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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 42 / 0 / 92 / 35 it is the complementary color CMYK 34 / 63 / 0 / 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 42 / 0 / 92 / 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 42 / 0 / 92 / 35: CMYK 39 / 0 / 95 / 35, CMYK 36 / 0 / 85 / 28, CMYK 33 / 0 / 77 / 21, CMYK 31 / 0 / 70 / 14 and CMYK 29 / 0 / 65 / 7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 42 / 0 / 92 / 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 42 / 0 / 92 / 35: CMYK 42 / 0 / 92 / 35, CMYK 47 / 0 / 100 / 42, CMYK 52 / 0 / 100 / 49, CMYK 60 / 0 / 100 / 56 and CMYK 70 / 0 / 100 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 92 / 35

HEX #60A60D

RGB 96 166 13

HSL 87.45, 0.85%, 0.35%

LAB 61.47, -43.99, 61.22

 

Complementary color

CMYK 34 / 63 / 0 / 5

HEX #9F59F2

RGB 159 89 242

HSL 267.45, 0.85%, 0.65%

LAB 52.87, 57.73, -66.32

 

CMYK 39 / 0 / 95 / 35

HEX #65A608

RGB 101 166 8

HSL 84.68, 0.91%, 0.34%

LAB 61.7, -42.33, 62.22

 

CMYK 36 / 0 / 85 / 28

HEX #76B81B

RGB 118 184 27

HSL 85.22, 0.74%, 0.41%

LAB 68.18, -43.29, 64.61

 

CMYK 33 / 0 / 77 / 21

HEX #87CA2E

RGB 135 202 46

HSL 85.77, 0.63%, 0.49%

LAB 74.57, -43.97, 65.6

 

CMYK 31 / 0 / 70 / 14

HEX #98DC41

RGB 152 220 65

HSL 86.32, 0.69%, 0.56%

LAB 80.87, -44.45, 65.69

 

CMYK 29 / 0 / 65 / 7

HEX #A9EE54

RGB 169 238 84

HSL 86.88, 0.82%, 0.63%

LAB 87.11, -44.77, 65.26

 

CMYK 42 / 0 / 92 / 35

HEX #60A60D

RGB 96 166 13

HSL 87.45, 0.85%, 0.35%

LAB 61.47, -43.99, 61.22

 

CMYK 47 / 0 / 100 / 42

HEX #4F9400

RGB 79 148 0

HSL 87.97, 1%, 0.29%

LAB 54.91, -42.76, 57.59

 

CMYK 52 / 0 / 100 / 49

HEX #3E8200

RGB 62 130 0

HSL 91.38, 1%, 0.25%

LAB 48.25, -41.12, 52.06

 

CMYK 60 / 0 / 100 / 56

HEX #2D7000

RGB 45 112 0

HSL 95.89, 1%, 0.22%

LAB 41.45, -39.28, 46.44

 

CMYK 70 / 0 / 100 / 63

HEX #1C5E00

RGB 28 94 0

HSL 102.13, 1%, 0.18%

LAB 34.5, -37.05, 40.71

 

CMYK 42 / 0 / 92 / 35

HEX #60A60D

RGB 96 166 13

HSL 87.45, 0.85%, 0.35%

LAB 61.47, -43.99, 61.22

 

CMYK 57 / 0 / 92 / 35

HEX #47A50D

RGB 71 165 13

HSL 97.11, 0.85%, 0.35%

LAB 60.14, -51.39, 59.71

 

CMYK 72 / 0 / 92 / 35

HEX #2EA50D

RGB 46 165 13

HSL 106.97, 0.85%, 0.35%

LAB 59.45, -57.12, 58.85

 

CMYK 88 / 0 / 92 / 35

HEX #14A50D

RGB 20 165 13

HSL 117.24, 0.85%, 0.35%

LAB 59.06, -60.62, 58.36

 

CMYK 92 / 0 / 81 / 35

HEX #0DA51F

RGB 13 165 31

HSL 127.11, 0.85%, 0.35%

LAB 59.06, -60.31, 54.19

 

CMYK 42 / 0 / 92 / 35

HEX #60A60D

RGB 96 166 13

HSL 87.45, 0.85%, 0.35%

LAB 61.47, -43.99, 61.22

 

CMYK 42 / 0 / 92 / 15

HEX #7DD911

RGB 125 217 17

HSL 87.6, 0.85%, 0.46%

LAB 78.48, -54.49, 75.13

 

CMYK 38 / 0 / 92 / 95

HEX #080D01

RGB 8 13 1

HSL 85, 0.86%, 0.03%

LAB 3.09, -3.08, 4.16

 

CMYK 42 / 0 / 92 / 75

HEX #254005

RGB 37 64 5

HSL 87.46, 0.86%, 0.14%

LAB 23.9, -20.89, 29.9

 

CMYK 42 / 0 / 92 / 55

HEX #437309

RGB 67 115 9

HSL 87.17, 0.85%, 0.24%

LAB 43.47, -32.78, 46.37

 

CMYK 42 / 0 / 92 / 35

HEX #60A60D

RGB 96 166 13

HSL 87.45, 0.85%, 0.35%

LAB 61.47, -43.99, 61.22

 

CMYK 92 / 0 / 32 / 35

HEX #0DA570

RGB 13 165 112

HSL 159.08, 0.85%, 0.35%

LAB 60.04, -48.57, 17.61

 

CMYK 0 / 92 / 5 / 35

HEX #A50D9D

RGB 165 13 157

HSL 303.16, 0.85%, 0.35%

LAB 39.11, 68.28, -39.09

 

CMYK 42 / 0 / 92 / 35

HEX #60A60D

RGB 96 166 13

HSL 87.45, 0.85%, 0.35%

LAB 61.47, -43.99, 61.22

 

CMYK 92 / 42 / 0 / 35

HEX #0D60A5

RGB 13 96 165

HSL 207.24, 0.85%, 0.35%

LAB 39.86, 3.91, -43.46

 

CMYK 0 / 92 / 42 / 35

HEX #A50D60

RGB 165 13 96

HSL 327.24, 0.85%, 0.35%

LAB 36.24, 60.76, -5.54

 

CMYK 42 / 0 / 92 / 35

HEX #60A60D

RGB 96 166 13

HSL 87.45, 0.85%, 0.35%

LAB 61.47, -43.99, 61.22

 

CMYK 92 / 0 / 32 / 35

HEX #0DA570

RGB 13 165 112

HSL 159.08, 0.85%, 0.35%

LAB 60.04, -48.57, 17.61

 

CMYK 51 / 92 / 0 / 35

HEX #510DA5

RGB 81 13 165

HSL 266.84, 0.85%, 0.35%

LAB 26.02, 57.47, -65.81

 

CMYK 0 / 92 / 60 / 35

HEX #A50D42

RGB 165 13 66

HSL 339.08, 0.85%, 0.35%

LAB 35.36, 58.35, 12.65

 

CMYK 42 / 0 / 92 / 35

HEX #60A60D

RGB 96 166 13

HSL 87.45, 0.85%, 0.35%

LAB 61.47, -43.99, 61.22

 

CMYK 92 / 0 / 5 / 35

HEX #0DA59D

RGB 13 165 157

HSL 176.84, 0.85%, 0.35%

LAB 61.16, -36.65, -5.95

 

CMYK 51 / 92 / 0 / 35

HEX #510DA5

RGB 81 13 165

HSL 266.84, 0.85%, 0.35%

LAB 26.02, 57.47, -65.81

 

CMYK 0 / 92 / 88 / 35

HEX #A50D14

RGB 165 13 20

HSL 357.24, 0.85%, 0.35%

LAB 34.68, 56.41, 40.09

 

Description

Color code: CMYK 42 / 0 / 92 / 35 | qconv.com Color code: CMYK 42 / 0 / 92 / 35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 166 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 166 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 92 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 92% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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