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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BAFDA it is the complementary color #A45025. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BAFDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BAFDA shade: #60AFD5, #71C1E8, #82D3FB, #93E5FF and #A4F7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BAFDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BAFDA shade: #5BAFDA, #4A9DC7, #398BB4, #2879A1 and #17678E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BAFDA shade: #5DB0DA, #5D8EDA, #5D6CDA, #6F5DDA and #915DDA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BAFDA shade: #5DB0DA, #5D8EDA, #5D6CDA and #5D5DDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BAFDA shade matches the following richer shades: #5DB0DA, #4DB5EA and #3DBAFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BAFDA shade: #5DB0DA, #6DABCA, #7DA5BA, #8DA0AA and #9D9B9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BAFDA shade: #5DDAC1, #5DD2DA, #5DB0DA, #5D8FDA and #5D6EDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BAFDA shade: #2A8ABA, #3B9FD3, #5DB0DA, #7FC0E2 and #A0D1E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BAFDA shade: #5BAFDA, #A05DDA and #DAD25D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BAFDA shade: #5BAFDA, #DA5DB0 and #B0DA5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BAFDA shade: #5BAFDA, #A05DDA, #DA875D and #97DA5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BAFDA shade: #5BAFDA, #C55DDA, #DA875D and #72DA5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 20 / 0 / 15

HEX #5BAFDA

RGB 91 175 218

HSL 200.31, 0.63%, 0.61%

LAB 67.98, -13.07, -29.41

 

Complementary color

CMYK 0 / 51 / 77 / 36

HEX #A45025

RGB 164 80 37

HSL 20.31, 0.63%, 0.39%

LAB 43.89, 31.68, 40.09

 

CMYK 55 / 18 / 0 / 16

HEX #60AFD5

RGB 96 175 213

HSL 199.49, 0.58%, 0.61%

LAB 67.98, -13.57, -26.64

 

CMYK 51 / 17 / 0 / 9

HEX #71C1E8

RGB 113 193 232

HSL 199.66, 0.72%, 0.68%

LAB 74.49, -13.98, -26.95

 

CMYK 48 / 16 / 0 / 2

HEX #82D3FB

RGB 130 211 251

HSL 199.83, 0.94%, 0.75%

LAB 80.9, -14.3, -27.26

 

CMYK 42 / 10 / 0 / 0

HEX #93E5FF

RGB 147 229 255

HSL 194.44, 1%, 0.79%

LAB 86.73, -18.46, -20.44

 

CMYK 36 / 3 / 0 / 0

HEX #A4F7FF

RGB 164 247 255

HSL 185.27, 1%, 0.82%

LAB 92.41, -23.15, -11.83

 

CMYK 58 / 20 / 0 / 15

HEX #5BAFDA

RGB 91 175 218

HSL 200.31, 0.63%, 0.61%

LAB 67.98, -13.07, -29.41

 

CMYK 63 / 21 / 0 / 22

HEX #4A9DC7

RGB 74 157 199

HSL 200.16, 0.53%, 0.54%

LAB 61.39, -12.4, -29.1

 

CMYK 68 / 23 / 0 / 29

HEX #398BB4

RGB 57 139 180

HSL 200, 0.52%, 0.46%

LAB 54.69, -11.53, -28.78

 

CMYK 75 / 25 / 0 / 37

HEX #2879A1

RGB 40 121 161

HSL 199.83, 0.6%, 0.39%

LAB 47.88, -10.37, -28.41

 

CMYK 84 / 27 / 0 / 44

HEX #17678E

RGB 23 103 142

HSL 199.66, 0.72%, 0.32%

LAB 40.95, -8.77, -27.99

 

CMYK 57 / 19 / 0 / 15

HEX #5DB0DA

RGB 93 176 218

HSL 200.16, 0.63%, 0.61%

LAB 68.34, -13.22, -28.84

 

CMYK 57 / 35 / 0 / 15

HEX #5D8EDA

RGB 93 142 218

HSL 216.48, 0.63%, 0.61%

LAB 58.73, 5.94, -43.83

 

CMYK 57 / 50 / 0 / 15

HEX #5D6CDA

RGB 93 108 218

HSL 232.8, 0.63%, 0.61%

LAB 49.63, 26.54, -58.32

 

CMYK 49 / 57 / 0 / 15

HEX #6F5DDA

RGB 111 93 218

HSL 248.64, 0.63%, 0.61%

LAB 47.33, 39.18, -61.98

 

CMYK 33 / 57 / 0 / 15

HEX #915DDA

RGB 145 93 218

HSL 264.96, 0.63%, 0.61%

LAB 50.58, 46.67, -56.57

 

CMYK 57 / 19 / 0 / 15

HEX #5DB0DA

RGB 93 176 218

HSL 200.16, 0.63%, 0.61%

LAB 68.34, -13.22, -28.84

 

CMYK 57 / 35 / 0 / 15

HEX #5D8EDA

RGB 93 142 218

HSL 216.48, 0.63%, 0.61%

LAB 58.73, 5.94, -43.83

 

CMYK 57 / 50 / 0 / 15

HEX #5D6CDA

RGB 93 108 218

HSL 232.8, 0.63%, 0.61%

LAB 49.63, 26.54, -58.32

 

CMYK 57 / 57 / 0 / 15

HEX #5D5DDA

RGB 93 93 218

HSL 240, 0.63%, 0.61%

LAB 45.93, 35.73, -64.31

 

CMYK 57 / 19 / 0 / 15

HEX #5DB0DA

RGB 93 176 218

HSL 200.16, 0.63%, 0.61%

LAB 68.34, -13.22, -28.84

 

CMYK 67 / 23 / 0 / 8

HEX #4DB5EA

RGB 77 181 234

HSL 200.25, 0.79%, 0.61%

LAB 69.87, -13.69, -35.27

 

CMYK 76 / 26 / 0 / 2

HEX #3DBAFA

RGB 61 186 250

HSL 200.32, 0.95%, 0.61%

LAB 71.56, -13.21, -41.34

 

CMYK 57 / 19 / 0 / 15

HEX #5DB0DA

RGB 93 176 218

HSL 200.16, 0.63%, 0.61%

LAB 68.34, -13.22, -28.84

 

CMYK 46 / 15 / 0 / 21

HEX #6DABCA

RGB 109 171 202

HSL 200, 0.47%, 0.61%

LAB 67.01, -11.66, -22.02

 

CMYK 33 / 11 / 0 / 27

HEX #7DA5BA

RGB 125 165 186

HSL 200.66, 0.31%, 0.61%

LAB 65.6, -8.4, -15.18

 

CMYK 17 / 6 / 0 / 33

HEX #8DA0AA

RGB 141 160 170

HSL 200.69, 0.15%, 0.61%

LAB 64.73, -4.5, -7.45

 

CMYK 0 / 1 / 2 / 38

HEX #9D9B9A

RGB 157 155 154

HSL 20, 0.02%, 0.61%

LAB 64.12, 0.54, 0.77

 

CMYK 57 / 0 / 11 / 15

HEX #5DDAC1

RGB 93 218 193

HSL 168, 0.63%, 0.61%

LAB 79.8, -40.7, 1.88

 

CMYK 57 / 4 / 0 / 15

HEX #5DD2DA

RGB 93 210 218

HSL 183.84, 0.63%, 0.61%

LAB 78.16, -30.49, -13.92

 

CMYK 57 / 19 / 0 / 15

HEX #5DB0DA

RGB 93 176 218

HSL 200.16, 0.63%, 0.61%

LAB 68.34, -13.22, -28.84

 

CMYK 57 / 34 / 0 / 15

HEX #5D8FDA

RGB 93 143 218

HSL 216, 0.63%, 0.61%

LAB 59.01, 5.35, -43.4

 

CMYK 57 / 50 / 0 / 15

HEX #5D6EDA

RGB 93 110 218

HSL 231.84, 0.63%, 0.61%

LAB 50.15, 25.31, -57.5

 

CMYK 77 / 26 / 0 / 27

HEX #2A8ABA

RGB 42 138 186

HSL 200, 0.63%, 0.45%

LAB 54.25, -10.95, -32.91

 

CMYK 72 / 25 / 0 / 17

HEX #3B9FD3

RGB 59 159 211

HSL 200.53, 0.63%, 0.53%

LAB 62.02, -11.9, -34.85

 

CMYK 57 / 19 / 0 / 15

HEX #5DB0DA

RGB 93 176 218

HSL 200.16, 0.63%, 0.61%

LAB 68.34, -13.22, -28.84

 

CMYK 44 / 15 / 0 / 11

HEX #7FC0E2

RGB 127 192 226

HSL 200.61, 0.63%, 0.69%

LAB 74.64, -11.88, -23.43

 

CMYK 31 / 10 / 0 / 9

HEX #A0D1E9

RGB 160 209 233

HSL 199.73, 0.62%, 0.77%

LAB 81.27, -10.31, -16.98

 

CMYK 58 / 20 / 0 / 15

HEX #5BAFDA

RGB 91 175 218

HSL 200.31, 0.63%, 0.61%

LAB 67.98, -13.07, -29.41

 

CMYK 27 / 57 / 0 / 15

HEX #A05DDA

RGB 160 93 218

HSL 272.16, 0.63%, 0.61%

LAB 52.25, 50.25, -53.81

 

CMYK 0 / 4 / 57 / 15

HEX #DAD25D

RGB 218 210 93

HSL 56.16, 0.63%, 0.61%

LAB 82.8, -11.91, 57.73

 

CMYK 58 / 20 / 0 / 15

HEX #5BAFDA

RGB 91 175 218

HSL 200.31, 0.63%, 0.61%

LAB 67.98, -13.07, -29.41

 

CMYK 0 / 57 / 19 / 15

HEX #DA5DB0

RGB 218 93 176

HSL 320.16, 0.63%, 0.61%

LAB 57.91, 58.17, -20.34

 

CMYK 19 / 0 / 57 / 15

HEX #B0DA5D

RGB 176 218 93

HSL 80.16, 0.63%, 0.61%

LAB 81.93, -32.54, 55.91

 

CMYK 58 / 20 / 0 / 15

HEX #5BAFDA

RGB 91 175 218

HSL 200.31, 0.63%, 0.61%

LAB 67.98, -13.07, -29.41

 

CMYK 27 / 57 / 0 / 15

HEX #A05DDA

RGB 160 93 218

HSL 272.16, 0.63%, 0.61%

LAB 52.25, 50.25, -53.81

 

CMYK 0 / 38 / 57 / 15

HEX #DA875D

RGB 218 135 93

HSL 20.16, 0.63%, 0.61%

LAB 64.18, 27.69, 35.77

 

CMYK 31 / 0 / 57 / 15

HEX #97DA5D

RGB 151 218 93

HSL 92.16, 0.63%, 0.61%

LAB 80.47, -41.71, 53.86

 

CMYK 58 / 20 / 0 / 15

HEX #5BAFDA

RGB 91 175 218

HSL 200.31, 0.63%, 0.61%

LAB 67.98, -13.07, -29.41

 

CMYK 10 / 57 / 0 / 15

HEX #C55DDA

RGB 197 93 218

HSL 289.92, 0.63%, 0.61%

LAB 56.84, 59.45, -46.22

 

CMYK 0 / 38 / 57 / 15

HEX #DA875D

RGB 218 135 93

HSL 20.16, 0.63%, 0.61%

LAB 64.18, 27.69, 35.77

 

CMYK 48 / 0 / 57 / 15

HEX #72DA5D

RGB 114 218 93

HSL 109.92, 0.63%, 0.61%

LAB 78.76, -53.55, 51.45

 

Description

Color code: HEX #5BAFDA | qconv.com Color code: HEX #5BAFDA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 175 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 175 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 20 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 20% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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