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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B9ECE it is the complementary color #A46131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B9ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B9ECE shade: #609EC9, #71B0DC, #82C2EF, #93D4FF and #A4E6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B9ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B9ECE shade: #5B9ECE, #4A8CBB, #397AA8, #286895 and #175682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B9ECE shade: #5A9DCE, #5A7ECE, #5A5FCE, #745ACE and #935ACE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B9ECE shade: #5A9DCE, #5A7ECE, #5A5FCE and #5A5ACE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B9ECE shade matches the following richer shades: #5A9DCE, #49A0DF and #37A3F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B9ECE shade: #5A9DCE, #6B9BBC, #7D98AB, #8E959A and #9F9288

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B9ECE shade: #5ACEC0, #5ABCCE, #5A9ECE, #5A7FCE and #5A60CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B9ECE shade: #3174A4, #3B8BC4, #5A9DCE, #7AB0D7 and #9AC3E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B9ECE shade: #5B9ECE, #A15ACE and #CCCE5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B9ECE shade: #5B9ECE, #CE5A9E and #9ECE5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B9ECE shade: #5B9ECE, #A15ACE, #CE8A5A and #86CE5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B9ECE shade: #5B9ECE, #C45ACE, #CE8A5A and #64CE5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 23 / 0 / 19

HEX #5B9ECE

RGB 91 158 206

HSL 205.04, 0.54%, 0.58%

LAB 62.62, -7.45, -31.05

 

Complementary color

CMYK 0 / 41 / 70 / 36

HEX #A46131

RGB 164 97 49

HSL 25.04, 0.54%, 0.42%

LAB 47.83, 22.94, 38.15

 

CMYK 52 / 21 / 0 / 21

HEX #609EC9

RGB 96 158 201

HSL 204.57, 0.49%, 0.58%

LAB 62.64, -7.89, -28.22

 

CMYK 49 / 20 / 0 / 14

HEX #71B0DC

RGB 113 176 220

HSL 204.67, 0.6%, 0.65%

LAB 69.28, -8.32, -28.43

 

CMYK 46 / 19 / 0 / 6

HEX #82C2EF

RGB 130 194 239

HSL 204.77, 0.77%, 0.72%

LAB 75.8, -8.67, -28.66

 

CMYK 42 / 17 / 0 / 0

HEX #93D4FF

RGB 147 212 255

HSL 203.89, 1%, 0.79%

LAB 82.11, -9.75, -27.46

 

CMYK 36 / 10 / 0 / 0

HEX #A4E6FF

RGB 164 230 255

HSL 196.48, 1%, 0.82%

LAB 87.83, -14.7, -18.71

 

CMYK 56 / 23 / 0 / 19

HEX #5B9ECE

RGB 91 158 206

HSL 205.04, 0.54%, 0.58%

LAB 62.62, -7.45, -31.05

 

CMYK 60 / 25 / 0 / 27

HEX #4A8CBB

RGB 74 140 187

HSL 204.96, 0.45%, 0.51%

LAB 55.89, -6.76, -30.86

 

CMYK 66 / 27 / 0 / 34

HEX #397AA8

RGB 57 122 168

HSL 204.86, 0.49%, 0.44%

LAB 49.03, -5.86, -30.67

 

CMYK 73 / 30 / 0 / 42

HEX #286895

RGB 40 104 149

HSL 204.77, 0.58%, 0.37%

LAB 42.03, -4.65, -30.46

 

CMYK 82 / 34 / 0 / 49

HEX #175682

RGB 23 86 130

HSL 204.67, 0.7%, 0.3%

LAB 34.9, -2.96, -30.21

 

CMYK 56 / 24 / 0 / 19

HEX #5A9DCE

RGB 90 157 206

HSL 205.34, 0.54%, 0.58%

LAB 62.29, -7.1, -31.57

 

CMYK 56 / 39 / 0 / 19

HEX #5A7ECE

RGB 90 126 206

HSL 221.38, 0.54%, 0.58%

LAB 53.55, 10.98, -45.28

 

CMYK 56 / 54 / 0 / 19

HEX #5A5FCE

RGB 90 95 206

HSL 237.41, 0.54%, 0.58%

LAB 45.38, 30.08, -58.35

 

CMYK 44 / 56 / 0 / 19

HEX #745ACE

RGB 116 90 206

HSL 253.45, 0.54%, 0.58%

LAB 46.29, 38.51, -56.78

 

CMYK 29 / 56 / 0 / 19

HEX #935ACE

RGB 147 90 206

HSL 269.48, 0.54%, 0.58%

LAB 49.46, 45.83, -51.51

 

CMYK 56 / 24 / 0 / 19

HEX #5A9DCE

RGB 90 157 206

HSL 205.34, 0.54%, 0.58%

LAB 62.29, -7.1, -31.57

 

CMYK 56 / 39 / 0 / 19

HEX #5A7ECE

RGB 90 126 206

HSL 221.38, 0.54%, 0.58%

LAB 53.55, 10.98, -45.28

 

CMYK 56 / 54 / 0 / 19

HEX #5A5FCE

RGB 90 95 206

HSL 237.41, 0.54%, 0.58%

LAB 45.38, 30.08, -58.35

 

CMYK 56 / 56 / 0 / 19

HEX #5A5ACE

RGB 90 90 206

HSL 240, 0.54%, 0.58%

LAB 44.15, 33.15, -60.34

 

CMYK 56 / 24 / 0 / 19

HEX #5A9DCE

RGB 90 157 206

HSL 205.34, 0.54%, 0.58%

LAB 62.29, -7.1, -31.57

 

CMYK 67 / 28 / 0 / 13

HEX #49A0DF

RGB 73 160 223

HSL 205.2, 0.7%, 0.58%

LAB 63.25, -6.39, -39.57

 

CMYK 77 / 32 / 0 / 6

HEX #37A3F0

RGB 55 163 240

HSL 204.97, 0.86%, 0.58%

LAB 64.4, -4.62, -47.15

 

CMYK 56 / 24 / 0 / 19

HEX #5A9DCE

RGB 90 157 206

HSL 205.34, 0.54%, 0.58%

LAB 62.29, -7.1, -31.57

 

CMYK 43 / 18 / 0 / 26

HEX #6B9BBC

RGB 107 155 188

HSL 204.44, 0.38%, 0.58%

LAB 61.83, -7.33, -22.14

 

CMYK 27 / 11 / 0 / 33

HEX #7D98AB

RGB 125 152 171

HSL 204.78, 0.21%, 0.58%

LAB 61.44, -4.98, -13.04

 

CMYK 8 / 3 / 0 / 40

HEX #8E959A

RGB 142 149 154

HSL 205, 0.06%, 0.58%

LAB 61.29, -1.5, -3.51

 

CMYK 0 / 8 / 14 / 38

HEX #9F9288

RGB 159 146 136

HSL 26.09, 0.11%, 0.58%

LAB 61.4, 3.07, 7.03

 

CMYK 56 / 0 / 7 / 19

HEX #5ACEC0

RGB 90 206 192

HSL 172.76, 0.54%, 0.58%

LAB 76.14, -36.07, -2.94

 

CMYK 56 / 9 / 0 / 19

HEX #5ABCCE

RGB 90 188 206

HSL 189.31, 0.54%, 0.58%

LAB 71.28, -23.58, -17.8

 

CMYK 56 / 23 / 0 / 19

HEX #5A9ECE

RGB 90 158 206

HSL 204.83, 0.54%, 0.58%

LAB 62.58, -7.66, -31.12

 

CMYK 56 / 38 / 0 / 19

HEX #5A7FCE

RGB 90 127 206

HSL 220.86, 0.54%, 0.58%

LAB 53.82, 10.37, -44.84

 

CMYK 56 / 53 / 0 / 19

HEX #5A60CE

RGB 90 96 206

HSL 236.9, 0.54%, 0.58%

LAB 45.63, 29.46, -57.95

 

CMYK 70 / 29 / 0 / 36

HEX #3174A4

RGB 49 116 164

HSL 205.04, 0.54%, 0.42%

LAB 46.74, -5.05, -31.92

 

CMYK 70 / 29 / 0 / 23

HEX #3B8BC4

RGB 59 139 196

HSL 204.96, 0.54%, 0.5%

LAB 55.46, -5.76, -36.68

 

CMYK 56 / 24 / 0 / 19

HEX #5A9DCE

RGB 90 157 206

HSL 205.34, 0.54%, 0.58%

LAB 62.29, -7.1, -31.57

 

CMYK 43 / 18 / 0 / 16

HEX #7AB0D7

RGB 122 176 215

HSL 205.16, 0.54%, 0.66%

LAB 69.54, -7.54, -25.25

 

CMYK 32 / 13 / 0 / 12

HEX #9AC3E1

RGB 154 195 225

HSL 205.35, 0.54%, 0.74%

LAB 76.88, -6.57, -19.34

 

CMYK 56 / 23 / 0 / 19

HEX #5B9ECE

RGB 91 158 206

HSL 205.04, 0.54%, 0.58%

LAB 62.62, -7.45, -31.05

 

CMYK 22 / 56 / 0 / 19

HEX #A15ACE

RGB 161 90 206

HSL 276.72, 0.54%, 0.58%

LAB 51.09, 49.33, -48.82

 

CMYK 1 / 0 / 56 / 19

HEX #CCCE5A

RGB 204 206 90

HSL 61.03, 0.54%, 0.58%

LAB 80.58, -15.88, 56.27

 

CMYK 56 / 23 / 0 / 19

HEX #5B9ECE

RGB 91 158 206

HSL 205.04, 0.54%, 0.58%

LAB 62.62, -7.45, -31.05

 

CMYK 0 / 56 / 23 / 19

HEX #CE5A9E

RGB 206 90 158

HSL 324.83, 0.54%, 0.58%

LAB 54.97, 53.43, -14.52

 

CMYK 23 / 0 / 56 / 19

HEX #9ECE5A

RGB 158 206 90

HSL 84.83, 0.54%, 0.58%

LAB 77.37, -34.06, 51.76

 

CMYK 56 / 23 / 0 / 19

HEX #5B9ECE

RGB 91 158 206

HSL 205.04, 0.54%, 0.58%

LAB 62.62, -7.45, -31.05

 

CMYK 22 / 56 / 0 / 19

HEX #A15ACE

RGB 161 90 206

HSL 276.72, 0.54%, 0.58%

LAB 51.09, 49.33, -48.82

 

CMYK 0 / 33 / 56 / 19

HEX #CE8A5A

RGB 206 138 90

HSL 24.83, 0.54%, 0.58%

LAB 63.37, 20.93, 36.05

 

CMYK 35 / 0 / 56 / 19

HEX #86CE5A

RGB 134 206 90

HSL 97.24, 0.54%, 0.58%

LAB 76.04, -42.66, 49.87

 

CMYK 56 / 23 / 0 / 19

HEX #5B9ECE

RGB 91 158 206

HSL 205.04, 0.54%, 0.58%

LAB 62.62, -7.45, -31.05

 

CMYK 5 / 56 / 0 / 19

HEX #C45ACE

RGB 196 90 206

HSL 294.83, 0.54%, 0.58%

LAB 55.59, 58.35, -41.4

 

CMYK 0 / 33 / 56 / 19

HEX #CE8A5A

RGB 206 138 90

HSL 24.83, 0.54%, 0.58%

LAB 63.37, 20.93, 36.05

 

CMYK 51 / 0 / 56 / 19

HEX #64CE5A

RGB 100 206 90

HSL 114.83, 0.54%, 0.58%

LAB 74.57, -53.1, 47.78

 

Description

Color code: HEX #5B9ECE | qconv.com Color code: HEX #5B9ECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 158 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 158 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 23 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 23% 0% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - Home
Link: http://www.cwnware.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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