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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A07EB it is the complementary color #A5F814. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A07EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A07EB shade: #5F07E6, #7019F9, #812BFF, #923DFF and #A34FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A07EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A07EB shade: #5A07EB, #4900D8, #3800C5, #2700B2 and #16009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A07EB shade: #5907E9, #9607E9, #D307E9, #E907C2 and #E90785

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A07EB shade: #5907E9, #1C07E9 and #0707E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A07EB shade matches the following richer shades: #5907E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A07EB shade: #5907E9, #5E1BD5, #642EC2, #6941AE and #6E559B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A07EB shade: #0730E9, #1A07E9, #5607E9, #9207E9 and #CE07E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A07EB shade: #3A0598, #4A06C0, #5907E9, #6F21F8 and #8949F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A07EB shade: #5A07EB, #E9076D and #12E907

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A07EB shade: #5A07EB, #E95607 and #07E956

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A07EB shade: #5A07EB, #E9076D, #9AE907 and #07E983

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A07EB shade: #5A07EB, #E90729, #9AE907 and #07E9C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 97 / 0 / 8

HEX #5A07EB

RGB 90 7 235

HSL 261.84, 0.94%, 0.47%

LAB 34.65, 75.51, -92.53

 

Complementary color

CMYK 33 / 0 / 92 / 3

HEX #A5F814

RGB 165 248 20

HSL 81.84, 0.94%, 0.53%

LAB 89.48, -53.16, 84.45

 

CMYK 59 / 97 / 0 / 10

HEX #5F07E6

RGB 95 7 230

HSL 263.68, 0.94%, 0.46%

LAB 34.6, 74.67, -89.75

 

CMYK 55 / 90 / 0 / 2

HEX #7019F9

RGB 112 25 249

HSL 263.3, 0.95%, 0.54%

LAB 39.55, 77.17, -92.25

 

CMYK 49 / 83 / 0 / 0

HEX #812BFF

RGB 129 43 255

HSL 264.34, 1%, 0.58%

LAB 43.68, 75.34, -88.73

 

CMYK 43 / 76 / 0 / 0

HEX #923DFF

RGB 146 61 255

HSL 266.29, 1%, 0.62%

LAB 47.84, 71.11, -81.82

 

CMYK 36 / 69 / 0 / 0

HEX #A34FFF

RGB 163 79 255

HSL 268.64, 1%, 0.65%

LAB 52.51, 66.31, -74.12

 

CMYK 62 / 97 / 0 / 8

HEX #5A07EB

RGB 90 7 235

HSL 261.84, 0.94%, 0.47%

LAB 34.65, 75.51, -92.53

 

CMYK 66 / 100 / 0 / 15

HEX #4900D8

RGB 73 0 216

HSL 260.28, 1%, 0.42%

LAB 30.34, 71.32, -88.85

 

CMYK 72 / 100 / 0 / 23

HEX #3800C5

RGB 56 0 197

HSL 257.06, 1%, 0.39%

LAB 26.37, 66.17, -84.43

 

CMYK 78 / 100 / 0 / 30

HEX #2700B2

RGB 39 0 178

HSL 253.15, 1%, 0.35%

LAB 22.46, 61.02, -79.68

 

CMYK 86 / 100 / 0 / 38

HEX #16009F

RGB 22 0 159

HSL 248.3, 1%, 0.31%

LAB 18.69, 55.88, -74.5

 

CMYK 62 / 97 / 0 / 9

HEX #5907E9

RGB 89 7 233

HSL 261.77, 0.94%, 0.47%

LAB 34.31, 75, -91.96

 

CMYK 36 / 97 / 0 / 9

HEX #9607E9

RGB 150 7 233

HSL 277.96, 0.94%, 0.47%

LAB 42.03, 80.02, -78.95

 

CMYK 9 / 97 / 0 / 9

HEX #D307E9

RGB 211 7 233

HSL 294.16, 0.94%, 0.47%

LAB 51.71, 87.94, -62.78

 

CMYK 0 / 97 / 17 / 9

HEX #E907C2

RGB 233 7 194

HSL 310.35, 0.94%, 0.47%

LAB 53.35, 86.14, -37.63

 

CMYK 0 / 97 / 43 / 9

HEX #E90785

RGB 233 7 133

HSL 326.55, 0.94%, 0.47%

LAB 50.88, 79.77, -5.31

 

CMYK 62 / 97 / 0 / 9

HEX #5907E9

RGB 89 7 233

HSL 261.77, 0.94%, 0.47%

LAB 34.31, 75, -91.96

 

CMYK 88 / 97 / 0 / 9

HEX #1C07E9

RGB 28 7 233

HSL 245.58, 0.94%, 0.47%

LAB 30.11, 73.01, -99.06

 

CMYK 97 / 97 / 0 / 9

HEX #0707E9

RGB 7 7 233

HSL 240, 0.94%, 0.47%

LAB 29.61, 72.82, -99.91

 

CMYK 62 / 97 / 0 / 9

HEX #5907E9

RGB 89 7 233

HSL 261.77, 0.94%, 0.47%

LAB 34.31, 75, -91.96

 

CMYK 62 / 97 / 0 / 9

HEX #5907E9

RGB 89 7 233

HSL 261.77, 0.94%, 0.47%

LAB 34.31, 75, -91.96

 

CMYK 56 / 87 / 0 / 16

HEX #5E1BD5

RGB 94 27 213

HSL 261.61, 0.78%, 0.47%

LAB 33.92, 66.66, -81.12

 

CMYK 48 / 76 / 0 / 24

HEX #642EC2

RGB 100 46 194

HSL 261.89, 0.62%, 0.47%

LAB 35.12, 55.56, -68.04

 

CMYK 40 / 63 / 0 / 32

HEX #6941AE

RGB 105 65 174

HSL 262.02, 0.46%, 0.47%

LAB 37.55, 41.49, -52.25

 

CMYK 29 / 45 / 0 / 39

HEX #6E559B

RGB 110 85 155

HSL 261.43, 0.29%, 0.47%

LAB 41.5, 25.89, -34.58

 

CMYK 97 / 79 / 0 / 9

HEX #0730E9

RGB 7 48 233

HSL 229.12, 0.94%, 0.47%

LAB 34.07, 59.4, -92.48

 

CMYK 89 / 97 / 0 / 9

HEX #1A07E9

RGB 26 7 233

HSL 245.04, 0.94%, 0.47%

LAB 30.05, 72.98, -99.18

 

CMYK 63 / 97 / 0 / 9

HEX #5607E9

RGB 86 7 233

HSL 260.97, 0.94%, 0.47%

LAB 34.01, 74.83, -92.46

 

CMYK 37 / 97 / 0 / 9

HEX #9207E9

RGB 146 7 233

HSL 276.9, 0.94%, 0.47%

LAB 41.45, 79.59, -79.93

 

CMYK 12 / 97 / 0 / 9

HEX #CE07E9

RGB 206 7 233

HSL 292.83, 0.94%, 0.47%

LAB 50.87, 87.2, -64.17

 

CMYK 62 / 97 / 0 / 40

HEX #3A0598

RGB 58 5 152

HSL 261.63, 0.94%, 0.31%

LAB 21.11, 54.17, -66.07

 

CMYK 61 / 97 / 0 / 25

HEX #4A06C0

RGB 74 6 192

HSL 261.94, 0.94%, 0.39%

LAB 27.82, 64.72, -79.01

 

CMYK 62 / 97 / 0 / 9

HEX #5907E9

RGB 89 7 233

HSL 261.77, 0.94%, 0.47%

LAB 34.31, 75, -91.96

 

CMYK 55 / 87 / 0 / 3

HEX #6F21F8

RGB 111 33 248

HSL 261.77, 0.94%, 0.55%

LAB 39.99, 74.88, -90.96

 

CMYK 45 / 71 / 0 / 2

HEX #8949F9

RGB 137 73 249

HSL 261.82, 0.94%, 0.63%

LAB 48.16, 63.1, -77.98

 

CMYK 62 / 97 / 0 / 8

HEX #5A07EB

RGB 90 7 235

HSL 261.84, 0.94%, 0.47%

LAB 34.65, 75.51, -92.53

 

CMYK 0 / 97 / 53 / 9

HEX #E9076D

RGB 233 7 109

HSL 332.92, 0.94%, 0.47%

LAB 50.19, 77.92, 8.29

 

CMYK 92 / 0 / 97 / 9

HEX #12E907

RGB 18 233 7

HSL 117.08, 0.94%, 0.47%

LAB 80.97, -79.74, 77.18

 

CMYK 62 / 97 / 0 / 8

HEX #5A07EB

RGB 90 7 235

HSL 261.84, 0.94%, 0.47%

LAB 34.65, 75.51, -92.53

 

CMYK 0 / 63 / 97 / 9

HEX #E95607

RGB 233 86 7

HSL 20.97, 0.94%, 0.47%

LAB 56.08, 54.29, 64.66

 

CMYK 97 / 0 / 63 / 9

HEX #07E956

RGB 7 233 86

HSL 140.97, 0.94%, 0.47%

LAB 81.29, -75.52, 56.84

 

CMYK 62 / 97 / 0 / 8

HEX #5A07EB

RGB 90 7 235

HSL 261.84, 0.94%, 0.47%

LAB 34.65, 75.51, -92.53

 

CMYK 0 / 97 / 53 / 9

HEX #E9076D

RGB 233 7 109

HSL 332.92, 0.94%, 0.47%

LAB 50.19, 77.92, 8.29

 

CMYK 34 / 0 / 97 / 9

HEX #9AE907

RGB 154 233 7

HSL 80.97, 0.94%, 0.47%

LAB 84.57, -51.13, 81.57

 

CMYK 97 / 0 / 44 / 9

HEX #07E983

RGB 7 233 131

HSL 152.92, 0.94%, 0.47%

LAB 81.82, -69.06, 36.67

 

CMYK 62 / 97 / 0 / 8

HEX #5A07EB

RGB 90 7 235

HSL 261.84, 0.94%, 0.47%

LAB 34.65, 75.51, -92.53

 

CMYK 0 / 97 / 82 / 9

HEX #E90729

RGB 233 7 41

HSL 350.97, 0.94%, 0.47%

LAB 49.05, 74.82, 47.34

 

CMYK 34 / 0 / 97 / 9

HEX #9AE907

RGB 154 233 7

HSL 80.97, 0.94%, 0.47%

LAB 84.57, -51.13, 81.57

 

CMYK 97 / 0 / 15 / 9

HEX #07E9C7

RGB 7 233 199

HSL 170.97, 0.94%, 0.47%

LAB 83.15, -54.13, 3.41

 

Description

Color code: HEX #5A07EB | qconv.com Color code: HEX #5A07EB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 7 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 7 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 97 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 97% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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