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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AC8B9 it is the complementary color #A53746. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AC8B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5AC8B9: #5FC8B4, #70DAC7, #81ECDA, #92FEED and #A3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AC8B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5AC8B9: #5AC8B9, #49B6A6, #38A493, #279280 and #16806D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 8 / 22

HEX #5AC8B9

RGB 90 200 185

HSL 171.82, 0.5%, 0.57%

LAB 74.18, -35.07, -2.04

 

Complementary color

CMYK 0 / 67 / 58 / 35

HEX #A53746

RGB 165 55 70

HSL 351.82, 0.5%, 0.43%

LAB 39.87, 46.25, 16.2

 

CMYK 53 / 0 / 10 / 22

HEX #5FC8B4

RGB 95 200 180

HSL 168.57, 0.49%, 0.58%

LAB 74.21, -35.27, 0.74

 

CMYK 49 / 0 / 9 / 15

HEX #70DAC7

RGB 112 218 199

HSL 169.25, 0.59%, 0.65%

LAB 80.58, -35.26, -0.1

 

CMYK 45 / 0 / 8 / 7

HEX #81ECDA

RGB 129 236 218

HSL 169.91, 0.74%, 0.72%

LAB 86.86, -35.2, -0.89

 

CMYK 43 / 0 / 7 / 0

HEX #92FEED

RGB 146 254 237

HSL 170.56, 0.98%, 0.78%

LAB 93.06, -35.11, -1.63

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 55 / 0 / 8 / 22

HEX #5AC8B9

RGB 90 200 185

HSL 171.82, 0.5%, 0.57%

LAB 74.18, -35.07, -2.04

 

CMYK 60 / 0 / 9 / 29

HEX #49B6A6

RGB 73 182 166

HSL 171.19, 0.43%, 0.5%

LAB 67.74, -34.9, -1.14

 

CMYK 66 / 0 / 10 / 36

HEX #38A493

RGB 56 164 147

HSL 170.56, 0.49%, 0.43%

LAB 61.22, -34.59, -0.16

 

CMYK 73 / 0 / 12 / 43

HEX #279280

RGB 39 146 128

HSL 169.91, 0.58%, 0.36%

LAB 54.6, -34.05, 0.95

 

CMYK 83 / 0 / 15 / 50

HEX #16806D

RGB 22 128 109

HSL 169.25, 0.71%, 0.29%

LAB 47.9, -33.16, 2.21

 

CMYK 55 / 0 / 8 / 22

HEX #5AC8B9

RGB 90 200 185

HSL 171.82, 0.5%, 0.57%

LAB 74.18, -35.07, -2.04

 

CMYK 55 / 1 / 0 / 22

HEX #5AC6C8

RGB 90 198 200

HSL 181.09, 0.5%, 0.57%

LAB 74.02, -30.19, -10.41

 

CMYK 55 / 10 / 0 / 22

HEX #5AB4C8

RGB 90 180 200

HSL 190.91, 0.5%, 0.57%

LAB 68.74, -21.23, -18.35

 

CMYK 55 / 20 / 0 / 22

HEX #5AA1C8

RGB 90 161 200

HSL 201.27, 0.5%, 0.57%

LAB 63.21, -11.16, -26.81

 

CMYK 55 / 29 / 0 / 22

HEX #5A8FC8

RGB 90 143 200

HSL 211.09, 0.5%, 0.57%

LAB 58.03, -1.02, -34.84

 

CMYK 55 / 0 / 8 / 22

HEX #5AC8B9

RGB 90 200 185

HSL 171.82, 0.5%, 0.57%

LAB 74.18, -35.07, -2.04

 

CMYK 55 / 0 / 8 / 2

HEX #71FBE8

RGB 113 251 232

HSL 171.74, 0.95%, 0.71%

LAB 90.93, -42.06, -2.3

 

CMYK 55 / 0 / 9 / 82

HEX #152F2B

RGB 21 47 43

HSL 170.77, 0.38%, 0.13%

LAB 17.31, -11.23, -0.53

 

CMYK 55 / 0 / 7 / 62

HEX #2C625B

RGB 44 98 91

HSL 172.22, 0.38%, 0.28%

LAB 37.89, -19.8, -1.48

 

CMYK 55 / 0 / 7 / 42

HEX #43958A

RGB 67 149 138

HSL 171.95, 0.38%, 0.42%

LAB 56.61, -27.71, -1.77

 

CMYK 55 / 0 / 8 / 22

HEX #5AC8B9

RGB 90 200 185

HSL 171.82, 0.5%, 0.57%

LAB 74.18, -35.07, -2.04

 

CMYK 52 / 55 / 0 / 22

HEX #605AC8

RGB 96 90 200

HSL 243.27, 0.5%, 0.57%

LAB 44.19, 32.43, -56.79

 

CMYK 0 / 31 / 55 / 22

HEX #C88B5A

RGB 200 139 90

HSL 26.73, 0.5%, 0.57%

LAB 62.91, 17.89, 35.33

 

CMYK 55 / 0 / 8 / 22

HEX #5AC8B9

RGB 90 200 185

HSL 171.82, 0.5%, 0.57%

LAB 74.18, -35.07, -2.04

 

CMYK 9 / 55 / 0 / 22

HEX #B75AC8

RGB 183 90 200

HSL 290.73, 0.5%, 0.57%

LAB 53.55, 53.81, -41.31

 

CMYK 0 / 9 / 55 / 22

HEX #C8B75A

RGB 200 183 90

HSL 50.73, 0.5%, 0.57%

LAB 74.12, -5.79, 48.79

 

CMYK 55 / 0 / 8 / 22

HEX #5AC8B9

RGB 90 200 185

HSL 171.82, 0.5%, 0.57%

LAB 74.18, -35.07, -2.04

 

CMYK 52 / 55 / 0 / 22

HEX #605AC8

RGB 96 90 200

HSL 243.27, 0.5%, 0.57%

LAB 44.19, 32.43, -56.79

 

CMYK 0 / 55 / 47 / 22

HEX #C85A6A

RGB 200 90 106

HSL 351.27, 0.5%, 0.57%

LAB 52.54, 45.27, 12.57

 

CMYK 3 / 0 / 55 / 22

HEX #C2C85A

RGB 194 200 90

HSL 63.27, 0.5%, 0.57%

LAB 78.18, -16.97, 53.34

 

CMYK 55 / 0 / 8 / 22

HEX #5AC8B9

RGB 90 200 185

HSL 171.82, 0.5%, 0.57%

LAB 74.18, -35.07, -2.04

 

CMYK 36 / 55 / 0 / 22

HEX #805AC8

RGB 128 90 200

HSL 260.73, 0.5%, 0.57%

LAB 47.07, 39.66, -52.01

 

CMYK 0 / 55 / 47 / 22

HEX #C85A6A

RGB 200 90 106

HSL 351.27, 0.5%, 0.57%

LAB 52.54, 45.27, 12.57

 

CMYK 20 / 0 / 55 / 22

HEX #A1C85A

RGB 161 200 90

HSL 81.27, 0.5%, 0.57%

LAB 75.84, -30.12, 50.04

 

Description

Color code: HEX #5AC8B9 | qconv.com Color code: HEX #5AC8B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 200 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 200 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 8 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 8% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

100% - Talk to Me
Link: http://talk-to-me.ch

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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