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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59BCCD it is the complementary color #A64332. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59BCCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59BCCD shade: #5EBCC8, #6FCEDB, #80E0EE, #91F2FF and #A2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59BCCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59BCCD shade: #59BCCD, #48AABA, #3798A7, #268694 and #157481

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59BCCD shade: #5ABDCE, #5A9ECE, #5A7ECE, #5A5FCE and #745ACE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59BCCD shade: #5ABDCE, #5A9ECE, #5A7ECE, #5A5FCE and #5A5ACE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59BCCD shade matches the following richer shades: #5ABDCE, #49C9DF and #37D5F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59BCCD shade: #5ABDCE, #6BB1BC, #7DA4AB, #8E989A and #9F8C88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59BCCD shade: #5ACE9F, #5ACEBE, #5ABECE, #5A9FCE and #5A81CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59BCCD shade: #3193A4, #3BB0C4, #5ABDCE, #7ACAD7 and #9AD6E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59BCCD shade: #59BCCD, #815ACE and #CEAF5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59BCCD shade: #59BCCD, #CE5ABE and #BECE5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59BCCD shade: #59BCCD, #815ACE, #CE695A and #A7CE5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59BCCD shade: #59BCCD, #A35ACE, #CE695A and #84CE5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 8 / 0 / 20

HEX #59BCCD

RGB 89 188 205

HSL 188.79, 0.54%, 0.58%

LAB 71.21, -24.06, -17.35

 

Complementary color

CMYK 0 / 60 / 70 / 35

HEX #A64332

RGB 166 67 50

HSL 8.79, 0.54%, 0.42%

LAB 41.77, 39.76, 30.78

 

CMYK 53 / 6 / 0 / 22

HEX #5EBCC8

RGB 94 188 200

HSL 186.79, 0.49%, 0.58%

LAB 71.23, -24.46, -14.58

 

CMYK 49 / 6 / 0 / 14

HEX #6FCEDB

RGB 111 206 219

HSL 187.22, 0.6%, 0.65%

LAB 77.66, -24.65, -15.14

 

CMYK 46 / 6 / 0 / 7

HEX #80E0EE

RGB 128 224 238

HSL 187.64, 0.76%, 0.72%

LAB 84, -24.78, -15.67

 

CMYK 43 / 5 / 0 / 0

HEX #91F2FF

RGB 145 242 255

HSL 187.09, 1%, 0.78%

LAB 90.2, -25.36, -15.22

 

CMYK 36 / 0 / 0 / 0

HEX #A2FFFF

RGB 162 255 255

HSL 180, 1%, 0.82%

LAB 94.49, -27.52, -8.75

 

CMYK 57 / 8 / 0 / 20

HEX #59BCCD

RGB 89 188 205

HSL 188.79, 0.54%, 0.58%

LAB 71.21, -24.06, -17.35

 

CMYK 61 / 9 / 0 / 27

HEX #48AABA

RGB 72 170 186

HSL 188.42, 0.45%, 0.51%

LAB 64.7, -23.65, -16.78

 

CMYK 67 / 9 / 0 / 35

HEX #3798A7

RGB 55 152 167

HSL 188.04, 0.5%, 0.44%

LAB 58.09, -23.07, -16.14

 

CMYK 74 / 9 / 0 / 42

HEX #268694

RGB 38 134 148

HSL 187.64, 0.59%, 0.36%

LAB 51.38, -22.24, -15.43

 

CMYK 84 / 10 / 0 / 49

HEX #157481

RGB 21 116 129

HSL 187.22, 0.72%, 0.29%

LAB 44.57, -21.03, -14.62

 

CMYK 56 / 8 / 0 / 19

HEX #5ABDCE

RGB 90 189 206

HSL 188.79, 0.54%, 0.58%

LAB 71.57, -24.09, -17.35

 

CMYK 56 / 23 / 0 / 19

HEX #5A9ECE

RGB 90 158 206

HSL 204.83, 0.54%, 0.58%

LAB 62.58, -7.66, -31.12

 

CMYK 56 / 39 / 0 / 19

HEX #5A7ECE

RGB 90 126 206

HSL 221.38, 0.54%, 0.58%

LAB 53.55, 10.98, -45.28

 

CMYK 56 / 54 / 0 / 19

HEX #5A5FCE

RGB 90 95 206

HSL 237.41, 0.54%, 0.58%

LAB 45.38, 30.08, -58.35

 

CMYK 44 / 56 / 0 / 19

HEX #745ACE

RGB 116 90 206

HSL 253.45, 0.54%, 0.58%

LAB 46.29, 38.51, -56.78

 

CMYK 56 / 8 / 0 / 19

HEX #5ABDCE

RGB 90 189 206

HSL 188.79, 0.54%, 0.58%

LAB 71.57, -24.09, -17.35

 

CMYK 56 / 23 / 0 / 19

HEX #5A9ECE

RGB 90 158 206

HSL 204.83, 0.54%, 0.58%

LAB 62.58, -7.66, -31.12

 

CMYK 56 / 39 / 0 / 19

HEX #5A7ECE

RGB 90 126 206

HSL 221.38, 0.54%, 0.58%

LAB 53.55, 10.98, -45.28

 

CMYK 56 / 54 / 0 / 19

HEX #5A5FCE

RGB 90 95 206

HSL 237.41, 0.54%, 0.58%

LAB 45.38, 30.08, -58.35

 

CMYK 56 / 56 / 0 / 19

HEX #5A5ACE

RGB 90 90 206

HSL 240, 0.54%, 0.58%

LAB 44.15, 33.15, -60.34

 

CMYK 56 / 8 / 0 / 19

HEX #5ABDCE

RGB 90 189 206

HSL 188.79, 0.54%, 0.58%

LAB 71.57, -24.09, -17.35

 

CMYK 67 / 10 / 0 / 13

HEX #49C9DF

RGB 73 201 223

HSL 188.8, 0.7%, 0.58%

LAB 75.15, -27.96, -21.21

 

CMYK 77 / 11 / 0 / 6

HEX #37D5F0

RGB 55 213 240

HSL 188.76, 0.86%, 0.58%

LAB 78.86, -30.8, -24.71

 

CMYK 56 / 8 / 0 / 19

HEX #5ABDCE

RGB 90 189 206

HSL 188.79, 0.54%, 0.58%

LAB 71.57, -24.09, -17.35

 

CMYK 43 / 6 / 0 / 26

HEX #6BB1BC

RGB 107 177 188

HSL 188.15, 0.38%, 0.58%

LAB 68.17, -19.13, -12.53

 

CMYK 27 / 4 / 0 / 33

HEX #7DA4AB

RGB 125 164 171

HSL 189.13, 0.21%, 0.58%

LAB 64.84, -11.54, -7.95

 

CMYK 8 / 1 / 0 / 40

HEX #8E989A

RGB 142 152 154

HSL 190, 0.06%, 0.58%

LAB 62.12, -3.17, -2.29

 

CMYK 0 / 12 / 14 / 38

HEX #9F8C88

RGB 159 140 136

HSL 10.43, 0.11%, 0.58%

LAB 59.8, 6.43, 4.74

 

CMYK 56 / 0 / 23 / 19

HEX #5ACE9F

RGB 90 206 159

HSL 155.69, 0.54%, 0.58%

LAB 75.34, -43.9, 13.64

 

CMYK 56 / 0 / 8 / 19

HEX #5ACEBE

RGB 90 206 190

HSL 171.72, 0.54%, 0.58%

LAB 76.09, -36.58, -1.94

 

CMYK 56 / 8 / 0 / 19

HEX #5ABECE

RGB 90 190 206

HSL 188.28, 0.54%, 0.58%

LAB 71.86, -24.59, -16.91

 

CMYK 56 / 23 / 0 / 19

HEX #5A9FCE

RGB 90 159 206

HSL 204.31, 0.54%, 0.58%

LAB 62.87, -8.22, -30.68

 

CMYK 56 / 37 / 0 / 19

HEX #5A81CE

RGB 90 129 206

HSL 219.83, 0.54%, 0.58%

LAB 54.38, 9.17, -43.97

 

CMYK 70 / 10 / 0 / 36

HEX #3193A4

RGB 49 147 164

HSL 188.87, 0.54%, 0.42%

LAB 56.29, -22.34, -17.19

 

CMYK 70 / 10 / 0 / 23

HEX #3BB0C4

RGB 59 176 196

HSL 188.76, 0.54%, 0.5%

LAB 66.49, -25.71, -19.64

 

CMYK 56 / 8 / 0 / 19

HEX #5ABDCE

RGB 90 189 206

HSL 188.79, 0.54%, 0.58%

LAB 71.57, -24.09, -17.35

 

CMYK 43 / 6 / 0 / 16

HEX #7ACAD7

RGB 122 202 215

HSL 188.39, 0.54%, 0.66%

LAB 76.85, -21.17, -14.16

 

CMYK 32 / 5 / 0 / 12

HEX #9AD6E1

RGB 154 214 225

HSL 189.3, 0.54%, 0.74%

LAB 82.05, -16.45, -11.57

 

CMYK 57 / 8 / 0 / 20

HEX #59BCCD

RGB 89 188 205

HSL 188.79, 0.54%, 0.58%

LAB 71.21, -24.06, -17.35

 

CMYK 37 / 56 / 0 / 19

HEX #815ACE

RGB 129 90 206

HSL 260.17, 0.54%, 0.58%

LAB 47.54, 41.49, -54.7

 

CMYK 0 / 15 / 56 / 19

HEX #CEAF5A

RGB 206 175 90

HSL 43.97, 0.54%, 0.58%

LAB 72.57, 0.94, 47.13

 

CMYK 57 / 8 / 0 / 20

HEX #59BCCD

RGB 89 188 205

HSL 188.79, 0.54%, 0.58%

LAB 71.21, -24.06, -17.35

 

CMYK 0 / 56 / 8 / 19

HEX #CE5ABE

RGB 206 90 190

HSL 308.28, 0.54%, 0.58%

LAB 56.24, 58.27, -31.13

 

CMYK 8 / 0 / 56 / 19

HEX #BECE5A

RGB 190 206 90

HSL 68.28, 0.54%, 0.58%

LAB 79.52, -21.57, 54.78

 

CMYK 57 / 8 / 0 / 20

HEX #59BCCD

RGB 89 188 205

HSL 188.79, 0.54%, 0.58%

LAB 71.21, -24.06, -17.35

 

CMYK 37 / 56 / 0 / 19

HEX #815ACE

RGB 129 90 206

HSL 260.17, 0.54%, 0.58%

LAB 47.54, 41.49, -54.7

 

CMYK 0 / 49 / 56 / 19

HEX #CE695A

RGB 206 105 90

HSL 7.76, 0.54%, 0.58%

LAB 56.05, 38.54, 26.78

 

CMYK 19 / 0 / 56 / 19

HEX #A7CE5A

RGB 167 206 90

HSL 80.17, 0.54%, 0.58%

LAB 77.93, -30.64, 52.55

 

CMYK 57 / 8 / 0 / 20

HEX #59BCCD

RGB 89 188 205

HSL 188.79, 0.54%, 0.58%

LAB 71.21, -24.06, -17.35

 

CMYK 21 / 56 / 0 / 19

HEX #A35ACE

RGB 163 90 206

HSL 277.76, 0.54%, 0.58%

LAB 51.33, 49.84, -48.42

 

CMYK 0 / 49 / 56 / 19

HEX #CE695A

RGB 206 105 90

HSL 7.76, 0.54%, 0.58%

LAB 56.05, 38.54, 26.78

 

CMYK 36 / 0 / 56 / 19

HEX #84CE5A

RGB 132 206 90

HSL 98.28, 0.54%, 0.58%

LAB 75.94, -43.33, 49.73

 

Description

Color code: HEX #59BCCD | qconv.com Color code: HEX #59BCCD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 188 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 188 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 8 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 8% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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