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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BF0E9 it is the complementary color #A40F16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BF0E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5BF0E9: #60F0E4, #71FFF7, #82FFFF, #93FFFF and #A4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BF0E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5BF0E9: #5BF0E9, #4ADED6, #39CCC3, #28BAB0 and #17A89D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 3 / 6

HEX #5BF0E9

RGB 91 240 233

HSL 177.18, 0.83%, 0.65%

LAB 87.21, -40.74, -8.38

 

Complementary color

CMYK 0 / 91 / 87 / 36

HEX #A40F16

RGB 164 15 22

HSL 357.18, 0.83%, 0.35%

LAB 34.58, 55.87, 38.89

 

CMYK 60 / 0 / 5 / 6

HEX #60F0E4

RGB 96 240 228

HSL 175, 0.83%, 0.66%

LAB 87.2, -41.22, -5.76

 

CMYK 56 / 0 / 3 / 0

HEX #71FFF7

RGB 113 255 247

HSL 176.62, 1%, 0.72%

LAB 92.46, -40.13, -7.82

 

CMYK 49 / 0 / 0 / 0

HEX #82FFFF

RGB 130 255 255

HSL 180, 1%, 0.75%

LAB 93.23, -34.82, -10.77

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 36 / 0 / 0 / 0

HEX #A4FFFF

RGB 164 255 255

HSL 180, 1%, 0.82%

LAB 94.58, -27.01, -8.61

 

CMYK 62 / 0 / 3 / 6

HEX #5BF0E9

RGB 91 240 233

HSL 177.18, 0.83%, 0.65%

LAB 87.21, -40.74, -8.38

 

CMYK 67 / 0 / 4 / 13

HEX #4ADED6

RGB 74 222 214

HSL 176.76, 0.69%, 0.58%

LAB 81.05, -40.25, -7.53

 

CMYK 72 / 0 / 4 / 20

HEX #39CCC3

RGB 57 204 195

HSL 176.33, 0.59%, 0.51%

LAB 74.82, -39.59, -6.6

 

CMYK 78 / 0 / 5 / 27

HEX #28BAB0

RGB 40 186 176

HSL 175.89, 0.65%, 0.44%

LAB 68.54, -38.68, -5.57

 

CMYK 86 / 0 / 7 / 34

HEX #17A89D

RGB 23 168 157

HSL 175.45, 0.76%, 0.37%

LAB 62.19, -37.44, -4.42

 

CMYK 62 / 0 / 3 / 6

HEX #5BF0E9

RGB 91 240 233

HSL 177.18, 0.83%, 0.65%

LAB 87.21, -40.74, -8.38

 

CMYK 62 / 7 / 0 / 6

HEX #5BDEEF

RGB 91 222 239

HSL 186.89, 0.82%, 0.65%

LAB 82.22, -30.74, -19.02

 

CMYK 62 / 18 / 0 / 6

HEX #5BC5EF

RGB 91 197 239

HSL 197.03, 0.82%, 0.65%

LAB 75.07, -18.28, -29.91

 

CMYK 62 / 28 / 0 / 6

HEX #5BADEF

RGB 91 173 239

HSL 206.76, 0.82%, 0.65%

LAB 68.27, -5.42, -40.45

 

CMYK 62 / 38 / 0 / 6

HEX #5B94EF

RGB 91 148 239

HSL 216.89, 0.82%, 0.65%

LAB 61.34, 8.9, -51.37

 

CMYK 62 / 0 / 3 / 6

HEX #5BF0E9

RGB 91 240 233

HSL 177.18, 0.83%, 0.65%

LAB 87.21, -40.74, -8.38

 

CMYK 61 / 0 / 3 / 86

HEX #0E2423

RGB 14 36 35

HSL 177.27, 0.44%, 0.1%

LAB 12.46, -9.04, -2.04

 

CMYK 62 / 0 / 3 / 66

HEX #215754

RGB 33 87 84

HSL 176.67, 0.45%, 0.24%

LAB 33.52, -18.48, -3.61

 

CMYK 62 / 0 / 3 / 46

HEX #348A86

RGB 52 138 134

HSL 177.21, 0.45%, 0.37%

LAB 52.54, -26.39, -5.52

 

CMYK 62 / 0 / 3 / 26

HEX #48BDB7

RGB 72 189 183

HSL 176.92, 0.47%, 0.51%

LAB 70.31, -33.81, -6.71

 

CMYK 62 / 0 / 3 / 6

HEX #5BF0E9

RGB 91 240 233

HSL 177.18, 0.83%, 0.65%

LAB 87.21, -40.74, -8.38

 

CMYK 53 / 62 / 0 / 6

HEX #715BEF

RGB 113 91 239

HSL 248.92, 0.82%, 0.65%

LAB 48.54, 46.92, -71.87

 

CMYK 0 / 28 / 62 / 6

HEX #EFAD5B

RGB 239 173 91

HSL 33.24, 0.82%, 0.65%

LAB 75.45, 15.89, 50.84

 

CMYK 62 / 0 / 3 / 6

HEX #5BF0E9

RGB 91 240 233

HSL 177.18, 0.83%, 0.65%

LAB 87.21, -40.74, -8.38

 

CMYK 3 / 62 / 0 / 6

HEX #E85BEF

RGB 232 91 239

HSL 297.16, 0.82%, 0.65%

LAB 62.4, 72.58, -48.88

 

CMYK 0 / 3 / 62 / 6

HEX #EFE85B

RGB 239 232 91

HSL 57.16, 0.82%, 0.65%

LAB 90.24, -14.4, 67.2

 

CMYK 62 / 0 / 3 / 6

HEX #5BF0E9

RGB 91 240 233

HSL 177.18, 0.83%, 0.65%

LAB 87.21, -40.74, -8.38

 

CMYK 53 / 62 / 0 / 6

HEX #715BEF

RGB 113 91 239

HSL 248.92, 0.82%, 0.65%

LAB 48.54, 46.92, -71.87

 

CMYK 0 / 62 / 59 / 6

HEX #EF5B63

RGB 239 91 99

HSL 356.76, 0.82%, 0.65%

LAB 58.73, 57.49, 26.07

 

CMYK 9 / 0 / 62 / 6

HEX #D9EF5B

RGB 217 239 91

HSL 68.92, 0.82%, 0.65%

LAB 90.43, -26.6, 66.91

 

CMYK 62 / 0 / 3 / 6

HEX #5BF0E9

RGB 91 240 233

HSL 177.18, 0.83%, 0.65%

LAB 87.21, -40.74, -8.38

 

CMYK 34 / 62 / 0 / 6

HEX #9E5BEF

RGB 158 91 239

HSL 267.16, 0.82%, 0.65%

LAB 52.93, 55.79, -64.55

 

CMYK 0 / 62 / 59 / 6

HEX #EF5B63

RGB 239 91 99

HSL 356.76, 0.82%, 0.65%

LAB 58.73, 57.49, 26.07

 

CMYK 28 / 0 / 62 / 6

HEX #ADEF5B

RGB 173 239 91

HSL 86.76, 0.82%, 0.65%

LAB 87.67, -43.24, 63.11

 

Description

Color code: HEX #5BF0E9 | qconv.com Color code: HEX #5BF0E9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 240 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 240 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 3 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 3% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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