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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BD43D it is the complementary color #A42BC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BD43D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BD43D shade: #60D438, #71E64B, #82F85E, #93FF71 and #A4FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BD43D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BD43D shade: #5BD43D, #4AC22A, #39B017, #289E04 and #178C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BD43D shade: #5CD53F, #85D53F, #ADD53F, #D5D43F and #D5AB3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BD43D shade: #5CD53F, #3FD549, #3FD572, #3FD59A and #3FD5C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BD43D shade matches the following richer shades: #5CD53F, #51E82C and #46FB19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BD43D shade: #5CD53F, #68C252, #73AF65, #7F9C78 and #8A898B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BD43D shade: #ADD53F, #85D53F, #5DD53F, #3FD549 and #3FD571

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BD43D shade: #3B9E23, #48C02A, #5CD53F, #79DC60 and #96E482

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BD43D shade: #5BD43D, #3FD5D5 and #D53F99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BD43D shade: #5BD43D, #3F5DD5 and #D53F5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BD43D shade: #5BD43D, #3FD5D5, #B73FD5 and #D53F3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BD43D shade: #5BD43D, #3FA8D5, #B73FD5 and #D56C3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 71 / 17

HEX #5BD43D

RGB 91 212 61

HSL 108.08, 0.64%, 0.54%

LAB 75.85, -60.47, 61.2

 

Complementary color

CMYK 15 / 78 / 0 / 24

HEX #A42BC2

RGB 164 43 194

HSL 288.08, 0.64%, 0.46%

LAB 43.53, 67.61, -53.98

 

CMYK 55 / 0 / 74 / 17

HEX #60D438

RGB 96 212 56

HSL 104.62, 0.64%, 0.53%

LAB 75.98, -59.56, 63.15

 

CMYK 51 / 0 / 67 / 10

HEX #71E64B

RGB 113 230 75

HSL 105.29, 0.76%, 0.6%

LAB 82.17, -60.12, 62.76

 

CMYK 48 / 0 / 62 / 3

HEX #82F85E

RGB 130 248 94

HSL 105.97, 0.92%, 0.67%

LAB 88.3, -60.46, 62.01

 

CMYK 42 / 0 / 56 / 0

HEX #93FF71

RGB 147 255 113

HSL 105.63, 1%, 0.72%

LAB 91.2, -56.35, 57.37

 

CMYK 36 / 0 / 48 / 0

HEX #A4FF84

RGB 164 255 132

HSL 104.39, 1%, 0.76%

LAB 92.17, -48.99, 50.06

 

CMYK 57 / 0 / 71 / 17

HEX #5BD43D

RGB 91 212 61

HSL 108.08, 0.64%, 0.54%

LAB 75.85, -60.47, 61.2

 

CMYK 62 / 0 / 78 / 24

HEX #4AC22A

RGB 74 194 42

HSL 107.37, 0.64%, 0.46%

LAB 69.62, -59.58, 61.26

 

CMYK 68 / 0 / 87 / 31

HEX #39B017

RGB 57 176 23

HSL 106.67, 0.77%, 0.39%

LAB 63.33, -58.2, 60.38

 

CMYK 75 / 0 / 97 / 38

HEX #289E04

RGB 40 158 4

HSL 105.97, 0.95%, 0.32%

LAB 56.99, -56.19, 58.1

 

CMYK 84 / 0 / 100 / 45

HEX #178C00

RGB 23 140 0

HSL 110.14, 1%, 0.27%

LAB 50.61, -53.22, 53.5

 

CMYK 57 / 0 / 70 / 16

HEX #5CD53F

RGB 92 213 63

HSL 108.4, 0.64%, 0.54%

LAB 76.21, -60.43, 60.84

 

CMYK 38 / 0 / 70 / 16

HEX #85D53F

RGB 133 213 63

HSL 92, 0.64%, 0.54%

LAB 77.84, -48.27, 63.03

 

CMYK 19 / 0 / 70 / 16

HEX #ADD53F

RGB 173 213 63

HSL 76, 0.64%, 0.54%

LAB 80.08, -33.55, 66.03

 

CMYK 0 / 0 / 70 / 16

HEX #D5D43F

RGB 213 212 63

HSL 59.6, 0.64%, 0.54%

LAB 82.7, -16.79, 69.57

 

CMYK 0 / 20 / 70 / 16

HEX #D5AB3F

RGB 213 171 63

HSL 43.2, 0.64%, 0.54%

LAB 71.98, 4.31, 58.93

 

CMYK 57 / 0 / 70 / 16

HEX #5CD53F

RGB 92 213 63

HSL 108.4, 0.64%, 0.54%

LAB 76.21, -60.43, 60.84

 

CMYK 70 / 0 / 66 / 16

HEX #3FD549

RGB 63 213 73

HSL 124, 0.64%, 0.54%

LAB 75.53, -65.65, 56.01

 

CMYK 70 / 0 / 46 / 16

HEX #3FD572

RGB 63 213 114

HSL 140.4, 0.64%, 0.54%

LAB 75.98, -60.33, 37.74

 

CMYK 70 / 0 / 28 / 16

HEX #3FD59A

RGB 63 213 154

HSL 156.4, 0.64%, 0.54%

LAB 76.67, -52.76, 18.05

 

CMYK 70 / 0 / 8 / 16

HEX #3FD5C3

RGB 63 213 195

HSL 172.8, 0.64%, 0.54%

LAB 77.63, -42.84, -2.45

 

CMYK 57 / 0 / 70 / 16

HEX #5CD53F

RGB 92 213 63

HSL 108.4, 0.64%, 0.54%

LAB 76.21, -60.43, 60.84

 

CMYK 65 / 0 / 81 / 9

HEX #51E82C

RGB 81 232 44

HSL 108.19, 0.8%, 0.54%

LAB 81.64, -70.51, 72.01

 

CMYK 72 / 0 / 90 / 2

HEX #46FB19

RGB 70 251 25

HSL 108.05, 0.97%, 0.54%

LAB 87.18, -78.99, 80.58

 

CMYK 57 / 0 / 70 / 16

HEX #5CD53F

RGB 92 213 63

HSL 108.4, 0.64%, 0.54%

LAB 76.21, -60.43, 60.84

 

CMYK 46 / 0 / 58 / 24

HEX #68C252

RGB 104 194 82

HSL 108.21, 0.48%, 0.54%

LAB 70.96, -48.11, 47.3

 

CMYK 34 / 0 / 42 / 31

HEX #73AF65

RGB 115 175 101

HSL 108.65, 0.32%, 0.54%

LAB 65.94, -33.9, 31.89

 

CMYK 19 / 0 / 23 / 39

HEX #7F9C78

RGB 127 156 120

HSL 108.33, 0.15%, 0.54%

LAB 61.35, -17.23, 15.6

 

CMYK 1 / 1 / 0 / 45

HEX #8A898B

RGB 138 137 139

HSL 270, 0.01%, 0.54%

LAB 57.23, 0.77, -0.94

 

CMYK 19 / 0 / 70 / 16

HEX #ADD53F

RGB 173 213 63

HSL 76, 0.64%, 0.54%

LAB 80.08, -33.55, 66.03

 

CMYK 38 / 0 / 70 / 16

HEX #85D53F

RGB 133 213 63

HSL 92, 0.64%, 0.54%

LAB 77.84, -48.27, 63.03

 

CMYK 56 / 0 / 70 / 16

HEX #5DD53F

RGB 93 213 63

HSL 108, 0.64%, 0.54%

LAB 76.24, -60.17, 60.88

 

CMYK 70 / 0 / 66 / 16

HEX #3FD549

RGB 63 213 73

HSL 124, 0.64%, 0.54%

LAB 75.53, -65.65, 56.01

 

CMYK 70 / 0 / 47 / 16

HEX #3FD571

RGB 63 213 113

HSL 140, 0.64%, 0.54%

LAB 75.97, -60.49, 38.22

 

CMYK 63 / 0 / 78 / 38

HEX #3B9E23

RGB 59 158 35

HSL 108.29, 0.64%, 0.38%

LAB 57.56, -50.95, 51.77

 

CMYK 63 / 0 / 78 / 25

HEX #48C02A

RGB 72 192 42

HSL 108, 0.64%, 0.46%

LAB 68.93, -59.35, 60.59

 

CMYK 57 / 0 / 70 / 16

HEX #5CD53F

RGB 92 213 63

HSL 108.4, 0.64%, 0.54%

LAB 76.21, -60.43, 60.84

 

CMYK 45 / 0 / 56 / 14

HEX #79DC60

RGB 121 220 96

HSL 107.9, 0.64%, 0.62%

LAB 79.67, -51.98, 51.22

 

CMYK 34 / 0 / 43 / 11

HEX #96E482

RGB 150 228 130

HSL 107.76, 0.64%, 0.7%

LAB 83.75, -42.13, 40.33

 

CMYK 57 / 0 / 71 / 17

HEX #5BD43D

RGB 91 212 61

HSL 108.08, 0.64%, 0.54%

LAB 75.85, -60.47, 61.2

 

CMYK 70 / 0 / 0 / 16

HEX #3FD5D5

RGB 63 213 213

HSL 180, 0.64%, 0.54%

LAB 78.14, -37.9, -11.34

 

CMYK 0 / 70 / 28 / 16

HEX #D53F99

RGB 213 63 153

HSL 324, 0.64%, 0.54%

LAB 51.84, 65.87, -16.22

 

CMYK 57 / 0 / 71 / 17

HEX #5BD43D

RGB 91 212 61

HSL 108.08, 0.64%, 0.54%

LAB 75.85, -60.47, 61.2

 

CMYK 70 / 56 / 0 / 16

HEX #3F5DD5

RGB 63 93 213

HSL 228, 0.64%, 0.54%

LAB 43.78, 29.3, -65.02

 

CMYK 0 / 70 / 56 / 16

HEX #D53F5D

RGB 213 63 93

HSL 348, 0.64%, 0.54%

LAB 50.09, 60.03, 17.31

 

CMYK 57 / 0 / 71 / 17

HEX #5BD43D

RGB 91 212 61

HSL 108.08, 0.64%, 0.54%

LAB 75.85, -60.47, 61.2

 

CMYK 70 / 0 / 0 / 16

HEX #3FD5D5

RGB 63 213 213

HSL 180, 0.64%, 0.54%

LAB 78.14, -37.9, -11.34

 

CMYK 14 / 70 / 0 / 16

HEX #B73FD5

RGB 183 63 213

HSL 288, 0.64%, 0.54%

LAB 50.01, 68.02, -54.38

 

CMYK 0 / 70 / 70 / 16

HEX #D53F3F

RGB 213 63 63

HSL 0, 0.64%, 0.54%

LAB 49.57, 58.24, 34.48

 

CMYK 57 / 0 / 71 / 17

HEX #5BD43D

RGB 91 212 61

HSL 108.08, 0.64%, 0.54%

LAB 75.85, -60.47, 61.2

 

CMYK 70 / 21 / 0 / 16

HEX #3FA8D5

RGB 63 168 213

HSL 198, 0.64%, 0.54%

LAB 64.86, -15.58, -31.55

 

CMYK 14 / 70 / 0 / 16

HEX #B73FD5

RGB 183 63 213

HSL 288, 0.64%, 0.54%

LAB 50.01, 68.02, -54.38

 

CMYK 0 / 49 / 70 / 16

HEX #D56C3F

RGB 213 108 63

HSL 18, 0.64%, 0.54%

LAB 57.3, 37.95, 43.33

 

Description

Color code: HEX #5BD43D | qconv.com Color code: HEX #5BD43D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 212 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 212 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 71 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 71% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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