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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 103 142 it is the complementary color RGB 232 152 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 103 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 103 142 shade: RGB 28 103 137, RGB 45 121 156, RGB 62 139 175, RGB 79 157 194 and RGB 96 175 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 103 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 103 142 shade: RGB 23 103 142, RGB 6 85 123, RGB 0 67 104, RGB 0 49 85 and RGB 0 31 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 103 142 shade: RGB 22 101 140, RGB 22 70 140, RGB 22 38 140, RGB 38 22 140 and RGB 70 22 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 103 142 shade: RGB 22 101 140, RGB 22 70 140, RGB 22 38 140 and RGB 22 22 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 103 142 shade matches the following richer shades: RGB 22 101 140 and RGB 9 106 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 103 142 shade: RGB 22 101 140, RGB 36 97 127, RGB 49 92 113, RGB 62 88 100 and RGB 75 83 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 103 142 shade: RGB 22 140 114, RGB 22 134 140, RGB 22 103 140, RGB 22 71 140 and RGB 22 40 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 103 142 shade: RGB 11 50 69, RGB 17 76 104, RGB 22 101 140, RGB 28 127 175 and RGB 34 153 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 103 142 shade: RGB 23 103 142, RGB 83 22 140 and RGB 140 130 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 103 142 shade: RGB 23 103 142, RGB 140 22 103 and RGB 103 140 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 103 142 shade: RGB 23 103 142, RGB 83 22 140, RGB 140 60 22 and RGB 79 140 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 103 142 shade: RGB 23 103 142, RGB 118 22 140, RGB 140 60 22 and RGB 44 140 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 27 / 0 / 44

HEX #17678E

RGB 23 103 142

HSL 199.66, 0.72%, 0.32%

LAB 40.95, -8.77, -27.99

 

Complementary color

CMYK 0 / 34 / 51 / 9

HEX #E89871

RGB 232 152 113

HSL 19.66, 0.72%, 0.68%

LAB 70.04, 25.89, 32.8

 

CMYK 80 / 25 / 0 / 46

HEX #1C6789

RGB 28 103 137

HSL 198.72, 0.66%, 0.32%

LAB 40.82, -10.11, -25.18

 

CMYK 71 / 22 / 0 / 39

HEX #2D799C

RGB 45 121 156

HSL 198.92, 0.55%, 0.39%

LAB 47.79, -11.42, -25.6

 

CMYK 65 / 21 / 0 / 31

HEX #3E8BAF

RGB 62 139 175

HSL 199.12, 0.48%, 0.46%

LAB 54.64, -12.36, -25.97

 

CMYK 59 / 19 / 0 / 24

HEX #4F9DC2

RGB 79 157 194

HSL 199.3, 0.49%, 0.54%

LAB 61.37, -13.05, -26.32

 

CMYK 55 / 18 / 0 / 16

HEX #60AFD5

RGB 96 175 213

HSL 199.49, 0.58%, 0.61%

LAB 67.98, -13.57, -26.64

 

CMYK 84 / 27 / 0 / 44

HEX #17678E

RGB 23 103 142

HSL 199.66, 0.72%, 0.32%

LAB 40.95, -8.77, -27.99

 

CMYK 95 / 31 / 0 / 52

HEX #06557B

RGB 6 85 123

HSL 199.49, 0.91%, 0.25%

LAB 33.91, -6.57, -27.47

 

CMYK 100 / 36 / 0 / 59

HEX #004368

RGB 0 67 104

HSL 201.35, 1%, 0.2%

LAB 26.77, -3.41, -26.78

 

CMYK 100 / 42 / 0 / 67

HEX #003155

RGB 0 49 85

HSL 205.41, 1%, 0.17%

LAB 19.44, 0.5, -26.01

 

CMYK 100 / 53 / 0 / 74

HEX #001F42

RGB 0 31 66

HSL 211.82, 1%, 0.13%

LAB 11.78, 4.93, -25.32

 

CMYK 84 / 28 / 0 / 45

HEX #16658C

RGB 22 101 140

HSL 199.83, 0.73%, 0.32%

LAB 40.2, -8.43, -27.97

 

CMYK 84 / 50 / 0 / 45

HEX #16468C

RGB 22 70 140

HSL 215.59, 0.73%, 0.32%

LAB 30.51, 11.63, -43.37

 

CMYK 84 / 73 / 0 / 45

HEX #16268C

RGB 22 38 140

HSL 231.86, 0.73%, 0.32%

LAB 21.76, 33.59, -57.64

 

CMYK 73 / 84 / 0 / 45

HEX #26168C

RGB 38 22 140

HSL 248.14, 0.73%, 0.32%

LAB 19.55, 43.82, -61.27

 

CMYK 50 / 84 / 0 / 45

HEX #46168C

RGB 70 22 140

HSL 264.41, 0.73%, 0.32%

LAB 22.89, 47.25, -55.64

 

CMYK 84 / 28 / 0 / 45

HEX #16658C

RGB 22 101 140

HSL 199.83, 0.73%, 0.32%

LAB 40.2, -8.43, -27.97

 

CMYK 84 / 50 / 0 / 45

HEX #16468C

RGB 22 70 140

HSL 215.59, 0.73%, 0.32%

LAB 30.51, 11.63, -43.37

 

CMYK 84 / 73 / 0 / 45

HEX #16268C

RGB 22 38 140

HSL 231.86, 0.73%, 0.32%

LAB 21.76, 33.59, -57.64

 

CMYK 84 / 84 / 0 / 45

HEX #16168C

RGB 22 22 140

HSL 240, 0.73%, 0.32%

LAB 18.53, 42.8, -62.99

 

CMYK 84 / 28 / 0 / 45

HEX #16658C

RGB 22 101 140

HSL 199.83, 0.73%, 0.32%

LAB 40.2, -8.43, -27.97

 

CMYK 94 / 31 / 0 / 40

HEX #096A99

RGB 9 106 153

HSL 199.58, 0.89%, 0.32%

LAB 42.26, -7.32, -32.53

 

CMYK 84 / 28 / 0 / 45

HEX #16658C

RGB 22 101 140

HSL 199.83, 0.73%, 0.32%

LAB 40.2, -8.43, -27.97

 

CMYK 72 / 24 / 0 / 50

HEX #24617F

RGB 36 97 127

HSL 199.78, 0.56%, 0.32%

LAB 38.65, -9.08, -22.48

 

CMYK 57 / 19 / 0 / 56

HEX #315C71

RGB 49 92 113

HSL 199.69, 0.4%, 0.32%

LAB 36.93, -8.34, -16.5

 

CMYK 38 / 12 / 0 / 61

HEX #3E5864

RGB 62 88 100

HSL 198.95, 0.23%, 0.32%

LAB 35.84, -6.37, -10.03

 

CMYK 14 / 5 / 0 / 66

HEX #4B5357

RGB 75 83 87

HSL 200, 0.07%, 0.32%

LAB 34.74, -2.23, -3.42

 

CMYK 84 / 0 / 19 / 45

HEX #168C72

RGB 22 140 114

HSL 166.78, 0.73%, 0.32%

LAB 52, -37.16, 5.21

 

CMYK 84 / 4 / 0 / 45

HEX #16868C

RGB 22 134 140

HSL 183.05, 0.73%, 0.32%

LAB 50.82, -26.57, -11.65

 

CMYK 84 / 26 / 0 / 45

HEX #16678C

RGB 22 103 140

HSL 198.81, 0.73%, 0.32%

LAB 40.84, -9.63, -26.96

 

CMYK 84 / 49 / 0 / 45

HEX #16478C

RGB 22 71 140

HSL 215.08, 0.73%, 0.32%

LAB 30.81, 10.95, -42.89

 

CMYK 84 / 71 / 0 / 45

HEX #16288C

RGB 22 40 140

HSL 230.85, 0.73%, 0.32%

LAB 22.24, 32.3, -56.86

 

CMYK 84 / 28 / 0 / 73

HEX #0B3245

RGB 11 50 69

HSL 199.66, 0.73%, 0.16%

LAB 19.15, -5.78, -15.69

 

CMYK 84 / 27 / 0 / 59

HEX #114C68

RGB 17 76 104

HSL 199.31, 0.72%, 0.24%

LAB 30.13, -7.63, -21.49

 

CMYK 84 / 28 / 0 / 45

HEX #16658C

RGB 22 101 140

HSL 199.83, 0.73%, 0.32%

LAB 40.2, -8.43, -27.97

 

CMYK 84 / 27 / 0 / 31

HEX #1C7FAF

RGB 28 127 175

HSL 199.59, 0.72%, 0.4%

LAB 50.12, -10.05, -33.07

 

CMYK 84 / 27 / 0 / 17

HEX #2299D3

RGB 34 153 211

HSL 199.66, 0.72%, 0.48%

LAB 59.73, -11.24, -38.47

 

CMYK 84 / 27 / 0 / 44

HEX #17678E

RGB 23 103 142

HSL 199.66, 0.72%, 0.32%

LAB 40.95, -8.77, -27.99

 

CMYK 41 / 84 / 0 / 45

HEX #53168C

RGB 83 22 140

HSL 271.02, 0.73%, 0.32%

LAB 24.66, 49.11, -52.67

 

CMYK 0 / 7 / 84 / 45

HEX #8C8216

RGB 140 130 22

HSL 54.92, 0.73%, 0.32%

LAB 53.6, -7.93, 53.9

 

CMYK 84 / 27 / 0 / 44

HEX #17678E

RGB 23 103 142

HSL 199.66, 0.72%, 0.32%

LAB 40.95, -8.77, -27.99

 

CMYK 0 / 84 / 26 / 45

HEX #8C1667

RGB 140 22 103

HSL 318.81, 0.73%, 0.32%

LAB 32.1, 53.88, -16.79

 

CMYK 26 / 0 / 84 / 45

HEX #678C16

RGB 103 140 22

HSL 78.81, 0.73%, 0.32%

LAB 53.7, -29.55, 52.87

 

CMYK 84 / 27 / 0 / 44

HEX #17678E

RGB 23 103 142

HSL 199.66, 0.72%, 0.32%

LAB 40.95, -8.77, -27.99

 

CMYK 41 / 84 / 0 / 45

HEX #53168C

RGB 83 22 140

HSL 271.02, 0.73%, 0.32%

LAB 24.66, 49.11, -52.67

 

CMYK 0 / 57 / 84 / 45

HEX #8C3C16

RGB 140 60 22

HSL 19.32, 0.73%, 0.32%

LAB 35.72, 31.84, 38.16

 

CMYK 44 / 0 / 84 / 45

HEX #4F8C16

RGB 79 140 22

HSL 91.02, 0.73%, 0.32%

LAB 52.37, -38.77, 51.18

 

CMYK 84 / 27 / 0 / 44

HEX #17678E

RGB 23 103 142

HSL 199.66, 0.72%, 0.32%

LAB 40.95, -8.77, -27.99

 

CMYK 16 / 84 / 0 / 45

HEX #76168C

RGB 118 22 140

HSL 288.81, 0.73%, 0.32%

LAB 30.2, 55.06, -43.41

 

CMYK 0 / 57 / 84 / 45

HEX #8C3C16

RGB 140 60 22

HSL 19.32, 0.73%, 0.32%

LAB 35.72, 31.84, 38.16

 

CMYK 69 / 0 / 84 / 45

HEX #2C8C16

RGB 44 140 22

HSL 108.81, 0.73%, 0.32%

LAB 51.09, -48.82, 49.54

 

Description

Color code: RGB 23 103 142 | qconv.com Color code: RGB 23 103 142 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 103 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 103 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 27 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 27% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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