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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BC2E7 it is the complementary color #A43D18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BC2E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BC2E7 shade: #60C2E2, #71D4F5, #82E6FF, #93F8FF and #A4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BC2E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BC2E7 shade: #5BC2E7, #4AB0D4, #399EC1, #288CAE and #177A9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BC2E7 shade: #5AC1E6, #5A9BE6, #5A76E6, #655AE6 and #8A5AE6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BC2E7 shade: #5AC1E6, #5A9BE6, #5A76E6 and #5A5AE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BC2E7 shade matches the following richer shades: #5AC1E6 and #4BC8F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BC2E7 shade: #5AC1E6, #6ABAD7, #79B3C7, #88ABB8 and #97A4A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BC2E7 shade: #5AE6BE, #5AE6E4, #5AC3E6, #5A9EE6 and #5A79E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BC2E7 shade: #1FA1CF, #36B4E1, #5AC1E6, #7ECEEB and #A2DCF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BC2E7 shade: #5BC2E7, #995AE6 and #E6D15A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BC2E7 shade: #5BC2E7, #E65AC3 and #C3E65A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BC2E7 shade: #5BC2E7, #995AE6, #E67D5A and #A7E65A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BC2E7 shade: #5BC2E7, #C35AE6, #E67D5A and #7DE65A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 16 / 0 / 9

HEX #5BC2E7

RGB 91 194 231

HSL 195.86, 0.74%, 0.63%

LAB 73.92, -19.14, -27.36

Complementary color

CMYK 0 / 63 / 85 / 36

HEX #A43D18

RGB 164 61 24

HSL 15.86, 0.74%, 0.37%

LAB 40.07, 40.8, 42.7

 

CMYK 58 / 14 / 0 / 11

HEX #60C2E2

RGB 96 194 226

HSL 194.77, 0.69%, 0.63%

LAB 73.91, -19.7, -24.66

 

CMYK 54 / 13 / 0 / 4

HEX #71D4F5

RGB 113 212 245

HSL 195, 0.87%, 0.7%

LAB 80.29, -20.1, -25.07

 

CMYK 49 / 10 / 0 / 0

HEX #82E6FF

RGB 130 230 255

HSL 192, 1%, 0.75%

LAB 86.29, -22.84, -21.18

 

CMYK 42 / 3 / 0 / 0

HEX #93F8FF

RGB 147 248 255

HSL 183.89, 1%, 0.79%

LAB 91.93, -27.79, -12.62

 

CMYK 36 / 0 / 0 / 0

HEX #A4FFFF

RGB 164 255 255

HSL 180, 1%, 0.82%

LAB 94.58, -27.01, -8.61

 

CMYK 61 / 16 / 0 / 9

HEX #5BC2E7

RGB 91 194 231

HSL 195.86, 0.74%, 0.63%

LAB 73.92, -19.14, -27.36

HEX #5BC2E7

CMYK 65 / 17 / 0 / 17

HEX #4AB0D4

RGB 74 176 212

HSL 195.65, 0.62%, 0.56%

LAB 67.47, -18.48, -26.94

HEX #4AB0D4

CMYK 70 / 18 / 0 / 24

HEX #399EC1

RGB 57 158 193

HSL 195.44, 0.54%, 0.49%

LAB 60.93, -17.62, -26.48

HEX #399EC1

CMYK 77 / 20 / 0 / 32

HEX #288CAE

RGB 40 140 174

HSL 195.22, 0.63%, 0.42%

LAB 54.31, -16.48, -25.97

HEX #288CAE

CMYK 85 / 21 / 0 / 39

HEX #177A9B

RGB 23 122 155

HSL 195, 0.74%, 0.35%

LAB 47.58, -14.94, -25.38

HEX #177A9B

CMYK 61 / 16 / 0 / 10

HEX #5AC1E6

RGB 90 193 230

HSL 195.86, 0.74%, 0.63%

LAB 73.56, -19.1, -27.37

 

CMYK 61 / 33 / 0 / 10

HEX #5A9BE6

RGB 90 155 230

HSL 212.14, 0.74%, 0.63%

LAB 62.78, 1.68, -44.12

 

CMYK 61 / 49 / 0 / 10

HEX #5A76E6

RGB 90 118 230

HSL 228, 0.74%, 0.63%

LAB 52.78, 23.81, -60.04

 

CMYK 56 / 61 / 0 / 10

HEX #655AE6

RGB 101 90 230

HSL 244.71, 0.74%, 0.63%

LAB 46.7, 42.69, -69.84

 

CMYK 40 / 61 / 0 / 10

HEX #8A5AE6

RGB 138 90 230

HSL 260.57, 0.74%, 0.63%

LAB 50.01, 49.81, -64.31

 

CMYK 61 / 16 / 0 / 10

HEX #5AC1E6

RGB 90 193 230

HSL 195.86, 0.74%, 0.63%

LAB 73.56, -19.1, -27.37

 

CMYK 61 / 33 / 0 / 10

HEX #5A9BE6

RGB 90 155 230

HSL 212.14, 0.74%, 0.63%

LAB 62.78, 1.68, -44.12

 

CMYK 61 / 49 / 0 / 10

HEX #5A76E6

RGB 90 118 230

HSL 228, 0.74%, 0.63%

LAB 52.78, 23.81, -60.04

 

CMYK 61 / 61 / 0 / 10

HEX #5A5AE6

RGB 90 90 230

HSL 240, 0.74%, 0.63%

LAB 45.91, 40.88, -71.17

 

CMYK 61 / 16 / 0 / 10

HEX #5AC1E6

RGB 90 193 230

HSL 195.86, 0.74%, 0.63%

LAB 73.56, -19.1, -27.37

 

CMYK 69 / 18 / 0 / 4

HEX #4BC8F5

RGB 75 200 245

HSL 195.88, 0.89%, 0.63%

LAB 75.7, -20.44, -32.21

 

CMYK 61 / 16 / 0 / 10

HEX #5AC1E6

RGB 90 193 230

HSL 195.86, 0.74%, 0.63%

LAB 73.56, -19.1, -27.37

 

CMYK 51 / 13 / 0 / 16

HEX #6ABAD7

RGB 106 186 215

HSL 195.96, 0.58%, 0.63%

LAB 71.61, -16.66, -22.15

 

CMYK 39 / 10 / 0 / 22

HEX #79B3C7

RGB 121 179 199

HSL 195.38, 0.41%, 0.63%

LAB 69.77, -13.69, -16.11

 

CMYK 26 / 7 / 0 / 28

HEX #88ABB8

RGB 136 171 184

HSL 196.25, 0.25%, 0.63%

LAB 67.89, -8.86, -10.57

 

CMYK 11 / 3 / 0 / 34

HEX #97A4A9

RGB 151 164 169

HSL 196.67, 0.09%, 0.63%

LAB 66.52, -3.54, -4.16

 

CMYK 61 / 0 / 17 / 10

HEX #5AE6BE

RGB 90 230 190

HSL 162.86, 0.74%, 0.63%

LAB 83.17, -47.2, 8.33

 

CMYK 61 / 0 / 1 / 10

HEX #5AE6E4

RGB 90 230 228

HSL 179.14, 0.74%, 0.63%

LAB 84.16, -37.68, -10.29

 

CMYK 61 / 15 / 0 / 10

HEX #5AC3E6

RGB 90 195 230

HSL 195, 0.74%, 0.63%

LAB 74.14, -20.13, -26.49

 

CMYK 61 / 31 / 0 / 10

HEX #5A9EE6

RGB 90 158 230

HSL 210.86, 0.74%, 0.63%

LAB 63.62, -0.05, -42.8

 

CMYK 61 / 47 / 0 / 10

HEX #5A79E6

RGB 90 121 230

HSL 226.71, 0.74%, 0.63%

LAB 53.56, 21.97, -58.79

 

CMYK 85 / 22 / 0 / 19

HEX #1FA1CF

RGB 31 161 207

HSL 195.68, 0.74%, 0.47%

LAB 61.9, -17.25, -32.86

 

CMYK 76 / 20 / 0 / 12

HEX #36B4E1

RGB 54 180 225

HSL 195.79, 0.74%, 0.55%

LAB 68.65, -19.11, -32.3

 

CMYK 61 / 16 / 0 / 10

HEX #5AC1E6

RGB 90 193 230

HSL 195.86, 0.74%, 0.63%

LAB 73.56, -19.1, -27.37

 

CMYK 46 / 12 / 0 / 8

HEX #7ECEEB

RGB 126 206 235

HSL 195.96, 0.73%, 0.71%

LAB 78.8, -16.98, -21.95

 

CMYK 33 / 9 / 0 / 5

HEX #A2DCF1

RGB 162 220 241

HSL 195.95, 0.74%, 0.79%

LAB 84.6, -13.52, -16.21

 

CMYK 61 / 16 / 0 / 9

HEX #5BC2E7

RGB 91 194 231

HSL 195.86, 0.74%, 0.63%

LAB 73.92, -19.14, -27.36

HEX #5BC2E7

CMYK 33 / 61 / 0 / 10

HEX #995AE6

RGB 153 90 230

HSL 267, 0.74%, 0.63%

LAB 51.61, 53.04, -61.66

HEX #995AE6

CMYK 0 / 9 / 61 / 10

HEX #E6D15A

RGB 230 209 90

HSL 51, 0.74%, 0.63%

LAB 83.53, -6.66, 60.14

HEX #E6D15A

CMYK 61 / 16 / 0 / 9

HEX #5BC2E7

RGB 91 194 231

HSL 195.86, 0.74%, 0.63%

LAB 73.92, -19.14, -27.36

HEX #5BC2E7

CMYK 0 / 61 / 15 / 10

HEX #E65AC3

RGB 230 90 195

HSL 315, 0.74%, 0.63%

LAB 59.96, 65.56, -27.95

HEX #E65AC3

CMYK 15 / 0 / 61 / 10

HEX #C3E65A

RGB 195 230 90

HSL 75, 0.74%, 0.63%

LAB 86.47, -31.06, 62.6

HEX #C3E65A

CMYK 61 / 16 / 0 / 9

HEX #5BC2E7

RGB 91 194 231

HSL 195.86, 0.74%, 0.63%

LAB 73.92, -19.14, -27.36

HEX #5BC2E7

CMYK 33 / 61 / 0 / 10

HEX #995AE6

RGB 153 90 230

HSL 267, 0.74%, 0.63%

LAB 51.61, 53.04, -61.66

HEX #995AE6

CMYK 0 / 46 / 61 / 10

HEX #E67D5A

RGB 230 125 90

HSL 15, 0.74%, 0.63%

LAB 63.53, 37.46, 36.93

HEX #E67D5A

CMYK 27 / 0 / 61 / 10

HEX #A7E65A

RGB 167 230 90

HSL 87, 0.74%, 0.63%

LAB 84.76, -41.54, 60.24

HEX #A7E65A

CMYK 61 / 16 / 0 / 9

HEX #5BC2E7

RGB 91 194 231

HSL 195.86, 0.74%, 0.63%

LAB 73.92, -19.14, -27.36

HEX #5BC2E7

CMYK 15 / 61 / 0 / 10

HEX #C35AE6

RGB 195 90 230

HSL 285, 0.74%, 0.63%

LAB 56.71, 62.67, -53.2

HEX #C35AE6

CMYK 0 / 46 / 61 / 10

HEX #E67D5A

RGB 230 125 90

HSL 15, 0.74%, 0.63%

LAB 63.53, 37.46, 36.93

HEX #E67D5A

CMYK 46 / 0 / 61 / 10

HEX #7DE65A

RGB 125 230 90

HSL 105, 0.74%, 0.63%

LAB 82.75, -55.37, 57.43

HEX #7DE65A

Description

Color code: HEX #5BC2E7 | qconv.com Color code: HEX #5BC2E7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 194 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 194 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 16 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 16% 0% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

55% - Compare Cars by Pric...
Link: http://cars.axlegeeks.com

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