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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96E482 it is the complementary color #691B7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96E482. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96E482 shade: #9BE47D, #ACF690, #BDFFA3, #CEFFB6 and #DFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96E482. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96E482 shade: #96E482, #85D26F, #74C05C, #63AE49 and #529C36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96E482 shade: #96E382, #B0E382, #CAE382, #E3E282 and #E3C882

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96E482 shade: #96E382, #82E388, #82E3A2, #82E3BD and #82E3D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96E482 shade matches the following richer shades: #96E382, #8EF075 and #87FC69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96E482 shade: #96E382, #9DD78E, #A4CB9A, #ABBEA7 and #B3B2B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96E482 shade: #CBE382, #B1E382, #97E382, #82E386 and #82E3A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96E482 shade: #5DD53E, #79DC60, #96E382, #B2EBA3 and #CEF2C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96E482 shade: #96E482, #82E3E2 and #E382BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96E482 shade: #96E482, #8297E3 and #E38297

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96E482 shade: #96E482, #82E3E2, #CE82E3 and #E38283

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96E482 shade: #96E482, #82C8E3, #CE82E3 and #E39D82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 43 / 11

HEX #96E482

RGB 150 228 130

HSL 107.76, 0.64%, 0.7%

LAB 83.75, -42.13, 40.33

 

Complementary color

CMYK 16 / 78 / 0 / 51

HEX #691B7D

RGB 105 27 125

HSL 287.76, 0.64%, 0.3%

LAB 27.48, 47.97, -38.52

 

CMYK 32 / 0 / 45 / 11

HEX #9BE47D

RGB 155 228 125

HSL 102.52, 0.66%, 0.69%

LAB 83.93, -41.15, 43.07

 

CMYK 30 / 0 / 41 / 4

HEX #ACF690

RGB 172 246 144

HSL 103.53, 0.85%, 0.76%

LAB 90.18, -41.01, 41.9

 

CMYK 26 / 0 / 36 / 0

HEX #BDFFA3

RGB 189 255 163

HSL 103.04, 1%, 0.82%

LAB 93.88, -36.83, 37.53

 

CMYK 19 / 0 / 29 / 0

HEX #CEFFB6

RGB 206 255 182

HSL 100.27, 1%, 0.86%

LAB 95.17, -28.38, 29.94

 

CMYK 13 / 0 / 21 / 0

HEX #DFFFC9

RGB 223 255 201

HSL 95.56, 1%, 0.89%

LAB 96.58, -19.71, 22.44

 

CMYK 34 / 0 / 43 / 11

HEX #96E482

RGB 150 228 130

HSL 107.76, 0.64%, 0.7%

LAB 83.75, -42.13, 40.33

 

CMYK 37 / 0 / 47 / 18

HEX #85D26F

RGB 133 210 111

HSL 106.67, 0.52%, 0.63%

LAB 77.42, -42.28, 41.53

 

CMYK 40 / 0 / 52 / 25

HEX #74C05C

RGB 116 192 92

HSL 105.6, 0.44%, 0.56%

LAB 71, -42.36, 42.74

 

CMYK 43 / 0 / 58 / 32

HEX #63AE49

RGB 99 174 73

HSL 104.55, 0.41%, 0.48%

LAB 64.49, -42.35, 43.91

 

CMYK 47 / 0 / 65 / 39

HEX #529C36

RGB 82 156 54

HSL 103.53, 0.49%, 0.41%

LAB 57.88, -42.18, 44.92

 

CMYK 34 / 0 / 43 / 11

HEX #96E382

RGB 150 227 130

HSL 107.63, 0.63%, 0.7%

LAB 83.46, -41.7, 39.96

 

CMYK 22 / 0 / 43 / 11

HEX #B0E382

RGB 176 227 130

HSL 91.55, 0.63%, 0.7%

LAB 84.88, -32.83, 42.07

 

CMYK 11 / 0 / 43 / 11

HEX #CAE382

RGB 202 227 130

HSL 75.46, 0.63%, 0.7%

LAB 86.56, -23.25, 44.53

 

CMYK 0 / 0 / 43 / 11

HEX #E3E282

RGB 227 226 130

HSL 59.38, 0.63%, 0.7%

LAB 88.13, -13.11, 46.89

 

CMYK 0 / 12 / 43 / 11

HEX #E3C882

RGB 227 200 130

HSL 43.3, 0.63%, 0.7%

LAB 81.43, 0.11, 38.44

 

CMYK 34 / 0 / 43 / 11

HEX #96E382

RGB 150 227 130

HSL 107.63, 0.63%, 0.7%

LAB 83.46, -41.7, 39.96

 

CMYK 43 / 0 / 40 / 11

HEX #82E388

RGB 130 227 136

HSL 123.71, 0.63%, 0.7%

LAB 82.63, -46.96, 35.72

 

CMYK 43 / 0 / 29 / 11

HEX #82E3A2

RGB 130 227 162

HSL 139.79, 0.63%, 0.7%

LAB 83.07, -42.6, 23.02

 

CMYK 43 / 0 / 17 / 11

HEX #82E3BD

RGB 130 227 189

HSL 156.49, 0.63%, 0.7%

LAB 83.63, -37.28, 9.69

 

CMYK 43 / 0 / 5 / 11

HEX #82E3D7

RGB 130 227 215

HSL 172.58, 0.63%, 0.7%

LAB 84.27, -31.45, -3.1

 

CMYK 34 / 0 / 43 / 11

HEX #96E382

RGB 150 227 130

HSL 107.63, 0.63%, 0.7%

LAB 83.46, -41.7, 39.96

 

CMYK 41 / 0 / 51 / 6

HEX #8EF075

RGB 142 240 117

HSL 107.8, 0.8%, 0.7%

LAB 86.68, -51.37, 50.13

 

CMYK 46 / 0 / 58 / 1

HEX #87FC69

RGB 135 252 105

HSL 107.76, 0.96%, 0.7%

LAB 89.76, -59.5, 59.07

 

CMYK 34 / 0 / 43 / 11

HEX #96E382

RGB 150 227 130

HSL 107.63, 0.63%, 0.7%

LAB 83.46, -41.7, 39.96

 

CMYK 27 / 0 / 34 / 16

HEX #9DD78E

RGB 157 215 142

HSL 107.67, 0.48%, 0.7%

LAB 80.58, -32.21, 30.23

 

CMYK 19 / 0 / 24 / 20

HEX #A4CB9A

RGB 164 203 154

HSL 107.76, 0.32%, 0.7%

LAB 77.84, -22.14, 20.3

 

CMYK 10 / 0 / 12 / 25

HEX #ABBEA7

RGB 171 190 167

HSL 109.57, 0.15%, 0.7%

LAB 75, -10.84, 9.42

 

CMYK 0 / 1 / 0 / 30

HEX #B3B2B3

RGB 179 178 179

HSL 300, 0.01%, 0.7%

LAB 72.68, 0.54, -0.39

 

CMYK 11 / 0 / 43 / 11

HEX #CBE382

RGB 203 227 130

HSL 74.85, 0.63%, 0.7%

LAB 86.63, -22.87, 44.63

 

CMYK 22 / 0 / 43 / 11

HEX #B1E382

RGB 177 227 130

HSL 90.93, 0.63%, 0.7%

LAB 84.94, -32.47, 42.15

 

CMYK 33 / 0 / 43 / 11

HEX #97E382

RGB 151 227 130

HSL 107.01, 0.63%, 0.7%

LAB 83.51, -41.37, 40.04

 

CMYK 43 / 0 / 41 / 11

HEX #82E386

RGB 130 227 134

HSL 122.47, 0.63%, 0.7%

LAB 82.6, -47.26, 36.68

 

CMYK 43 / 0 / 29 / 11

HEX #82E3A1

RGB 130 227 161

HSL 139.18, 0.63%, 0.7%

LAB 83.05, -42.78, 23.52

 

CMYK 56 / 0 / 71 / 16

HEX #5DD53E

RGB 93 213 62

HSL 107.68, 0.64%, 0.54%

LAB 76.23, -60.25, 61.24

 

CMYK 45 / 0 / 56 / 14

HEX #79DC60

RGB 121 220 96

HSL 107.9, 0.64%, 0.62%

LAB 79.67, -51.98, 51.22

 

CMYK 34 / 0 / 43 / 11

HEX #96E382

RGB 150 227 130

HSL 107.63, 0.63%, 0.7%

LAB 83.46, -41.7, 39.96

 

CMYK 24 / 0 / 31 / 8

HEX #B2EBA3

RGB 178 235 163

HSL 107.5, 0.64%, 0.78%

LAB 87.74, -31.31, 29.26

 

CMYK 15 / 0 / 19 / 5

HEX #CEF2C5

RGB 206 242 197

HSL 108, 0.63%, 0.86%

LAB 91.98, -19.81, 17.9

 

CMYK 34 / 0 / 43 / 11

HEX #96E482

RGB 150 228 130

HSL 107.76, 0.64%, 0.7%

LAB 83.75, -42.13, 40.33

 

CMYK 43 / 0 / 0 / 11

HEX #82E3E2

RGB 130 227 226

HSL 179.38, 0.63%, 0.7%

LAB 84.57, -28.8, -8.47

 

CMYK 0 / 43 / 16 / 11

HEX #E382BE

RGB 227 130 190

HSL 322.89, 0.63%, 0.7%

LAB 66.53, 45.06, -15.12

 

CMYK 34 / 0 / 43 / 11

HEX #96E482

RGB 150 228 130

HSL 107.76, 0.64%, 0.7%

LAB 83.75, -42.13, 40.33

 

CMYK 43 / 33 / 0 / 11

HEX #8297E3

RGB 130 151 227

HSL 227.01, 0.63%, 0.7%

LAB 63.69, 11.91, -40.89

 

CMYK 0 / 43 / 33 / 11

HEX #E38297

RGB 227 130 151

HSL 347.01, 0.63%, 0.7%

LAB 65.38, 39.63, 5.22

 

CMYK 34 / 0 / 43 / 11

HEX #96E482

RGB 150 228 130

HSL 107.76, 0.64%, 0.7%

LAB 83.75, -42.13, 40.33

 

CMYK 43 / 0 / 0 / 11

HEX #82E3E2

RGB 130 227 226

HSL 179.38, 0.63%, 0.7%

LAB 84.57, -28.8, -8.47

 

CMYK 9 / 43 / 0 / 11

HEX #CE82E3

RGB 206 130 227

HSL 287.01, 0.63%, 0.7%

LAB 65.46, 45.1, -37.63

 

CMYK 0 / 43 / 42 / 11

HEX #E38283

RGB 227 130 131

HSL 359.38, 0.63%, 0.7%

LAB 64.91, 37.33, 15.87

 

CMYK 34 / 0 / 43 / 11

HEX #96E482

RGB 150 228 130

HSL 107.76, 0.64%, 0.7%

LAB 83.75, -42.13, 40.33

 

CMYK 43 / 12 / 0 / 11

HEX #82C8E3

RGB 130 200 227

HSL 196.7, 0.63%, 0.7%

LAB 77.04, -15.06, -20.3

 

CMYK 9 / 43 / 0 / 11

HEX #CE82E3

RGB 206 130 227

HSL 287.01, 0.63%, 0.7%

LAB 65.46, 45.1, -37.63

 

CMYK 0 / 31 / 43 / 11

HEX #E39D82

RGB 227 157 130

HSL 16.7, 0.63%, 0.7%

LAB 70.91, 22.91, 24.63

 

Description

Color code: HEX #96E482 | qconv.com Color code: HEX #96E482 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 228 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 228 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 43 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 43% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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