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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C8729 it is the complementary color #A378D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C8729. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C8729 shade: #618724, #729937, #83AB4A, #94BD5D and #A5CF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C8729. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C8729 shade: #5C8729, #4B7516, #3A6303, #295100 and #183F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C8729 shade: #5D892A, #77892A, #89812A, #89672A and #894E2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C8729 shade: #5D892A, #44892A, #2A892A, #2A8943 and #2A895D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C8729 shade matches the following richer shades: #5D892A, #5E971C and #60A50D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C8729 shade: #5D892A, #5C7A38, #5B6C47, #5A5D55 and #584F64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C8729 shade: #89812A, #77892A, #5E892A, #45892A and #2C892A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C8729 shade: #324917, #486920, #5D892A, #73A834 and #88C441

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C8729 shade: #5C8729, #2A8967 and #892A84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C8729 shade: #5C8729, #2A5E89 and #892A5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C8729 shade: #5C8729, #2A8967, #552A89 and #892A4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C8729 shade: #5C8729, #2A8984, #552A89 and #892A2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 70 / 47

HEX #5C8729

RGB 92 135 41

HSL 87.45, 0.53%, 0.35%

LAB 51.57, -30.51, 43.93

 

Complementary color

CMYK 24 / 44 / 0 / 16

HEX #A378D6

RGB 163 120 214

HSL 267.45, 0.53%, 0.65%

LAB 58.11, 35.36, -42.22

 

CMYK 28 / 0 / 73 / 47

HEX #618724

RGB 97 135 36

HSL 83.03, 0.58%, 0.34%

LAB 51.83, -28.88, 46.32

 

CMYK 25 / 0 / 64 / 40

HEX #729937

RGB 114 153 55

HSL 83.88, 0.47%, 0.41%

LAB 58.64, -29.25, 45.79

 

CMYK 23 / 0 / 57 / 33

HEX #83AB4A

RGB 131 171 74

HSL 84.74, 0.4%, 0.48%

LAB 65.31, -29.46, 44.84

 

CMYK 22 / 0 / 51 / 26

HEX #94BD5D

RGB 148 189 93

HSL 85.63, 0.42%, 0.55%

LAB 71.88, -29.57, 43.74

 

CMYK 20 / 0 / 46 / 19

HEX #A5CF70

RGB 165 207 112

HSL 86.53, 0.5%, 0.63%

LAB 78.34, -29.61, 42.58

 

CMYK 32 / 0 / 70 / 47

HEX #5C8729

RGB 92 135 41

HSL 87.45, 0.53%, 0.35%

LAB 51.57, -30.51, 43.93

 

CMYK 36 / 0 / 81 / 54

HEX #4B7516

RGB 75 117 22

HSL 86.53, 0.68%, 0.27%

LAB 44.63, -30.03, 44

 

CMYK 41 / 0 / 97 / 61

HEX #3A6303

RGB 58 99 3

HSL 85.63, 0.94%, 0.2%

LAB 37.54, -29.23, 42.75

 

CMYK 49 / 0 / 100 / 68

HEX #295100

RGB 41 81 0

HSL 89.63, 1%, 0.16%

LAB 30.29, -27.73, 37.61

 

CMYK 62 / 0 / 100 / 75

HEX #183F00

RGB 24 63 0

HSL 97.14, 1%, 0.12%

LAB 22.82, -25.85, 30.63

 

CMYK 32 / 0 / 69 / 46

HEX #5D892A

RGB 93 137 42

HSL 87.79, 0.53%, 0.35%

LAB 52.27, -30.98, 44.25

 

CMYK 13 / 0 / 69 / 46

HEX #77892A

RGB 119 137 42

HSL 71.37, 0.53%, 0.35%

LAB 54.01, -20.2, 46.6

 

CMYK 0 / 6 / 69 / 46

HEX #89812A

RGB 137 129 42

HSL 54.95, 0.53%, 0.35%

LAB 53.15, -7.86, 46.2

 

CMYK 0 / 25 / 69 / 46

HEX #89672A

RGB 137 103 42

HSL 38.53, 0.53%, 0.35%

LAB 45.89, 6.91, 38.59

 

CMYK 0 / 43 / 69 / 46

HEX #894E2A

RGB 137 78 42

HSL 22.74, 0.53%, 0.35%

LAB 39.47, 21.52, 31.5

 

CMYK 32 / 0 / 69 / 46

HEX #5D892A

RGB 93 137 42

HSL 87.79, 0.53%, 0.35%

LAB 52.27, -30.98, 44.25

 

CMYK 50 / 0 / 69 / 46

HEX #44892A

RGB 68 137 42

HSL 103.58, 0.53%, 0.35%

LAB 51.02, -39.83, 42.56

 

CMYK 69 / 0 / 69 / 46

HEX #2A892A

RGB 42 137 42

HSL 120, 0.53%, 0.35%

LAB 50.16, -46.64, 41.38

 

CMYK 69 / 0 / 51 / 46

HEX #2A8943

RGB 42 137 67

HSL 135.79, 0.53%, 0.35%

LAB 50.44, -43.35, 29.54

 

CMYK 69 / 0 / 32 / 46

HEX #2A895D

RGB 42 137 93

HSL 152.21, 0.53%, 0.35%

LAB 50.89, -38.35, 15.77

 

CMYK 32 / 0 / 69 / 46

HEX #5D892A

RGB 93 137 42

HSL 87.79, 0.53%, 0.35%

LAB 52.27, -30.98, 44.25

 

CMYK 38 / 0 / 81 / 41

HEX #5E971C

RGB 94 151 28

HSL 87.8, 0.69%, 0.35%

LAB 56.68, -37.82, 53.65

 

CMYK 42 / 0 / 92 / 35

HEX #60A50D

RGB 96 165 13

HSL 87.24, 0.85%, 0.35%

LAB 61.16, -43.58, 60.96

 

CMYK 32 / 0 / 69 / 46

HEX #5D892A

RGB 93 137 42

HSL 87.79, 0.53%, 0.35%

LAB 52.27, -30.98, 44.25

 

CMYK 25 / 0 / 54 / 52

HEX #5C7A38

RGB 92 122 56

HSL 87.27, 0.37%, 0.35%

LAB 47.6, -22.69, 32.36

 

CMYK 16 / 0 / 34 / 58

HEX #5B6C47

RGB 91 108 71

HSL 87.57, 0.21%, 0.35%

LAB 43.37, -13.61, 18.66

 

CMYK 3 / 0 / 9 / 64

HEX #5A5D55

RGB 90 93 85

HSL 82.5, 0.04%, 0.35%

LAB 39, -2.84, 4.18

 

CMYK 12 / 21 / 0 / 61

HEX #584F64

RGB 88 79 100

HSL 265.71, 0.12%, 0.35%

LAB 35.18, 8.32, -10.83

 

CMYK 0 / 6 / 69 / 46

HEX #89812A

RGB 137 129 42

HSL 54.95, 0.53%, 0.35%

LAB 53.15, -7.86, 46.2

 

CMYK 13 / 0 / 69 / 46

HEX #77892A

RGB 119 137 42

HSL 71.37, 0.53%, 0.35%

LAB 54.01, -20.2, 46.6

 

CMYK 31 / 0 / 69 / 46

HEX #5E892A

RGB 94 137 42

HSL 87.16, 0.53%, 0.35%

LAB 52.33, -30.59, 44.33

 

CMYK 50 / 0 / 69 / 46

HEX #45892A

RGB 69 137 42

HSL 102.95, 0.53%, 0.35%

LAB 51.06, -39.51, 42.61

 

CMYK 68 / 0 / 69 / 46

HEX #2C892A

RGB 44 137 42

HSL 118.74, 0.53%, 0.35%

LAB 50.21, -46.22, 41.45

 

CMYK 32 / 0 / 68 / 71

HEX #324917

RGB 50 73 23

HSL 87.6, 0.52%, 0.19%

LAB 28.13, -18.45, 26.39

 

CMYK 31 / 0 / 70 / 59

HEX #486920

RGB 72 105 32

HSL 87.12, 0.53%, 0.27%

LAB 40.55, -24.76, 35.9

 

CMYK 32 / 0 / 69 / 46

HEX #5D892A

RGB 93 137 42

HSL 87.79, 0.53%, 0.35%

LAB 52.27, -30.98, 44.25

 

CMYK 32 / 0 / 69 / 34

HEX #73A834

RGB 115 168 52

HSL 87.41, 0.53%, 0.43%

LAB 63.26, -36.07, 51.98

 

CMYK 31 / 0 / 67 / 23

HEX #88C441

RGB 136 196 65

HSL 87.48, 0.53%, 0.51%

LAB 72.95, -39.82, 57.27

 

CMYK 32 / 0 / 70 / 47

HEX #5C8729

RGB 92 135 41

HSL 87.45, 0.53%, 0.35%

LAB 51.57, -30.51, 43.93

 

CMYK 69 / 0 / 25 / 46

HEX #2A8967

RGB 42 137 103

HSL 158.53, 0.53%, 0.35%

LAB 51.11, -36.02, 10.34

 

CMYK 0 / 69 / 4 / 46

HEX #892A84

RGB 137 42 132

HSL 303.16, 0.53%, 0.35%

LAB 35.28, 51, -30.16

 

CMYK 32 / 0 / 70 / 47

HEX #5C8729

RGB 92 135 41

HSL 87.45, 0.53%, 0.35%

LAB 51.57, -30.51, 43.93

 

CMYK 69 / 31 / 0 / 46

HEX #2A5E89

RGB 42 94 137

HSL 207.16, 0.53%, 0.35%

LAB 38.38, -2.59, -28.96

 

CMYK 0 / 69 / 31 / 46

HEX #892A5E

RGB 137 42 94

HSL 327.16, 0.53%, 0.35%

LAB 33.53, 45.23, -8.87

 

CMYK 32 / 0 / 70 / 47

HEX #5C8729

RGB 92 135 41

HSL 87.45, 0.53%, 0.35%

LAB 51.57, -30.51, 43.93

 

CMYK 69 / 0 / 25 / 46

HEX #2A8967

RGB 42 137 103

HSL 158.53, 0.53%, 0.35%

LAB 51.11, -36.02, 10.34

 

CMYK 38 / 69 / 0 / 46

HEX #552A89

RGB 85 42 137

HSL 267.16, 0.53%, 0.35%

LAB 27.83, 39.74, -45.63

 

CMYK 0 / 69 / 45 / 46

HEX #892A4B

RGB 137 42 75

HSL 339.16, 0.53%, 0.35%

LAB 32.88, 43, 2.49

 

CMYK 32 / 0 / 70 / 47

HEX #5C8729

RGB 92 135 41

HSL 87.45, 0.53%, 0.35%

LAB 51.57, -30.51, 43.93

 

CMYK 69 / 0 / 4 / 46

HEX #2A8984

RGB 42 137 132

HSL 176.84, 0.53%, 0.35%

LAB 51.89, -28.17, -5.34

 

CMYK 38 / 69 / 0 / 46

HEX #552A89

RGB 85 42 137

HSL 267.16, 0.53%, 0.35%

LAB 27.83, 39.74, -45.63

 

CMYK 0 / 69 / 66 / 46

HEX #892A2F

RGB 137 42 47

HSL 356.84, 0.53%, 0.35%

LAB 32.21, 40.61, 19.77

 

Description

Color code: HEX #5C8729 | qconv.com Color code: HEX #5C8729 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 135 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 135 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 70 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 70% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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