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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B916B it is the complementary color #A46E94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B916B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5B916B: #609166, #71A379, #82B58C, #93C79F and #A4D9B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B916B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5B916B: #5B916B, #4A7F58, #396D45, #285B32 and #17491F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 26 / 43

HEX #5B916B

RGB 91 145 107

HSL 137.78, 0.23%, 0.46%

LAB 55.62, -26.48, 14.64

 

Complementary color

CMYK 0 / 33 / 10 / 36

HEX #A46E94

RGB 164 110 148

HSL 317.78, 0.23%, 0.54%

LAB 53.15, 27.48, -11.96

 

CMYK 34 / 0 / 30 / 43

HEX #609166

RGB 96 145 102

HSL 127.35, 0.2%, 0.47%

LAB 55.78, -25.79, 17.72

 

CMYK 31 / 0 / 26 / 36

HEX #71A379

RGB 113 163 121

HSL 129.6, 0.21%, 0.54%

LAB 62.58, -25.52, 16.62

 

CMYK 28 / 0 / 23 / 29

HEX #82B58C

RGB 130 181 140

HSL 131.76, 0.26%, 0.61%

LAB 69.25, -25.26, 15.59

 

CMYK 26 / 0 / 20 / 22

HEX #93C79F

RGB 147 199 159

HSL 133.85, 0.32%, 0.68%

LAB 75.79, -25.03, 14.64

 

CMYK 24 / 0 / 18 / 15

HEX #A4D9B2

RGB 164 217 178

HSL 135.85, 0.41%, 0.75%

LAB 82.23, -24.82, 13.74

 

CMYK 37 / 0 / 26 / 43

HEX #5B916B

RGB 91 145 107

HSL 137.78, 0.23%, 0.46%

LAB 55.62, -26.48, 14.64

 

CMYK 42 / 0 / 31 / 50

HEX #4A7F58

RGB 74 127 88

HSL 135.85, 0.26%, 0.39%

LAB 48.68, -26.77, 15.8

 

CMYK 48 / 0 / 37 / 57

HEX #396D45

RGB 57 109 69

HSL 133.85, 0.31%, 0.33%

LAB 41.59, -27.03, 17.1

 

CMYK 56 / 0 / 45 / 64

HEX #285B32

RGB 40 91 50

HSL 131.76, 0.39%, 0.26%

LAB 34.32, -27.19, 18.55

 

CMYK 68 / 0 / 58 / 71

HEX #17491F

RGB 23 73 31

HSL 129.6, 0.52%, 0.19%

LAB 26.87, -27.05, 20.16

 

CMYK 37 / 0 / 26 / 43

HEX #5B916B

RGB 91 145 107

HSL 137.78, 0.23%, 0.46%

LAB 55.62, -26.48, 14.64

 

CMYK 38 / 0 / 21 / 44

HEX #5A9072

RGB 90 144 114

HSL 146.67, 0.23%, 0.46%

LAB 55.42, -24.87, 10.37

 

CMYK 38 / 0 / 15 / 44

HEX #5A907B

RGB 90 144 123

HSL 156.67, 0.23%, 0.46%

LAB 55.63, -22.89, 5.53

 

CMYK 38 / 0 / 8 / 44

HEX #5A9084

RGB 90 144 132

HSL 166.67, 0.23%, 0.46%

LAB 55.87, -20.79, 0.71

 

CMYK 38 / 0 / 2 / 44

HEX #5A908D

RGB 90 144 141

HSL 176.67, 0.23%, 0.46%

LAB 56.13, -18.57, -4.08

 

CMYK 37 / 0 / 26 / 43

HEX #5B916B

RGB 91 145 107

HSL 137.78, 0.23%, 0.46%

LAB 55.62, -26.48, 14.64

 

CMYK 37 / 0 / 26 / 23

HEX #7BC491

RGB 123 196 145

HSL 138.08, 0.38%, 0.63%

LAB 73.37, -33.74, 18.57

 

CMYK 37 / 0 / 26 / 3

HEX #9BF7B6

RGB 155 247 182

HSL 137.61, 0.85%, 0.79%

LAB 90.26, -40.8, 22.79

 

CMYK 37 / 0 / 26 / 83

HEX #1B2B20

RGB 27 43 32

HSL 138.75, 0.23%, 0.14%

LAB 15.82, -9.66, 5.06

 

CMYK 37 / 0 / 27 / 63

HEX #3B5E45

RGB 59 94 69

HSL 137.14, 0.23%, 0.3%

LAB 36.68, -18.67, 10.42

 

CMYK 37 / 0 / 26 / 43

HEX #5B916B

RGB 91 145 107

HSL 137.78, 0.23%, 0.46%

LAB 55.62, -26.48, 14.64

 

CMYK 38 / 18 / 0 / 44

HEX #5A7690

RGB 90 118 144

HSL 208.89, 0.23%, 0.46%

LAB 48.44, -3.25, -17.38

 

CMYK 0 / 38 / 33 / 44

HEX #905A60

RGB 144 90 96

HSL 353.33, 0.23%, 0.46%

LAB 44.36, 23.04, 5.9

 

CMYK 37 / 0 / 26 / 43

HEX #5B916B

RGB 91 145 107

HSL 137.78, 0.23%, 0.46%

LAB 55.62, -26.48, 14.64

 

CMYK 27 / 38 / 0 / 44

HEX #695A90

RGB 105 90 144

HSL 256.67, 0.23%, 0.46%

LAB 41.73, 18.41, -27.64

 

CMYK 0 / 27 / 38 / 44

HEX #90695A

RGB 144 105 90

HSL 16.67, 0.23%, 0.46%

LAB 47.97, 13.5, 14.56

 

CMYK 37 / 0 / 26 / 43

HEX #5B916B

RGB 91 145 107

HSL 137.78, 0.23%, 0.46%

LAB 55.62, -26.48, 14.64

 

CMYK 38 / 18 / 0 / 44

HEX #5A7690

RGB 90 118 144

HSL 208.89, 0.23%, 0.46%

LAB 48.44, -3.25, -17.38

 

CMYK 0 / 38 / 11 / 44

HEX #905A80

RGB 144 90 128

HSL 317.78, 0.23%, 0.46%

LAB 45.36, 28.15, -12.05

 

CMYK 0 / 19 / 38 / 44

HEX #90745A

RGB 144 116 90

HSL 28.89, 0.23%, 0.46%

LAB 50.87, 7.12, 18.51

 

CMYK 37 / 0 / 26 / 43

HEX #5B916B

RGB 91 145 107

HSL 137.78, 0.23%, 0.46%

LAB 55.62, -26.48, 14.64

 

CMYK 38 / 29 / 0 / 44

HEX #5A6690

RGB 90 102 144

HSL 226.67, 0.23%, 0.46%

LAB 43.79, 6.38, -24.54

 

CMYK 0 / 38 / 11 / 44

HEX #905A80

RGB 144 90 128

HSL 317.78, 0.23%, 0.46%

LAB 45.36, 28.15, -12.05

 

CMYK 0 / 8 / 38 / 44

HEX #90845A

RGB 144 132 90

HSL 46.67, 0.23%, 0.46%

LAB 55.25, -1.98, 24.34

 

Description

Color code: HEX #5B916B | qconv.com Color code: HEX #5B916B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 145 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 145 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 26 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 26% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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