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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71D4F5 it is the complementary color #8E2B0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71D4F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71D4F5 shade: #76D4F0, #87E6FF, #98F8FF, #A9FFFF and #BAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71D4F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71D4F5 shade: #71D4F5, #60C2E2, #4FB0CF, #3E9EBC and #2D8CA9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71D4F5 shade: #6FD3F5, #6FAFF5, #6F8BF5, #776FF5 and #9B6FF5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71D4F5 shade: #6FD3F5, #6FAFF5, #6F8BF5 and #6F6FF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71D4F5 shade matches the following richer shades: #6FD3F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71D4F5 shade: #6FD3F5, #7CCDE8, #88C7DC, #95C1CF and #A1BBC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71D4F5 shade: #6FF5CF, #6FF5F2, #6FD3F5, #6FB0F5 and #6F8CF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71D4F5 shade: #22BCEF, #49C8F2, #6FD3F5, #96DFF7 and #BDEBFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71D4F5 shade: #71D4F5, #AB6FF5 and #F5E16F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71D4F5 shade: #71D4F5, #F56FD3 and #D3F56F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71D4F5 shade: #71D4F5, #AB6FF5, #F5916F and #B9F56F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71D4F5 shade: #71D4F5, #D36FF5, #F5916F and #91F56F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 13 / 0 / 4

HEX #71D4F5

RGB 113 212 245

HSL 195, 0.87%, 0.7%

LAB 80.29, -20.1, -25.07

 

Complementary color

CMYK 0 / 70 / 93 / 44

HEX #8E2B0A

RGB 142 43 10

HSL 15, 0.87%, 0.3%

LAB 32.92, 40.48, 41.13

 

CMYK 51 / 12 / 0 / 6

HEX #76D4F0

RGB 118 212 240

HSL 193.77, 0.8%, 0.7%

LAB 80.31, -20.46, -22.35

 

CMYK 47 / 10 / 0 / 0

HEX #87E6FF

RGB 135 230 255

HSL 192.5, 1%, 0.76%

LAB 86.49, -21.74, -20.86

 

CMYK 40 / 3 / 0 / 0

HEX #98F8FF

RGB 152 248 255

HSL 184.08, 1%, 0.8%

LAB 92.15, -26.61, -12.29

 

CMYK 34 / 0 / 0 / 0

HEX #A9FFFF

RGB 169 255 255

HSL 180, 1%, 0.83%

LAB 94.81, -25.74, -8.24

 

CMYK 27 / 0 / 0 / 0

HEX #BAFFFF

RGB 186 255 255

HSL 180, 1%, 0.86%

LAB 95.66, -21.17, -6.9

 

CMYK 54 / 13 / 0 / 4

HEX #71D4F5

RGB 113 212 245

HSL 195, 0.87%, 0.7%

LAB 80.29, -20.1, -25.07

 

CMYK 58 / 14 / 0 / 11

HEX #60C2E2

RGB 96 194 226

HSL 194.77, 0.69%, 0.63%

LAB 73.91, -19.7, -24.66

 

CMYK 62 / 15 / 0 / 19

HEX #4FB0CF

RGB 79 176 207

HSL 194.53, 0.57%, 0.56%

LAB 67.44, -19.18, -24.22

 

CMYK 67 / 16 / 0 / 26

HEX #3E9EBC

RGB 62 158 188

HSL 194.29, 0.5%, 0.49%

LAB 60.88, -18.48, -23.75

 

CMYK 73 / 17 / 0 / 34

HEX #2D8CA9

RGB 45 140 169

HSL 194.03, 0.58%, 0.42%

LAB 54.22, -17.55, -23.23

 

CMYK 55 / 14 / 0 / 4

HEX #6FD3F5

RGB 111 211 245

HSL 195.22, 0.87%, 0.7%

LAB 79.93, -20, -25.62

 

CMYK 55 / 29 / 0 / 4

HEX #6FAFF5

RGB 111 175 245

HSL 211.34, 0.87%, 0.7%

LAB 69.92, -0.81, -41.09

 

CMYK 55 / 43 / 0 / 4

HEX #6F8BF5

RGB 111 139 245

HSL 227.46, 0.87%, 0.7%

LAB 60.28, 20.01, -56.3

 

CMYK 51 / 55 / 0 / 4

HEX #776FF5

RGB 119 111 245

HSL 243.58, 0.87%, 0.7%

LAB 53.9, 38.27, -66.51

 

CMYK 37 / 55 / 0 / 4

HEX #9B6FF5

RGB 155 111 245

HSL 259.7, 0.87%, 0.7%

LAB 57.01, 46.01, -61.35

 

CMYK 55 / 14 / 0 / 4

HEX #6FD3F5

RGB 111 211 245

HSL 195.22, 0.87%, 0.7%

LAB 79.93, -20, -25.62

 

CMYK 55 / 29 / 0 / 4

HEX #6FAFF5

RGB 111 175 245

HSL 211.34, 0.87%, 0.7%

LAB 69.92, -0.81, -41.09

 

CMYK 55 / 43 / 0 / 4

HEX #6F8BF5

RGB 111 139 245

HSL 227.46, 0.87%, 0.7%

LAB 60.28, 20.01, -56.3

 

CMYK 55 / 55 / 0 / 4

HEX #6F6FF5

RGB 111 111 245

HSL 240, 0.87%, 0.7%

LAB 53.32, 36.73, -67.48

 

CMYK 55 / 14 / 0 / 4

HEX #6FD3F5

RGB 111 211 245

HSL 195.22, 0.87%, 0.7%

LAB 79.93, -20, -25.62

 

CMYK 55 / 14 / 0 / 4

HEX #6FD3F5

RGB 111 211 245

HSL 195.22, 0.87%, 0.7%

LAB 79.93, -20, -25.62

 

CMYK 47 / 12 / 0 / 9

HEX #7CCDE8

RGB 124 205 232

HSL 195, 0.7%, 0.7%

LAB 78.33, -17.74, -21.06

 

CMYK 38 / 10 / 0 / 14

HEX #88C7DC

RGB 136 199 220

HSL 195, 0.55%, 0.7%

LAB 76.83, -14.82, -16.82

 

CMYK 28 / 7 / 0 / 19

HEX #95C1CF

RGB 149 193 207

HSL 194.48, 0.38%, 0.7%

LAB 75.47, -11.26, -11.76

 

CMYK 17 / 4 / 0 / 24

HEX #A1BBC3

RGB 161 187 195

HSL 194.12, 0.22%, 0.7%

LAB 74.23, -7.11, -7.01

 

CMYK 55 / 0 / 16 / 4

HEX #6FF5CF

RGB 111 245 207

HSL 162.99, 0.87%, 0.7%

LAB 88.54, -45.71, 7.22

 

CMYK 55 / 0 / 1 / 4

HEX #6FF5F2

RGB 111 245 242

HSL 178.66, 0.87%, 0.7%

LAB 89.44, -37.22, -9.72

 

CMYK 55 / 14 / 0 / 4

HEX #6FD3F5

RGB 111 211 245

HSL 195.22, 0.87%, 0.7%

LAB 79.93, -20, -25.62

 

CMYK 55 / 28 / 0 / 4

HEX #6FB0F5

RGB 111 176 245

HSL 210.9, 0.87%, 0.7%

LAB 70.19, -1.37, -40.66

 

CMYK 55 / 43 / 0 / 4

HEX #6F8CF5

RGB 111 140 245

HSL 227.01, 0.87%, 0.7%

LAB 60.54, 19.41, -55.88

 

CMYK 86 / 21 / 0 / 6

HEX #22BCEF

RGB 34 188 239

HSL 194.93, 0.86%, 0.54%

LAB 71.24, -20.33, -35.93

 

CMYK 70 / 17 / 0 / 5

HEX #49C8F2

RGB 73 200 242

HSL 194.91, 0.87%, 0.62%

LAB 75.54, -21.65, -30.85

 

CMYK 55 / 14 / 0 / 4

HEX #6FD3F5

RGB 111 211 245

HSL 195.22, 0.87%, 0.7%

LAB 79.93, -20, -25.62

 

CMYK 39 / 10 / 0 / 3

HEX #96DFF7

RGB 150 223 247

HSL 194.85, 0.86%, 0.78%

LAB 84.98, -16.72, -18.85

 

CMYK 24 / 6 / 0 / 2

HEX #BDEBFA

RGB 189 235 250

HSL 194.75, 0.86%, 0.86%

LAB 90.38, -11.47, -12.11

 

CMYK 54 / 13 / 0 / 4

HEX #71D4F5

RGB 113 212 245

HSL 195, 0.87%, 0.7%

LAB 80.29, -20.1, -25.07

 

CMYK 30 / 55 / 0 / 4

HEX #AB6FF5

RGB 171 111 245

HSL 266.87, 0.87%, 0.7%

LAB 58.62, 49.78, -58.67

 

CMYK 0 / 8 / 55 / 4

HEX #F5E16F

RGB 245 225 111

HSL 51.04, 0.87%, 0.7%

LAB 89.12, -7.1, 57.4

 

CMYK 54 / 13 / 0 / 4

HEX #71D4F5

RGB 113 212 245

HSL 195, 0.87%, 0.7%

LAB 80.29, -20.1, -25.07

 

CMYK 0 / 55 / 14 / 4

HEX #F56FD3

RGB 245 111 211

HSL 315.22, 0.87%, 0.7%

LAB 66.12, 62.92, -27.3

 

CMYK 14 / 0 / 55 / 4

HEX #D3F56F

RGB 211 245 111

HSL 75.22, 0.87%, 0.7%

LAB 91.82, -30.21, 59.86

 

CMYK 54 / 13 / 0 / 4

HEX #71D4F5

RGB 113 212 245

HSL 195, 0.87%, 0.7%

LAB 80.29, -20.1, -25.07

 

CMYK 30 / 55 / 0 / 4

HEX #AB6FF5

RGB 171 111 245

HSL 266.87, 0.87%, 0.7%

LAB 58.62, 49.78, -58.67

 

CMYK 0 / 41 / 55 / 4

HEX #F5916F

RGB 245 145 111

HSL 15.22, 0.87%, 0.7%

LAB 70.04, 34.49, 34.2

 

CMYK 24 / 0 / 55 / 4

HEX #B9F56F

RGB 185 245 111

HSL 86.87, 0.87%, 0.7%

LAB 90.21, -39.83, 57.59

 

CMYK 54 / 13 / 0 / 4

HEX #71D4F5

RGB 113 212 245

HSL 195, 0.87%, 0.7%

LAB 80.29, -20.1, -25.07

 

CMYK 14 / 55 / 0 / 4

HEX #D36FF5

RGB 211 111 245

HSL 284.78, 0.87%, 0.7%

LAB 63.19, 59.68, -51.13

 

CMYK 0 / 41 / 55 / 4

HEX #F5916F

RGB 245 145 111

HSL 15.22, 0.87%, 0.7%

LAB 70.04, 34.49, 34.2

 

CMYK 41 / 0 / 55 / 4

HEX #91F56F

RGB 145 245 111

HSL 104.78, 0.87%, 0.7%

LAB 88.2, -53.17, 54.71

 

Description

Color code: HEX #71D4F5 | qconv.com Color code: HEX #71D4F5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 212 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 212 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 13 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 13% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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