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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C7999 it is the complementary color #A38666. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C7999. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5C7999: #617994, #728BA7, #839DBA, #94AFCD and #A5C1E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C7999. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5C7999: #5C7999, #4B6786, #3A5573, #294360 and #18314D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 21 / 0 / 40

HEX #5C7999

RGB 92 121 153

HSL 211.48, 0.25%, 0.48%

LAB 49.8, -1.89, -20.58

 

Complementary color

CMYK 0 / 18 / 37 / 36

HEX #A38666

RGB 163 134 102

HSL 31.48, 0.25%, 0.52%

LAB 57.84, 6.4, 21.39

 

CMYK 34 / 18 / 0 / 42

HEX #617994

RGB 97 121 148

HSL 211.76, 0.21%, 0.48%

LAB 49.92, -1.82, -17.43

 

CMYK 32 / 17 / 0 / 35

HEX #728BA7

RGB 114 139 167

HSL 211.7, 0.23%, 0.55%

LAB 56.91, -2.04, -17.69

 

CMYK 30 / 16 / 0 / 27

HEX #839DBA

RGB 131 157 186

HSL 211.64, 0.28%, 0.62%

LAB 63.74, -2.22, -17.97

 

CMYK 28 / 15 / 0 / 20

HEX #94AFCD

RGB 148 175 205

HSL 211.58, 0.36%, 0.69%

LAB 70.43, -2.39, -18.26

 

CMYK 26 / 14 / 0 / 12

HEX #A5C1E0

RGB 165 193 224

HSL 211.53, 0.49%, 0.76%

LAB 76.99, -2.55, -18.57

 

CMYK 40 / 21 / 0 / 40

HEX #5C7999

RGB 92 121 153

HSL 211.48, 0.25%, 0.48%

LAB 49.8, -1.89, -20.58

 

CMYK 44 / 23 / 0 / 47

HEX #4B6786

RGB 75 103 134

HSL 211.53, 0.28%, 0.41%

LAB 42.64, -1.54, -20.4

 

CMYK 50 / 26 / 0 / 55

HEX #3A5573

RGB 58 85 115

HSL 211.58, 0.33%, 0.34%

LAB 35.27, -1.07, -20.26

 

CMYK 57 / 30 / 0 / 62

HEX #294360

RGB 41 67 96

HSL 211.64, 0.4%, 0.27%

LAB 27.66, -0.41, -20.17

 

CMYK 69 / 36 / 0 / 70

HEX #18314D

RGB 24 49 77

HSL 211.7, 0.52%, 0.2%

LAB 19.75, 0.6, -20.12

 

CMYK 40 / 21 / 0 / 40

HEX #5C7999

RGB 92 121 153

HSL 211.48, 0.25%, 0.48%

LAB 49.8, -1.89, -20.58

 

CMYK 41 / 27 / 0 / 40

HEX #5B6F99

RGB 91 111 153

HSL 220.65, 0.25%, 0.48%

LAB 46.83, 3.79, -25.15

 

CMYK 41 / 35 / 0 / 40

HEX #5B6499

RGB 91 100 153

HSL 231.29, 0.25%, 0.48%

LAB 43.71, 10.54, -30.02

 

CMYK 40 / 41 / 0 / 40

HEX #5C5B99

RGB 92 91 153

HSL 240.97, 0.25%, 0.48%

LAB 41.31, 16.44, -33.79

 

CMYK 33 / 41 / 0 / 40

HEX #675B99

RGB 103 91 153

HSL 251.61, 0.25%, 0.48%

LAB 42.26, 19.61, -32.24

 

CMYK 40 / 21 / 0 / 40

HEX #5C7999

RGB 92 121 153

HSL 211.48, 0.25%, 0.48%

LAB 49.8, -1.89, -20.58

 

CMYK 40 / 21 / 0 / 20

HEX #7BA1CC

RGB 123 161 204

HSL 211.85, 0.44%, 0.64%

LAB 65.01, -2.03, -26.12

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 39 / 22 / 0 / 80

HEX #1F2833

RGB 31 40 51

HSL 213, 0.24%, 0.16%

LAB 15.74, -0.59, -8.42

 

CMYK 40 / 21 / 0 / 60

HEX #3D5166

RGB 61 81 102

HSL 210.73, 0.25%, 0.32%

LAB 33.64, -1.77, -14.63

 

CMYK 40 / 21 / 0 / 40

HEX #5C7999

RGB 92 121 153

HSL 211.48, 0.25%, 0.48%

LAB 49.8, -1.89, -20.58

 

CMYK 12 / 41 / 0 / 40

HEX #875B99

RGB 135 91 153

HSL 282.58, 0.25%, 0.48%

LAB 45.54, 29.54, -26.85

 

CMYK 5 / 0 / 41 / 40

HEX #91995B

RGB 145 153 91

HSL 67.74, 0.25%, 0.48%

LAB 61.27, -12.89, 31.59

 

CMYK 40 / 21 / 0 / 40

HEX #5C7999

RGB 92 121 153

HSL 211.48, 0.25%, 0.48%

LAB 49.8, -1.89, -20.58

 

CMYK 0 / 41 / 21 / 40

HEX #995B79

RGB 153 91 121

HSL 330.97, 0.25%, 0.48%

LAB 46.49, 29.66, -6.01

 

CMYK 21 / 0 / 41 / 40

HEX #79995B

RGB 121 153 91

HSL 90.97, 0.25%, 0.48%

LAB 59.53, -22.49, 29.01

 

CMYK 40 / 21 / 0 / 40

HEX #5C7999

RGB 92 121 153

HSL 211.48, 0.25%, 0.48%

LAB 49.8, -1.89, -20.58

 

CMYK 12 / 41 / 0 / 40

HEX #875B99

RGB 135 91 153

HSL 282.58, 0.25%, 0.48%

LAB 45.54, 29.54, -26.85

 

CMYK 0 / 20 / 41 / 40

HEX #997B5B

RGB 153 123 91

HSL 30.97, 0.25%, 0.48%

LAB 53.7, 7.06, 21.89

 

CMYK 29 / 0 / 41 / 40

HEX #6D995B

RGB 109 153 91

HSL 102.58, 0.25%, 0.48%

LAB 58.78, -26.99, 27.9

 

CMYK 40 / 21 / 0 / 40

HEX #5C7999

RGB 92 121 153

HSL 211.48, 0.25%, 0.48%

LAB 49.8, -1.89, -20.58

 

CMYK 0 / 41 / 1 / 40

HEX #995B97

RGB 153 91 151

HSL 301.94, 0.25%, 0.48%

LAB 47.61, 34.96, -22.29

 

CMYK 0 / 20 / 41 / 40

HEX #997B5B

RGB 153 123 91

HSL 30.97, 0.25%, 0.48%

LAB 53.7, 7.06, 21.89

 

CMYK 41 / 0 / 40 / 40

HEX #5B995C

RGB 91 153 92

HSL 120.97, 0.25%, 0.48%

LAB 57.83, -33.03, 25.93

 

Description

Color code: HEX #5C7999 | qconv.com Color code: HEX #5C7999 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 121 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 121 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 21 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 21% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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