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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #599ACD it is the complementary color #A66532. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #599ACD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #599ACD: #5E9AC8, #6FACDB, #80BEEE, #91D0FF and #A2E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #599ACD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #599ACD: #599ACD, #4888BA, #3776A7, #266494 and #155281

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 25 / 0 / 20

HEX #599ACD

RGB 89 154 205

HSL 206.38, 0.54%, 0.58%

LAB 61.34, -5.94, -32.48

 

Complementary color

CMYK 0 / 39 / 70 / 35

HEX #A66532

RGB 166 101 50

HSL 26.38, 0.54%, 0.42%

LAB 49.06, 21.62, 39.07

 

CMYK 53 / 23 / 0 / 22

HEX #5E9AC8

RGB 94 154 200

HSL 206.04, 0.49%, 0.58%

LAB 61.36, -6.41, -29.64

 

CMYK 49 / 21 / 0 / 14

HEX #6FACDB

RGB 111 172 219

HSL 206.11, 0.6%, 0.65%

LAB 68.02, -6.89, -29.83

 

CMYK 46 / 20 / 0 / 7

HEX #80BEEE

RGB 128 190 238

HSL 206.18, 0.76%, 0.72%

LAB 74.57, -7.28, -30.02

 

CMYK 43 / 18 / 0 / 0

HEX #91D0FF

RGB 145 208 255

HSL 205.64, 1%, 0.78%

LAB 80.93, -8.14, -29.28

 

CMYK 36 / 11 / 0 / 0

HEX #A2E2FF

RGB 162 226 255

HSL 198.71, 1%, 0.82%

LAB 86.65, -13.19, -20.49

 

CMYK 57 / 25 / 0 / 20

HEX #599ACD

RGB 89 154 205

HSL 206.38, 0.54%, 0.58%

LAB 61.34, -5.94, -32.48

 

CMYK 61 / 27 / 0 / 27

HEX #4888BA

RGB 72 136 186

HSL 206.32, 0.45%, 0.51%

LAB 54.59, -5.18, -32.32

 

CMYK 67 / 29 / 0 / 35

HEX #3776A7

RGB 55 118 167

HSL 206.25, 0.5%, 0.44%

LAB 47.7, -4.19, -32.16

 

CMYK 74 / 32 / 0 / 42

HEX #266494

RGB 38 100 148

HSL 206.18, 0.59%, 0.36%

LAB 40.68, -2.86, -31.99

 

CMYK 84 / 36 / 0 / 49

HEX #155281

RGB 21 82 129

HSL 206.11, 0.72%, 0.29%

LAB 33.52, -1.01, -31.78

 

CMYK 57 / 25 / 0 / 20

HEX #599ACD

RGB 89 154 205

HSL 206.38, 0.54%, 0.58%

LAB 61.34, -5.94, -32.48

 

CMYK 56 / 34 / 0 / 20

HEX #5A88CD

RGB 90 136 205

HSL 216, 0.53%, 0.58%

LAB 56.28, 4.67, -40.4

 

CMYK 56 / 43 / 0 / 20

HEX #5A75CD

RGB 90 117 205

HSL 225.91, 0.53%, 0.58%

LAB 51.04, 16.14, -48.69

 

CMYK 56 / 53 / 0 / 20

HEX #5A61CD

RGB 90 97 205

HSL 236.35, 0.53%, 0.58%

LAB 45.81, 28.51, -57.07

 

CMYK 51 / 56 / 0 / 20

HEX #655ACD

RGB 101 90 205

HSL 245.74, 0.53%, 0.58%

LAB 44.92, 35.01, -58.47

 

CMYK 57 / 25 / 0 / 20

HEX #599ACD

RGB 89 154 205

HSL 206.38, 0.54%, 0.58%

LAB 61.34, -5.94, -32.48

 

CMYK 100 / 0 / 0 / 100

HEX #000101

RGB 0 1 1

HSL 180, 1%, 0%

LAB 0.22, -0.26, -0.09

 

CMYK 56 / 25 / 0 / 80

HEX #172734

RGB 23 39 52

HSL 206.9, 0.39%, 0.15%

LAB 14.85, -2.25, -10.54

 

CMYK 56 / 25 / 0 / 60

HEX #2D4D67

RGB 45 77 103

HSL 206.9, 0.39%, 0.29%

LAB 31.45, -3.43, -18.72

 

CMYK 56 / 25 / 0 / 40

HEX #43749A

RGB 67 116 154

HSL 206.21, 0.39%, 0.43%

LAB 47, -5.03, -25.6

 

CMYK 57 / 25 / 0 / 20

HEX #599ACD

RGB 89 154 205

HSL 206.38, 0.54%, 0.58%

LAB 61.34, -5.94, -32.48

 

CMYK 20 / 56 / 0 / 20

HEX #A35ACD

RGB 163 90 205

HSL 278.09, 0.53%, 0.58%

LAB 51.27, 49.62, -47.93

 

CMYK 2 / 0 / 56 / 20

HEX #C9CD5A

RGB 201 205 90

HSL 62.09, 0.53%, 0.58%

LAB 80.08, -16.61, 55.64

 

CMYK 57 / 25 / 0 / 20

HEX #599ACD

RGB 89 154 205

HSL 206.38, 0.54%, 0.58%

LAB 61.34, -5.94, -32.48

 

CMYK 0 / 56 / 24 / 20

HEX #CD5A9B

RGB 205 90 155

HSL 326.09, 0.53%, 0.58%

LAB 54.72, 52.7, -13.16

 

CMYK 24 / 0 / 56 / 20

HEX #9BCD5A

RGB 155 205 90

HSL 86.09, 0.53%, 0.58%

LAB 76.9, -34.72, 51.17

 

CMYK 57 / 25 / 0 / 20

HEX #599ACD

RGB 89 154 205

HSL 206.38, 0.54%, 0.58%

LAB 61.34, -5.94, -32.48

 

CMYK 20 / 56 / 0 / 20

HEX #A35ACD

RGB 163 90 205

HSL 278.09, 0.53%, 0.58%

LAB 51.27, 49.62, -47.93

 

CMYK 0 / 32 / 56 / 20

HEX #CD8C5A

RGB 205 140 90

HSL 26.09, 0.53%, 0.58%

LAB 63.73, 19.43, 36.47

 

CMYK 36 / 0 / 56 / 20

HEX #84CD5A

RGB 132 205 90

HSL 98.09, 0.53%, 0.58%

LAB 75.64, -42.9, 49.39

 

CMYK 57 / 25 / 0 / 20

HEX #599ACD

RGB 89 154 205

HSL 206.38, 0.54%, 0.58%

LAB 61.34, -5.94, -32.48

 

CMYK 3 / 56 / 0 / 20

HEX #C65ACD

RGB 198 90 205

HSL 296.35, 0.53%, 0.58%

LAB 55.81, 58.69, -40.46

 

CMYK 0 / 32 / 56 / 20

HEX #CD8C5A

RGB 205 140 90

HSL 26.09, 0.53%, 0.58%

LAB 63.73, 19.43, 36.47

 

CMYK 53 / 0 / 56 / 20

HEX #61CD5A

RGB 97 205 90

HSL 116.35, 0.53%, 0.58%

LAB 74.15, -53.51, 47.27

 

Description

Color code: HEX #599ACD | qconv.com Color code: HEX #599ACD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 154 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 154 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 25 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 25% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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