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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A9ECE it is the complementary color #A56131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A9ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A9ECE shade: #5F9EC9, #70B0DC, #81C2EF, #92D4FF and #A3E6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A9ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A9ECE shade: #5A9ECE, #498CBB, #387AA8, #276895 and #165682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A9ECE shade: #5A9ECE, #5A7FCE, #5A5FCE, #745ACE and #935ACE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A9ECE shade: #5A9ECE, #5A7FCE, #5A5FCE and #5A5ACE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A9ECE shade matches the following richer shades: #5A9ECE, #49A1DF and #37A4F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A9ECE shade: #5A9ECE, #6B9BBC, #7D98AB, #8E959A and #9F9288

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A9ECE shade: #5ACEBE, #5ABECE, #5A9FCE, #5A81CE and #5A62CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A9ECE shade: #3175A4, #3B8BC4, #5A9ECE, #7AB1D7 and #9AC3E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A9ECE shade: #5A9ECE, #9F5ACE and #CECE5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A9ECE shade: #5A9ECE, #CE5A9F and #9FCE5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A9ECE shade: #5A9ECE, #9F5ACE, #CE885A and #88CE5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A9ECE shade: #5A9ECE, #C25ACE, #CE885A and #66CE5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 23 / 0 / 19

HEX #5A9ECE

RGB 90 158 206

HSL 204.83, 0.54%, 0.58%

LAB 62.58, -7.66, -31.12

 

Complementary color

CMYK 0 / 41 / 70 / 35

HEX #A56131

RGB 165 97 49

HSL 24.83, 0.54%, 0.42%

LAB 47.97, 23.37, 38.34

 

CMYK 53 / 21 / 0 / 21

HEX #5F9EC9

RGB 95 158 201

HSL 204.34, 0.5%, 0.58%

LAB 62.6, -8.12, -28.29

 

CMYK 49 / 20 / 0 / 14

HEX #70B0DC

RGB 112 176 220

HSL 204.44, 0.61%, 0.65%

LAB 69.23, -8.55, -28.51

 

CMYK 46 / 19 / 0 / 6

HEX #81C2EF

RGB 129 194 239

HSL 204.55, 0.77%, 0.72%

LAB 75.75, -8.91, -28.74

 

CMYK 43 / 17 / 0 / 0

HEX #92D4FF

RGB 146 212 255

HSL 203.67, 1%, 0.79%

LAB 82.06, -9.99, -27.54

 

CMYK 36 / 10 / 0 / 0

HEX #A3E6FF

RGB 163 230 255

HSL 196.3, 1%, 0.82%

LAB 87.78, -14.96, -18.79

 

CMYK 56 / 23 / 0 / 19

HEX #5A9ECE

RGB 90 158 206

HSL 204.83, 0.54%, 0.58%

LAB 62.58, -7.66, -31.12

 

CMYK 61 / 25 / 0 / 27

HEX #498CBB

RGB 73 140 187

HSL 204.74, 0.46%, 0.51%

LAB 55.85, -6.96, -30.93

 

CMYK 67 / 27 / 0 / 34

HEX #387AA8

RGB 56 122 168

HSL 204.64, 0.5%, 0.44%

LAB 48.99, -6.04, -30.72

 

CMYK 74 / 30 / 0 / 42

HEX #276895

RGB 39 104 149

HSL 204.55, 0.59%, 0.37%

LAB 42, -4.8, -30.51

 

CMYK 83 / 34 / 0 / 49

HEX #165682

RGB 22 86 130

HSL 204.44, 0.71%, 0.3%

LAB 34.88, -3.07, -30.24

 

CMYK 56 / 23 / 0 / 19

HEX #5A9ECE

RGB 90 158 206

HSL 204.83, 0.54%, 0.58%

LAB 62.58, -7.66, -31.12

 

CMYK 56 / 38 / 0 / 19

HEX #5A7FCE

RGB 90 127 206

HSL 220.86, 0.54%, 0.58%

LAB 53.82, 10.37, -44.84

 

CMYK 56 / 54 / 0 / 19

HEX #5A5FCE

RGB 90 95 206

HSL 237.41, 0.54%, 0.58%

LAB 45.38, 30.08, -58.35

 

CMYK 44 / 56 / 0 / 19

HEX #745ACE

RGB 116 90 206

HSL 253.45, 0.54%, 0.58%

LAB 46.29, 38.51, -56.78

 

CMYK 29 / 56 / 0 / 19

HEX #935ACE

RGB 147 90 206

HSL 269.48, 0.54%, 0.58%

LAB 49.46, 45.83, -51.51

 

CMYK 56 / 23 / 0 / 19

HEX #5A9ECE

RGB 90 158 206

HSL 204.83, 0.54%, 0.58%

LAB 62.58, -7.66, -31.12

 

CMYK 56 / 38 / 0 / 19

HEX #5A7FCE

RGB 90 127 206

HSL 220.86, 0.54%, 0.58%

LAB 53.82, 10.37, -44.84

 

CMYK 56 / 54 / 0 / 19

HEX #5A5FCE

RGB 90 95 206

HSL 237.41, 0.54%, 0.58%

LAB 45.38, 30.08, -58.35

 

CMYK 56 / 56 / 0 / 19

HEX #5A5ACE

RGB 90 90 206

HSL 240, 0.54%, 0.58%

LAB 44.15, 33.15, -60.34

 

CMYK 56 / 23 / 0 / 19

HEX #5A9ECE

RGB 90 158 206

HSL 204.83, 0.54%, 0.58%

LAB 62.58, -7.66, -31.12

 

CMYK 67 / 28 / 0 / 13

HEX #49A1DF

RGB 73 161 223

HSL 204.8, 0.7%, 0.58%

LAB 63.54, -6.95, -39.12

 

CMYK 77 / 32 / 0 / 6

HEX #37A4F0

RGB 55 164 240

HSL 204.65, 0.86%, 0.58%

LAB 64.69, -5.18, -46.7

 

CMYK 56 / 23 / 0 / 19

HEX #5A9ECE

RGB 90 158 206

HSL 204.83, 0.54%, 0.58%

LAB 62.58, -7.66, -31.12

 

CMYK 43 / 18 / 0 / 26

HEX #6B9BBC

RGB 107 155 188

HSL 204.44, 0.38%, 0.58%

LAB 61.83, -7.33, -22.14

 

CMYK 27 / 11 / 0 / 33

HEX #7D98AB

RGB 125 152 171

HSL 204.78, 0.21%, 0.58%

LAB 61.44, -4.98, -13.04

 

CMYK 8 / 3 / 0 / 40

HEX #8E959A

RGB 142 149 154

HSL 205, 0.06%, 0.58%

LAB 61.29, -1.5, -3.51

 

CMYK 0 / 8 / 14 / 38

HEX #9F9288

RGB 159 146 136

HSL 26.09, 0.11%, 0.58%

LAB 61.4, 3.07, 7.03

 

CMYK 56 / 0 / 8 / 19

HEX #5ACEBE

RGB 90 206 190

HSL 171.72, 0.54%, 0.58%

LAB 76.09, -36.58, -1.94

 

CMYK 56 / 8 / 0 / 19

HEX #5ABECE

RGB 90 190 206

HSL 188.28, 0.54%, 0.58%

LAB 71.86, -24.59, -16.91

 

CMYK 56 / 23 / 0 / 19

HEX #5A9FCE

RGB 90 159 206

HSL 204.31, 0.54%, 0.58%

LAB 62.87, -8.22, -30.68

 

CMYK 56 / 37 / 0 / 19

HEX #5A81CE

RGB 90 129 206

HSL 219.83, 0.54%, 0.58%

LAB 54.38, 9.17, -43.97

 

CMYK 56 / 52 / 0 / 19

HEX #5A62CE

RGB 90 98 206

HSL 235.86, 0.54%, 0.58%

LAB 46.13, 28.22, -57.14

 

CMYK 70 / 29 / 0 / 36

HEX #3175A4

RGB 49 117 164

HSL 204.52, 0.54%, 0.42%

LAB 47.05, -5.65, -31.45

 

CMYK 70 / 29 / 0 / 23

HEX #3B8BC4

RGB 59 139 196

HSL 204.96, 0.54%, 0.5%

LAB 55.46, -5.76, -36.68

 

CMYK 56 / 23 / 0 / 19

HEX #5A9ECE

RGB 90 158 206

HSL 204.83, 0.54%, 0.58%

LAB 62.58, -7.66, -31.12

 

CMYK 43 / 18 / 0 / 16

HEX #7AB1D7

RGB 122 177 215

HSL 204.52, 0.54%, 0.66%

LAB 69.82, -8.09, -24.83

 

CMYK 32 / 13 / 0 / 12

HEX #9AC3E1

RGB 154 195 225

HSL 205.35, 0.54%, 0.74%

LAB 76.88, -6.57, -19.34

 

CMYK 56 / 23 / 0 / 19

HEX #5A9ECE

RGB 90 158 206

HSL 204.83, 0.54%, 0.58%

LAB 62.58, -7.66, -31.12

 

CMYK 23 / 56 / 0 / 19

HEX #9F5ACE

RGB 159 90 206

HSL 275.69, 0.54%, 0.58%

LAB 50.85, 48.83, -49.21

 

CMYK 0 / 0 / 56 / 19

HEX #CECE5A

RGB 206 206 90

HSL 60, 0.54%, 0.58%

LAB 80.74, -15.06, 56.49

 

CMYK 56 / 23 / 0 / 19

HEX #5A9ECE

RGB 90 158 206

HSL 204.83, 0.54%, 0.58%

LAB 62.58, -7.66, -31.12

 

CMYK 0 / 56 / 23 / 19

HEX #CE5A9F

RGB 206 90 159

HSL 324.31, 0.54%, 0.58%

LAB 55.01, 53.57, -15.05

 

CMYK 23 / 0 / 56 / 19

HEX #9FCE5A

RGB 159 206 90

HSL 84.31, 0.54%, 0.58%

LAB 77.43, -33.69, 51.84

 

CMYK 56 / 23 / 0 / 19

HEX #5A9ECE

RGB 90 158 206

HSL 204.83, 0.54%, 0.58%

LAB 62.58, -7.66, -31.12

 

CMYK 23 / 56 / 0 / 19

HEX #9F5ACE

RGB 159 90 206

HSL 275.69, 0.54%, 0.58%

LAB 50.85, 48.83, -49.21

 

CMYK 0 / 34 / 56 / 19

HEX #CE885A

RGB 206 136 90

HSL 23.79, 0.54%, 0.58%

LAB 62.9, 22.02, 35.47

 

CMYK 34 / 0 / 56 / 19

HEX #88CE5A

RGB 136 206 90

HSL 96.21, 0.54%, 0.58%

LAB 76.14, -41.97, 50.02

 

CMYK 56 / 23 / 0 / 19

HEX #5A9ECE

RGB 90 158 206

HSL 204.83, 0.54%, 0.58%

LAB 62.58, -7.66, -31.12

 

CMYK 6 / 56 / 0 / 19

HEX #C25ACE

RGB 194 90 206

HSL 293.79, 0.54%, 0.58%

LAB 55.32, 57.83, -41.85

 

CMYK 0 / 34 / 56 / 19

HEX #CE885A

RGB 206 136 90

HSL 23.79, 0.54%, 0.58%

LAB 62.9, 22.02, 35.47

 

CMYK 50 / 0 / 56 / 19

HEX #66CE5A

RGB 102 206 90

HSL 113.79, 0.54%, 0.58%

LAB 74.64, -52.55, 47.88

 

Description

Color code: HEX #5A9ECE | qconv.com Color code: HEX #5A9ECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 158 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 158 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 23 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 23% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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