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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AD5F1 it is the complementary color #A52A0E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AD5F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5AD5F1: #5FD5EC, #70E7FF, #81F9FF, #92FFFF and #A3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AD5F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5AD5F1: #5AD5F1, #49C3DE, #38B1CB, #279FB8 and #168DA5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 12 / 0 / 5

HEX #5AD5F1

RGB 90 213 241

HSL 191.13, 0.84%, 0.65%

LAB 79.68, -25.94, -23.93

 

Complementary color

CMYK 0 / 75 / 92 / 35

HEX #A52A0E

RGB 165 42 14

HSL 11.13, 0.84%, 0.35%

LAB 37.27, 48.86, 44.78

 

CMYK 60 / 10 / 0 / 7

HEX #5FD5EC

RGB 95 213 236

HSL 189.79, 0.79%, 0.65%

LAB 79.66, -26.55, -21.28

 

CMYK 56 / 9 / 0 / 0

HEX #70E7FF

RGB 112 231 255

HSL 190.07, 1%, 0.72%

LAB 85.91, -26.95, -21.81

 

CMYK 49 / 2 / 0 / 0

HEX #81F9FF

RGB 129 249 255

HSL 182.86, 1%, 0.75%

LAB 91.52, -32.22, -13.31

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 63 / 12 / 0 / 5

HEX #5AD5F1

RGB 90 213 241

HSL 191.13, 0.84%, 0.65%

LAB 79.68, -25.94, -23.93

 

CMYK 67 / 12 / 0 / 13

HEX #49C3DE

RGB 73 195 222

HSL 190.87, 0.69%, 0.58%

LAB 73.36, -25.29, -23.39

 

CMYK 72 / 13 / 0 / 20

HEX #38B1CB

RGB 56 177 203

HSL 190.61, 0.59%, 0.51%

LAB 66.97, -24.43, -22.79

 

CMYK 79 / 14 / 0 / 28

HEX #279FB8

RGB 39 159 184

HSL 190.34, 0.65%, 0.44%

LAB 60.51, -23.3, -22.12

 

CMYK 87 / 15 / 0 / 35

HEX #168DA5

RGB 22 141 165

HSL 190.07, 0.76%, 0.37%

LAB 53.96, -21.8, -21.36

 

CMYK 63 / 12 / 0 / 5

HEX #5AD5F1

RGB 90 213 241

HSL 191.13, 0.84%, 0.65%

LAB 79.68, -25.94, -23.93

 

CMYK 63 / 22 / 0 / 6

HEX #5ABCF0

RGB 90 188 240

HSL 200.8, 0.83%, 0.65%

LAB 72.52, -13.42, -34.4

 

CMYK 63 / 32 / 0 / 6

HEX #5AA3F0

RGB 90 163 240

HSL 210.8, 0.83%, 0.65%

LAB 65.48, 0.35, -45.38

 

CMYK 63 / 43 / 0 / 6

HEX #5A8AF0

RGB 90 138 240

HSL 220.8, 0.83%, 0.65%

LAB 58.64, 15, -56.22

 

CMYK 63 / 53 / 0 / 6

HEX #5A71F0

RGB 90 113 240

HSL 230.8, 0.83%, 0.65%

LAB 52.15, 30.21, -66.65

 

CMYK 63 / 12 / 0 / 5

HEX #5AD5F1

RGB 90 213 241

HSL 191.13, 0.84%, 0.65%

LAB 79.68, -25.94, -23.93

 

CMYK 62 / 11 / 0 / 85

HEX #0E2125

RGB 14 33 37

HSL 190.43, 0.45%, 0.1%

LAB 11.38, -6.34, -5.11

 

CMYK 63 / 11 / 0 / 65

HEX #214E58

RGB 33 78 88

HSL 190.91, 0.45%, 0.24%

LAB 30.58, -12.05, -10.55

 

CMYK 63 / 12 / 0 / 45

HEX #347B8B

RGB 52 123 139

HSL 191.03, 0.46%, 0.37%

LAB 47.96, -17.01, -15.33

 

CMYK 63 / 12 / 0 / 25

HEX #47A8BE

RGB 71 168 190

HSL 191.09, 0.48%, 0.51%

LAB 64.21, -21.6, -19.75

 

CMYK 63 / 12 / 0 / 5

HEX #5AD5F1

RGB 90 213 241

HSL 191.13, 0.84%, 0.65%

LAB 79.68, -25.94, -23.93

 

CMYK 38 / 63 / 0 / 6

HEX #945AF0

RGB 148 90 240

HSL 263.2, 0.83%, 0.65%

LAB 51.72, 54.46, -67.11

 

CMYK 0 / 13 / 63 / 6

HEX #F0D05A

RGB 240 208 90

HSL 47.2, 0.83%, 0.65%

LAB 84.16, -2.01, 61.09

 

CMYK 63 / 12 / 0 / 5

HEX #5AD5F1

RGB 90 213 241

HSL 191.13, 0.84%, 0.65%

LAB 79.68, -25.94, -23.93

 

CMYK 0 / 63 / 11 / 6

HEX #F05AD5

RGB 240 90 213

HSL 310.8, 0.83%, 0.65%

LAB 62.2, 70.81, -34.55

 

CMYK 11 / 0 / 63 / 6

HEX #D5F05A

RGB 213 240 90

HSL 70.8, 0.83%, 0.65%

LAB 90.42, -28.71, 67.21

 

CMYK 63 / 12 / 0 / 5

HEX #5AD5F1

RGB 90 213 241

HSL 191.13, 0.84%, 0.65%

LAB 79.68, -25.94, -23.93

 

CMYK 38 / 63 / 0 / 6

HEX #945AF0

RGB 148 90 240

HSL 263.2, 0.83%, 0.65%

LAB 51.72, 54.46, -67.11

 

CMYK 0 / 51 / 63 / 6

HEX #F0765A

RGB 240 118 90

HSL 11.2, 0.83%, 0.65%

LAB 63.52, 44.77, 37.24

 

CMYK 24 / 0 / 63 / 6

HEX #B7F05A

RGB 183 240 90

HSL 82.8, 0.83%, 0.65%

LAB 88.51, -40.13, 64.6

 

CMYK 63 / 12 / 0 / 5

HEX #5AD5F1

RGB 90 213 241

HSL 191.13, 0.84%, 0.65%

LAB 79.68, -25.94, -23.93

 

CMYK 20 / 63 / 0 / 6

HEX #C15AF0

RGB 193 90 240

HSL 281.2, 0.83%, 0.65%

LAB 57.02, 64.21, -58.31

 

CMYK 0 / 51 / 63 / 6

HEX #F0765A

RGB 240 118 90

HSL 11.2, 0.83%, 0.65%

LAB 63.52, 44.77, 37.24

 

CMYK 43 / 0 / 63 / 6

HEX #8AF05A

RGB 138 240 90

HSL 100.8, 0.83%, 0.65%

LAB 86.24, -55.4, 61.46

 

Description

Color code: HEX #5AD5F1 | qconv.com Color code: HEX #5AD5F1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 213 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 213 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 12 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 12% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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