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Color name
HEX #59942C

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59942C it is the complementary color #A66BD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59942C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59942C shade: #5E9427, #6FA63A, #80B84D, #91CA60 and #A2DC73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59942C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59942C shade: #59942C, #488219, #377006, #265E00 and #154C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59942C shade: #5A952D, #76952D, #92952D, #957C2D and #95602D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59942C shade: #5A952D, #3E952D, #2D9538, #2D9554 and #2D9570

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59942C shade matches the following richer shades: #5A952D, #58A51D and #56B50D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59942C shade: #5A952D, #5C863C, #5E764C, #60665C and #62576B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59942C shade: #92952D, #76952D, #5A952D, #3E952D and #2D9537

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59942C shade: #34561A, #477523, #5A952D, #6DB536 and #82C94B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59942C shade: #59942C, #2D957D and #952D84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59942C shade: #59942C, #2D5A95 and #952D5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59942C shade: #59942C, #2D957D, #682D95 and #952D45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59942C shade: #59942C, #2D8E95, #682D95 and #95342D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 70 / 42

HEX #59942C

RGB 89 148 44

HSL 94.04, 0.54%, 0.38%

LAB 55.57, -37.3, 46.8

 

Complementary color

CMYK 21 / 49 / 0 / 17

HEX #A66BD3

RGB 166 107 211

HSL 274.04, 0.54%, 0.62%

LAB 55.41, 42.72, -44.77

 

CMYK 36 / 0 / 74 / 42

HEX #5E9427

RGB 94 148 39

HSL 89.72, 0.58%, 0.37%

LAB 55.79, -35.85, 49.07

 

CMYK 33 / 0 / 65 / 35

HEX #6FA63A

RGB 111 166 58

HSL 90.56, 0.48%, 0.44%

LAB 62.47, -36.18, 48.58

 

CMYK 30 / 0 / 58 / 28

HEX #80B84D

RGB 128 184 77

HSL 91.4, 0.43%, 0.51%

LAB 69.04, -36.34, 47.68

 

CMYK 28 / 0 / 52 / 21

HEX #91CA60

RGB 145 202 96

HSL 92.26, 0.5%, 0.58%

LAB 75.52, -36.4, 46.61

 

CMYK 26 / 0 / 48 / 14

HEX #A2DC73

RGB 162 220 115

HSL 93.14, 0.6%, 0.66%

LAB 81.9, -36.39, 45.47

 

CMYK 40 / 0 / 70 / 42

HEX #59942C

RGB 89 148 44

HSL 94.04, 0.54%, 0.38%

LAB 55.57, -37.3, 46.8

 

CMYK 45 / 0 / 81 / 49

HEX #488219

RGB 72 130 25

HSL 93.14, 0.68%, 0.3%

LAB 48.78, -36.8, 46.85

 

CMYK 51 / 0 / 95 / 56

HEX #377006

RGB 55 112 6

HSL 92.26, 0.9%, 0.23%

LAB 41.87, -35.9, 45.48

 

CMYK 60 / 0 / 100 / 63

HEX #265E00

RGB 38 94 0

HSL 95.74, 1%, 0.18%

LAB 34.84, -34.29, 41.11

 

CMYK 72 / 0 / 100 / 70

HEX #154C00

RGB 21 76 0

HSL 103.42, 1%, 0.15%

LAB 27.65, -32.02, 35.14

 

CMYK 40 / 0 / 70 / 42

HEX #5A952D

RGB 90 149 45

HSL 94.04, 0.54%, 0.38%

LAB 55.95, -37.31, 46.79

 

CMYK 21 / 0 / 70 / 42

HEX #76952D

RGB 118 149 45

HSL 77.88, 0.54%, 0.38%

LAB 57.59, -26.45, 49.02

 

CMYK 2 / 0 / 70 / 42

HEX #92952D

RGB 146 149 45

HSL 61.73, 0.54%, 0.38%

LAB 59.7, -14.39, 51.83

 

CMYK 0 / 17 / 70 / 42

HEX #957C2D

RGB 149 124 45

HSL 45.58, 0.54%, 0.38%

LAB 52.94, 0.6, 45.04

 

CMYK 0 / 36 / 70 / 42

HEX #95602D

RGB 149 96 45

HSL 29.42, 0.54%, 0.38%

LAB 45.56, 16.66, 37.15

 

CMYK 40 / 0 / 70 / 42

HEX #5A952D

RGB 90 149 45

HSL 94.04, 0.54%, 0.38%

LAB 55.95, -37.31, 46.79

 

CMYK 58 / 0 / 70 / 42

HEX #3E952D

RGB 62 149 45

HSL 110.19, 0.54%, 0.38%

LAB 54.77, -46.07, 45.2

 

CMYK 70 / 0 / 62 / 42

HEX #2D9538

RGB 45 149 56

HSL 126.35, 0.54%, 0.38%

LAB 54.38, -48.82, 39.76

 

CMYK 70 / 0 / 44 / 42

HEX #2D9554

RGB 45 149 84

HSL 142.5, 0.54%, 0.38%

LAB 54.75, -44.55, 25.94

 

CMYK 70 / 0 / 25 / 42

HEX #2D9570

RGB 45 149 112

HSL 158.65, 0.54%, 0.38%

LAB 55.3, -38.61, 11.1

 

CMYK 40 / 0 / 70 / 42

HEX #5A952D

RGB 90 149 45

HSL 94.04, 0.54%, 0.38%

LAB 55.95, -37.31, 46.79

 

CMYK 47 / 0 / 82 / 35

HEX #58A51D

RGB 88 165 29

HSL 93.97, 0.7%, 0.38%

LAB 60.85, -45.7, 57.06

 

CMYK 52 / 0 / 93 / 29

HEX #56B50D

RGB 86 181 13

HSL 93.93, 0.87%, 0.38%

LAB 65.79, -53.02, 64.62

 

CMYK 40 / 0 / 70 / 42

HEX #5A952D

RGB 90 149 45

HSL 94.04, 0.54%, 0.38%

LAB 55.95, -37.31, 46.79

 

CMYK 31 / 0 / 55 / 47

HEX #5C863C

RGB 92 134 60

HSL 94.05, 0.38%, 0.38%

LAB 51.44, -28.19, 34.87

 

CMYK 20 / 0 / 36 / 54

HEX #5E764C

RGB 94 118 76

HSL 94.29, 0.22%, 0.38%

LAB 46.79, -17.06, 20.35

 

CMYK 6 / 0 / 10 / 60

HEX #60665C

RGB 96 102 92

HSL 96, 0.05%, 0.38%

LAB 42.4, -4.39, 4.85

 

CMYK 8 / 19 / 0 / 58

HEX #62576B

RGB 98 87 107

HSL 273, 0.1%, 0.38%

LAB 38.68, 8.7, -9.81

 

CMYK 2 / 0 / 70 / 42

HEX #92952D

RGB 146 149 45

HSL 61.73, 0.54%, 0.38%

LAB 59.7, -14.39, 51.83

 

CMYK 21 / 0 / 70 / 42

HEX #76952D

RGB 118 149 45

HSL 77.88, 0.54%, 0.38%

LAB 57.59, -26.45, 49.02

 

CMYK 40 / 0 / 70 / 42

HEX #5A952D

RGB 90 149 45

HSL 94.04, 0.54%, 0.38%

LAB 55.95, -37.31, 46.79

 

CMYK 58 / 0 / 70 / 42

HEX #3E952D

RGB 62 149 45

HSL 110.19, 0.54%, 0.38%

LAB 54.77, -46.07, 45.2

 

CMYK 70 / 0 / 63 / 42

HEX #2D9537

RGB 45 149 55

HSL 125.77, 0.54%, 0.38%

LAB 54.37, -48.94, 40.22

 

CMYK 40 / 0 / 70 / 66

HEX #34561A

RGB 52 86 26

HSL 94, 0.54%, 0.22%

LAB 32.83, -24.01, 30.07

 

CMYK 39 / 0 / 70 / 54

HEX #477523

RGB 71 117 35

HSL 93.66, 0.54%, 0.3%

LAB 44.49, -30.66, 38.72

 

CMYK 40 / 0 / 70 / 42

HEX #5A952D

RGB 90 149 45

HSL 94.04, 0.54%, 0.38%

LAB 55.95, -37.31, 46.79

 

CMYK 40 / 0 / 70 / 29

HEX #6DB536

RGB 109 181 54

HSL 94.02, 0.54%, 0.46%

LAB 66.95, -43.74, 54.91

 

CMYK 35 / 0 / 63 / 21

HEX #82C94B

RGB 130 201 75

HSL 93.81, 0.54%, 0.54%

LAB 74.21, -43.31, 54.39

 

CMYK 40 / 0 / 70 / 42

HEX #59942C

RGB 89 148 44

HSL 94.04, 0.54%, 0.38%

LAB 55.57, -37.3, 46.8

 

CMYK 70 / 0 / 16 / 42

HEX #2D957D

RGB 45 149 125

HSL 166.15, 0.54%, 0.38%

LAB 55.62, -35.34, 4.15

 

CMYK 0 / 70 / 11 / 42

HEX #952D84

RGB 149 45 132

HSL 309.81, 0.54%, 0.38%

LAB 37.72, 52.88, -26.19

 

CMYK 40 / 0 / 70 / 42

HEX #59942C

RGB 89 148 44

HSL 94.04, 0.54%, 0.38%

LAB 55.57, -37.3, 46.8

 

CMYK 70 / 40 / 0 / 42

HEX #2D5A95

RGB 45 90 149

HSL 214.04, 0.54%, 0.38%

LAB 37.91, 4.93, -36.95

 

CMYK 0 / 70 / 40 / 42

HEX #952D5A

RGB 149 45 90

HSL 334.04, 0.54%, 0.38%

LAB 35.99, 47.16, -2.39

 

CMYK 40 / 0 / 70 / 42

HEX #59942C

RGB 89 148 44

HSL 94.04, 0.54%, 0.38%

LAB 55.57, -37.3, 46.8

 

CMYK 70 / 0 / 16 / 42

HEX #2D957D

RGB 45 149 125

HSL 166.15, 0.54%, 0.38%

LAB 55.62, -35.34, 4.15

 

CMYK 30 / 70 / 0 / 42

HEX #682D95

RGB 104 45 149

HSL 274.04, 0.54%, 0.38%

LAB 31.78, 45.37, -46.51

 

CMYK 0 / 70 / 54 / 42

HEX #952D45

RGB 149 45 69

HSL 346.15, 0.54%, 0.38%

LAB 35.39, 45.07, 10.24

 

CMYK 40 / 0 / 70 / 42

HEX #59942C

RGB 89 148 44

HSL 94.04, 0.54%, 0.38%

LAB 55.57, -37.3, 46.8

 

CMYK 70 / 5 / 0 / 42

HEX #2D8E95

RGB 45 142 149

HSL 184.04, 0.54%, 0.38%

LAB 54.11, -25.07, -11.88

 

CMYK 30 / 70 / 0 / 42

HEX #682D95

RGB 104 45 149

HSL 274.04, 0.54%, 0.38%

LAB 31.78, 45.37, -46.51

 

CMYK 0 / 65 / 70 / 42

HEX #95342D

RGB 149 52 45

HSL 4.04, 0.54%, 0.38%

LAB 36.05, 40.3, 26.25

 

Description

Color code: HEX #59942C | qconv.com Color code: HEX #59942C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 148 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 148 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 70 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 70% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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