 0 / 0 / 46

HEX #5B8989

RGB 91 137 137

HSL 180, 0.2%, 0.45%

LAB 53.94, -15.55, -5

 

CMYK 34 / 5 / 0 / 46

HEX #5B8289

RGB 91 130 137

HSL 189.13, 0.2%, 0.45%

LAB 51.83, -11.71, -8.14

 

CMYK 33 / 0 / 17 / 46

HEX #5C8A73

RGB 92 138 115

HSL 150, 0.2%, 0.45%

LAB 53.7, -20.95, 7.37

 

CMYK 33 / 0 / 16 / 26

HEX #7EBD9E

RGB 126 189 158

HSL 150.48, 0.32%, 0.62%

LAB 71.76, -26.94, 9.31

 

CMYK 33 / 0 / 17 / 6

HEX #A0F0C8

RGB 160 240 200

HSL 150, 0.73%, 0.78%

LAB 88.91, -32.81, 11.64

 

CMYK 33 / 0 / 17 / 86

HEX #18241E

RGB 24 36 30

HSL 150, 0.2%, 0.12%

LAB 12.92, -6.89, 2.33

 

CMYK 33 / 0 / 16 / 66

HEX #3A5749

RGB 58 87 73

HSL 151.03, 0.2%, 0.28%

LAB 34.39, -14.25, 4.71

 

CMYK 33 / 0 / 17 / 46

HEX #5C8A73

RGB 92 138 115

HSL 150, 0.2%, 0.45%

LAB 53.7, -20.95, 7.37

 

CMYK 34 / 23 / 0 / 46

HEX #5B6989

RGB 91 105 137

HSL 221.74, 0.2%, 0.45%

LAB 44.42, 2.86, -19.36

 

CMYK 0 / 30 / 34 / 46

HEX #89605B

RGB 137 96 91

HSL 6.52, 0.2%, 0.45%

LAB 44.86, 15.98, 9.52

 

CMYK 33 / 0 / 17 / 46

HEX #5C8A73

RGB 92 138 115

HSL 150, 0.2%, 0.45%

LAB 53.7, -20.95, 7.37

 

CMYK 17 / 34 / 0 / 46

HEX #725B89

RGB 114 91 137

HSL 270, 0.2%, 0.45%

LAB 42.56, 18.96, -22.07

 

CMYK 0 / 17 / 34 / 46

HEX #89725B

RGB 137 114 91

HSL 30, 0.2%, 0.45%

LAB 49.63, 5.43, 16.12

 

CMYK 33 / 0 / 17 / 46

HEX #5C8A73

RGB 92 138 115

HSL 150, 0.2%, 0.45%

LAB 53.7, -20.95, 7.37

 

CMYK 34 / 23 / 0 / 46

HEX #5B6989

RGB 91 105 137

HSL 221.74, 0.2%, 0.45%

LAB 44.42, 2.86, -19.36

 

CMYK 0 / 34 / 17 / 46

HEX #895B72

RGB 137 91 114

HSL 330, 0.2%, 0.45%

LAB 44.26, 22.52, -5.31

 

CMYK 0 / 10 / 34 / 46

HEX #897B5B

RGB 137 123 91

HSL 41.74, 0.2%, 0.45%

LAB 52.11, 0.26, 19.48

 

CMYK 33 / 0 / 17 / 46

HEX #5C8A73

RGB 92 138 115

HSL 150, 0.2%, 0.45%

LAB 53.7, -20.95, 7.37

 

CMYK 34 / 34 / 0 / 46

HEX #5B5B89

RGB 91 91 137

HSL 240, 0.2%, 0.45%

LAB 40.43, 11.51, -25.54

 

CMYK 0 / 34 / 17 / 46

HEX #895B72

RGB 137 91 114

HSL 330, 0.2%, 0.45%

LAB 44.26, 22.52, -5.31

 

CMYK 0 / 0 / 34 / 46

HEX #89895B

RGB 137 137 91

HSL 60, 0.2%, 0.45%

LAB 56.05, -7.58, 24.73

 

Description

Color code: HEX #5C8A73 | qconv.com Color code: HEX #5C8A73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 138 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 138 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 17 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 17% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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