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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AB124 it is the complementary color #A54EDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AB124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5AB124: #5FB11F, #70C332, #81D545, #92E758 and #A3F96B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AB124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5AB124: #5AB124, #499F11, #388D00, #277B00 and #166900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 80 / 31

HEX #5AB124

RGB 90 177 36

HSL 97.02, 0.66%, 0.42%

LAB 64.76, -49.44, 58.68

 

Complementary color

CMYK 25 / 64 / 0 / 14

HEX #A54EDB

RGB 165 78 219

HSL 277.02, 0.66%, 0.58%

LAB 50.17, 59.05, -57.67

 

CMYK 46 / 0 / 82 / 31

HEX #5FB11F

RGB 95 177 31

HSL 93.7, 0.7%, 0.41%

LAB 64.94, -48.12, 60.35

 

CMYK 43 / 0 / 74 / 24

HEX #70C332

RGB 112 195 50

HSL 94.34, 0.59%, 0.48%

LAB 71.35, -48.77, 60.83

 

CMYK 39 / 0 / 68 / 16

HEX #81D545

RGB 129 213 69

HSL 95, 0.63%, 0.55%

LAB 77.69, -49.17, 60.56

 

CMYK 37 / 0 / 62 / 9

HEX #92E758

RGB 146 231 88

HSL 95.66, 0.75%, 0.63%

LAB 83.95, -49.4, 59.87

 

CMYK 35 / 0 / 57 / 2

HEX #A3F96B

RGB 163 249 107

HSL 96.34, 0.92%, 0.7%

LAB 90.14, -49.51, 58.96

 

CMYK 49 / 0 / 80 / 31

HEX #5AB124

RGB 90 177 36

HSL 97.02, 0.66%, 0.42%

LAB 64.76, -49.44, 58.68

 

CMYK 54 / 0 / 89 / 38

HEX #499F11

RGB 73 159 17

HSL 96.34, 0.81%, 0.35%

LAB 58.28, -48.48, 57.44

 

CMYK 60 / 0 / 100 / 45

HEX #388D00

RGB 56 141 0

HSL 96.17, 1%, 0.28%

LAB 51.71, -47.06, 54.7

 

CMYK 68 / 0 / 100 / 52

HEX #277B00

RGB 39 123 0

HSL 100.98, 1%, 0.24%

LAB 45.08, -44.88, 49.23

 

CMYK 79 / 0 / 100 / 59

HEX #166900

RGB 22 105 0

HSL 107.43, 1%, 0.21%

LAB 38.33, -42.17, 43.69

 

CMYK 49 / 0 / 80 / 31

HEX #5AB124

RGB 90 177 36

HSL 97.02, 0.66%, 0.42%

LAB 64.76, -49.44, 58.68

 

CMYK 62 / 0 / 80 / 31

HEX #43B124

RGB 67 177 36

HSL 106.81, 0.66%, 0.42%

LAB 63.97, -55.69, 57.66

 

CMYK 76 / 0 / 80 / 31

HEX #2BB124

RGB 43 177 36

HSL 117.02, 0.66%, 0.42%

LAB 63.41, -60.38, 56.94

 

CMYK 80 / 0 / 71 / 31

HEX #24B134

RGB 36 177 52

HSL 126.81, 0.66%, 0.42%

LAB 63.4, -60.14, 51.29

 

CMYK 80 / 0 / 57 / 31

HEX #24B14C

RGB 36 177 76

HSL 137.02, 0.66%, 0.42%

LAB 63.62, -57.39, 41.01

 

CMYK 49 / 0 / 80 / 31

HEX #5AB124

RGB 90 177 36

HSL 97.02, 0.66%, 0.42%

LAB 64.76, -49.44, 58.68

 

CMYK 49 / 0 / 80 / 11

HEX #74E42E

RGB 116 228 46

HSL 96.92, 0.77%, 0.54%

LAB 81.51, -60.42, 71.75

 

CMYK 50 / 0 / 79 / 91

HEX #0C1805

RGB 12 24 5

HSL 97.89, 0.66%, 0.06%

LAB 6.71, -8.19, 7.84

 

CMYK 49 / 0 / 80 / 71

HEX #264B0F

RGB 38 75 15

HSL 97, 0.67%, 0.18%

LAB 28.06, -25.13, 29.9

 

CMYK 49 / 0 / 79 / 51

HEX #407E1A

RGB 64 126 26

HSL 97.2, 0.66%, 0.3%

LAB 47.09, -37.78, 44.77

 

CMYK 49 / 0 / 80 / 31

HEX #5AB124

RGB 90 177 36

HSL 97.02, 0.66%, 0.42%

LAB 64.76, -49.44, 58.68

 

CMYK 80 / 0 / 15 / 31

HEX #24B197

RGB 36 177 151

HSL 168.94, 0.66%, 0.42%

LAB 65.01, -42, 3.07

 

CMYK 0 / 80 / 17 / 31

HEX #B12493

RGB 177 36 147

HSL 312.77, 0.66%, 0.42%

LAB 42.33, 64.73, -27.8

 

CMYK 49 / 0 / 80 / 31

HEX #5AB124

RGB 90 177 36

HSL 97.02, 0.66%, 0.42%

LAB 64.76, -49.44, 58.68

 

CMYK 80 / 49 / 0 / 31

HEX #245AB1

RGB 36 90 177

HSL 217.02, 0.66%, 0.42%

LAB 39.35, 14.48, -51.36

 

CMYK 0 / 80 / 49 / 31

HEX #B1245A

RGB 177 36 90

HSL 337.02, 0.66%, 0.42%

LAB 40.16, 58.31, 4.31

 

CMYK 49 / 0 / 80 / 31

HEX #5AB124

RGB 90 177 36

HSL 97.02, 0.66%, 0.42%

LAB 64.76, -49.44, 58.68

 

CMYK 80 / 0 / 15 / 31

HEX #24B197

RGB 36 177 151

HSL 168.94, 0.66%, 0.42%

LAB 65.01, -42, 3.07

 

CMYK 31 / 80 / 0 / 31

HEX #7B24B1

RGB 123 36 177

HSL 277.02, 0.66%, 0.42%

LAB 35.3, 59.14, -57.59

 

CMYK 0 / 80 / 65 / 31

HEX #B1243E

RGB 177 36 62

HSL 348.94, 0.66%, 0.42%

LAB 39.51, 56.3, 21.16

 

CMYK 49 / 0 / 80 / 31

HEX #5AB124

RGB 90 177 36

HSL 97.02, 0.66%, 0.42%

LAB 64.76, -49.44, 58.68

 

CMYK 80 / 9 / 0 / 31

HEX #24A1B1

RGB 36 161 177

HSL 186.81, 0.66%, 0.42%

LAB 60.82, -26.89, -17.71

 

CMYK 31 / 80 / 0 / 31

HEX #7B24B1

RGB 123 36 177

HSL 277.02, 0.66%, 0.42%

LAB 35.3, 59.14, -57.59

 

CMYK 0 / 71 / 80 / 31

HEX #B13424

RGB 177 52 36

HSL 6.81, 0.66%, 0.42%

LAB 41.11, 49.65, 38.49

 

Description

Color code: HEX #5AB124 | qconv.com Color code: HEX #5AB124 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 177 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 177 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 80 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 80% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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